Travel and Exploration I Montpelier Street, London I 6 February 2019 25106

Home , Amedeo Preziosi, Charles Royds, Eric Marshall, Felice Beato, Hereford (ship), Jameson Adams

Travel and Exploration Montpelier Street, London I 6 February 2019

Travel and Exploration Montpelier Street, London | Wednesday 6 February 2019, at 1pm

BONHAMS SALE NUMBER PRESS ENQUIRIES REGISTRATION Montpelier Street 25106 [email protected] IMPORTANT NOTICE Knightsbridge Please note that all customers, London SW7 1HH CATALOGUE CUSTOMER SERVICES irrespective of any previous activity £15 www.bonhams.com Monday to Friday with Bonhams, are required to 8.30am – 6pm complete the Bidder Registration ENQUIRIES Form in advance of the sale. The VIEWING Pictures +44 (0) 20 7447 7447 form can be found at the back of Leo Webster Sunday 3 February every catalogue and on our +44 (0) 20 7393 3865 LIVE ONLINE BIDDING IS 11am – 3pm website at www.bonhams.com [email protected] AVAILABLE FOR THIS SALE Monday 4 February and should be returned by email or 9am – 4:30pm Please email bids@bonhams. post to the specialist department Veronique Scorer com with “Live bidding” in the Tuesday 5 February or to the bids department at +44 (0) 20 7393 3962 subject line 48 hours before [email protected] 9am – 4:30pm [email protected] the auction to register for this Wednesday 6 February service. To bid live online and / or 9am – 11am Itziar Ramos leave internet bids please go to +44 (0) 20 7393 3988 Please see page 2 for bidder www.bonhams.com/auctions/25106 [email protected] BIDS information including after-sale and click on the Register to bid link +44 (0) 20 7447 7447 collection and shipment at the top left of the page. Books & Photographs +44 (0) 20 7447 7401 fax Matthew Haley [email protected] Please see back of catalogue +44 (0) 20 7393 3817 To bid via the internet for important notice to bidders please visit www.bonhams.com Luke Batterham ILLUSTRATIONS +44 (0) 20 7393 3828 New bidders must also provide Front cover: Lot 82 proof of identity when submitting Simon Roberts Back cover: Lot 195 bids. Failure to do this may result +44 (0) 20 7393 3834 Inside front cover: Lot 62 in your bids not being processed. Inside back cover: Lot 167 Sarah Lindberg Please note that bids should be Contents: Lot 12 +44 (0) 20 7393 3831 submitted no later than 4pm on Index: Lot 110 the day prior to the auction. Rosie Martyr +44 (0) 20 7393 3810 Bidding by telephone will only be accepted on a lot with a lower +44 (0) 20 7393 3879 (fax) estimate of or in excess of £500. [email protected]

Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, Sale Information

BIDS SHIPPING IMPORTANT NOTICE VAT REFUNDS ON EXPORTS +44 (0) 20 7447 7447 For information and estimates • This symbol denotes a lot FROM THE EU +44 (0) 20 7447 7401 fax on domestic and international comprising printed books, To submit a claim for refund of To bid via the internet please visit shipping: unframed maps and bound VAT HMRC require lots to be www.bonhams.com manuscripts which are not liable exported from the EU within strict For Pictures to VAT on the Buyer’s Premium. deadlines. PAYMENTS Alban Shipping +44 (0) 20 7447 7447 +44 (0) 1582 493 099 Lots are sold with all faults, For lots on which Import VAT +44 (0) 20 7447 7401 fax [email protected] imperfections and errors of has been charged; marked in description, but if on collation the catalogue with a * or Ω, lots For Books, Maps, Manuscripts, any described printed book in must be exported within 30 days CATALOGUE Photographs and Objects this catalogue is found to lack of Bonhams’ receipt of payment SUBSCRIPTIONS Rosie Martyr text or illustrations, the same and within 3 months of the sale To obtain any Bonhams +44 (0) 20 7393 3810 may be returned to Bonhams date. For all other lots export catalogue or to take out an [email protected] within 20 days of the sale; the must take place within 3 months annual subscription: unstated defect to be detailed in of the sale date. Subscriptions Department EXPORT LICENCES writing. +44 (0) 1666 502200 Most manuscripts over fifty years For further VAT information +44 (0) 1666 505107 fax This shall not apply in the case please contact: [email protected] old, and certain other lots, will require export licences in order of un-named items, blanks, half- [email protected] to leave the UK or Europe. We titles or advertisements, nor to can apply for these on your damage to bindings, stains, tears behalf. Please contact the Book or other defects unless these Department if you would like result in loss to text or illustration. further guidance. Atlases, maps and prints are sold not subject to return, as are periodicals and items sold COLLECTION AND STORAGE as collections, association and All sold lots will remain in the extra-illustrated copies, or as Collections departments at bindings. Bonhams Knightsbridge until 5.30pm Tuesday 19 February Payment in Advance 2019 free of charge. Lots not (Telephone to ascertain collected by this time will be amount due) by: returned to their departments Cash, cheque with banker’s card, storage. Storage charges. credit, or debit card.

Payment at time of collection by: Cash, cheque with banker’s card, credit, or debit card.

The following symbols are used to denote that VAT is due on the hammer price and buyer’s premium.

† VAT 20% on hammer price and buyer’s premium

* VAT on imported items at a preferential rate of 5% on hammer price and the prevailing rate on buyer’s premium Contents

LOTS

General Travel and Pacific 1 – 16 Australia and New Zealand 17 – 32 Japan 33 – 37 China 38 – 46 South East Asia 47 – 52 India and Sri Lanka 53 – 75 Central Asia 76 – 82 Middle East 83 – 94 Persian Gulf 95 – 96 Turkey and the Ottoman Empire 97 – 109 North Africa 110 – 141 Sub-Saharan Africa 142 – 148 Mediterranean 149 – 157 West Indies 158 – 176 Cuba 178 – 179 Central and South America 180 – 188 North America 189 – 191 Polar 192 – 205 2

4 | BONHAMS General Travel and Pacific 1 MÜNSTER (SEBASTIAN) Portrait of Sebastian Münster, after Christoph Amberger, oil on canvas, framed, image approximately 515 x 415mm., [Germany, mid- nineteenth century]

£1,500 - 2,000 €1,700 - 2,200

Finely executed nineteenth-century copy after Christoph Amberger’s portrait of Sebastian Münster (1488-1552), the most celebrated of all fifteenth century cartographers, his Cosmographia Universalis first appearing in 1544. The original is held by the Staatliche Museen in Berlin.

2 • WORLD MAPS BUNTING (HEINRICH) Die Eigentliche und Warhafftige Gestalt der Erden und des Meers. Cosmographia Universalis, woodcut map, later hand-colouring, German text on verso, small repairs at fold with a couple of letters of text in margin supplied in manuscript facsimile [Shirley 143], 290 x 372mm., [Madgeburg, 1581]--[RUSCELLI (GIROLAMO)] Orbis descriptio, good margins, [Venice, 1598]; idem, another edition, shaved within platemark at upper blank margin (not touching image), [Venice, 1651], engraved maps, Latin text on verso [cf.Tooley 110], platemark 180 x 260mm. (3)

£800 - 1,200 €890 - 1,300 1

Bunting’s world map is celebrated for it’s inclusion of a landmass (captioned “India Meridionalis”) argued by some as depicting the west coast of Australia, therefore raising the the possibility of Portuguese knowledge continent before 1600.

3 • [COOK (JAMES)] ROBERTS (HENRY) A General Chart Exhibiting the Discoveries Made by Capt. James Cook in this and his Two Preceding Voyages; with the Tracks of the Ships Under his Command, engraved map, partially hand-coloured, dissected and laid on linen, framed and glazed (retaining the original marbled slipcase with printed label, loose), overall 580 x 905mm., [William Faden, 1784]

£600 - 800 €670 - 890

A world map on which are identified the routes of Captain James Cook’s three voyages to the Pacific, made by Henry Roberts, who had accompanied the Endeavour and Resolution voyages. 2

Born in London in 1833, Edward Roper was a writer and painter 1870-1 saw Edward, his wife and daughter travel to Australia on the who is best known for documenting his extensive travels. His family Newcastle. The trip was commemorated in an album Photographs moved to Canada around 1844 and Edward joined them two years from nature and from sketches made during a voyage round the later, undertaking the 71-day voyage from London to Montreal as a world in the ship “Newcastle”: 1870-1871 by Edward Roper (Mitchell fifteen year-old. A keen amateur artist, he sketched and painted the Library, State Library of New South Wales, Sydney). Lesser known early Canadian settlements and much of this body of work is now in are his beautiful drawings and watercolours made on this same trip, the collection of The Archives of Ontario, Canada. which now comprise lots 4-10 in this sale. These pictures having been kept in the family collection until now. With each work being The first gold rush in Australia began in May 1851 and Edward dated and giving the details of latitudes and longitudes, these really travelled to Victoria to join the hopeful prospectors. His painting Gold do give an unprecedented insight into long distance sail travel during diggings, Ararat, now in the collection of the State Library of New the period. South Wales, and the watercolour version included in this sale as lot 17, are fascinating and important records of the period. The family returned to England in 1873 on the Thomas Stephens, a trip which is documented in lots 11 and 12; lot 11 being complete In 1856, Edward returned to Canada, and then onto England in 1858 with the ticket for their sailing from Melbourne to London. It is at this where he married Annie, daughter of James Creasy of Sleaford. In point that Edward decided to turn his lifelong passion for recording 1859 the family settled in Hamilton, Ontario, where Edward continued the world around him into a profession, going to Paris to study art. to document his surroundings. He would then go on to enjoy a successful career as a professional Edward and his family moved back to England in 1865 at which point artist and writer, publishing books of his travels in Canada and he became manager of the Graphotype Company which introduced frequently contributing to the Boys Own Paper and the London a new process of engraving. Illustrated News up until his death in 1909.

6 | BONHAMS 5

4 5 EDWARD ROPER (BRITISH, 1830-1909) EDWARD ROPER (BRITISH, 1830-1909) Off St. Helens, Isle of Wight ‘”Dolphin”’ signed and dated ‘ERoper/Sept 14th 1870’ (lower right), inscribed dated, inscribed with title and further inscribed ‘Oct 5 1870/Lat 13 22 ‘CICERO/ST HELENS ROADS I of WIGHT’ (lower left), indistinctly N/Long 26.19 W’ (lower left), extensively inscribed (on the mount) inscribed ‘Sketch taken from “Newcastle” when she lay in St. Helens watercolour ---’ (on the mount) 12 x 22cm (4 3/4 x 8 11/16in). watercolour heightened with white unframed 15 x 35cm (5 7/8 x 13 3/4in). unframed £600 - 800 €670 - 890 £1,500 - 2,000 €1,700 - 2,200 Provenance Through the artist’s family. Provenance Through the artist’s family. The mount inscription reads:

‘The Dolphin so it appears under water. The colors are due,/ principally, to the sun shining upon it thro’ the water, alltho’/the fish is when alive very beautifully color’d , yet not this.’

6 EDWARD ROPER (BRITISH, 1830-1909) A school of porpoises signed and inscribed ‘ERoper/Oct 6th 1870/LAT 12.02 N/2.7.32.W’ (lower left), inscribed ‘A School of porpoises in the Doldrums or Equatorial Calms’ (on the mount) watercolour 17.5 x 25cm (6 7/8 x 9 13/16in). unframed

£1,500 - 2,000 €1,700 - 2,200

Provenance Through the artist’s family.

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 7

7 8 EDWARD ROPER (BRITISH, 1830-1909) EDWARD ROPER (BRITISH, 1830-1909) Study of a dolphinfish Albicore extensively inscribed (on the mount) signed with initials, dated, titled and further inscribed watercolour and bodycolour ‘ER/”ALBICORE”/CAUGHT ON BOARD “NEWCASTLE” Oct 13th 17.5 x 22.5cm (6 7/8 x 8 7/8in). 1870/LAT LONG/WEIGHT 53lbs LENGTH 3ft 8ins’ (lower left) unframed watercolour 17.5 x 25cm (6 7/8 x 9 13/16in). £800 - 1,200 unframed €890 - 1,300 £800 - 1,200 Provenance €890 - 1,300 Through the artist’s family. Provenance The mount inscription reads (later additions from the artist in Through the artist’s family. brackets):

‘(So called -)Dolphin; (properly Coryphene) caught with graines by Captn. French of “Newcastle” Octr 10th 1870/This sketch was made the moment the fish came out of the water,/the colors varied entirely many tints before the fish was dead.’

9 EDWARD ROPER (BRITISH, 1830-1909) Carlisle Castle and Newcastle in waters off South Africa signed, dated and inscribed ‘ERoper/NOVR 14th 1870/LAT 39.6.S/ Long 28.38 E’ (lower left), inscribed ‘The Carlisle Castle & the Newcastle/--- Ships’ (on the reverse) watercolour heightened with white 26 x 36cm (10 1/4 x 14 3/16in). unframed

£2,000 - 3,000 €2,200 - 3,300

Provenance Through the artist’s family.

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 10

10 EDWARD ROPER (BRITISH, 1830-1909) The aurora australis inscribed and dated ‘”Aurora Australis” Dec 12th 1870. Off Port Phillip’ (on the mount) watercolour 25.5 x 35cm (10 1/16 x 13 3/4in). unframed

£700 - 1,000 €780 - 1,100

Provenance Through the artist’s family.

11 EDWARD ROPER (BRITISH, 1830-1909) On board the Thomas Stephens on its journey from Melbourne to London, 1873 signed, dated and inscribed ‘ERoper on board LAT 83---/MAY 17th 1873’ (lower left), inscribed ‘Onboard Ship “Thomas Stephens”/off Cape Horn April 1873’ (on the mount) watercolour and bodycolour with collage 31 x 47cm (12 3/16 x 18 1/2in). (2)

£3,000 - 5,000 €3,300 - 5,500

Please note that this lot is accompanied by Roper and his family’s ticket aboard the Thomas Stephens in 1873; the same trip, from Melbourne to London, in which this work was created.

Provenance Through the artist’s family.

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 12

12 EDWARD ROPER (BRITISH, 1830-1909) ‘1. Physalia, or Portuguese man of war A study of sea life in the North Atlantic 2. Velella or Salle mar signed, dated and inscribed ‘ERoper/June 15th 1873/Animals as 3. Glaucus or sea lizard seen in/Lat 32 N - Long 45.W’ (lower left), extensively inscribed (on 4. Great Pipe fish the mount) 5. --- or floating crab watercolour heightened with white 6. Cestus Veneris, or Venus’ Girdle (?) 49 x 31cm (19 5/16 x 12 3/16in). 7. Variation of medusa 8. Nearer view of portions of no.6 9. Janthina fragilis or Violet Snail --- £3,000 - 5,000 The other fish are unknown as --names €3,300 - 5,500

Animals taken on Board “Thos Stephens”/on passage from Australia, Provenance June 1873/--- 32 N.Lat 45 W Long’ Through the artist’s family. Please note that lot 11 also depicts a sequence from this same journey The mount inscription includes a diagram and key, and reads as on board Thomas Stephens from Melbourne to London in 1873. follows:

13 EDWARD ROPER (BRITISH, 1830-1909) ‘The Island of Trinidada, in South Atlantic. Lat 20.31 S. long 29.18 W. Island of Trinidada in the South Atlantic (now Trindade) This Isles is about 6 miles in circumference. North End Barren. South extensively inscribed (on the mount) End covered with evergreen trees. Plenty of sea fowl & Rock fish/ watercolour heightened with white many wild hogs, goats & cats, some of the trees 18 ins in diameter. the 25.5 x 35.5cm (10 1/16 x 14in). Monument Rock (centre of drawing) is 850 feet high, large/trees grow unframed on top. There is a Sugarloaf Rock at S.E. End (not even in drawing) 1,160 feet high, it also is topped with layer trees. The/Portuguese had a settlement on this island but it has long since been abandoned. £2,000 - 3,000 The “Newcastle” sighted Trinidada on her outward voyage for her/ €2,200 - 3,300 passage home Came in sight of it Sunday morning March 12th 1871, experienced light baffling winds all day, it was first --- when the land Provenance was due East where/this sketch was taken. It was 2.30 p.m. on this Through the artist’s family. day that we spoke “Knight Companion”, shown in drawing, who informed us peace was proclaimed --- France v Prussia.’ The mount inscription reads:

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 14 EDWARD ROPER (BRITISH, 1830-1909) Trinidada (now Trindade) signed and inscribed ‘ERoper/TRINIDAD - 6p.m. bearing E by N’ (lower right) watercolour heightened with white 18 x 27cm (7 1/16 x 10 5/8in). unframed

£1,000 - 1,500 €1,100 - 1,700

Provenance Through the artist’s family.

An engraving after this sketch was printed in The Illustrated London News, 3 August 1895, p.6. this illustration is accompanied by the following text: 15

‘The little island of Trinidad, in the South Atlantic, has become suddenly of interest to the world, and has caused some friction between the British Government and Brazil. The British title to the island dates back to 1700, when Dr. Halley took possession of it without any resistance from the Portuguese. The Brazil Government claims, however, that in 1782 the island was evacuated by the British and restored to Portugal. Great excitement has been caused in Rio de Janeiro by the news that the direct Argentine cable had been landed on the Island. The illustration which we give of this little- known island is, particularly interesting.’

This text is then followed by a paraphrased account of Trinidada taken from Roper’s inscription accompanying lot 13 in the this sale.

15 EDWARD ROPER (BRITISH, 1830-1909) Study of a dolphinfish, 1873 signed with initials, dated and inscribed ‘ER/JUNE 1873/35N long’ (lower left) watercolour heightened with white 25 x 34cm (9 13/16 x 13 3/8in). unframed

£600 - 800 €670 - 890

Provenance Through the artist’s family.

16 EDWARD ROPER (BRITISH, 1830-1909) Five preparatory studies of cattle and cart pencil 18 x 37cm (7 1/16 x 14 9/16in) and smaller. (5) unframed 16

£200 - 300 €220 - 330

Provenance Through the artist’s family.

These works could relate to Roper’s painting titled ‘Gold diggings, Ararat’ dating c.1855 and held in the collection of the State Library, New South Wales, ref. 840136. Alternatively, they also bear a marked similarity to his painting ‘A prairie schooner on the Cariboo Road in British Columbia’ purchased by Library & Archives Canada in 2015.

Australia and New Zealand

17 EDWARD ROPER (BRITISH, 1830-1909) The Goldfields of Australia, Ararat signed and dated ‘ERoper/1858’ (lower left) watercolour heightened with white 31 x 51cm (12 3/16 x 20 1/16in).

£6,000 - 8,000 €6,700 - 8,900

Provenance Through the artist’s family.

This work is a detailed preparatory study for the oil painting ‘Gold diggings, Ararat’ held in the collection of the State Library, New South Wales, ref. 840136.

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 18

18 19 JOHN GULLY (NEW ZEALANDER, 1819-1888) JOHN CAMPBELL (AUSTRALIAN, 1855-1924) Nelson Harbour, New Zealand Sydney Harbour, 1895 signed ‘John Gully’ (lower left) signed and dated ‘JOHN CAMPBELL 1895’ (lower right) watercolour with traces of pencil and heightened with white watercolour 25.4 x 43.2cm (10 x 17in). 31 x 48cm (12 3/16 x 18 7/8in).

£1,000 - 1,500 £2,500 - 3,500 €1,100 - 1,700 €2,800 - 3,900

Provenance Likely purchased directly from the artist by his friends the Fells, and thence by descent to the current owners.

Arthur Merric Bloomfield Boyd AC OBE (1920–1999) is one of the 1965 at a poetry festival at the Royal Court Theatre, London. leading Australian artists of the 20th century. Coming from a family Immediately appreciating the similar themes of each other’s work, of artists, Boyd left school at the age of 14 to train in painting. At they embarked on a number of collaborative projects throughout their this young age, he was heavily influenced by his grandfather, the long friendship. The first of these was Boyd’s illustrations used for landscape painter Arthur Merric Boyd (1862-1940), and it is under Porter’s book of poems Jonah, published in 1973. They would go on his tutelage that he developed both his skill in painting and his desire to work together on publications including, most notably, The Lady to explore themes relating to the landscape, history and people of and the Unicorn (London, 1975), Narcissus (London, 1984) and Mars Australia. This influence is visible in his impressionist renderings (London, 1987). of Australian landscape which can be seen throughout his career. However, after having served in the army during World War II, his The collection of works on paper offered here were gifted by Boyd to artistic style moved towards gritty and expressionist figurative Christine Porter, Peter Porter’s wife. There is immediacy and pace to studies. This interest was developed through his membership of the these studies which gives an unprecedented insight into the way that Antipodean group of modern artists, formed in Melbourne in the the artist worked. One can see how he explored his recurring themes 1950s. From this point, recurring themes throughout Boyd’s work with the returning motifs of metamorphosis, sex, war, religion and the would be those of violence, sexuality and love. ubiquitous Australian soldier’s slouch hat. Whilst some can be seen to be directly linked to the poetry of Porter, both in terms of their The Australian poet Peter Porter (1929-2010) and Boyd met in imagery and accompanying inscriptions.

20 20

20 ARTHUR BOYD (AUSTRALIAN, 1920-1999) Provenance A group of five works on paper Gifted by the artist to the current owner, Christine Porter, wife to the pen and black ink, one with crayon poet Peter Porter, Boyd’s long-term friend and collaborator. each approx. 63.5 x 52cm (25 x 20 1/2in). (5) unframed

£1,500 - 2,000 €1,700 - 2,200

For details of the charges payable in addition to the final Hammer Price of each Lot 18 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 21

21 22

21 22 ARTHUR BOYD (AUSTRALIAN, 1920-1999) ARTHUR BOYD (AUSTRALIAN, 1920-1999) A group of five works on paper A group of five works on paper some bear inscriptions from the artist some bear inscriptions from the artist pen and black ink, one with brown ink pen and black ink each approx. 63.5 x 52cm (25 x 20 1/2in). (5) each approx. 63.5 x 52cm (25 x 20 1/2in), one has been trimmed unframed and is smaller. (5) unframed £1,500 - 2,000 €1,700 - 2,200 £1,500 - 2,000 €1,700 - 2,200 Provenance Gifted by the artist to the current owner, Christine Porter, wife to the Provenance poet Peter Porter, Boyd’s long-term friend and collaborator. Gifted by the artist to the current owner, Christine Porter, wife to the poet Peter Porter, Boyd’s long-term friend and collaborator.

23 24

23 24 ARTHUR BOYD (AUSTRALIAN, 1920-1999) ARTHUR BOYD (AUSTRALIAN, 1920-1999) A group of five works on paper A group of five works on paper some bear inscriptions from the artist some bear inscriptions from the artist pen and black ink pen and brown ink, one with black ink each approx. 64 x 51cm (25 3/16 x 20 1/16in), one smaller. (5) each approx. 63.5 x 52cm (25 x 20 1/2in). (5) unframed unframed

£1,500 - 2,000 £1,500 - 2,000 €1,700 - 2,200 €1,700 - 2,200

Provenance Provenance Gifted by the artist to the current owner, Christine Porter, wife to the Gifted by the artist to the current owner, Christine Porter, wife to the poet Peter Porter, Boyd’s long-term friend and collaborator. poet Peter Porter, Boyd’s long-term friend and collaborator.

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 26

25 26

25 26 ARTHUR BOYD (AUSTRALIAN, 1920-1999) ARTHUR BOYD (AUSTRALIAN, 1920-1999) A group of five works on paper A group of five works on paper some bear inscriptions from the artist some bear inscriptions from the artist pen and black ink pen and black ink and felt-tip pen each approx. 63.5 x 52cm (25 x 20 1/2in), one smaller. (5) each approx. 63.5 x 52cm (25 x 20 1/2in). (5) unframed unframed

£1,500 - 2,000 £1,500 - 2,000 €1,700 - 2,200 €1,700 - 2,200

28 • DE JODE (CORNELIS) Novae Guineae forma, & situs, engraved map of New Guinea and the Solomon Islands with part of the southern continent (“Terra Australis”), enlivened with a scene of a huntsman shooting a dragon, exotic animals, mystical beasts, and ships, Latin text on the verso, 27 cut within platemark close to line border on left-hand margin, 348 x 218mm., [Antwerp, 1593] 27 £6,000 - 8,000 ARTHUR BOYD (AUSTRALIAN, 1920-1999) €6,700 - 8,900 A group of five works on paper one bears inscription from the artist pen and black ink, one with brown ink CONSIDERED THE FIRST PRINTED MAP OF AUSTRALIA. “Though each approx. 63.5 x 52.5cm (25 x 20 11/16in). (5) this copperplate has New Guinea as its title and shows also the unframed Solomon Islands, the whole of the lower half of the map depicts an entirely imaginary northern coast of Australia with vignettes of a native with bow and arrow attacking a gryphon, a snake and a lion” £1,500 - 2,000 (Tooley). It has been suggested that the positioning of Australia could €1,700 - 2,200 be based on explorations pre-dating the recorded Dutch contacts, the Latin text on the verso (“Huic regioni à Meridie est magnus ille Provenance terra Australis tractus...”) translating as “To the south of this region Gifted by the artist to the current owner, Christine Porter, wife to the [New Guinea] is the great tract Terra Australis, which when it is poet Peter Porter, Boyd’s long-term friend and collaborator. discovered will form a fifth part of the world...”

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 29

29 • 30 • BLAEU (WILLEM) VALENTYN (FRANCOIS) India quae Orientalis et insulae adiacentes, 2 decorative cartouches Kaart der Reyse van Abel Tasman, engraved map on 2 sheets joined, with costumed figures, allegorical vignettes, French text on verso, several light fold creases, 315 x 475mm., Dordrecht, J. van Braam, strengthened at fold on verso, 420 x 510mm. [Amsterdam, 1635, and Amsterdam, G. Onder de Linden, 1726 or slightly later]--JANSSONIUS (JOANNES) Indiae Orientalis nova descriptio, decorative cartouches, Spanish text on verso, overall £1,000 - 1,500 toning, 390 x 505mm., Amsterdam, [c.1633], hand-coloured double- €1,100 - 1,700 page engraved maps (2) A scarce map detailing the routes taken by Abel Tasman in £1,000 - 1,500 Australasia during two voyages of 1642 and 1644, when he €1,100 - 1,700 discovered Tasmania and New Zealand and proved that Australia was not part of the Great Southern Continent. Blaeu’s decorative sea chart of the East Indies was the first to include the Dutch discoveries in Australia on both the Cape York Peninsula and on the west coast.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. TRAVEL AND EXPLORATION | 23 31 • FREYCINET (LOUIS DE) Carte générale de la Nouvelle Hollande... 1808, large engraved map, 2 sheets joined, decorative cartouche and vignette, 790 x 550mm., [Paris, 1811]--BELLIN (JACQUES NICOLAS) Carte réduite des terres Australes, central fold, 210 x 290mm., Paris, 1753--[MALLET (ALAIN-MANESSON)] Nouvelle Guinee et Carpentiere, engraved map showing the coastline of Queensland, the map 180 x 125mm., [Paris, 1683]--[HUNTER (JOHN)] Sketch of Sydney Cove, Port Jackson in the County of Cumberland, New South Wales, July 1788, plan by T. Medland after Captain Hunter, old folds, sheet 545 x 445mm., J. Stockdale, 1789; Chart of the Coast Between Botany Bay and Broken Bay Surveyed in 1788 and 89, engraved hand-coloured chart, laid down, repaired at fold, 415 x 730mm., J. Stockdale, 1792- -[COOK (JAMES)] Entrance of Endeavour River, in New South Wales ; Botany Bay, in New South Wales, 2 maps on one sheet, engraved by J. Gibson and T. Bowen, 155 x 350mm., [London, 1773]--Mappe Monde sur la plan de l’Equateur, Hémisphère Méridional, hand- 31 coloured engraved map, [?Paris, c.1820]; and 2 others, a map of Brazil by J. Rapkin, and a map of Chile and Paraguay by Robert Modern (9)

£800 - 1,200 €890 - 1,300

32 PHOTOGRAPHY - AUSTRALIA, NEW ZEALAND AND PACIFIC A collection of approximately 52 views, native groups and portraits (including carte-de-visites), some mounted on card, some captioned in ink or pencil on verso, various sizes, [mostly late nineteenth century] (quantity)

£500 - 700 €560 - 780

Fiji images include “a Fijian house. Photo by Rev. George Brown, Methodist Missionary”; “an old Fijian chief on the upper Rewa”; groups of Fijians near Suva, by Burton & Co. of Dunedin (2); carte- de-visite of a seated warrior by W. Duft, of Noumea; carte-de-visite portraits of Ratu Cakobau by F. & A. Dufty, Lekuva (2), and a group of portraits of his family and circle; “native police at drill”. Australian 32 images include a good image of an unidentified Aborigine in a suit holding a boomerang; “mustering for a hunt”, “Aboriginals, N.S.W.” (2 on a card); “King Jimmy” by Kerry & Jones, Sydney; “Natives of Lake Tyers”, unidentified female Aborigine with her son. Others include cabinet portraits of King Kalakaua, and Queen Kapiolani of Hawaii by J. Williams & Co., of Honolulu; Maori woman by C.P. Cottier (2).

Japan 33 [BEATO (FELICE)] Group of 22 views and “native types” of Japan, albumen prints (the 3 “types” colour tinted), each mounted on card, images approximately 180 x 215mm., [nineteenth century]

£1,500 - 2,000 €1,700 - 2,200

Images comprise; Giant bell in the courtyard at Daibutsu, Kyoto; Samurai house near a river; Temple views (5); groups of monks and others at rock temples (3); garden buildings, bridge and others (5); 33 village in a river valley; river scene; two large wagons with onlooking children; steep steps to temple; four women on a veranda; woman in a covered rickshaw; men with loaded cart. They are attributable to Felice Beato.

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 34 35

34 35 • PHOTOGRAPHY BIGOT (GEORGES) Album of portraits and trade-types (26), and views (24), 50 hand- O-Ha-Yo. Album, FIRST EDITION, etched pictorial title and 30 etched tinted albumen prints, mounted on card recto and verso, some plates, 10 additional woodcut plates (captioned “une chasse”), spotting and fading, contemporary half morocco, gilt lettered stitched in original wrappers (light soiling), 4to (302 x 202mm.), “Photographs. Japan” on upper cover, g.e., oblong folio, [c.1880- [Yokohama, 1883] 1900] £600 - 800 £600 - 800 €670 - 890 €670 - 890 Georges Bigot (1860-1927), a French artist, lived in Yokohama from Album of photographs, most of which are numbered in the negative, 1882 and 1899. The plates depict female and male Japanese “types” not obviously traced in Terry Bennett’s Old Japanese Photographs. involved in the activities of daily life (cooking, bathing, entertaining), The portrait types include: Two young boys in feathered hats and work (fishermen, wigmakers, soldiers, story-tellers), in both (numbered 88), Samurai seated (99), Fashionable woman with traditional and European-influenced dress. umbrella (2, one numbered 231), Woman kneeling with a young male attendant in front of a screen (22), Woman spinning (239), Samurai with arrows and hat seated (411), Samurai in armour (269), Two female musicians (49), Three female dancers (26), Two female calligraphers (19), Group of female musicians (28), Group of eight women of all ages (425), Daikon carrier (300), Wooden shoe maker (244), Woman pouring sake (215), Lottery salesman (245), Barrel maker (85), and Young priest (42).

36 37 YOSHIO MARKINO (JAPANESE, 1874-1956) YOSHIO MARKINO (JAPANESE, 1874-1956) Diabolo in a London park A view of Castel Sant’Angelo across the Tiber with St Peter’s Basilica signed with monogram (lower right) in the distance watercolour signed with monogram (lower left) 23.5 x 34.5cm (9 1/4 x 13 9/16in). watercolour 21.5 x 31.5cm (8 7/16 x 12 3/8in). £1,500 - 2,000 €1,700 - 2,200 £1,000 - 1,500 €1,100 - 1,700

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 38

39 China 38 39 CHINESE SCHOOL, 19TH CENTURY CHINESE SCHOOL, 19TH CENTURY Domestic scene Chinese riverside scene oil on canvas oil on canvas 46 x 60.5cm (18 1/8 x 23 13/16in). 46 x 60cm (18 1/8 x 23 5/8in).

£1,200 - 1,800 £1,200 - 1,800 €1,300 - 2,000 €1,300 - 2,000

£2,500 - 3,500 €2,800 - 3,900

41 ALEXANDER RATTRAY (BRITISH, 1830- 1906) Joss House near Iwan, Hong Kong; Chinese Houses near Iwan, Hong Kong both signed ‘Alex Rattray’ (lower right), monogrammed ‘AR’ (lower left) pencil, pen and ink and sepia wash the first 10.5 x 15cm (4 1/8 x 5 7/8in); the second 8.5 x 15.5cm (3 3/8 x 6 1/8in). (2)

40 £800 - 1,200 €890 - 1,300

Provenance Martyn Gregory Gallery, London, 1993, catalogue 62 nos. 47 and 48. Acquired by the present owners from the above.

Exhibited Hong Kong, Mandarin Oriental Hotel, Alexander Rattray, 1830-1906: Naval Surgeon, 5-8 May 1993.

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 42

42 43 44 EIZO KATO (JAPANESE, 1906-1972) EIZO KATO (JAPANESE, 1906-1972) EIZO KATO (JAPANESE, 1906-1972) A view across Victoria Harbour to Hong Kong Hong Kong across Victoria Harbour A view across Victoria Harbour to Hong Kong Island signed ‘E.Kato’ (lower left) Island signed ‘E.Kato’ (lower right) watercolour signed ‘E.Kato’ (lower right) watercolour 22.5 x 65cm (8 7/8 x 25 9/16in). watercolour 23 x 66cm (9 1/16 x 26in). 22.5 x 64.5cm (8 7/8 x 25 3/8in). £800 - 1,200 £800 - 1,200 €890 - 1,300 £800 - 1,200 €890 - 1,300 €890 - 1,300

45 46 AFTER LIEUTENANT L.G. HEATH, RN PHOTOGRAPHY Includes: China and Wai-Hai-Wei (c.100, ‘Hong Kong & c. As seen from the A group of 4 photograph albums, relating to including Emperor’s summer palace, city Anchorage’ a tour of duty of H.M.S. Kent based at the walls, golf club, aftermath of fighting); Canton 3 engravings printed by the Hydrographic China Station, visiting China, Canton, Hong (c.30, some captioned in the negative, one by Office, London 1847 Kong, Macao, North Borneo, Singapore, and Lau-Fong); Hong Kong (c.50, including “native each 17.5 x 76cm (6 7/8 x 29 15/16in). (3) neighbouring regions, approximately 320 theatre”, “from the peak”, the racetrack, albumen and gelatin silver prints, mounted “Chinese graveyard”, “Queen’s Road Central”); British North Borneo (16, Jesselton town £1,000 - 1,500 between 1 and 6 images per page (varying street and harbour views, “native village”, €1,100 - 1,700 size, mostly 145 x 105mm., or smaller), some pasted down, others loose in window “scene of murder by head hunters”, views mounts, contemporary cloth or half morocco at Tenom and river Padas); Singapore (c.12, (one with loss of spine), 8vo and 4to, including “Chinese Theatre”, motorcar “in the [c.1909-1911] (4) jungle, Singapore”, rickshaw pullers, “Raffles Hotel”); others from Macao, Malta, Suez, Aden and Perim (including cricket ground), £600 - 800 Colombo, Acapulco in Mexico (2, “A body of €670 - 890 rebels” and “after capture by rebels”, and ship life and British vessels.

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 46 47

South East Asia 47 • RAFFLES (THOMAS STAMFORD) AND JOHN CRAWFORD Description géographique, historique et commerciale de Java et des autres iles de l’Archipel Indien, first French text edition, half- title, 47 lithographed plates (on 46 sheets, of which 10 hand-coloured), 2 folding engraved maps hand-coloured in outline, early boards, publisher’s pink printed labels on covers and spine, rubbed, 4to, Brussels, H. Tarlier and Jobard, 1824

£600 - 800 €670 - 890

48 • JANSONNIUS (JOANNES) Mar di India, hand-coloured engraved map, extending from Cape Horn to the coast of Australia (“Terra del Zur”), decorative title cartouche, Latin text on verso, 2 short tears closed, backed on archival paper, 445 x 570mm., Amsterdam, 1650

£600 - 800 48 €670 - 890

Early sea chart of the Indian Ocean, notable for the inclusion of an outline of the coast of Australia (“Terre des Zur”), on which are recorded the names of the pioneering Dutch voyages that explored the western coast of the continent.

49 50 * TONG CHIN SYE (SINGAPOREAN, BORN 1939) AUGUSTE BORGET (FRENCH, 1809-1877) Singapore market scene ‘Canal á Manille’ signed ‘tong’ (lower right) signed and inscribed with title ‘aug Borget’ (lower right) watercolour pencil 54.5 x 54.5cm (21 7/16 x 21 7/16in). 20.5 x 32cm (8 1/16 x 12 5/8in).

£1,500 - 2,000 £1,500 - 2,000 €1,700 - 2,200 €1,700 - 2,200

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 51 ANTONIO MARIA BLANCO (FILIPINO, 1927-1999) The Portrait of my Balinese Father-in-Law signed ‘Blanco’ (lower right), inscribed ‘Bali’ (lower left) oil on canvas 33 x 23cm (13 x 9 1/16in).

£1,500 - 2,000 €1,700 - 2,200

Provenance Anon. sale, Bonhams, London, 22 March 2000, lot 74.

A label bearing Blanco’s studio stamp on the reverse of the painting includes comments from the artist about this work:

‘Painted in the year 1962, this sketch in oil colors is of my best male model in Bali: namely I Kebbak (my Balinese wife’s father). His intense expression required something delicate which I think I accomplished by painting a little gold earing called in Balinese: “Bungkung Kuping”. Men in the real-Bali-of- old wore such little earings. I hope that it will find harmony in the home of Commander John Patrick David & his wife in its hand carved frame whose incised designs were taken from Temple decorations in Bali.’

The painting is still housed in the same frame referenced in this text.

52 ROMEO V. TABUENA (FILIPINO, 1921- 2015) Three villagers signed and dated ‘TABUENA/1960’ (lower left) acrylic on board 27.5 x 37.5cm (10 13/16 x 14 3/4in).

£1,200 - 1,800 €1,300 - 2,000

53 AR SIR GERALD FESTUS KELLY RA, KCVO, PRA (BRITISH, 1879-1972) Burmese Dancing Girl oil on board 50 x 39cm (19 11/16 x 15 3/8in).

£2,000 - 3,000 €2,200 - 3,300

Provenance The Contents of the Studio of the Late Sir Gerald Kelly, K.C.V.O., P.R.A., R.H.A. Christie’s, London, 8 February 1980, lot 127. Anon. sale, Christie’s, London, 4 June 2018, lot 173.

54 GEORGE KEYT (SRI LANKAN, 1901-1993) A Study for ‘Nara Narayana’ signed and dated ‘G Keyt/43’ (upper right) ink on paper laid to card 42.5 x 50cm (16 3/4 x 19 11/16in).

£1,200 - 1,800 €1,300 - 2,000

Provenance Bears labels indicating that this work was part of Martin Russell’s collection. 53 Whilst posted in Ceylon as a sergeant in the British Army from 1942, Martin Russell (1918-2004) discovered the Ceylonese group of artists known as the Colombo ‘43 Group. George Keyt was a leading figure within this group and it is Keyt whom Russell would take a most keen interest in, purchasing all of his works exhibited at the group’s first show held in Colombo in 1943. Russell would go on to write a book ‘The Art of George Keyt’, published 1950, and continued to patronise the group and encourage the exhibiting of their work throughout Europe.

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 55

55 AR HERBERT ARNOULD OLIVIER (BRITISH, 1861-1952) Artist from 1917-1924; with his works being held in many notable On the Ganges, Varanasi, India collections including those of the Imperial War Museum and the signed ‘H A Olivier.’ (lower right) British Government. He is also noted for being an uncle of the actor watercolour Laurence Olivier (British, 1907-1989). 34.5 x 50.5cm (13 9/16 x 19 7/8in). 56 £2,000 - 3,000 CARLTON ALFRED SMITH, RI, RBA, ROI (BRITISH, 1853-1946) €2,200 - 3,300 Indian street scene signed ‘Carlton a Smith’ (lower right) Born in East Sussex in 1861, Olivier taught at the Bombay School watercolour of Art throughout the 1880s and it is during this period that this 24 x 37.5cm (9 7/16 x 14 3/4in). work likely dates to. In 1885 he exhibited a number of works from India at the Fine Art Society, London. Today he is best known for £700 - 900 his commissioned portraits along with his work as Official War €780 - 1,000

57 58 CIRCLE OF WILLIAM PRINSEP (BRITISH, 1794-1874) W. MULLER, MID TO LATE 19TH CENTURY View of Calcutta from Garden Reach on the Hooghly River ‘Gwalior Monument, Fort Point, Calcutta’ indistinctly monogrammed (lower right) signed ‘W MULLER’ (lower left), inscribed with title (lower right) oil on canvas watercolour and pencil 61 x 91.5cm (24 x 36in). 24 x 35cm (9 7/16 x 13 3/4in). unframed £2,000 - 3,000 €2,200 - 3,300 £600 - 800 €670 - 890

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 59

59 60 JOHN VARLEY OWS (BRITISH, 1778-1842) GEORGE CHINNERY RHA (TIPPERARY 1774-1852 MACAU) An expansive view of temples and a palace in India Figures by a riverside tomb, Bengal signed and dated ‘John Varley . 1835’ (lower left) pen, brown ink and watercolour watercolour on card 13 x 22cm (5 1/8 x 8 11/16in). 35 x 73cm (13 3/4 x 28 3/4in). £1,500 - 2,000 £1,000 - 1,500 €1,700 - 2,200 €1,100 - 1,700 Provenance This work was most likely created based on witness accounts and With Thomas Agnew & Sons Ltd., London. sketches as Varley did not travel to India. Private collection, UK.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. TRAVEL AND EXPLORATION | 37 61 WILLIAM DANIELL RA (1769-1837 LONDON), AND SAMUEL DANIELL (BRITISH 1775-1811) An album of drawings, mostly by William Daniell including a view of Chertsey, Hindoo (sic) females, white cockatoo, ostrich, sailing craft, livestock, Indian women at a river, a dancer, a port, a nawab riding an elephant, Gen. Master’s house at Lucknow, a barge, Welsh views, study of a monkey and eagle, a fakir, a watercolour of an Indian woman on the banks of the Ganges, two watercolours of a marabou stork and a peacock by Samuel Daniell and a watercolour of deer by Newton Limbird Fielding many signed with initials

£4,000 - 6,000 €4,400 - 6,700

61 For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 62

62 • [DANIELL (SAMUEL) Complete suite of Daniell’s fine landscape, costume and natural A Picturesque Illustration of the Scenery, Animals, and Native history plates of Sri Lanka. The plates depicting animals “are partly Inhabitants, of the Island of Ceylon], 12 hand-coloured plates (11 printed in colour, which enables a brilliant effect to be obtained, aquatints, some printed in colours, and one etching) by William particularly on the bodies of the animals, where the colour is broken Daniell after Samuel Daniell, paper watermarked “Whatman 1801”, by tiny white flecks of the aquatint grain, giving a subtle sheen, and without title and letterpress text, maroon half morocco gilt, gilt conveying the impression of smooth bulk, especially on the flanks of morocco lettering panel on upper cover [Abbey Travel 410; Nissen the elephant” (Abbey). ZBI 1036; Tooley 170], oblong folio (443 x 595mm.), [T. Bensley, 1808] Comprises: Distant View of Trincomale; The Spotted Antelope; A Maha Modliar and Toddy Gatherer; View between Galle and Mattura; Wild Boar; Water Carrier; The Ferry at Caltura; The Elk; A Gentoo £10,000 - 15,000 Chitty Man and Woman; The Fishing Cove near Columbo; The €11,000 - 17,000 Elephant; A Singaleze Man and Woman.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. TRAVEL AND EXPLORATION | 39 63 63 BENGAL - BHAGALPUR A fine Company School watercolour panoramic view of the house of Augustus Clevland at Bhagalpur, ink and watercolour on 2 sheets joined, paper watermarked “J. Whatman”, captioned in pencil on verso, image 255 x 290mm., [late eighteenth century]

£2,000 - 3,000 €2,200 - 3,300

Fine panorama of the house (and surrounding landscaping) of Augustus Clevland (1754-1784), East India Company administrator in the Province of Bengal.

Provenance Eyre and Hobshouse, “Images from Northern India 1680-1800”, exhibition November-December 1984, item 3.

64 SALT (HENRY) Poonah, hand-coloured aquatint view by D. Havell after Salt, browning, approximately 500 x 740mm., William Miller, 1809--DANIELL (THOMAS) Hindoo Temples at Bindrabund on the River Jumna, hand-coloured aquatint, trimmed close to image, 64 small ink stain partly obscuring the imprint details, 460 x 605mm., [1795]--D’OYLY (CHARLES) Hindoo Mut in the Chitpore Bazaar, hand-coloured lithographed view by Dickinson after D’Oyly, mounted, framed and glazed, image 280 x 410mm., [c.1830]--”Simla, from Prospect Hill”, watercolour view, mounted, framed and glazed, image to view 300 x 462mm., [c.1860] (4)

£600 - 800 €670 - 890

65 PHOTOGRAPHY Group of approximately 20 albumen print portraits, views and scenes, including: a portrait of Takht Sing, Maharaja of Jodphur (1819-1873), 205 x 158mm.--[HOOPER (WILLOUGHBY WALLACE)] Series of 5 photographs of victims of the Great Famine, and 2 others captioned “Native Officials, Mysore” and “Famine Orphanage. Hassan, Mysore”, 170 x 220mm., [1876]--SHEPHERD (CHARLES) “Afredeeds from Khyber Pass”, signed in the negative, 225 x 295, [1860s/70s]--Portrait of Sher Ali Khan, half-length, seated with sword, [c.1870]--”The Madras Police - taken at Rajamundry - 1862”; “Godavery River near Dowleswaram... 1862”, the last 2 captioned beneath image, 170 x 220mm., [1862]--[SKEEN & CO.] “Kandyan Chief”, 282 x 220mm., [1880s]--”A Cashmere dancing girl”, by Bourne, numbered “873” in the negative, 105 x 92mm., [1860s]-- 65 Bahadur Shah Zafar, the last Mughal Emperor, by Robert Christopher Tytler, 105 x 132mm., [c.1859]--SHEPHERD & ROBERTSON. Mughal family group [sometimes identified as the Last Mughal Emperor’s children], 180 x 212mm., [c.1862]--4 good Nepalese groups, captioned in pencil “Nipalese General & Wife”, “Ladies of the court, Nipal”, “Rani & maids of honour, Nipal” and “Maids of honour, Nipal”, 190 x 262mm., [1880s]; and 10 others, including 4 unusual images of Indian tribal women (30)

£700 - 900 €780 - 1,000

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 66

66 PHOTOGRAPHY - PUNJAB fine views of a “Peepul Tree growing on an old wall, Umhalla”, and A collection of views in the Punjab, including Markunda, Mundi, “Engineer’s Yard. Markunda Bridge Works” (illustrated). Another Naggar and the Kullu Valley, Rohtang Pass to Ladakh, many relating large image is captioned “Court House at (?) Jugadwar. Built by W. to bridge engineering works, with a few portrait groups, 75 albumen Purdon, C.E.”, with 2 others of similar British colonial buildings. prints mounted on album sheets (13 large images one per page, smaller 2 per page), mostly captioned in ink beneath image, 5 signed Others, seemingly relating to Purdon’s engineering works, include: by W. Purdon, 2 signed by Major Wroughton, large approx. 180 x Koksur in Lahaul (10, including 5 of the new bridge “...opened Nov. 210mm., others mostly 125 x 160mm., [c.1864-1865] 1863”, and 4 of the old “Twig Bridge”); Makundra Bridge (9, showing the new bridge in various stages of construction, one dated 1865); Kullu Valley (including the palace at Naggar), Rohtang Pass and £2,000 - 3,000 neighbouring landscapes (approx. 12, including “Bridge over the €2,200 - 3,300 Beeas river”, “...road towards Spiti”, and “Narcundra Dak Bungalow. Hindostan & Thibet Road”; Mundi (5, including 2 sheet panorama PUNJAB IN THE 1860S - RARE GROUP OF GOOD AMATEUR captioned “City of Mundi. Himalayas”); Simla (3); the Mutiny Memorial PHOTOGRAPHIC VIEWS, seemingly taken by an engineer at Cawnpore (2), groups (4, including “My Servants [10 men and a participating in the building of the Punjab Railway, and/or the dog] Oct. 1864”, and “Lucknow Christmas 1864”). undertaking of the Geological Survey of the Punjab. There are two images (180 x 230mm.) of Fazabad Oude (the Four exceptional images (185 x 245mm.) are signed by “W. Purdon”, mosque; gateway) captioned and signed “Major Wroughton”. almost certainly the Purdon who was “Executive Engineer, Bridges Wroughton (1797-1850), of the 69th Bengal Infantry, was the deputy and Branch Roads, Umballah” (mentioned in the Report on the Surveyor-General of India. These were presumably taken in the Administration of the Punjab..., 1860-61). These comprise three 1840s.

67 * BIKANER H.H. Ganga Singh, The Maharaja of Bikaner, standing full length in ceremonial military costume with hand on sword, in a studio setting with western-style carpet, red curtains and a throne, overpainted photograph (probably by Vandyk), window-mounted, image 480 x 365mm., [c.1915]

£800 - 1,200 €890 - 1,300

68 * GUJARAT - IDAR Sir Pratap Singh, Maharaja of Idar, quarter-length portrait with medals at chest, overpainted photograph, window-mounted, image approximately 470 x 350mm., [early twentieth century]

£800 - 1,200 €890 - 1,300

69 * GUJARAT - BHAVNAGAR Raol Shri Sir Bhavsinhji II Takhtsinhji, Maharaja of Bhavnagar, half-length portrait wearing a necklace of three rows of pearls, overpainted portrait photograph, signed “Herzog & Higgens. Mhow, Central India” on the mount, window-mounted, image approximately 470 x 350mm., [early twentieth century]

£800 - 1,200 €890 - 1,300

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 70 71

70 * PRINCELY RULER Large portrait of an unidentified princely ruler wearing a heavy necklace of gold, emeralds and rubies, seated on a gold throne with arms in the form of lions, his feet resting on a cushion, against a studio background with red curtain and a landscape viewed through a window, overpainted photograph, window-mounted, image approximately 485 x 395mm., [first half of twentieth century]

£2,000 - 3,000 €2,200 - 3,300

71 * PRINCELY RULER Large portrait of an unidentified youthful princely ruler, standing full- length wearing rich jewellery on headwear, arms and waistband with a string of pearls, in a studio setting with very large gold throne with lion-shaped arms, carved pillars and a view through curtains to a room beyond, overpainted photograph, window-mounted, image approximately 540 x 430mm., [first half of twentieth century]

£2,000 - 3,000 €2,200 - 3,300

72 * PRINCELY RULER Portrait of a unidentified Maharaja wearing an elaborate emerald necklace, full length seated in a studio setting (Western carpet, panelled wooden walls with inset painted view, and red curtain), overpainted photograph, ? by “The Rajputa[na] Photo Art Studio, Jaipu[r]” (label on the mount), window-mounted, image approximately 300 x 240mm., [early twentieth century] 72 £600 - 800 €670 - 890

73 PHOTOGRAPHY A good collection of albumen print views and portraits, including 2 group portraits of Naga males, captioned in the negative “1. Nagas” and “3. Nagas”, approx. 218 x 285mm.; group of 4 portraits (“Woman with Peep show”, “Bhanda Wale” with monkeys, “Mendicant”, “Sadhu or Fakir”, 155 x 112mm.; “Natives playing pachese”, 150 x 200mm.; Ram Singh, Maharao of Bundi on horseback, 210 x 235mm.; DAYAL (DEEN) Maharaja Ajaijurgh, 250 x 185mm.; Series of 4 group portraits of the Nizam of Hyderabad, 180 x 270mm., all mounted on card; “Jaffra.... group of tinkers, tailors, hawkers”, 110 x 150mm., [late nineteenth/ early twentieth century]; and approximately 50 others, including portraits of a prince of Orissa, Jehan Begum of Bhopal, an “Indian Fakir, Sweeper Class”, “Beloochistan Chiefs”, school children with books (3), carte-de- visites of ayahs and their wards, some mounted, various sizes (quantity)

74 £800 - 1,200 €890 - 1,300

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 75

74 • BURRARD (SIDNEY GERALD) Records of the Survey of India volume VI: Completion of the link connecting the triangulations of India and Russia 1913, FIRST EDITION, PRESENTATION COPY with printed label “...forwarded with the compliments of the Surveyor General of India” on front paste- down, 7 photogravure plates, 14 photographic plates (on 13 sheets), 5 maps and charts (2 folding), publisher’s cloth-backed boards, original printed label on spine, slightly rubbed, small folio (338 x 205mm.), Dehra Dun, The Office of the Trigonometrical Survey, 1914; sold with a copy of “East India (Bootan). Papers Relating to Bootan”, 1865 (2) 76

£600 - 800 €670 - 890

A presentation copy of the first edition of the full account of the Central Asia survey of a strip of land along the Russo-Afghan border. The British 76 Survey of India team worked up from the South, whilst a team of • Russian surveyors, under the leadership of Colonel Tcheikine, worked OGILBY (JOHN) down from the North. Asia, the First Part. Being an Accurate Description of Persia, and the Several Provinces Thereof. The Vast Empire of the Great Mogol, Provenance and Other Parts of India, vol. 1 (all published), FIRST EDITION, “S.M. Fraser”, ownership inscription on upper cover. The Hon. Mr. title printed in red and black, engraved additional pictorial title, 26 Stuart Fraser, Resident of Kashmir, is thanked in the Introduction, engraved plates (of 28, 10 double-page, 5 or 6 browned, one with along with his wife, for offering “much kind hospitality..., the former tear), 5 engraved maps (4 double-page, one large folding), large of whom had officially written through the local authorities requesting engraved illustrations in the text, without B1 (blank, as usual) and them to lend us every support. Without this consideration, it is hardly 2M4 (“Directions”), contemporary blind-panelled calf, rebacked to necessary to add that the progress of the detachment would have match retaining original gilt red morocco spine label [ESTC R32245], been impossible”. folio (420 x 260mm.), by the Author, 1673

75 £1,000 - 2,000 €1,100 - 2,200 HOLMES (RANDOLPH) Five views of the mountains of northern India and the North West Frontier, over-painted photographs, 2 signed in red ink on the image, Provenance two mounted, framed and glazed, between approximately 500 x Godfrey Bosville (1654-1714), inscribed “Godf: Bosseville, 1681: ex 290mm., 435 x 400mm., and similar, [early twentieth century] (5) dono Honorabilis Johannis Beaumont, Armig.” on free endpaper, and armorial bookplate. £600 - 800 €670 - 890

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. TRAVEL AND EXPLORATION | 45 77 * ERMAKOV (DIMITRI N.) Five photographs of Tblisi, Georgia, albumen prints (mostly around 200 x 250mm.), all but one with photographer’s caption and reference number in negative at foot of image, 1880s (5)

£3,000 - 4,000 €3,300 - 4,400

Comprising: various buildings with the Narikala Fortress behind; general view down over the same; Vorontsovskaya Street with the Kura River; a grand palace; trails in the Botanical Gardens. 77 78 * ERMAKOV (DIMITRI N.) Five photographs of Georgia, albumen prints (various sizes, largest 205 x 250mm.), all but one with photographer’s caption and reference number in negative at foot of image, 1880s (5)

£3,000 - 4,000 €3,300 - 4,400

Comprising: Tblisi (a street with a photographer’s shop in the foreground): Georgian military road (at Balta; Guletskiy Bridge; rock-cut road in the Darial Gorge); Svaneti (peaks of Caucasus Mountains).

79 * ERMAKOV (DIMITRI N.) Five photographs of Georgia, albumen prints (3: 205 x 270mm., 2: 135 x 195mm.), 78 photographer’s caption and reference number in negative at foot of image, 1880s (5)

£3,000 - 4,000 €3,300 - 4,400

Comprising: Tbilisi (a street in Chugureti, with a bathhouse in the foreground; Veriysky Bridge; military road down to the same; a waterfall in the Botanical Gardens), Kvishkheti (valley with the Caucasus Mountains in the background).

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 81

80 • 81 * ERMAKOV (DIMITRI N.) ERMAKOV (DIMITRI N.) Katalog” fotograficheskikh’ vidob” i tipov” Kavkaza, Persii, Group of 17 stereoscopic photographs, all but one albumen prints Yevropeyskoy i Aziyatskoy Turtsii [Photographic Catalogue of Views (images 78 x 144mm.), mounted on cards, captions in negative and Types of the Caucasus, Persia, and European and Asiatic at lower edge, cards with photographer’s printed or blindstamped Turkey], lightly toned, publisher’s printed wrappers, a few chips at credits, 1890s (17) edges, 8vo, Tbilisi, Steam Printing House of the Headquarters of the Caucasian Army, 1896; together with a 1901 continuation of the £1,500 - 2,500 same (2) €1,700 - 2,800

£1,200 - 1,800 Stereo views in the North Caucasus, including: Pyatigorsk (4, €1,300 - 2,000 entrance to the Proval Cave, Aeolian harp pavilion), Kislovodsk (4, poplar alley, general view, ‘Steklyannaya Struya’), Zheleznovodsk The two catalogues issued by pioneering Georgia photographer (Smirnovsky Geyser), Shamakhi (4, ruins of Agmet Hammam, Dimitri Ermakov (1846-1916), featuring “some eighteen thousand” Orthodox Cathedral, caravan shed), Crimea (Royal Kurgan with images in the first edition, and twenty-five thousand in the second. another photographer and bellows camera visible in foreground). The images are arranged both alphabetically and thematically.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. TRAVEL AND EXPLORATION | 47 48 | BONHAMS 82 CHARLES-THÉODORE FRÈRE (FRENCH, 1814-1888) Clearly impressed by the landscape, Osmaston describes in detail his The Tomb of Esther and Mordechai, Hamadan, Iran, with the Alvand visit to the city of Hamadan, paying particular attention to his account range of the Zagros Mountains in the distance of the mountain surrounds that one can see captured in Frère’s signed ‘TH FRÈRE’ (lower left) painting: oil on canvas 100 x 140.5cm (39 3/8 x 55 5/16in). “just as the sun rose, a splendid view was opened up to us... the mighty snow mountains tinted pink in the sun’s rays close before us. It was exceedingly beautiful. [...] the mountains looking very £20,000 - 30,000 remarkable in their icy covering, being curiously divided into an exact €22,000 - 33,000 half by the snow-line; the upper half, in its mantle of white, the very picture of cold; the lower half, in its mantle of brown, hot-looking Provenance tawny, and bare.” p. 337. Commissioned by John Osmaston and thence by descent to the current owners. Shortly after, he goes on to describe his visit to the Tomb of Esther and Mordecai:

The painting offered here is an extremely rare early view in Iran and “The spot is a grand one, with the simple tomb in the foreground: the depicts a specific incident on the travels of John Osmaston (nee eye looks over a mud wall and a few paltry mud roofs and chimneys, Wright) (1831-1901), a journey recorded in his book Old Ali; or, and then rests on the magnificent snow mountains, of which the Travels Long Ago (London, 1881). Grief stricken by the death of his highest, the jagged tops of Alvend, have always snow in their wife during child birth in 1860, Osmaston decided to embark on this deepest recesses. [...] A tall, old Israelite, with a long, white beard trip. that had seen seventy summers at least... led us in through a low doorway. [...] We squeezed through, passing into a small cell, and “My Travels through the countries of Norway, Sweden, Russia, then, stooping very low, almost crept into another. This was under Persia, Babylonia, Assyria, and Asia Minor, were made during the the dome. And here stood two wooden sarcophagi, one in memory latter part of the year 1860 and beginning of 1861, occupying a of Esther, the other of Mordecai” p. 339-340. period of about eight months, a journey of eleven thousand miles.” p. 1. Although Charles-Théodore Frère built his career as an orientalist painter capturing the landscape and people of the middle east On horseback, and carrying little but a money belt and his five- and North Africa, he in fact never travelled as far as Iran. This work chambered revolver, Osmaston embarked on his journey. Along will therefore be based on sketches and descriptions provided by the way, he encountered a whole host of characters including the Osmaston, and when reading his account of the area in his book, Governor of the Volga Steamer Company, a prince and Khan in one can see the clear connection between this and the painting. The Tehran and the Turkish Pasha in Baghdad. He managed to navigate painting would have been commissioned by Osmaston upon his return this route with the help of guides along the way, the most notable of from his travels, presumably as he was so taken by the landscape. which would be Ali, the same as that of the book title. Ali, actually Upon writing his book some 20 years after the journey’s end, he also named Agha Baba, would accompany him on the most dangerous had the Frère engraved so that it might accompany the text. leg of the journey, from Tehran to Baghdad and on through the Ottoman Empire.

50 | BONHAMS Middle East

83 HENRY ALKEN (BRITISH, 1785-1851) Two mounted warriors, possibly Mamluks signed ‘alken’ (lower right) watercolour and pencil 20 x 26.5cm (7 7/8 x 10 7/16in).

£600 - 800 €670 - 890

A very similar work by Alken, depicting Mamluks on horseback, is held in the collection of the Victoria & Albert Museum, no.SD.17.

84 MARIUS BAUER (DUTCH, 1867-1932) An orientalist street scene with a wealthy woman on horseback signed ‘M BAUER’ (lower right) watercolour 36.5 x 51cm (14 3/8 x 20 1/16in).

£1,500 - 2,000 €1,700 - 2,200 85 85 ALBERTO ROSATI (ITALIAN, 1893-1971) The shawl seller signed ‘Alberto Rosati’ (lower right) watercolour and gouache 37 x 26.5cm (14 9/16 x 10 7/16in).

£2,000 - 3,000 €2,200 - 3,300

86 HARRY SUTTON PALMER, R.I. (BRITISH, 1854-1933) Mosque interior signed ‘Sutton Palmer’ (lower left) watercolour and bodycolour 33 x 23cm (13 x 9 in).

£500 - 700 €560 - 780

Provenance Anon. sale Sotheby’s, London, 26 January 1984, lot 181.

87 88 GABRIEL CARELLI (ITALIAN, 1821-1900) CHARLES-THÉODORE FRÈRE (FRENCH, 1814-1888) At the base of the temple View of Jerusalem signed ‘Gab Carelli’ (lower centre) signed and inscribed ‘TH.FRERE/JERUSALEM’ (lower left) watercolour oil on canvas 17.5 x 26cm (6 7/8 x 10 1/4in). 12.7 x 26cm (5 x 10 1/4in).

£600 - 800 £1,500 - 2,000 €670 - 890 €1,700 - 2,200

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 89 • TAVERNIER (JEAN BAPTISTE) Les Six Voyages... en Turquie, en Perse, et aux Indes, 2 vol.; Suite des voyages... ou Nouveau Recüeil de plusieurs relations et traitez singuliers et curieux, FIRST EDITIONS, engraved frontispiece portrait 89 and 39 engraved plates (of 44?), some folding, 2 plates repaired with some losses, a few other small repairs, occasional light dampstaining and spotting, later sheep, 2 joints weakened, rubbed with a few small areas of worming to covers [Brunet V, 681 (note); Cordier Japonica 393], 4to (248 x 175mm.), Paris, Gervais Clouzier, 1776[-1779] (3)

£800 - 1,200 €890 - 1,300

Provenance Carmelite Convent, Riom, early inscription on title-pages.

90 • LYCKLAMA A NIJEHOLT (TINCO MARTINUS) Voyage en Russie, au Caucase et en Perse, dans la Mésopotame, le Kurdistan, la Syrie, la Palestine et la Turquie exécuté pendant les années 1866, 1867 et 1868, 4 vol., FIRST EDITION, engraved portrait frontispiece, 2 folding plates (one colour-printed), folding colour-printed map, early calf-backed marbled boards, gilt morocco lettering label on spines, slightly rubbed [Atabey A738], 4to, Paris, Arthus Bertrand and Amsterdam, C.L. van Langenhuysen, 1872- 1875

£700 - 900 €780 - 1,000

First edition of an account by Tinco M. à Nijeholt (1837-1900) of his exploration through the Middle East ruing 1866 to 1868. The two plates relate to the tomb of Esther and Mardochee at Hamadan, modern-day Iran. 90

91 • BRUHL (KARL FRIEDRICH M.) AND S.H. SPIKER Lalla Rûkh. Ein Festspiel mit Gesang und Tanz, FIRST EDITION, 23 hand-coloured lithographed plates (one a panoramic folding plate of a procession, the others of Indian and Arabic costumed figures), untrimmed in modern half morocco [Lipperheide 2536], 4to (300 x 235mm.), Berlin, Ludwig Wilhelm Wittich, 1822

£2,000 - 4,000 €2,200 - 4,400

First edition of a fine series of oriental costume plates, made for a pageant performance of Thomas Moore’s Indian romance Lalla Rookh, held at the court of Berlin to celebrate the marriage of the future Tsar Nicolas I and his wife Alexandra.

92 • WILLYAMS (COOPER) A Selection of Views in Egypt, Palestine, Rhodes, Italy, Minorca, and Gibraltar, second edition, 35 hand-coloured aquatint plates only (of 36, lacking Capuchin Garden), very slight offsetting mostly to tissue- guards, contemporary red straight-grained half morocco gilt [Abbey Travel 198; Atabey 1339 (issue with title dated 1821); Blackmer 1814], folio (410 x 295mm.), John Hearne, 1822

93 £400 - 600 €440 - 670

This second edition has four additional plates relating to the Hajj and Egypt which are not found in the first.

93 BAR (JACQUES CHARLES) Group of 24 studies of Arab and other Middle Eastern costume, comprising Arabs (3), Turkish and Ottoman (12), Egyptian (3), Mameluke (5), and another, hand-coloured etchings, loose, a few text leaves and one printed wrapper, untrimmed [Colas 209; Cohen-de Ricci 110; Lipperheide 1848], folio (440 x 275mm.), Paris, the Author, 1778-1793

£500 - 700 €560 - 780

From Bar’s Recueil de tous les costumes des ordres religieux et militaires.

94 • LAWRENCE (T.E.) Crusader Castles, 2 vol., LIMITED TO 1000 COPIES, plates and illustrations (some photographic), 2 folding maps in separate pocket at end, uncut in original red half morocco by Sangorski & Sutcliffe, t.e.g. [O’Brien A188, A189], 4to, Golden Cockerel Press, 1936

£600 - 800 €670 - 890

T.E. Lawrence’s thesis on Crusader Castles, research for which involved him travelling “on foot during the three hottest months of the year, with a passport obtained by Lord Curzon from the Turkish Government... He landed in Beyrout, went south to the Sea of Galilee, and then turned north to Aleppo... to Urfa (Edessa). He returned to Beyrout by Damascus” (Foreword by A.W. Lawrence). 94

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Persian Gulf 95 • OMAN, KUWAIT, PERSIAN GULF AND SOMALILAND Diary, written by Stephen B. Church, Signalman aboard the H.M.S. Perseus during a three year tour of duty in the Gulf of Oman based at Muscat, with visits from Bahrain to Karachi, and along the coasts of modern day Iran, Somalia and Yemen, approximately 260 pages, black ink, 7 mounted albumen prints (3 depicting the aftermath of the bombing of “a pirate fort at Balhaf Arabia... July 19th 1902”), contents shaken with a few leaves loose, original boards covered in loose cloth, hinges broken, 4to, [1901-1904]; and another diary recording Church’s tours (c.1896-98) on the ships H.M.S. Magnifence and H.M.S. Barracouta, mostly in the Mediterranean and South America, with a series of approximately 32 albumen print photographs of activities on a ranch near Montevideo, Uruguay (2)

£2,000 - 3,000 €2,200 - 3,300

“H.R.H. THE SULTAN OF MUSKAT HONOURED US WITH A VISIT...” - A richly detailed manuscript account of a British naval signalman’s tour in the Gulf of Oman and coastal areas along the Gulf of Persia, aboard H.M.S. Perseus. The diary covers meetings with local sultans and sheiks, military engagements with Somali pirates and Turkish troops, supporting British interests in both the Sudan and Boer War campaigns, and daily activities and events, including two crew court martialled after “both were found in bed at the Jubilee Hotel” (Karachi 4.8.01); arrival in the region of Lord Kitchener as Chief of Staff; carrying the geological surveying team from Karachi to Muscat; transporting “Indian princes returning to India after the coronation of their Emperor” at Aden; swimming in Muscat harbour “free from sharks... the water literally swarmed with fish of all sizes”; observing “about 500 men engaged in Pearl fishing... at Sheikh Island [near Jask, Iran]”.

In April 1901 the ship, for the first of many occasions, “Saluted the Sultan of Muskat with 21 Guns which was returned from the old fort”. In October “H.R.M. the Sultan of Muscat honoured us with a visit of an hours duration... he was very elegantly dressed in the style of this country and very much interested in the guns...”, and on a future visit the Sultan’s army of 300 men were aboard, “all fully armed with rifles of the most antiquated patterns, blunderbusses some of which were 6 feet in length... the ages of the troops varied in appearance from 10 years to 90”. Arriving from Kuwait at Muscat on 13 November “the Zanzibar ensign was flying onshore from every possible place to welcome home their Sultan”. Whilst Muscat features most often, visitors were also received at Al Jahra, Kuwait (“...very little could be seen here but the Desert and thousands of camels... Party returned onboard with Sheikh and his staff... they seemed very much interested in the electric lights. The Sheikh has a very antiquated sword with him which looked a formidable weapon” (12.9.01), at Jehara [Iran] “arabs onboard training in the use of 7 Pounds Field Guns” (14.1.02), and locations along the Persian Gulf including Sharjah where the Sheikh came aboard, to be given a demonstration of mines and guns (of which he “was very pleased and said he would like to get one himself... was presented with modern pistol and some ammunition and left the ship then highly delighted”), and Bahrain “which belongs to Muscat, has a ruling Sheikh and a British Consul”. At Hobya [“Obbia”, Somalia] the local Sultan “bought us 3 buckshee sheep for the officers. The Sultan was not very gorgeously attired... all he wore was a suit of bathing drawers and hair about 6 inches standing up on end and 95 making him look a most weird object”. Church later (30.12.02) records that this Sultan was discovered to have been in “daily communication with the Mad Mullah [Mohammed Abdullah Hassan]”.

The constant threat of real violence, against the background of trading 96 in weapons and political dialogue with local leaders, punctuates the BRITISH SCHOOL, MID 19TH CENTURY narrative. At Kuwait, on 13 August 1901 “the signalmen were detailed ‘Persian Pattemar, Cove of Muscat’ to closely watch for a large army of Turkish soldier marching into inscribed with title (lower left) Kuwait... [some rumours] estimated the number of Turkish soldiers pen and ink and watercolour expected... to be 50,000”, and on 24 August “a suspicious craft 19.5 x 24.5cm (7 11/16 x 9 5/8in). was seen coming down from the Euphrates which later proved to be a Turkish “Man a’Fight”, after which ensued a 24 hour stand-off during “we quite expected a sharp engagement and visions of medals £1,000 - 1,500 and decorations...” before the Turkish ship withdrew. On 19 July €1,100 - 1,700 1902 the author provides a harrowing description (accompanied by 3 photographs) of the bombardment with lyddite shells of a pirate Built in the 16th century by the Portuguese, the distinctive Al-Mirani fortress at Balhaf [Yemen] “...on account of the arabs presenting Fort and its fortifications can be seen in the backdrop of this work. themselves with loaded rifles... in less than an 1/2 an hour the fort was a heap of ruins...”. A “wild cat” brought on board after the shelling surprisingly survived for a month “... as nothing living is supposed to survive the fumes of these deadly shells”. During another bombardment along the Yemen coast at Ash Shihr “the principal buildings to be destroyed were Dar Nasar & Hasu-saidth together with the Sultans palace” (16.7.02). Piracy was a constant threat also along the coast, Church noting that “the natives here were armed with spears and seemed very hostile” (May 02), and long the cast near Makullah [Yemen], “one of the finest towns in Arabia & there were some fine buildings to be seen... there is not a European in the town”, H.M.S. Perseus confronted Arab smugglers, “... killing the captain of the dhow leaving only his head and legs intact. Another man was shockingly mutilated...”, capturing a cache of French-made weapons which had been “bound for Makullah where the gear was to be shipped in large dhows for the use of the Mad Mullah’s party in Somaliland” (2.6.02). For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 97

Turkey and the Ottoman Empire

97 ATTRIBUTED TO JOHN LYNN (BRITISH, FL. 1828-1838) The Sultan’s caïque, a French paddle steamer and other shipping off Istanbul oil on canvas 66.5 x 48.5cm (26 3/16 x 19 1/8in).

£3,000 - 5,000 €3,300 - 5,500

98 VITTORIO AMEDEO PREZIOSI (MALTESE, 1816-1882) Pistol wielding; The tasting party the first signed ‘Preziosi’ (beneath mount, lower right); the second indistinctly inscribed (lower right) watercolour and pencil 26.5 x 18.5cm (10 7/16 x 7 5/16in).(2)

£2,000 - 3,000 €2,200 - 3,300

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 99 100

99 100 VITTORIO AMEDEO PREZIOSI (MALTESE, 1816-1882) VITTORIO AMEDEO PREZIOSI (MALTESE, 1816-1882) ‘Turkish infantry’; ‘Turkish porter or “Hammat”’ Street vendor; Seated figure the first inscribed with title (on the reverse); the second inscribed with watercolour and pencil heightened with white title and initialed ‘P’ (on the reverse) 27 x 19cm (10 5/8 x 7 1/2in).(2) watercolour and pencil mounted but unframed 26 x 18cm (10 1/4 x 7 1/16in).(2) mounted but unframed £2,000 - 3,000 €2,200 - 3,300 £2,000 - 3,000 €2,200 - 3,300

102

101 102 • FRENCH SCHOOL, 19TH CENTURY CANTEMIR (DEMETRIUS) Portrait of a Turk The History of the Growth and Decay of the Othman Empire, 2 oil on canvas parts in 1 vol., first English edition, mezzotint portrait frontispiece of 81 x 65.5cm (31 7/8 x 25 13/16in). the author, folding engraved plan of Constantinople, 22 engraved portraits of sultans by C. Du Bosc, list of subscribers, short marginal £3,000 - 5,000 tears at fold of plan, light marginal stain to a few leaves near end, €3,300 - 5,500 contemporary panelled calf, rebacked preserving original spine with later gilt morocco label [Atabey 190; Blackmer 281], folio (340 x Provenance 215mm.), James, John and Paul Knapton, 1734 Anon. sale Sotheby’s, London, 17 October 2001, lot 63. £2,000 - 3,000 €2,200 - 3,300

Provenance Prince Constantin Karadja (1899-1950), Romanian diplomat, barrister-at-law and bibliophile, small stamp on title and 3 leaves.

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 103 • TURKISH CHRONICLE Türckische und Ungarische Chronica, title printed in red and black, engraved additional allegorical title, folding letterpress genealogy, 64 engraved plates with 171 numbered illustrations (town views, battle scenes, and portraits), some early ink annotations, modern quarter morocco, small folio (315 x 200mm.), Nuremburg, Paul Fürsten, 1663

£1,000 - 2,000 €1,100 - 2,200

104 • ARCQ (PHILIPPE AUGUSTE DE SAINTE-FOX D’) Histoire génerale des guerres, divisée en trois époques; La première depuis le Déluge jusqu’à l’ere chrétienne... la chute de l’empire d’Orient... la troisième depuis la chute de l’empire d’Orient jusqu’à l’année 1748, 2 vol., FIRST EDITION, engraved allegorical frontispiece, one folding engraved plate, occasional light spotting, contemporary mottled calf, spine gilt in compartments with red and green morocco lettering labels [not in Atabey or Blackmer], 4to, Paris, imprimerie Royale, 1756-1758 103

£600 - 800 €670 - 890

Attractively bound set of the first edition of a history of the wars in Armenia and parts of the Ottoman Empire, including modern-day Turkey.

105 • BRIGHT (RICHARD) Travels from Vienna through Lower Hungary; with Some Remarks on the State of Vienna during the Congress in the Year 1814, 10 engraved plates, 2 folding engraved maps hand-coloured in outline, errata leaf, rebacked preserving most of original spine, Edinburgh, Archibald Constable, 1818--[SKENE (JAMES HENRY)] The Frontier Lands of the Christian and the Turk, 2 vol., one engraved plate, one folding map, modern half calf, Richard Bentley, 1853--WILKINSON (WILLIAM) An Account of the Principalities of Wallachia and Moldavia, contemporary diced calf, worn, Longman, Hurst, 1820, FIRST EDITIONS--QUIN (MICHAEL J.) A Steam Voyage Down the Danube. With Sketches of Hungary,... Servia, and Turkey, 2 vol., second edition, 8 lithographed plates, one map, Richard Bentley, 1835--BEATTIE (WILLIAM) The Danube: Its History, Scenery and Topography, engraved additional title-page, portrait, 80 plates and one map, front free endpaper loose, Virtue, [c.1835]--[OTTER 104 (WILLIAM)] The Life and Remains of the Rev. Edward Daniel Clarke, engraved portrait, later half calf, rebacked preserving most of original spine [Atabey 256], George Cowie, 1824--STANFORD (EDWARD, publisher) The Danubian Principalities. Prepared from the Vienna Map, hand-coloured lithographed map, dissected into sections and laid on 2 linen-backed map sheets, folding into original slipcase, printed label on upper cover, overall dimensions approximately 1500 x 1370mm., [1854]--[HOPE (THOMAS)] Anastasius, or, Memoirs of a Greek; Written at the Close of the Eighteenth Century, 3 vol., third edition John Murray, 1820, some spotting and off-setting, contemporary half calf or morocco unless otherwise mentioned, some rubbing, 8vo and 4to (12)

£800 - 1,200 €890 - 1,300

105

107

62 | BONHAMS 108

106 • LEWIS (JOHN FREDERICK) Illustrations of Constantinople, Made During a Residence in that City &c., in the Years 1835-6, FIRST EDITION, lithographed title with vignette, lithographed dedication/contents leaf, 27 tinted lithographed plates on 25 sheets, by Lewis after Coke Smyth, ALL HAND-COLOURED, small marginal tears to title, loose in purpose- made red half morocco solander box, gilt lettered on upper cover [Abbey Travel 394; Atabey 722; Blackmer 1015], folio (550 x 370mm.), T. McLean, [1838]

£2,000 - 3,000 €2,200 - 3,300

107 • CRAVEN (ELIZABETH) A Journey through the Crimea to Constantinople, half-title, 5 engraved plates (one folding), folding engraved map, some spotting, bookplate of Edward Monckton, rebacked, G.G.J. and J. Robinson, 1789--ETON (WILLIAM) A Survey of the Turkish Empire... Third Edition, T. Cadell, Jun., 1801--THORNTON (THOMAS) The Present State of Turkey, 2 vol., second edition, 2 folding engraved maps, rebacked, Joseph Mawman, 1809--JACKSON (JOHN) Journey from India, Towards England, engraved folding map, Signet Library copy, rebacked, T. Cadell, Jun., 1799, contemporary calf, some rubbing- -WALSH (ROBERT) Narrative of a Journey from Constantinople to England, engraved folding map, early cloth, rubbed, Westley and Davis, 1828--WALSH (ROBERT) AND THOMAS ALLOM. Constantinople and the Scenery of the Seven Churches of Asia Minor Illustrated, 2 vol. [First-Second Series], engraved pictorial titles, 2 engraved maps (one folding) and 94 plates, later green morocco, rubbed, Fisher, [c.1835], some spotting, 8vo and 4to; and 5 others (13)

£800 - 1,200 109 €890 - 1,300

108 109 • ISTANBUL - PANORAMA EFFENDY (SELIM FARIS, EDITOR) ROBERTSON (JAMES) AND FELICE BEATO. A five-part panorama of Album des Souverains Ottomans, title, frontispiece, 34 photo- “Constantinople, Bosphorus” (as titled on mount), taken from the top lithographed portraits with captions in Arabic and English, additional of the Beyazit tower, albumen print on 5 sheets joined, laid on linen, manuscript notes (providing biographical information) in Arabic on the central panel pasted on old album sheet, total dimensions 245 x blank verso of 24 plates, publisher’s red cloth gilt, very worn, small 1500mm., [1857] 4to (215 x 160mm.), Istanbul, Matba’at al-Jawaib, and Leipzig, Garte, [1885] £2,000 - 4,000 €2,200 - 4,400 £800 - 1,200 €890 - 1,300

A series of portraits of the thirty-four Sultans of the Ottoman Empire, from Osman I to Abdul Hamid II.

North Africa 110 • ROBERTS (DAVID) interpretation of Robert’s draughtsmanship and dramatic sense, The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia From Drawings combine in what are undoubtedly remarkable examples of tinted Made on the Spot by David Roberts, With Historical Descriptions lithographic work” (Abbey). Roberts had toured Eqypt, Alexandria, by the Revd George Croly, 6 vol. bound in 4, FIRST EDITION, 6 Jerusalem, Palestine, Lebanon, and Baalbec during 1838 to 1839 lithographed pictorial titles, 121 tinted lithographed plates, 120 half- making detailed drawings of the most significant sites, from which he page tinted lithographs by Louis Haghe after Roberts, lithographed worked up the final pictures for his master work. portrait of the author by C. Baugniet on India paper, 2 engraved maps, occasional spotting, publisher’s dark purple half morocco, Provenance gilt-blocked arms of Jerusalem on upper covers, gilt panelled spines, Peter Carthew (1808-1870, of 15A Kensington Palace Gardens), g.e., worn at extremities [Abbey Travel 385 and 272; Blackmer 1432; bookplate; Alice Grace Elizabeth Carthew (1868-1940), notes Tooley 401-402], large folio (613 x 430mm.), F.G. Moon, 1842-1849 in pencil initialed “A.C.”. She was a noted collector of William Blake prints and antiquities, subsequently donating her abundant collections to institutions including the British Museum, The £25,000 - 35,000 Hunterian, The Victoria & Albert Museum, and the Tate Collection. €28,000 - 39,000 Alice Carthew’s pencil annotations (dated 1914 and 1926) relate to the First edition of “one of the most important and elaborate ventures topographical accuracy of Roberts’ views, presumably after visits she of nineteenth-century publishing, and the apotheosis of the tinted had made to the actual locations. For example next to “The Ravine” lithograph ... there is pleasure to be had from many of the individual she notes ‘steps not steep enough’, and beside “Petra Looking South” plates, where Haghe’s skillful and delicate lithography, and his faithful “good picture... far too much water”, both in volume 2.

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.

111 • ROBERTS (DAVID) The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia, 6 vol., 248 tinted lithographed plates (including pictorial titles), 2 engraved maps, tissue guards, contemporary maroon half morocco, g.e. [cf. Abbey Travel 272, 385 & 388, folio edition], 4to, Day & Son, 1855- 1856

£2,000 - 3,000 €2,200 - 3,300

Provenance William Ogilvy Dalgleish of Errol, bookplate. 111

112 AFTER DAVID ROBERTS (BRITISH, 1796- 1864) A set of 15 lithographs with later hand colouring on wove from The Holy Land and Egypt & Nubia series 5 full folio approx. 49.5 x 34.5cm (19 1/2 x 13 1/2in); 10 half-folio, approx. 25 x 33cm (10 x 13in). 1 framed, the rest mounted but unframed together with one other framed lithograph after Roberts

£1,000 - 1,500 €1,100 - 1,700

Later published as The Holy Land, Syria, Idumea, Arabia, Egypt & Nubia: with historical descriptions by the Revd. George Croly; Egypt and Nubia from drawings made on the spot: with historical descriptions by William Brockedon, F. G. Moon, London, 112 1842-1849.

113 AFTER DAVID ROBERTS (BRITISH, 1796- 1864) A set of 6 lithographs with later hand colouring on wove from The Holy Land and Egypt & Nubia series full folio approx. 49.5 x 34.5cm (19 1/2 x 13 1/2in).

£800 - 1,200 €890 - 1,300

113

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 114 115

114 AFTER DAVID ROBERTS (BRITISH, 1796-1864) ‘FOR IT IS A GLORIOUS LIFE AND I SHOULD LIKE TO LIVE IN A set of 4 lithographs with later hand colouring on wove from The TENTS THE WHOLE SUMMER’: A LADY’S MAID TRAVELS WITH Holy Land and Egypt & Nubia series EGYPTOLOGIST AMELIA EDWARDS - a day-to-day account of the 2 full folio approx. 49.5 x 34.5cm (19 1/2 x 13 1/2in); 2 half-folio, expedition, undertaken with her companion Lucy Renshaw, that approx. 25 x 33cm (10 x 13in). inspired Edwards to write her best-selling A Thousand Miles up the unframed Nile (1877), and to co-found the Egypt Exploration Fund in 1882.

Jenny Lane’s diaries not only give an insight into the world of female £800 - 1,200 travellers at his time but also compliment Amelia’s own well-known €890 - 1,300 account of the trip. While Jenny herself is not mentioned in Amelia’s book, her diaries are significant in confirming and correcting details of Later published as The Holy Land, Syria, Idumea, Arabia, Egypt Amelia’s version of events. Indeed, as Brenda Moon writes, ‘Jenny’s & Nubia: with historical descriptions by the Revd. George Croly; diary is the only surviving source for their travels in France and Egypt and Nubia from drawings made on the spot: with historical through Italy’ (More Usefully Employed: Amelia B. Edwards, writer, descriptions by William Brockedon, F. G. Moon, London, 1842-1849. traveller and campaigner for ancient Egypt, London, 2006), and also serves to confirm the identities of her fellow passengers, identified 115 • in A Thousand Miles up the Nile only by their initials, including the EGYPT AND EGYPTOLOGY painter Andrew McCullum who accompanies Amelia on her sketching Journals of Jenny Lane, lady’s maid to Lucy Renshaw, companion of trips. Egyptologist Amelia Edwards, describing in detail their trip through France and Italy, crossing from Brindisi to Alexandria on the Simla, The eldest daughter of a market gardener from Pulborough, Sussex, thence up the Nile to Dendara, Karnak, Luxor, Aswan, Philae and Jenny lived near Broome Park, Miss Renshaw’s family home. At the Abu Simbel, and the return journey via Port Said, through Lebanon age of 39, she proved to be the perfect companion to share the to Damascus, Baalbek and Beirut, Constantinople, Athens, and rigours of the Middle East and emerges as a strong character, open the Rhine, with vivid descriptions of the landscape, weather and to all new experiences; she gives detailed descriptions of ancient peoples, and anecdotes and observations of fellow travellers and sites interspersed with historical facts and notes – the Pyramids places visited, some 260pp. in three volumes, calf, worn, 8vo, 24 are “gigantic”, Howling Dervishes “distressing”, Damascus “a little September 1873 to 29 June 1874 (vols I and II) and 26 February to 1 heaven for us weary travellers”. She was present at the discovery of March 1876 (vol. III) (3) a painted burial chamber at Abu Simbel, describing how she “was able to crawl in on our hands and knees... it is a beautiful chamber”, an event which proved to be a pivotal moment for Amelia Edwards £1,000 - 1,500 herself as ‘No event on the journey did more to fire her enthusiasm €1,100 - 1,700 for archaeology and preservation’ (Moon, 2006). Nonetheless, she is “very pleased to see dear old England again once more” when they finally return home in 1874. After a break the narrative resumes on 26 February 1876 in the third volume, when she appears to be back in Egypt. The diaries have remained in the possession of Jenny Lane’s family until now.

68 | BONHAMS 117

116 117 SPYRIDON SCARVELLI (GREEK, 1868-1942) GABRIEL CARELLI (ITALIAN, 1821-1900) Paysage prés de Pyramids; Dahabiehs a Rod-el-Farag Pyramids at Giza; Temple ruins, Egypt two works two works on paper both signed ‘Gab Carelli’ (one lower centre, the other lower left) both signed ‘Scarvelli’ (lower left) both watercolour watercolour one 11.5 x 35cm (4 1/2 x 13 3/4in), the other 12 x 34cm (4 3/4 x 13 the first 20 x 33cm (7 7/8 x 13in); the second 21.5 x 34.5cm (8 7/16 3/8in). (2) x 13 9/16in). (2) £1,000 - 1,500 £1,200 - 1,800 €1,100 - 1,700 €1,300 - 2,000 Provenance Anon. sale Bonhams, London, Topographical Pictures and Watercolours, 19 March 1997, lot 223. Purchased from the above by the present owner.

118 120 AUGUSTUS OSBORNE LAMPLOUGH, A.R.A., R.W.S AUGUSTUS OSBORNE LAMPLOUGH, A.R.A., R.W.S (BRITISH, (BRITISH, 1877-1930) 1877-1930) Bedouin caravan; On the bank of the Nile On the Nile two works signed and dated ‘a lamploughA.R.A./1912’ (lower left) both signed ‘a.Lamplough A.R.A.’ (lower left) watercolour watercolour 50.5 x 71.5cm (19 7/8 x 28 1/8in). the first 22.5 x 60cm (8 7/8 x 23 5/8in); the second 23 x 61cm (9 1/16 x 24in). (2) £600 - 800 €670 - 890 £800 - 1,200 €890 - 1,300 Provenance With Daniel Rees, Fine Art Dealer, Michigan. 119 Private collection, UK. ROBERT GEORGE TALBOT KELLY, R.I., R.B.A. (BRITISH, 1861- 1934) Watching feluccas on the Nile signed and dated ‘R.Talbot.Kelly./1908’ (lower left) watercolour 34 x 54cm (13 3/8 x 21 1/4in).

£800 - 1,200 €890 - 1,300

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 119

120

TRAVEL AND EXPLORATION | 71 121

122

121 122 EDWARD LEAR (BRITISH, 1812-1888) ALBERT GOODWIN RWS (BRITISH, 1845-1932) On the Nile At Suez inscribed and dated ‘4.40.Jany.5.1867/opposite Benihassan. looking signed ‘Albert Goodwin’ (lower right), inscribed ‘At Suez’ (on the south.’ (lower left), numbered ‘(79)’ (lower right) mount) pen, brown ink, watercolour and pencil watercolour heightened with bodycolour 8 x 26.5cm (3 1/8 x 10 7/16in). 17 x 17cm (6 11/16 x 6 11/16in).

£3,000 - 5,000 £700 - 1,000 €3,300 - 5,500 €780 - 1,100

Provenance Anon. sale Sotheby’s, London, 28 September 1993, lot 664 (as one of a pair).

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 123

124

123 124 EDWARD LEAR (BRITISH, 1812-1888) ALBERT GOODWIN RWS (BRITISH, 1845-1932) Landscape with solitary tower Little Mussulmen, Cairo inscribed ‘pale blue’ (upper right), indistinctly inscribed and dated ‘--- signed ‘Albert Goodwin’ (lower right), inscribed ‘Little Mussulmen’ /---.24.1848’ (lower right) (lower left), inscribed ‘El Koran / Arab School Cairo / A Cairene pencil School’ (on the mount) 15.5 x 35.5cm (6 1/8 x 14in). pencil, pen and ink and watercolour heightened with bodycolour and scratching out £1,000 - 1,500 11 x 15cm (4 5/16 x 5 7/8in). €1,100 - 1,700 £1,000 - 1,500 €1,100 - 1,700

Provenance Anon. sale Sotheby’s,London, 28 September 1993, lot 664 (as one of a pair).

126

125 126 CLAUDE-CHARLES RUDHARDT (SWISS, 1829-1895) HARRY SUTTON PALMER, R.I. (BRITISH, 1854-1933) The Temple of Isis at Philae, Nubia Nile encampment signed and dated ‘Rudhardt 93’ (lower right) signed and dated ‘HSutton Palmer. 1876’ (lower left) oil on canvas watercolour 27 x 41cm (10 5/8 x 16 1/8in). 22 x 40.5cm (8 11/16 x 15 15/16in).

£800 - 1,200 £800 - 1,200 €890 - 1,300 €890 - 1,300

Shown here is the Egyptian temple complex of Isis on the island of Provenance Philae largely dating to the Graceo-Roman period. A UNESCO led Anon. sale Sotheby’s, London, Topographical Paintings, conservation program in the 1960s saw the entire temple dismantled Watercolours and Drawings, 23 November 1995, lot 181. and moved to the nearby Agilkia Island to protect it from rising water levels as a result of the Aswan Dam.

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 127

127 AUGUSTUS OSBORNE LAMPLOUGH, A.R.A., R.W.S (BRITISH, 1877-1930) Rowing at dusk signed ‘a.lamplough R.W.S.’ (lower left) watercolour 25 x 39.5cm (9 13/16 x 15 9/16in).

£600 - 800 €670 - 890

128 AUGUSTUS OSBORNE LAMPLOUGH, A.R.A., R.W.S (BRITISH, 1877-1930) Street scene signed ‘a.lamplough R.W.S.’ (lower left) watercolour 36 x 24.5cm (14 3/16 x 9 5/8in). 128

£600 - 800 €670 - 890

129 ROBERT CHARLES (COL.) GOFF (BRITISH, 1837-1922) A food stall, Cairo signed, dated and inscribed ‘Cairo/R.Goff 1898.’ (lower left) watercolour heightened with bodycolour 18.5 x 24cm (7 5/16 x 9 7/16in).

£600 - 800 €670 - 890

129

131

132

76 | BONHAMS 130 ALEXANDRE NICOLAIEVICH ROUSSOFF (RUSSIAN, 1844- 1928) View on the Nile at Luxor signed, dated and inscribed ‘A.N. Roussoff/Luxor 1891.’ (lower right) watercolour 28 x 52.5cm (11 x 20 11/16in).

£700 - 900 €780 - 1,000

131 AUGUSTUS OSBORNE LAMPLOUGH, A.R.A., R.W.S (BRITISH, 1877-1930) On the Nile signed ‘a. Lamplough A.R.A..’ (lower left) watercolour 23 x 61cm (9 1/16 x 24in).

£600 - 800 €670 - 890

132 AUGUSTUS OSBORNE LAMPLOUGH, A.R.A., R.W.S (BRITISH, 1877-1930) 133 Camels by the oasis signed ‘a.lamplough’ (lower left) watercolour 23 x 60cm (9 1/16 x 23 5/8in).

£600 - 800 €670 - 890

133 AUGUSTUS WILLIAM ENNESS (BRITISH, 1876-1948) North African street scene signed ‘AWEnness’ (lower right) oil on canvas 41 x 31cm (16 1/8 x 12 3/16in). unframed

£800 - 1,200 €890 - 1,300

134 ALEXANDRE NICOLAIEVICH ROUSSOFF (RUSSIAN, 1844- 1928) The street vendor signed and dated ‘A.N.Roussoff/1894’ (lower left) watercolour 35.5 x 21cm (14 x 8 1/4in).

£500 - 700 €560 - 780

134

135 ATTRIBUTED TO SIR JOHN LESLIE, 2ND BARONET CBE JP DL Following in a military tradition, Sir John Leslie, 2nd Baronet, was (IRISH, 1857-1944) commissioned into the Grenadier Guards c.1880, with whom he A collection of ten sketchbook pages depicting the landscape and served as a lieutenant. Most notably in Egypt, fighting at the Battle of people of Egypt, late 19th century Tel el Kebir in 1882. It is during this time in Egypt that it is likely that all but three are illustrated on both sides of the sheet the sketches offered here were completed. variously pencil, pen and black and brown ink, sepia wash and watercolour each 17 x 21cm (6 11/16 x 8 1/4in). (10)

£1,000 - 1,500 €1,100 - 1,700

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 136

136 ORLANDO NORIE (BRITISH, 1832-1901) Algerian Turcos at rest signed ‘Orlando Norrie’ (lower right) watercolour 33.5 x 50.5cm (13 3/16 x 19 7/8in).

£600 - 800 €670 - 890

137 LEONARDO DE MANGO (ITALIAN, BORN 1843) Portrait of a Libyan man signed, inscribed and dated ‘Tripoli d’ Africa. Giugno 1905/L. de Mango’ (upper right) oil on canvas laid to board 54.5 x 42.5cm (21 1/2 x 16 3/4in). unframed

£6,000 - 8,000 €6,700 - 8,900

Provenance Anon. sale, Bonhams, London, 21 May 2008, lot 64.

In Tripoli De Mango was the guest of the Italian consul-general, Cavaliere Medana.

137

138 GABRIEL CARELLI (ITALIAN, 1821-1900) Courtyard, Algiers signed and inscribed ‘Gab Carelli/Alger’ (lower left) watercolour 13 x 22cm (5 1/8 x 8 11/16in).

£500 - 700 €560 - 780 139 139 VITTORIO RAPPINI (ITALIAN, 1877-1939) Arab merchants; A mosque, Cairo; A sunlit alley a set of three works the first and second signed ‘RAPPINI’ (lower right); the third signed ‘RAPPINI’ (lower left) watercolour 35 x 25cm (13 3/4 x 9 13/16in).(3)

£1,000 - 1,500 €1,100 - 1,700

140 GABRIEL CARELLI (ITALIAN, 1821-1900) Sitting in the shade of a side street, Tunis; Courtyard scene two works both signed ‘Gab Carelli’ (one lower right, the other lower left), one inscribed ‘Tunis’ (lower right) both watercolour the first 24 x 17cm (9 7/16 x 6 11/16in); the second 21.5 x 14cm (8 7/16 x 5 1/2in). (2)

£600 - 800 €670 - 890

140

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 141 PHOTOGRAPHY - AFRICA AND THE MIDDLE EAST DE JOUX (C.S., of Zanzibar) “Zanzibar Cakeseller”; “Zanzibar. Swahili girls”, photographer’s stamp on verso, approx. 200 x 160mm., [1890s]--SOUTHON (A.E.) “Obaluson high priestess (Ekiti Country)”; “Town idol at Epe near Ilesha”, captioned on verso, 105 x 122mm., 1915--Studio portrait of two nude North African women arm in arm, 285 x 225mm., [1880s]; “Moorish woman. Indoor dress. Tangier”, 195 x 240, [1880s]--BONFILS. “Buste de femme juive syrienne”, 283 x 224mm., [1880s]; albumen or gelatin silver, last mentioned laid on card; and approximately 29 others (some mounted), including Naser al-Din Shah (3, by Eliot & Fry, Hills & Saunders, and another), a Turkish woman by P. Sebah, a rhinoceros by P. de Lord Brothers of Zanzibar, “Fetish priestesses” by T.H. Coleman (c.36)

£400 - 600 €440 - 670 Sub-Saharan Africa

142 PHOTOGRAPHY - NIGERIA Album of photograph views in Lagos, Akeokuta, Old Calabar, Okuta, Saki, and locations “up country to Otta”, the building of the railway, and portraits (local inhabitants and European), 67 albumen prints (47 half-page, approximately 140 x 215mm., others smaller) of Nigerian interest, 10 others of Sierra Leone (4 large views, 3 towards Tower Hill from the sea, one of the town signed in the negative by W.S. Johnston”), mostly 2 per page mounted recto and verso on card, captioned in ink beneath images, disbound, oblong folio, [1897- 1898]

£1,000 - 1,500 141 €1,100 - 1,700

Views include Lagos (c.15, including “store on the Marina”, “W. Africa Government offices”, Catholic, Wesleyan and Anglican churches, “General view” across housetops, “Custom House Wharf”, “Boat- race day on Lagos Lagoon”, “Colonial Hospital”); Ebua Metta (3, including “Opening of Lagos Govt. Railway... Govr. MacCallum, Engineers & truck-loads of Kings”, landing place, and forestry), and others related to the railway (8, including “Railway works on Oddo Island”, and 2 showing the forest from same position before and after clearance for the track); good series of Abeokuta and neighbouring areas (“King’s Palace”, “Odé-Oro-Abeokuta. Our messenger & breadman with canteen on his head”, “crossing River Oguu”, “River Oguu in dry season”, “native fisherman at Abeokutu”, general views “from above” showing village thatched houses, “market place”, four of the rock formations with people or houses, “Saki (Youruba Country)”, “Okuta. 3 days from Saki. Poor Corcoran (R.A.M.C.) died here”, “Oké-Gbedi near Ipapo”).

Nine group portraits comprise: “Gold Coast Virgins”, “Bariba natives with poisoned arrows”, “a Lagos sweel [sic] & his wife”, “Saugobomie - a Lagos belle, spinster”; “Women water carriers with Calabashes”, “a fetish play”, “a (?)Kroo-boy play called ‘Igugue’”, “Tea houses and worshippers”, and “The deposed King of Benin with Capt. Moore R.N. aboard the... yacht Ivy”.

Provenance Otto Elsner (1871-1953) who, having studied at the Royal College of Surgeons, was employed as the Medical Officer for the building of the Ibadan to Illorin Railway from 1897 to 1898. He appears in two the photographs “taken on board S.S. Axiom at Sierra Leone homeward bound”, and another on the veranda of the Mission House at Aké, Akeokuta.

142

143 PHOTOGRAPHY - NIGERIA Images attributable to Green include: “Peterside Mission School. GREEN (J.A.) and others. Album of views, portraits and groups, School teacher Christopher Green (now Chief)”; “A Tea Party in most relating to Bonny region, and neighbouring coastal areas, Christopher Green’s House”; “Bonny Athletic Club” (cricket team, the 51 albumen prints and one gelatin silver print, mounted on card names of the 12 players - of which three black - identified in pencil); (mounted recto and verso, all but 4 one per page), contemporary “Native huts made of gin cases near Bonny”; “Bonny Cemetery”; Two ink inscriptions beneath images, quarter morocco, worn, oblong 4to views of Sapeli [Sapele]; 2 uncaptioned (one similar to Green photo (225 x 285mm.), [c.1895-1902] of Azumini Palm Oil Market, N.C.P.).

Others, perhaps by Green or other photographers include: “King £2,000 - 4,000 Prempeh [of Ashante] and his chiefs at Sierra Leone”; Group €2,200 - 4,400 including Archbishop Crowther, Rev. Macaulay and others; tombstones of British colonial administrators (2, one Hugh Lecky); “J.A. Green (1873-1905) was one of the most prolific and “Funeral dancing. Kroo Coast”; “The Interior of a White man’s accomplished indigenous photographers to be active in West Africa” bungalow, W. Africa”; “Touring on the W. Coast of Africa. Dahomey” (African Photographer. J.A. Green, edited by M.G. Anderson and L. [2 white suited men and “natives” drinking wine together]; Market Aronson, 2017). Born in Bonny, Jonathan Adagogo Green studied Scenes (2, one Porto Novo, one Dahomey); “A Kroo Coast girl and photography in Sierra Leone before returning to to his home town to her maid”; “Vai Girls... Types of African beauty”; “Kroo Coast woman set up a studio, the first of its kind in Nigeria. His success was cut with first born” “Making ‘curry’/Fufu”. short when he died at the age of 32. Images of Accra, in modern day Ghana, include: “Wesleyan Chapel”; Fifteen images in this album are illustrated in Anderson & Aronson “Mode of travelling. Accra” [Jim Harding, Public Works Dept., Accra (with differing captions), and approximately ten to fifteen others pulled in cart]; “An Accra Bride”; “Staff of African Assoc. Ltd. at (mostly Bonny subjects) are easily attributable to him, including two Accra” [silver gelatin print]; six views of the African Association identifying the photographer’s brother Christopher Green. stores, factory and buildings at Accra; “Interior of the Holy Trinity Church”; “Messrs. Fischer (agent) & staff”; Street scene. Images by Green include: “Qua Iboi Chiefs monumens...”; “Exterior of St. Stephen’s Cathedral, Bonny”; “King of Benin. On Yacht Ivy” (2, Provenance one alone smiling, one with three guards); “Buying and trying ‘Palm A. Loach (possibly an employee or trader on the S.S. Jebba, a cargo oil’, New Calabar”; “Consul House. Bonny on Jubilee Day. 1897. On ship belonging to the African Steam Ship Company which is depicted that day it was opened to the natives”; “Tunnicliffe House, Bonny”; in the first photo in the album, and later sank off the Devon coast on “Yacht Ivy decorated for Jubilee Day”; “Chief Jamaica Allison’s Girls. return from Nigeria in 1907), contemporary ink signature inside upper Making baskets and mats. Bonny”; “Last photo of Chief Henry Long cover; A.M. Jones (possibly the author of Studies in African Music, John...”; “A bit of Bonny Scenery”; “Consul General, Dr. Shekelton... 1959), pencil inscription; private British collection. & Bonny Chiefs”; “Marriageable Girls. Niger Coast Protectorate”; “An ‘at Home’, W. Africa”; Portrait group including Ralph Moore, Mary Kingsley and Roger Casement.

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 144

144 PHOTOGRAPHY - ZIMBABWE AND SECOND MATABELE WAR RAUSCH (W., of Bulawyo) Album of approximately 300 photographic views and scenes of Zimbabwe, gelatin silver prints, mostly mounted 4 per page recto and verso on card sheets, almost all signed and captioned in the negative, images mostly 155 x 205mm., a few 290 x 370mm., a few smaller, leaves loose in contemporary half morocco, worn, oblong folio, [c.1896-1900]

£1,000 - 2,000 €1,100 - 2,200

Album of upwards of 300 photographs by W. Bausch, of Bulawayo of daily life, landscapes, ancient ruins, dam and rail construction, mining and trading in Rhodesia (modern-day Zimbabwe), and the preparations of troops involved in the Second Matabele War.

Images include: Gambo’s Kraal, Indaba Government House, “First Train in Bulawayo”, Regina ruins (12), “W[h]irlwind, Bulawayo” (5), train crossing the Sashi river (2), Mattopo Hills (c.30), Mattopo Dam (8), “Capt. Lawly’s Camp at Victoria Falls” and others at Falls (c.25), Geelong, Zambesi River, Seebamam village (4), “Store at Inzisa River” (2), “First Contingent of Queenslanders and Canadians in Bulawayo” (4), Armoured engines and trains (8), Fort Gaberong and Crocodile Pools (c.10), Mafeking Day at Bulawayo (c.12, including 3 of a cycling race), “Impr Bushman Camp at Bulawayo” (c.20), “Antenior Mine Gwanda [and Geelong]” (4), Bulawayo buildings and streets (8), and others of towns, industries, transport, military operations, and scenery in Rhodesia/Zimbabwe.

145 • BURCHELL (WILLIAM) Travels in the Interior of Southern Africa, 2 vol., FIRST EDITION, half-titles, large engraved map hand-coloured in outline, 20 hand- coloured aquatint or engraved plates (some folding, 2 with neat repair at fold, some offsetting, heavier in volume 1), illustrations in the text, errata slip, contemporary diced calf, neatly rebacked in gilt- and blind-stamped calf [Abbey Travel 327; Mendelssohn I, p.224; Tooley 145 116], 4to, Longman, Hurst, 1822-1824

£1,000 - 1,500 €1,100 - 1,700

“The most valuable and accurate work on South Africa published up to the first quarter of the nineteenth century... the illustrations are characterized by great beauty and accuracy” (Mendelssohn).

147

146 147 ASIRU OLATUNDE (NIGERIAN, 1918-1993) FERNAND PIERRE (HAITIAN, 1919-2002) Domestic scenes with flora and fauna A dazzle of zebras signed ‘ASIRU OLATUNDE’ (lower centre) signed ‘F. Pierre’ (lower right) aluminium repoussé panel affixed to board oil on board 83.5 x 151cm (32 7/8 x 59 7/16in). 61 x 78.5cm (24 x 30 7/8in). unframed £1,500 - 2,000 £800 - 1,200 €1,700 - 2,200 €890 - 1,300 Provenance Like his father and grandfather before him, Asiru Olatunde was a With the Haitian Artists Co-op: The Sanctuary of the Haitian Art, blacksmith. In 1961 he began to create figures of animals out of Boutilliers, Haiti. recycled copper and aluminium, and this work evolved into a unique Private collection, UK. repoussé technique on aluminium panels. His subjects include narratives drawn from Yoruba oral tradition, Bible stories set in Nigerian settings and scenes from everyday life. One image seen repeatedly throughout his work is the tree of life, a universal motif that also recalls his connections to the groves of the Oshun shrine.

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 148

148 * EMMANUEL MANÉ-KATZ (UKRAINIAN/FRENCH, 1894-1962) Literature Portrait of a South African rickshaw boy Robert S. Aries, Mané-Katz 1894-1962: The Complete Works, signed ‘Mane Katz’ (centre right) Volume II, London, 1972, no. 570 and illustrated p.194. gouache 61 x 50.5cm (24 x 19 7/8in). The above book titles the work as ‘African chieftain’, however the sitter is in fact almost certainly wearing the distinctive costume of a South African rickshaw boy as titled. £2,000 - 3,000 €2,200 - 3,300

150

Mediterranean

149 150 GIROLAMO GIANNI (ITALIAN, 1837-1895) GIROLAMO GIANNI (ITALIAN, 1837-1895) Figures observing the breakers off Malta Sunset across a Maltese bay signed and indistinctly dated ‘G. Gianni/18-7’ (lower right) signed and dated ‘G. Gianni/1887’ (lower right) oil on board oil on board 17.5 x 40.5cm (6 7/8 x 15 15/16in). 21 x 53cm (8 1/4 x 20 7/8in).

£800 - 1,200 £800 - 1,200 €890 - 1,300 €890 - 1,300

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 151

152

151 152 CIRCLE OF GIROLAMO GIANNI (ITALIAN, 1837-1895) ROBERT CARUANA DINGLI (MALTESE, 1881-1940) British warship in Valletta’s Grand Harbour, Malta Grand Harbour, Malta oil on board signed and inscribed ‘RC Dingli/MALTA/GRAND HARBOUR’ (lower 23 x 53cm (9 1/16 x 20 7/8in). left) watercolour £1,200 - 1,800 25 x 35.5cm (9 13/16 x 14in). €1,300 - 2,000 £1,000 - 1,500 €1,100 - 1,700

153 • VERTOT (RÉNÉ AUBERT DE) The History of the Knights of Malta, 2 vol., 5 engraved maps (4 double-page or folding), 70 engraved portraits by J.F.Cars after Delijen (corresponding to index of plates), light dampstaining at gutter margin of a few pages in volume one, modern calf, small folio (350 x 220mm.), G. Strahan [and others], 1728

£800 - 1,200 €890 - 1,300

154 • LEAKE (WILLIAM MARTIN) Travels in the Morea, 3 vol., John Murray, 1830; Peloponnesiaca: A Supplement to Travels in Morea, J. Rodwell, 1846, FIRST EDITIONS, half-titles, large folding engraved map of Greece, 16 engraved regional maps and plans (some folding), 12 lithographed plates of inscriptions (a few folding), 4 plates in the supplement, some browning and spotting, later half calf, gilt red morocco spine labels (old ink stain, slightly rubbed), the Supplement in modern cloth [Atabey 691 and 693; Blackmer 974, without supplement], 8vo (4)

£800 - 1,200 €890 - 1,300

Scarce complete set of William Leake’s account of his two journeys to Morea in 1805, and including the supplementary volume describing a further expedition in 1806.

153

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 155 ANGELOS GIALLINA (GREEK, 1857-1939) A Corfiot shepherd signed ‘Giallin’a’ (lower left) watercolour 155 48 x 85cm (18 7/8 x 33 7/16in).

£1,500 - 2,000 €1,700 - 2,200

156 SPYRIDON SCARVELLI (GREEK, 1868- 1942) A view through the trees on Corfu signed ‘Scarvelli’ (lower left) watercolour 28.5 x 48.5cm (11 1/4 x 19 1/8in).

£800 - 1,200 €890 - 1,300

157 SPYRIDON SCARVELLI (GREEK, 1868- 1942) A beach on Corfu signed ‘Scarvelli’ (lower left) watercolour 29.5 x 53cm (11 5/8 x 20 7/8in). 156

£1,200 - 1,800 €1,300 - 2,000

157

Maureen Hanton’s interest in antique Caribbean Over the years, Maureen has acquired works for art commenced as a hobby after moving from museums, governments and collectors from the her native Liverpool to Jamaica in 1955 when UK, US, Canada and all over the West Indies. her husband Terry secured a role opening an asphalt company on the island. After living for Maureen’s special interest was in Cazabon, but many years in Jamaica and Trinidad, Maureen she was also a keen collector of Haynes King, returned to the UK in 1966 but retained a Goodwin, Tothill and Jackson. She secured strong connection with the West Indies, buying many of her works in the UK and Ireland and a small property in Barbados in the 1980s. An enjoyed scouring antiquarian bookshops for initial hobby developed into a passion, which works which she could then trace the history ultimately led to her being considered something of. In later years, she found great pleasure of an authority on West Indian art, identifying, in displaying some of her collection in her procuring and exhibiting many pieces in a wide house, reminding her both of her West Indies’ collection. The royal photographer, Norman connections and also the pleasures she had had Parkinson, attended one of her exhibitions and in compiling her portfolio. she has sold, amongst others, to Mick Jagger.

158 West Indies

158 ATTRIBUTED TO WILLIAM CARPENTER (BRITISH, 1818-1899) Provenance Montego Bay, Jamaica Private collection, Barbados. inscribed with title (lower right) The collection of the late Mrs Maureen Hanton (acquired from the watercolour above, June 1986). 34.5 x 49.5cm (13 9/16 x 19 1/2in).

£2,000 - 3,000 €2,200 - 3,300

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 159

160

159 160 ALBERT GOODWIN RWS (BRITISH, 1845-1932) ALBERT SALISBURY WOOD (BRITISH, FL.1896-1928) ‘Port Antonio, Jamaica’ ‘Kingston, Jamaica’ signed ‘Albert Goodwin’ (lower right), inscribed with title (lower left) signed ‘ASWood’ (lower right), inscribed with title and dated ‘Feb 04’ gouache (lower left) 19 x 25.5cm (7 1/2 x 10 1/16in). oil on board unframed 26.5 x 37cm (10 7/16 x 14 9/16in).

£800 - 1,200 £1,500 - 2,000 €890 - 1,300 €1,700 - 2,200

Provenance Provenance The collection of the late Mrs Maureen Hanton. Anon. sale Bonhams, London, 16 October 1986, lot 19. The collection of the late Mrs Maureen Hanton (acquired from the above).

162

161 162 JOSEPH BARTHOLEMEW KIDD (BRITISH, 1808-1889) AFTER JAMES JOHNSON Town of Bath; Rio Bueno; Retirement Estate, St James’s, three views Kingstown, St Vincent in Jamaica aquatint printed in colour and finished by hand, published by T. & G. three lithographs with hand colouring Underwood, London, 1827 from ‘West Indian Scenery: Illustrations of Jamaica, in a series of plate size 26.5 x 43cm (10 7/16 x 16 15/16in). views comprising the Principal Towns, Public Buildings, Estates and most picturesque scenery of the Island’ published London, 1837- £300 - 500 1840 €330 - 560 image size the largest 24 x 40cm (9 1/4 x 14 15/16in) and smaller. (3) Provenance £400 - 600 The collection of the late Mrs Maureen Hanton. €440 - 670

Provenance ‘Retirement Estate, St James’s’, with Richard Green, London. The collection of the late Mrs Maureen Hanton (acquired from the above, 17 October 1984).

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 163

164

163 164 AFTER JAMES JOHNSON AFTER JAMES JOHNSON English Harbour, Antigua, from Great George Fort, Monks Hill View near St Johns, Antigua aquatint printed in colour and finished by hand, published by T. & G. aquatint printed in colour and finished by hand, published by T. & G. Underwood, London, 1827 Underwood, London, 1827 plate size 25.5 x 39cm (10 1/16 x 15 3/8in). plate size 26.5 x 39.5cm (10 7/16 x 15 9/16in).

£300 - 500 £300 - 500 €330 - 560 €330 - 560

Provenance Provenance With Grosvenor Prints, London, no.353. With Grosvenor Prints, London, no.333. The collection of the late Mrs Maureen Hanton (acquired from the The collection of the late Mrs Maureen Hanton (acquired from the above, 25 October 1989). above, 25 October 1989).

165 166 ENGLISH SCHOOL, LATE 19TH CENTURY HAYNES KING (BRITISH, 1831-1904) A panorama of the Port of Castries, Saint Lucia, as seen from Fort The Retreat, Barbados, the official quarters of the Chief of the Charlotte upon Morne Fortune General Staff inscribed ‘ST LUCIA’ (lower left) signed and dated ‘H. King/1853’ (lower left) watercolour watercolour 23.5 x 100.5cm (9 1/4 x 39 9/16in). 35 x 50.5cm (13 3/4 x 19 7/8in). mounted but unframed unframed

£2,500 - 3,500 £600 - 800 €2,800 - 3,900 €670 - 890

Provenance Provenance The collection of the late Mrs Maureen Hanton. The collection of the late Mrs Maureen Hanton.

This work is believed to have been completed c.1888 due to the An inscription previously affixed to the reverse of the sheet, now lost, particular layout of Castries in this period. was seemingly written by Charles O’Brien (Governor of Barbados Morne Fortune, the hill from which this watercolour was executed, 1918-1925) and read as follows: is home to Fort Charlotte. Originally built by the French in 1784 and named Citadelle du Morne Fortuné, this important military stronghold ‘Occupied by my Grandfather the Lieut. Col. Terence O’Brien 87th would change hands between the British and French on numerous R.I. Fusiliers (afterwards Major General) in 1853... My Uncle Edmund occasions until 1803 when it would stay under control of the British with pony and Uncle Dick with donkey in foreground. This house is until 1979. now occupied by the Masters of Harrison College, Barbados... This picture I used to gaze on with great interest when I was a very small child and could not realise I would be Governor of Barbados from 1918-25...’

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 166

TRAVEL AND EXPLORATION | 95 167

168

167 168 ALBERT GOODWIN RWS (BRITISH, 1845-1932) MARY D. TOTHILL (EXH. 1870-80S) ‘Trafalgar Square, Barbados’ Shot Hall, Barbados signed and dated ‘Albert Goodwin 1912’ (lower right), inscribed with signed with initials ‘M.D.T’ (lower left) title (lower left) watercolour heightened with bodycolour gouache 35.5 x 54cm (14 x 21 1/4in). 25 x 35.5cm (9 13/16 x 14in). £1,000 - 1,500 £3,000 - 5,000 €1,100 - 1,700 €3,300 - 5,500 Provenance Provenance Anon. sale Sotheby’s, London, 23 November 1995, lot 304. Gifted to the McConnell family by the artist, thence by descent. Cataloguing from the above sale states that the sheet is inscribed on The collection of the late Mrs Maureen Hanton (acquired from the the reverse as follows: ‘Shot Hall/June75, Queen’s House/Windward above, 1992/3). Islands/Barbadoes/W. Indies’. The collection of the late Mrs Maureen Hanton (acquired from the above).

Shot Hall was the residence of the Commander of the Royal Engineers at the time of this watercolour and since the 1920s has been home to the Barbados Yacht Club.

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 169

169 JOHANN HÜRLIMANN (SWISS, 1793-1850), AFTER L. STOBWASSER ‘Vue de Gracehill dans I’Isle d’Antigoa’, with three further views of Provenance Antigua With Norman T. Storey, Antiquarian Bookseller, London. three aquatints with hand colouring by Hürlimann and one by Hegi The collection of the late Mrs Maureen Hanton (acquired from the all published by Birman & Fils, Basle, 1835 above, 4 April 1985). plate size 18.5 x 27cm (7 5/16 x 10 5/8in). (4)

£400 - 600 €440 - 670

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. TRAVEL AND EXPLORATION | 97 170 CHARLES WILLIAM DAY (BRITISH, ACTIVE 1815-1854) ‘Frederick St, Port of Spain, Trinidad’ inscribed with title and dated ‘Jany 4th 1849’ (lower right) pen and brown ink with sepia wash 22 x 14cm (8 11/16 x 5 1/2in).

£600 - 800 €670 - 890

Provenance The collection of the late Mrs Maureen Hanton.

171 AFTER MICHEL JEAN CAZABON Set of four lithographs showing focal buildings in Demerara, British Guiana lithographs by Eugène Cicéri (French, 1813 - 1890), published 1860, with later hand colouring image size 18.5 x 26cm (7 5/16 x 10 1/4in). (4) 170 £400 - 600 €440 - 670

Provenance The collection of the late Mrs Maureen Hanton.

172 ENGLISH SCHOOL, 1863 Marine Square (now Brian Lara Promenade), Port of Spain, Trinidad inscribed and dated ‘Catholic Cathedral/Trinidad/63’ (lower left) watercolour 43.5 x 44cm (17 1/8 x 17 5/16in).

£300 - 500 €330 - 560

Provenance Anon. sale Christie’s, London, 26 September 1997, lot 13. The collection of the late Mrs Maureen Hanton (acquired from the above).

173 AR CLAUDE MUNCASTER (BRITISH, 1903-1974) Off Trinidad signed ‘CLAUDE MUNCASTER’ (lower right) oil on board 27.5 x 43cm (10 13/16 x 16 15/16in).

£700 - 900 €780 - 1,000

Provenance With the Arun Art Centre, Arundel, Sussex. The collection of the late Mrs Maureen Hanton.

171

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 172

173

TRAVEL AND EXPLORATION | 99 174

174 CHARLES WILLIAM DAY (BRITISH, ACTIVE 1815-1854) Provenance A collection of twenty works on paper depicting the landscape, flora The collection of the late Mrs Maureen Hanton. and fauna of the West Indies variously inscribed and annotated British born; Day was based in the West Indies from 1846-1851, variously pen and black and brown ink, sepia wash and watercolour travelling through Barbados, St. Vincent, Bequia, Grenada, Trinidad, 13 x 21.5 cm (5 1/8 x 8 7/16in) and smaller. (20) St. Lucia, Martinique, Guadeloupe, Les Saintes, Dominica, Nevis, mounted but unframed Barbuda and Antigua. During his travels he took care to document the places and people that he saw, and upon his return to England he wrote his book ‘Five Years Residence in the West Indies’, which £600 - 800 was published in 1852 in two volumes by Colburn & Co., London. €670 - 890 Some of the drawings from the collection on offer here were engraved to illustrate this book.

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 175 • CAZABON (MICHEL JEAN) Views of Trinidad, FIRST EDITION, lithographed title, 18 lithographed plates, list of subscribers (134 names, subscribing to 149 copies), repair to plate 12, contemporary half morocco, gilt lettered “Views of Trinidad”, rebacked preserving old spine, oblong folio (340 x 480mm.), Paris, Lemercier, 1851

£3,000 - 5,000 €3,300 - 5,500

RARE. The plates are captioned: Port of Spain from the Harbour; 175 King’s Wharf and South Quay-Port of Spain; Custom House and St. Vincent’s Wharf; Trinity Church, Port of Spain; Catholic Church, Port of Spain; Government Buildings; Maraval Dike; The Governor’s Residence, St. Anns; Queen’s Park, Port of Spain; San Fernando and Naparima Hill; St. James’ Barracks; Bamboo Arches, St. Anns; Village of Arima and Mount Tamana; The Cottage, Mount Tamana; Cedar Point, Mount Tamana; Maraccas Waterfall; Cascade at St. Anns; North Coast of Trinidad, from the North Post.

176 PHOTOGRAPHY - TRINIDAD, BARBADOS, AND JAMAICA A good collection of approximately 215 views (and a few portraits) in Trinidad, Barbados and Jamaica, and neighbouring areas, mostly albumen prints (some gelatin silver), a few captioned and signed (“Felix Morin”, “J[ohn] V[alentine”], and “Cooper”), in the image, many others captioned on the mount, some loose but mostly mounted on album sheets and 2 bound albums, the majority approximately 190 x 240mm., some smaller, late nineteenth/early twentieth century (collection)

£800 - 1,200 €890 - 1,300

Trinidad images (c.110) include Barracks (5, dated 1875-79), “Lady Dundonald’s lots La Brea” and a river scene both signed in the negative by “Cazabon”, a portraits of “coolies” (5), Port of Spain; Jamaica images (c. 45) include series of late nineteenth century views (c.185 x 135mm.) of Kingston, Port Royal, Newcastle, “Major William’s Hut”, Stawberry Hill, and the Bog Walk. Other images include “Negro Cottage Jamaica”, “Mandeville Race-course”, Castleton Gardens (5), and other views of Kingston; Barbardos images (c.45) include; “Sugar Mill & Estate Negroes”, “Native Huts... B.W.I.”, Bridgetown (3), Carlisle Bay, Hastings, “Swing Bridge, Barbados”, several plantation windmills, Government House, Shot Hall (5, interiors and exteriors). Other locations include St. Kitts, Guadelope, Grenada, and Martinique.

176

Cuba

177 179 PHILIPPE CHARTRAND (CUBAN, 1825-1889) SMITH BROTHERS & CO, HABANA, 19TH CENTURY A Cuban landscape Habana signed ‘Ph. Chartrand’ (lower left) Lithograph with extensive hand-colouring, 1851, on wove, published oil on panel by Smith Hermanos & Co., with margins, 660 x 1020mm (26 x 40 15 x 30.5cm (5 7/8 x 12in). 1/8in)(I)

£2,000 - 4,000 £1,200 - 1,800 €2,200 - 4,400 €1,300 - 2,000

178 The four Smith brothers, Francis, George, David and Benjamin, EDUARDO LAPLANTE AFTER LEONARDO BARANANO, worked together as subscription agents and salesmen for the New PUERTO-PRINCIPE, 19TH CENTURY York lithographer Edwin Whitefield. It is here that they learned the Puerto-Principe: Vista gral tomada desde El Cristo trade for which they would become famous, setting up ‘Smith Lithograph with extensive hand-colouring, c.1856, on wove, Brothers & Co.’ in 1849. Particularly noted for their highly detailed published by Lith. de Fanjul, Havana, with margins, 405 x 685mm (16 and accurate depictions of cities, their view of Habana, Cuba, was x 27in)(I) published in 1851 and is noted for these exact qualities.

£2,000 - 3,000 €2,200 - 3,300

French artist Eduardo Laplante (1818-1860) moved to Cuba c.1848 where he set up his lithography studio. This studio produced prints after paintings of rural and urban life throughout the Caribbean, providing a fascinating and detailed insight into life in the region during this period.

‘Puerto Principe: Vista G’ral Tomada Desde El Cristo’s’ forms part of Laplante’s series ‘Isla de Cuba Pintoresca’ after paintings by Leonardo Barañano. Here the viewer is situated on a hill over looking the city with the cemetery below and the San Pedro river snaking its way through the city in the distance. Interestingly, Laplante has shown himself in the foreground sketching and contemplating another view with two companions.

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 178

179

TRAVEL AND EXPLORATION | 103 180

Central and South America

180 D’ANVILLE (JEAN BAPTISITE BOURGUIGNON) A Map of South America, large hand-coloured engraved map on four sheets joined, large historiated cartouche with images of a flowing river, abundant fruit, crocodile and natives, inset map of the Falkland Islands, framed and glazed, 1003 x 1177mm., Robert Sayer, 1775

£700 - 900 €780 - 1,000

All proceeds from the sale of this lot are going to the charity Combat Stress.

181 • MAP GAME - SOUTH AMERICA Wallis’s New Game of Wanderers in the Wilderness, hand-coloured aquatint pictorial map of South America (populated with animals and sea creatures, fauna and peoples), with decorative title cartouche incorporating a tiger, snake, parrot, monkey and crocodile designed by J.H. Banks, dissected and laid on linen, together with the 16-page book of rules as issued in publisher’s patterned cloth slipcase gilt lettered on upper cover, the map 670 x 510mm., Edward Wallis, [c.1844]

£800 - 1,200 €890 - 1,300

An attractive map game, with the scarce original instructions, depicting South America populated with lively scenes of wildlife and local industries. The players are led through the continent, with an estate owner (“I employ here about two hundred negroes, who were formerly slaves, but I now pay them regular wages...”) as guide, pointing out exciting features, “... a Bird of Paradise... What would 181 some ladies of England give for his skin, to adorn their heads!”, “Copiapo.. of the Chilean Andes. It consists almost entirely of an immense assemblage of fossil teeth”.

Provenance Agnes Davis, ownership stamp on upper wrapper of the rule book.

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 182

182 • DARWIN (CHARLES), ROBERT FITZROY AND PHILIP KING The third volume is Darwin’s “first published book [and] is Narrative of the Surveying Voyages in His Majesty’s Ships Adventure undoubtedly the most often read and stands second only to On and Beagle, between the years 1826 and 1836, describing their the origin of Species as the most often printed” (Freeman p.31). Examination of the Southern Shores of South America, and the This volume was published under two different titles: the first issue Beagle’s Circumnavigation of the Globe, 4 vol. (vol. 1-3 and Appendix with the title starting Narrative of the Surveying Voyages..., and the to vol. 2), FIRST EDITION, vol. 3 with second issue title and half- second issue (as here) with the title Journal of Researches into the title, 3 half-titles (as called for), 24-page smaller format publisher’s Geology and Natural History.... This second issue was also available catalogue at end of Appendix, 9 folding engraved maps (all laid on as a separate work. cloth, one hand-coloured in outline), 47 engraved or etched plates, charts and diagrams, slight discolouration to maps, occasional light browning or spotting to plates, modern green half morocco, t.e.g. [cf. Freeman 10 for vols 1, 2 and Appendix, and Freeman 11 for vol. 3; Hill 607; cf. Norman 584; Sabin 37826], 8vo, Henry Colburn, 1839

£6,000 - 8,000 €6,700 - 8,900

183 184 * CIRCLE OF ERNEST CHARTON (FRENCH, 1815-1877) AUGUSTE BORGET (FRENCH, 1809-1877) A wagon and a rider on the road to Valparaiso Two views near Arequipa, Peru pencil pen and ink, heightened with white the first inscribed and dated ‘a aréquipa/12 mai 1838.’ (lower right); 14 x 18.5cm (5 1/2 x 7 5/16in). the second inscribed and dated ‘arequipa 17 mars 1838’ (lower right) pencil £2,000 - 3,000 the first 19 x 30.5cm (7 1/2 x 12in); the second 19.5 x 27.5cm (7 €2,200 - 3,300 11/16 x 10 13/16in). (2) mounted, but unframed An oil painting by Charton offered at Christie’s, New York, 22-23 November 2016 lot 93, depicts a very similar composition and focal £2,000 - 3,000 group of cart and oxen on the road to Valparaiso. €2,200 - 3,300

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 184

TRAVEL AND EXPLORATION | 107 185

185 BRAZILIAN SCHOOL, 19TH CENTURY mountains in the background. These street scenes show the clear Capriccio views of Rio de Janeiro, a pair influence of both Debret and Rugendas. Debret was a French painter oil on canvas who travelled to Brazil in 1816 as a member of the so-called French 63 x 96.5cm (24 13/16 x 38in). (2) Artistic Mission, a group of bonapartist French artists and artisans bound to creating an arts and crafts lyceum in Rio de Janeiro under King D. João VI and the Conde da Barca; this later became the £15,000 - 20,000 Academia Imperial de Bellas Artes under Emperor Dom Pedro I. €17,000 - 22,000

Debret is known for his depictions of everyday life in Brazil and This pair shows capriccio views of the port of Rio de Janeiro bustling started to sketch street scenes, local costumes and people between with activity. There are merchant ships and smaller boats anchored 1816 and 1831. He was particularly interested in slavery of black at shore with local people animating the scene; women and men and indigenous people in Brazil. Together with the German painter carrying food and goods on their heads and working on boats. The Johann Moritz Rugendas, his work is some of the most important church on the left in the first image looks to be Santa Lucia and in documentation of Brazilian life during the early decades of nineteenth the background one can see the city surrounded by the mountains. century. This pair of paintings executed at a later date, around 1880, The second image shows resemblance to Sao Goncalo with its show the influence of prints after both of these important artists’ work.

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 186 BRAZILIAN SCHOOL, 19TH CENTURY Rainforest interior inscribed, dated and indistinctly signed ‘A MR. A GLAZIOU/---/1876’ (lower left) oil on canvas 39.5 x 28cm (15 9/16 x 11in).

£1,000 - 1,500 €1,100 - 1,700

The dedication inscribed on this canvas almost certainly relates to the French botanist and landscape designer Auguste François Marie Glaziou (1828-1906). At the request of Brazilian Emperor Dom Pedro II, Glaziou traveled to Rio de Janeiro in 1858 to take up the position of Director of Parks and Gardens in the city. Whilst in Brazil, he started a program of documenting and collecting plants, a feat for which many species of plants have been named after him. Glaziou returned to France in 1897 to complete his own botanical research.

187 186 ALFRED F. DE PRADES (BRITISH, FL. 1844-1883) Horseman in Mexico signed and dated ‘AF de Prades 1879’ (lower left) oil on canvas 31 x 23cm (12 3/16 x 9 1/16in).

£800 - 1,200 €890 - 1,300

Provenance With Gallery 10, Richmond.

187

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. TRAVEL AND EXPLORATION | 109 110 | BONHAMS 188 * CARL (CARLOS) NEBEL (GERMAN, 1805-1855) “We have never seen anything to equal the artistic skill, perfection of The Battle of Buena Vista, February 22nd-23rd, 1847 design, marvelous beauty of execution, delicacy of truth of coloring, oil on canvas and lifelike animation of figures ... They present the most exquisite 68.5 x 86.5cm (27 x 34in). specimens ever exhibited in this country of the art of colored lithography; and we think that great praise ought to be awarded to Mr. Kendall for having secured such brilliant and beautiful and costly £20,000 - 30,000 illustrations for the faithful record of the victories of the American €22,000 - 33,000 army” (New Orleans Picayune, 15 July 1850)

Provenance The painting on offer here is not only an extremely rare example of With Bland Gallery Inc., New York. one of Nebel’s oils which was used for this publication, it is also Private collection, US. an extremely rare depiction of The Battle of Buena Vista. Although, neither Kendall or Nebel were involved in this battle, or even visited Exhibited the site, the accuracy of this depiction is attributed to an eyewitness New York, Museum of Modern Art, American Battle Painting, 1776– account from Captain James H. Carleton of the First Dragoons. The 1918, September 26 - November 12, 1944, no. 261, loaned to the care taken to ensure true-to-life representations of events in each of exhibition by Mr Harry MacNeill Bland. these works is commented on in Kendall’s preface to the book: Claremont, California, Scripps College Art Galleries, Heritage of the Southwest Post-Columbian Colonial Arts, February - March 1957, “So far as regards the general configuration of the ground, fidelity no.17. of the landscape, and correctness of the works and buildings introduced, they may be strictly relied upon. Every reader must be Attracted by Baron von Humboldt’s travels from 1799 to 1804 and aware of the impossibility, in painting a battle scene, of giving more his subsequent publications on South America, many artists started than one feature or principal incident of the strife. The artist has ever to arrive in Mexico, among them the young German, Carl Nebel. chosen what he deemed the more interesting as well as exciting points of each combat ... in the present series of illustrations the Nebel visited Mexico from 1829 to 1834, and having completed his greatest care has been taken to avoid inaccuracies.” journey through the Northern, Coastal and Bajío regions, as well as visiting Mexico City and Puebla, he returned to Paris. Upon his The Battle of Buena Vista (22-23 February, 1847), also known as return he set about producing his renowned Voyage pittoresque the Battle of Angostura, is known for America’s victory over Mexico, et archéologique dans la partie la plus intéressante du Méxique, although being heavily outnumbered c.4,500 men to c.15,000. The published in 1836 and in which he illustrated his travels with 50 battle itself was a drawn-out skirmish style of warfare that saw large lithographs; Humboldt, taken by Nebel’s exploits, wrote the prologue. numbers of troops moving and adopting various strategic positions throughout the two days of fighting. However, the battle is best Having enjoyed success with his views in Mexico, Nebel travelled known for the effectiveness with which artillery was employed, and back to the Americas and it is on this second trip that he would it was the late arrival of an artillery battery under Captain Braxton produce the body of work for which he is best known today. Nebel Bragg which saw the Mexican forces repulsed and forced to retreat. created a series of 12 paintings documenting the key conflicts of This painting depicts the moment at which Captain John Paul the Mexican-American War (1846-1848). Working with the American Jones O’Brien and the 2nd Indiana Regiment fought to stave off the writer and soldier George Wilkins Kendall (1809-1867), Nebel had his Mexican advance on the key plateau of the fight. They would go on views of the war converted into a series of lithographs which were to lose their position and their guns, however, the ferocity of their published to accompany Kendall’s detailed accounts of the war. This fighting is accounted for the holding off of the Mexicans long enough book was published as The War between the United States and to allow Bragg’s crucial backup to take position. Mexico (New York, 1851). Commenting on the pre-publication proofs of the lithographs, a contemporary reviewer wrote:

North America 189 * 191 AMERICAN SCHOOL, 19TH CENTURY BRUNO COTE (CANADIAN, BORN 1940) High water on the Mississippi ‘St. Lawrence River’ oil on canvas signed and dated ‘bruno/Cote 82’ (lower left), signed and inscribed 35.5 x 43cm (14 x 16 15/16in). with title (on the reverse) oil on board £1,000 - 1,500 40.5 x 50.5cm (15 15/16 x 19 7/8in). €1,100 - 1,700 £1,000 - 1,500 190 €1,100 - 1,700 HENRI LEOPOLD MASSON, OSA, CGP, GSPWC ( CANADIAN, 1907-1996) Provenance ‘New Growth’ Atlantic Galleries, Frederickton, New Brunswick, no. 297. signed ‘Henri Masson’ (lower right), inscribed with title and artist’s name (on the stretcher) oil on canvas 45.5 x 61cm (17 15/16 x 24in).

£800 - 1,200 €890 - 1,300

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 190

191

TRAVEL AND EXPLORATION | 113 192

(Charles Royds with Marguerite Makowski)

Polar

192 193 BRITISH ARCTIC EXPEDITION, 1875-76 BRITISH NATIONAL ANTARCTIC EXPEDITION, 1901-1904 A cup and saucer by W.T. Copeland & Son, the rim with blue transfer A silver Sporting Medal awarded to First Lieutenant Charles W.R. decoration of plaited rope design on each, the saucer with “Arctic Royds, obverse inscribed “ANTARCTIC SPORTS WON BY” the Expedition 1875” in a belt surrounding a polar bear to the centre, reverse cast in relief with a penguin on ice flow surrounded by and three transferred maker’s marks, to underside of rim, the base lettering “NATIONAL ANTARCTIC EXPEDITION ‘DISCOVERY’” 1 in with three impressed maker’s marks of a fouled anchor design and (25mm.) diameter “DISCOVERY” printed in blue, diameter 150mm.; the cup with same Arctic “logo” on side, and the maker’s mark and “DISCOVERY” on £10,000 - 15,000 base, both with a few hairline cracks and crazing, 1875 €11,000 - 17,000

£800 - 1,200 Provenance €890 - 1,300 Vice Admiral Sir Charles William Rawson Royds (1876-1931). From 1904 to 1905, Royds enjoyed a courtship with Marguerite A bone china cup and saucer made by W.T. Copeland & Son for Sir Makowski whom he had previously met whilst employed as a George Nares’ Arctic Expedition of 1875. maths tutor to her brothers. He gave this Sporting Medal to her as a token of his affection; sadly Royds’ family did not approve of their engagement and the relationship was ended. Makowski kept the medal and it was passed on through her family and thence by descent.

For details of the charges payable in addition to the final Hammer Price of each Lot 114 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Exhibited The Scott Polar Research Institute, Cambridge, UK.

This sporting medal was awarded to First Lieutenant Charles William Rawson Royds during the British National Antarctic Expedition led by Captain Robert Falcon Scott which took place between 1901 and 1904. The Antarctic Sporting Medals were given to serving officers on the Discovery Expedition as prizes for their sporting achievements. Originally they were devised as a simple way to keep morale high and sporting events were arranged throughout the course of the expedition.

In honour of King Edward VII’s birthday on 8 November 1902, a general holiday was declared and the ship was decorated with Union flags. A sports day competition was organised with events including a ‘flat skis race’, won by Petty Officer Edgar Evans, a ski race down a steep hillside, a rifle shooting match and a toboggan race, amongst others. On the day of the event Royds was on a sledging trip to Cape Crozier, returning on 17 November 1902. It is likely that this sporting medal was awarded to Royds for his consistent record of achievement and high professional standards.

Royds was born in Rochdale, Lancashire and attended Eastman’s Royal Naval Academy in Southsea and became a Naval Cadet in HMS Conway in June 1892. A month later he went to sea in the cruiser HMS Immortalité of the Channel Squadron. He quickly moved through the ranks, becoming Sub-Lieutenant in 1896 and an early 193 promotion in 1898, due to his skilled handling of a man overboard mission in the Baltic, led to him becoming Lieutenant. In 1899 he sailed to the West Indies aboard HMS Crescent.

Royds was chosen to be First Lieutenant of the RRS Discovery on Royds was the last ever captain of the Osborne Royal Naval college Robert Falcon Scott’s National Antarctic Expedition. Having trained for 5 months until its closure in 1921. He then took a position at at the Ben Nevis Observatory in preparation for the mission, Royds the Admiralty as Director of Physical Training and Sports before was a qualified meteorologist and was in charge of the physical becoming Commodore of the Royal Naval Barracks at Devonport training of the expedition members. He volunteered to be part of the in October 1923. In 1925 he stepped down from this, his last naval sledging programme and lead a sledging journey to explore the Ross appointment. On 1 January 1926, he succeeded Sir James Olive Ice Shelf. An area of Ross Island, Cape Royds, was named in honour as Assistant Commissioner “A” and Deputy Commissioner of the of him. The expedition aimed to carry out scientific research and Metropolitan Police. He retired from the Royal Navy in 1926 on geographic exploration on the, then, largely untouched continent. promotion to Rear-Admiral. Its scientific results covered extensive ground in biology, zoology, geology, meteorology and magnetism. The expedition was deemed In 1929, he was appointed Knight Commander of the Order of the a success, despite having required an expensive relief mission to free British Empire (KBE) in the Metropolitan Police Centenary Honours, the Discover and her crew from the ice. and in the same year was made an ADC to the King. On 23 May 1930, he was promoted to Vice-Admiral on the Retired List. On 5 In December 1914 Royds was promoted to Captain and became January 1931 Royds died suddenly while still in office as Assistant Flag Captain to Admiral Sir Stanley Colville, commanding Orkney and Commissioner, and while acting as Commissioner during General Shetland. Six months later he was given command of the battleship Byng’s absence on sick leave. He suffered a heart attack while HMS Emperor of India, an unusually important command for a junior attending a rehearsal of the Strauss Ball at the Savoy Hotel and was Captain. In 1918, he married the widowed Mary Louisa Blane, a former rushed to Charing Cross Hospital, but was tragically pronounced actress. They had a daughter named Minna Mary Jessica Royds. He dead on arrival. remained with the HMS Emperor of India until 1919 and was appointed a Companion of St Michael and St George for his war service.

TRAVEL AND EXPLORATION | 115 194

194 • SCOTT (ROBERT FALCON) The Voyage of the ‘Discovery’, 2 vol., FIRST EDITION, AUTHOR’S PRESENTATION COPY, inscribed “To Mrs Schuster with the author’s best wishes, Robt. F. Scott, Oct 12th 1905” on the front free endpaper of volume 1, photogravure frontispieces, numerous maps and plates (including 12 coloured reproductions after Dr. Wilson), a folding map in pocket at the end of each volume, with the publisher’s slip tipped into volume 1, occasional light spotting, publisher’s blue cloth with gilt medallions on sides, t.e.g., joints neatly refurbished, preserved in purpose-made solander box [Conrad, p.121; Rosove 286; Spence 1051; Taurus 41], 8vo, Smith Elder, 1905

£3,000 - 4,000 €3,300 - 4,400

A PRESENTATION COPY INSCRIBED ON THE DAY OF PUBLICATION of “the ablest and most interesting record of travel to which the present century has yet given birth” (The Spectator, 14 October, 1914, quoted in Scott Journals. Scott’s Last Expedition, 2005, edited by Max Jones, p.xxiv).

Provenance Gifted by Scott to Mrs Schuster, wife of Arthur Schuster, who was Beyer Chair of Applied Mathematics, and Langworthy Professor of Physics at Manchester University. “Scott consulted Schuster when arranging his scientific plan of both the Discovery and Terra Nova missions” (Hannah Hulme, Mancunian Matters, 2012, online resource).

For details of the charges payable in addition to the final Hammer Price of each Lot 116 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 195

TRAVEL AND EXPLORATION | 117 195 BRITISH ANTARCTIC EXPEDITION, 1907-1909 For the southern journey, the four men were accompanied by four Sledge used on the British Antarctic Expedition 1907–09 (‘Nimrod ponies, each pulling an eleven-foot sledge. Over the course of the Expedition’), retained by explorer Eric Marshall, ash on a hickory march south, the ponies gradually succumbed to the conditions; frame, 6 uprights and cross-members reinforced with metal braces, three had to be shot, and the last fell down a crevasse. Two of the leather straps and thick string ties at various points around the frame, four sledges were left where the first two ponies were shot, as depots tow-ropes looped around two uprights at both the front and rear for the return journey. The two remaining sledges went further south. of the sledge, approximately 3360mm. (11 ft.) long; together with The sledge that reached the furthest point was so dilapidated that on framed presentation plaque, stating “The Sledge, hanging above, the return journey Shackleton broke off a few splinters as souvenirs was one of those used on the Expedition, & was presented to the and swapped it with the fresher sledge left at ‘Grisi Depot’. School by Dr. Eric Marshall” (2) By late February 1909, the four explorers were in a frantic race to reach Nimrod. Shackleton had set a 1 March deadline for the ship £60,000 - 100,000 to set sail – with or without the Southern Party. He and Wild went €67,000 - 110,000 ahead and made it to Nimrod in the nick of time. A sledging party from the ship went back for Marshall and Adams, and with sea A SLEDGE FROM THE FIRST SHACKLETON EXPEDITION TO THE conditions worsening there was just time to fulfill one of the scientific ANTARCTIC. The sledge was used on the 1907-9 British Antarctic goals of the expedition: “They steamed past Cape Armitage towards (‘Nimrod’) Expedition by Eric Marshall - one of the four men, with Pram Point in order to pick up the abandoned sledges, which held Shackleton, Jameson Adams, and Frank Wild, to undertake the the geological samples from the southern journey. As they went, sledge march to the South Pole. Though they had to abandon the they could see young ice forming over the calm water, so after they attempt, on 9 January 1909 they set a new record for the farthest brought the sledges aboard Shackleton ordered all steam towards south, reaching within 100 geographical miles of the Pole. the north” (Riffenburgh, Nimrod, 2004, p.277).

Marshall (1879-1963) studied at Emmanuel College, Cambridge, and Bertram Armytage’s eleven-foot Nimrod sledge is at Museums qualified as a surgeon at St. Bartholomew’s Hospital, London. He Victoria, Australia (item ST 19768). SPRI holds the two splinters met Shackleton at a party in 1906, and volunteered for the expedition believed to be from Shackleton’s farthest south sledge (items on the spot. A rower and rugby player, Marshall was fit and had the Y:2005/3/2 and Y:2005/3/3). There is a twelve-foot sledge at Athy expertise to serve as surgeon, cartographer and photographer for the Heritage Centre, Ireland; another is believed to be at Lyttelton expedition. Though they did not always see eye to eye, Shackleton Museum, New Zealand. The Museum of New Zealand has seven remarked of Marshall that he “stuck to the march” and “never sledges purportedly from Nimrod (items GH003229/1-7), “brought to complains” (Heart of the Antarctic, 1909). New Zealand in 1917 with the rescued men of the ‘Ross Sea Party’” and sold at auction in Wellington in March 1917; at least one of these In preparation for the trip, Shackleton went to Christiania in April is an eleven-footer. The present sledge is the only example we have 1907, and found “that Mr. C.S. Christiansen, the maker of the traced with provenance to one of the four Southern Party explorers. sledges used on the Discovery expedition, was in the United States”. Instead, he commissioned L.H. Hagen and Company to produce Provenance sledges “of the Nansen pattern” in various sizes. The present Eric Marshall; donated by him around 1952 to his alma mater, example is one of eighteen eleven-foot sledges purchased for the Monkton Combe School, by whom now offered for sale. expedition; Shackleton favoured this size as the “best for general work, for it was not so long as to be unwieldy, and at the same time was long enough to ride over sastrugi and hummocky ice.”

For details of the charges payable in addition to the final Hammer Price of each Lot 118 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 195

TRAVEL AND EXPLORATION | 119 Scott Polar Research Institute, wth permission

“SLEDGE FLAG TIED IN BACK TO HELP KEEP WARM”: a flag carried to 88° south by Nimrod expedition surgeon Eric Marshall.

During the expedition, each of the four men of the Southern Party had his own personal flag, clearly visible in numerous photographs reproduced in Heart of the Antarctic (1909): upon their departure from Hut Point on 3 November 1908 (plate facing p.266); when they ‘broke the southern record’ on 27 November (plate facing p.296); Christmas Day (plate facing p.336, and illustrated above); and at the Farthest South camp, 88°5’S (plate facing p.340). The present flag, belonging to Marshall, features prominently in many of these images.

On 9 January 1909, the four men photographed themselves with the Union Jack presented to them by Queen Alexandra, at the Farthest South point, 97 nautical miles from the Pole; it was bitterly windy, and they were in no mood to fly their sledging flags. However, it is likely that Marshall had this flag with him that day: in his diary on 6 January he writes of the plan to “make one last dash without the sledge. Sledge flag tied in back to help keep warm tonight” (SPRI MS 1456/8). Shackleton’s Nimrod sledge flag is at SPRI (item Y:2002/2/4) along with the Union Jack flag said to be the one flown at the Farthest South (item Y:2005/5).

The tradition of sledge flags dates back to Arctic expeditions of the early nineteenth century. Personal to the explorer, they were often made by wives and mothers, and although they could serve some 196 purpose in identifying sledges and making them more visible from a BRITISH ANTARCTIC EXPEDITION, 1907-1909 distance, they were typically reserved for flying on special occasions Eric Marshall’s sledge flag used on the British Antarctic Expedition or, later, for photographs. Clements Markham contributed to their 1907–09 (‘Nimrod Expedition’), silk, with blue upper and lower panels popularity, and Edward Wilson dedicates a page of the South Polar and a cream central panel, centered by a coat of arms bearing a Times to the Discovery expedition flags. (See Barbara Tomlinson, unicorn head embroidered in red with gold anchor, three fixing loops ‘Chivalry at the Poles’, in Proceedings of the XIX International at the hoist, the blue panels faded on recto, 600mm. square, framed Congress of Vexillology, 2001, pp.215-221.) and glazed Provenance Eric Marshall; donated by him around 1952 to his alma mater, £30,000 - 50,000 Monkton Combe School, by whom now offered for sale. €33,000 - 55,000

For details of the charges payable in addition to the final Hammer Price of each Lot 120 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 196

TRAVEL AND EXPLORATION | 121 197

197 198 WILD (FRANK), RAYMOND PRIESTLEY AND GRIFFITH TAYLOR PONTING (HERBERT GEORGE) ‘Rough surface on Campbell Glacier’, gelatin silver print, SIGNED “The Terra Nova at the Ice-Foot, Cape Evans”, large grey-blue BY FRANK WILD, RAYMOND PRIESTLEY AND GRIFFITH TAYLOR toned carbon print with Ponting’s blindstamp signature lower right, beneath the image on the mount, pencil caption and ink stamp of mounted on card, Fine Art Society label (with caption in ink), image “Mallet & Sons, Photographer & Publishers, The Abbey Studio, Church 750 x 580mm., [January, 1911] St., Tewkesbury” on verso, image 227 x 288mm., [?1908 or 1911] £6,000 - 8,000 £700 - 900 €6,700 - 8,900 €780 - 1,000 One of the most celebrated of all the images taken during Captain Raymond Priestley and Thomas Griffith Taylor accompanied the Terra Scott’s last expedition, taken by Ponting on 16 January 1911. It is Nova expedition as geologists. Priestley was a member of the six- reproduced at p.72 in Great White South (1921). strong Northern Party, led by Lieutenant Victor L.A. Campbell, after whom the Campbell Glacier was named. The two men were good Fine Art Society Exhibition, catalogue no.24. The F.A.S. made friends, having met at Cambridge, with Taylor eventually marrying available the Ponting photographs in four sizes, the current example Priestley’s sister Doris. Priestley lived at Tewkesbury, suggesting that being the largest format, originally available at £2.2s.0d. (the smallest the present print may have been commissioned by him. Priestley also at 15 inches was sold at 10s.6d.). knew co-signatory Frank Wild, both being members of Shackleton’s Nimrod expedition. The presence of Wild’s signature suggests the photograph might dates from the earlier expedition, or alternatively celebrate a later gathering of three of the “Heroic Age” of Antarctic Celebration.

Provenance Christie’s, 6 May 1993, part of lot 91 (attributing the photograph to Frank Wild on the 1908 expedition).

For details of the charges payable in addition to the final Hammer Price of each Lot 122 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 198

TRAVEL AND EXPLORATION | 123 199 199 PONTING (HERBERT GEORGE) “Midnight in the Antarctic [Summer]”, blue-toned carbon print, captioned and signed (“H.G.Ponting”) beneath image, 325 x 460mm., [1910, printed later]

£2,000 - 3,000 €2,200 - 3,300

“This beautiful study was secured in the summer, after the break- up of the ice in McMurdo Sound. It was made at mid-night, by the light of the Midnight Sun, which in these regions is then nearly as high at 12 p.m. as at noon. A part of the ice-foot is seen, and in the distance, some stranded icebergs” (No. 96 Fine Art Society Exhibition catalogue).

200 • AMUNDSEN (ROALD) The South Pole: an Account of the Norwegian Antarctic Expedition in the “Fram”, 1910-1912, 2 vol., first English edition, translated by A.G. Chater, portrait frontispiece, plates (mostly photographic) and maps (2 folding), occasional light spotting, publisher’s maroon cloth, upper covers and spines with Norwegian flag and lettered in gilt, t.e.g., slightly rubbed at extremities of spine with minor abrasion to spine flags but generally very fresh and bright [Rosove 9.A1; Spence 16; Taurus Collection 71], 8vo, John Murray, 1912

£800 - 1,200 €890 - 1,300

FIRST EDITION IN ENGLISH of Amundsen’s account of his triumphant expedition to the South Pole. “To their credit, John 200 Murray produced a two volume set of real quality, incorporating the Norwegian flag, despite realizing that British disappointment at being beaten to the Pole would ensure that it was not a publishing success in the United Kingdom” (Taurus Collection). The English edition also saw the inclusion of ten additional photographic illustrations not used in the original Norwegian version.

For details of the charges payable in addition to the final Hammer Price of each Lot 124 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 201

201 * HURLEY (FRANK) “Interior of Winter Quarters”, gelatin silver print, mounted on board, 400 x 550mm., [1911-1914]

£5,000 - 7,000 €5,500 - 7,800

A busy scene inside Mawson’s Huts at Cape Denison, constructed during his Australasian Antarctic Expedition. Mawson selected the location carefully, close to the harbour, slightly sheltered from the fierce wind, and with many seals at hand as a source of emergency food. The main hut had two rooms: living quarters with bunks and a dining table, and the workroom seen in the present photograph. From left to right: Alfred Hodgeman (at the workbench), John Hunter, Charles Laseron, Percy Correll (at a lathe), and Walter Hannam (oiling the engine of the generator).

Provenance Sir Douglas Mawson, and by descent; private collection.

202 HURLEY (FRANK) A good collection of 20 views from Shackletons’s Imperial Trans- Antarctic Expedition, including images of the “Endurance” in the ice, landscapes and groups, gelatin silver prints (160 x 204mm., and smaller), 2 annotated on the verso, [1914-1917, printed later] (20)

£5,000 - 7,000 €5,500 - 7,800

Images include (the first eight captions taken from the Hurley album in the Royal Collection, see The Heart of the Great Alone, 2009): “Glacier, Moraine Fjord, South Georgia, 24 November 1914”; “Typical pack ice, Weddell Seas... December 1914”; “Strenuous endeavours being made to free the ship from frozen captivity... 15 February 1915”; “The Endurance forced out of the ice by the coming together of the floes, 18 October 1915”; “Young King penguin in the first year plumage, South Georgia 1914”; “Gentoo penguin with egg, South Georgia, 1917”; “The first hot food after five days in the boats, 15 April 1916”; “The Dudley Docker arrives at Cape Valentine, Elephant Island, 15 April 1916”; (the following 5 captions taken from the collection of the Scott Polar Research Institute:) “The Endurance on its Journey South Through the Weddell Sea”; “The Endurance trapped in the pack ice”; “Leonard Hussey with Samson and another dog”; “A Camp scene on the ice”; “A flock of Cape Pigeons on the sea”; “Pressure hummocks thrown up close to the ship at Ocean Camp. 16 February 1915”.

The following we have not traced on either of the above locations: View of glaciers and mountains (2); View of large iceberg and smaller ice floe; group of penguins; bookshelves in Shackleton’s cabin aboard Endurance; unidentified man standing on the ice.

203

For details of the charges payable in addition to the final Hammer Price of each Lot 126 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 203 • EVANS (EDWARD, LATER LORD MOUNTEVANS) South with Scott, FIRST EDITION, second impression (issued in same month as the first impression), photogravure frontispiece portrait, 3 folding maps, one folding diagram, 6 pages of advertisements at end, UNOPENED in publisher’s blue cloth lettered in red on spine, dust-jacket printed in black priced “10/6 net” without the word “by” above Evans’ name [Renard 496; Rosove 117; Spence 432; Taurus 83], 8vo, W. Collins, 1921

£1,500 - 2,000 €1,700 - 2,200

FINE COPY, UNOPENED, WITH THE ORIGINAL DUST-JACKET IN EXCEPTIONAL CONDITION.

Evans accompanied Scott on both of his Antarctic expeditions, starting the Terra Nova Expedition as his second-in-command. His book proved hugely successful, Rosove noting that there have been at least 80 further editions.

204 SHACKLETON (ERNEST) Three quarter length portrait photograph of E.H. Shakleton, INSCRIBED BY HIM “To F.L. Halford, with appreciation from E.H. Shackleton, Sept. 1921” on the mount, by Van Dyk Studio (signed in pencil and studio label), mount cut down, image 190 x 145mm., [1921]

£800 - 1,200 €890 - 1,300

Striking portrait photograph of E.H. Shackleton, three-quarter length in suit, signed in the month of his departure aboard the Quest for the Shackleton-Rowett Expedition in September 1921. It is inscribed to Frank L. Halford, general manager of Shell-Mex, one of the Expedition’s sponsors.

205 RICHARD MAITLAND LAWS CBE, FRS, SCD (BRITISH, 1926- 2014) Study of a squid inscribed and dated ‘x1/2/Starfish Bay: Signy Island./caught by hand 14.iv.48’ (lower right) 204 watercolour and pencil 24 x 35cm (9 7/16 x 13 3/4in).

£400 - 600 €440 - 670

Provenance Through the artist’s family.

Richard Maitland Law was Director of the British Antarctic Survey from 1973-1987 and Master of St Edmunds College, Cambridge 1985-1996. This work was completed on the South Orkney Islands, home to the British Antarctic Survey’s Signy Research Centre.

205

Alken, H. 83 Kelly, G.F. 53 Amundsen, R. 200 Kelly, R.G.T. 119 Arcq, P.A. de D’ 104 Keyt, G. 54 Bar, J.C. 93 Kidd, J.B. 161 Baranano, L. 178 King, H. 166 Bauer, M. 84 Lamplough, A.O. 118, 120, 127, 128, 131, 132 Beato, F. 33, 108 Lawrence, T.E. 94 Bigot, G. 35 Leake, W.M. 154 Blaeu, W. 29 Lear, E. 121, 123 Blanco, A.M. 51 Leslie, J. 135 Borget, A. 50, 184 Lewis, J.F. 106 Boyd, A. 20-27 Lycklama a Nijeholt, T.M. 90 Bright, R. 105 Lynn, J. 97 Bruhl, K.F.M. 91 Maitland Laws, R. 205 Bunting, H. 2 Mané-Katz, E. 148 Burchell, W. 145 Mango, L. de 137 Burrard, S.G. 74 Markino, Y. 36, 37 Campbell, J. 19 Masson, H.L. 190 Cantemir, D. 102 Muller, W. 58 Carelli, G. 87, 117, 138, 140 Muncaster, C. 173 Carpenter, W. 158 Munster, S. 1 Cazabon, M.J. 171, 175 Nebel, C. 188 Charton, E. 183 Norie, O. 136 Chartrand, P. 177 Ogilby, J. 76 Chin Sye, T. 49 Olatunde, A. 146 Chinnery, G. 60 Olivier, H.A. 55 Cook, J. 3 Palmer, H.S. 86, 126 Cote, B. 191 Pierre, F. 147 Craven, E. 107 Ponting, H.G. 198, 199 Daniell, S. 62 Prades, A.F. de 187 Daniell, W. 61 Preziosi, V.A. 98-100 D’Anville, J.B.B. 180 Prinsep, W. 57 Darwin, C. 182 Raffles, T.S. 47 Day, C.W. 170, 174 Rappini, V. 139 De Jode, C. 28 de Mango, L. 137 Rattray, A. 41 Dingli, R.C. 152 Rausch, W. 144 Edwards, A. 115 Roberts, D. 112-114 Effendy, S.F. 109 Roper, E. 4-17 Enness, A.W. 133 Rosati, A. 85 Ermakov, D.N. 77-81 Roussoff, A.N. 130, 134 Evans, E. 203 Rudhardt, C.-C. 125 Frederick, J.F. 106 Salt, H. 64 Frère, C.-T. 82, 88 Scarvelli, S. 116, 156, 157 Freycinet, L. de 31 Scott, R.F. 194 Giallina, A. 155 Shackleton, E.H. 204 Gianni, G. 149-151 Smith, C.A. 56 Goff, R.C. 129 Spiker, S.H. 91 Goodwin, A. 122, 124, 159, 167 Sye, T.C. 49 Green, J.A. 143 Tabuena, R.V. 52 Gully, J. 18 Tavernier, J.B. 89 Heath, L.G. 45 Tothill, M.D. 168 Holmes, R. 75 Valentyn, F. 30 Hurley, F. 201, 202 Varley, J. 59 Hürlimann, J. 169 Vertot, R.A. de 153 Jansonnius, J. 48 Wild, F. 197 Johnson, J. 162-164 Willyams, C. 92 Kato, E. 42-44 Wood, A.S. 160

128 | BONHAMS Voyages: A Journey in Books from Eton College Library Public Exhibition

Montpelier Street, London | 7-18 January 2019

FREE ENTRY ENQUIRIES VINCENTIUS DEMETRIUS VOLTIUS 7-18 January 2019 +44 (0)20 7393 3817 Portolan chart, Naples 1593 Mondays to Fridays, 9am to 5pm [email protected] (ECL, MS 216). By permission of the Sunday, 11am to 3pm bonhams.com/voyages Provost and Fellows of Eton College.

Prices shown include buyer’s premium. Details can be found at bonhams.com

* For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide Fine Books, Atlases and Manuscripts Montpelier Street, London | Wednesday 27 March 2019

ENTRIES NOW INVITED ENQUIRIES PLATH (SYLVIA) Matthew Haley The Bell Jar by Victoria Lucas, +44 (0) 20 7393 3817 FIRST EDITION, SYLVIA PLATH’S [email protected] OWN COPY, 1963 bonhams.com/books Sold for £87,500*

* For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide British and European Art Knightsbridge, London | 19 March 2019, 1pm

CLOSING DATE FOR ENTRIES ENQUIRIES WILLIAM HENRY MARGETSON 25 January 2019 +44 (0) 2073 933 960 RI, ROI (BRITISH, 1861-1940) [email protected] The coral necklace Bonhams.com/19thcentury oil on canvas

£2,000 - 3,000 * Prices shown include buyer’s premium. Details can be found at bonhams.com For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. * For details of the charges payable in addition to the final hammer price, please visit bonhams.com/buyersguide NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who are sold as items of interest for display purposes only. If you or as to the anticipated or likely selling price of any Lot. No may be interested in a Lot, including Bidders and potential yourself do not have expertise regarding a Lot, you should statement or representation by Bonhams or on its behalf in any Bidders (including any eventual Buyer of the Lot). For ease of consult someone who does to advise you. We can assist in way descriptive of any Lot or any Estimate is incorporated into reference we refer to such persons as “Bidders” or “you”. Our arranging facilities for you to carry out or have carried out more our Buyer’s Agreement. List of Definitions and Glossary is incorporated into this Notice detailed inspections and tests. Please ask our staff for details. to Bidders. It is at Appendix 3 at the back of the Catalogue. Alterations Where words and phrases are used in this notice which are in Any person who damages a Lot will be held liable for the Descriptions and Estimates may be amended at Bonhams’ the List of Definitions, they are printed in italics. loss caused. discretion from time to time by notice given orally or in writing before or during a Sale. IMPORTANT: Additional information applicable to the Sale 3. DESCRIPTIONS OF LOTS AND ESTIMATES may be set out in the Catalogue for the Sale, in an insert in THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST the Catalogue and/or in a notice displayed at the Sale venue Contractual Description of a Lot FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE and you should read them as well. Announcements affecting The Catalogue contains an Entry about each Lot. Each Lot STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT the Sale may also be given out orally before and during the is sold by its respective Seller to the Buyer of the Lot as EXAMINED ON YOUR BEHALF BEFORE THE SALE. Sale without prior written notice. You should be alert to the corresponding only with that part of the Entry which is printed possibility of changes and ask in advance of bidding if there in bold letters and (except for the colour, which may be 4. CONDUCT OF THE SALE have been any. inaccurately reproduced) with any photograph of the Lot in the Catalogue. The remainder of the Entry, which is not printed in Our Sales are public auctions which persons may attend and 1. OUR ROLE bold letters, represents Bonhams’ opinion (given on behalf of you should take the opportunity to do so. We do reserve the the Seller) about the Lot only and is not part of the Contractual right at our sole discretion to refuse admission to our premises In its role as Auctioneer of Lots, Bonhams acts solely for Description in accordance with which the Lot is sold by the or to any Sale without stating a reason. We have complete and in the interests of the Seller. Bonhams’ job is to sell the Seller. discretion as to whether the Sale proceeds, whether any Lot at the highest price obtainable at the Sale to a Bidder. Lot is included in the Sale, the manner in which the Sale is Bonhams does not act for Buyers or Bidders in this role and Estimates conducted and we may offer Lots for Sale in any order we does not give advice to Buyers or Bidders. When it or its In most cases, an Estimate is printed beside the Entry. choose notwithstanding the numbers given to Lots in the staff make statements about a Lot or, if Bonhams provides Estimates are only an expression of Bonhams’ opinion made Catalogue. You should therefore check the date and starting a Condition Report on a Lot it is doing that on behalf of the on behalf of the Seller of the range where Bonhams thinks the time of the Sale, whether there have been any withdrawals Seller of the Lot. Bidders and Buyers who are themselves Hammer Price for the Lot is likely to fall; it is not an Estimate or late entries. Remember that withdrawals and late entries not expert in the Lots are strongly advised to seek and obtain of value. It does not take into account any VAT or Buyer’s may affect the time at which a Lot you are interested in is put independent advice on the Lots and their value before bidding Premium payable or any other fees payable by the Buyer, up for Sale. We have complete discretion to refuse any bid, for them. The Seller has authorised Bonhams to sell the Lot which are detailed in paragraph 7 of the Notice to Bidders, to nominate any bidding increment we consider appropriate, as its agent on its behalf and, save where we expressly make below. Lots can in fact sell for Hammer Prices below and to divide any Lot, to combine two or more Lots, to withdraw it clear to the contrary, Bonhams acts only as agent for the above the Estimate. Any Estimate should not be relied on any Lot from a Sale and, before the Sale has been closed, Seller. Any statement or representation we make in respect as an indication of the actual selling price or value of a Lot. to put up any Lot for auction again. Auction speeds can of a Lot is made on the Seller’s behalf and, unless Bonhams Estimates are in the currency of the Sale. exceed 100 Lots to the hour and bidding increments are sells a Lot as principal, not on our behalf and any Contract for generally about 10%. However these do vary from Sale to Sale is between the Buyer and the Seller and not with us. If Condition Reports Sale and from Auctioneer to Auctioneer. Please check with Bonhams sells a Lot as principal this will either be stated in the In respect of most Lots, you may ask for a Condition Report the department organising the Sale for advice on this. Where Catalogue or an announcement to that effect will be made by on its physical condition from Bonhams. If you do so, this will a Reserve has been applied to a Lot, the Auctioneer may, the Auctioneer, or it will be stated in a notice at the Sale or an be provided by Bonhams on behalf of the Seller free of charge. in his absolute discretion, place bids (up to an amount not insert in the Catalogue. Bonhams is not entering into a contract with you in respect equalling or exceeding such Reserve) on behalf of the Seller. of the Condition Report and accordingly does not assume We are not responsible to you in respect of the presence or Bonhams does not owe or undertake or agree to any duty responsibility to you in respect of it. Nor does the Seller owe or absence of any Reserve in respect of any Lot. If there is a or responsibility to you in contract or tort (whether direct, agree to owe you as a Bidder any obligation or duty in respect Reserve it will normally be no higher than the lower figure for collateral, express, implied or otherwise). If you successfully bid of this free report about a Lot, which is available for your own any Estimate in the Catalogue, assuming that the currency of for a Lot and buy it, at that stage Bonhams does enter into an inspection or for inspection by an expert instructed by you. the Reserve has not fluctuated adversely against the currency agreement with the Buyer. The terms of that contract are set However, any written Description of the physical condition of of the Estimate. The Buyer will be the Bidder who makes the out in our Buyer’s Agreement, which you will find at Appendix the Lot contained in a Condition Report will form part of the highest bid acceptable to the Auctioneer for any Lot (subject 2 at the back of the Catalogue. This will govern Bonhams’ Contractual Description of the Lot under which it is sold to to any applicable Reserve) to whom the Lot is knocked down relationship with the Buyer. any Buyer. by the Auctioneer at the fall of the Auctioneer’s hammer. Any dispute as to the highest acceptable bid will be settled by the 2. LOTS The Seller’s responsibility to you Auctioneer in his absolute discretion. All bids tendered will The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. Subject to the Contractual Description printed in bold letters of fact or contractual promise, Guarantee or warranty and An electronic currency converter may be used at the Sale. This in the Entry about the Lot in the Catalogue (see paragraph 3 undertakes no obligation or duty, whether in contract or in equipment is provided as a general guide as to the equivalent below), Lots are sold to the Buyer on an “as is” basis, with tort (other than to the eventual Buyer as set out above), in amount in certain currencies of a given bid. We do not accept all faults and imperfections. Illustrations and photographs respect of the accuracy or completeness of any statement any responsibility for any errors which may occur in the use of contained in the Catalogue (other than photographs forming or representation made by him or on his behalf, which is in the currency converter. We may use video cameras to record part of the Contractual Description) or elsewhere of any Lots any way descriptive of any Lot or as to the anticipated or the Sale and may record telephone calls for reasons of security are for identification purposes only. They may not reveal the likely selling price of any Lot. Other than as set out above, no and to assist in solving any disputes which may arise in relation true condition of the Lot. A photograph or illustration may not statement or representation in any way descriptive of a Lot to bids made at the Sale. At some Sales, for example, jewellery reflect an accurate reproduction of the colour(s) of the Lot. or any Estimate is incorporated into any Contract for Sale Sales, we may use screens on which images of the Lots will be Lots are available for inspection prior to the Sale and it is for between a Seller and a Buyer. projected. This service is provided to assist viewing at the Sale. you to satisfy yourself as to each and every aspect of a Lot, The image on the screen should be treated as an indication including its authorship, attribution, condition, provenance, Bonhams’ responsibility to you only of the current Lot. It should be noted that all bids tendered history, background, authenticity, style, period, age, suitability, You have the opportunity of examining the Lot if you want to will relate to the actual Lot number announced by quality, roadworthiness (if relevant), origin, value and and the Contract for Sale for a Lot is with the Seller and not the Auctioneer. We do not accept any responsibility for any estimated selling price (including the Hammer Price). It is your with Bonhams; Bonhams acts as the Seller’s agent only (unless errors which may occur in the use of the screen. responsibility to examine any Lot in which you are interested. It Bonhams sells the Lot as principal). should be remembered that the actual condition of a Lot may 5. BIDDING not be as good as that indicated by its outward appearance. Bonhams undertakes no obligation to you to examine, In particular, parts may have been replaced or renewed and investigate or carry out any tests, either in sufficient depth or at We do not accept bids from any person who has not Lots may not be authentic or of satisfactory quality; the inside all, on each Lot to establish the accuracy or otherwise of any completed and delivered to us one of our Bidding Forms, of a Lot may not be visible and may not be original or may be Descriptions or opinions given by Bonhams, or by any person either our Bidder Registration Form, Absentee Bidding Form or damaged, as for example where it is covered by upholstery on Bonhams’ behalf, whether in the Catalogue or elsewhere. Telephone Bidding Form. You will be asked for proof of identity, or material. Given the age of many Lots they may have been residence and references, which, when asked for, you must damaged and/or repaired and you should not assume that You should not suppose that such examinations, investigations supply if your bids are to be accepted by us. Please bring a Lot is in good condition. Electronic or mechanical parts or tests have occurred. your passport, driving licence (or similar photographic proof of may not operate or may not comply with current statutory identity) and proof of address. We may request a deposit from requirements. You should not assume that electrical items Bonhams does not make or agree to make any representation you before allowing you to bid. We may refuse entry to a Sale designed to operate on mains electricity will be suitable for of fact, and undertakes no obligation or duty (whether in to any person even if that person has completed a Bidding connection to the mains electricity supply and you should contract or tort) in respect of the accuracy or completeness Form. obtain a report from a qualified electrician on their status before of any statement or representation made by Bonhams or on doing so. Such items which are unsuitable for connection Bonhams’ behalf which is in any way descriptive of any Lot

NTB/MAIN/1.2018/V2 NOTICE TO BIDDERS This notice is addressed by Bonhams to any person who are sold as items of interest for display purposes only. If you or as to the anticipated or likely selling price of any Lot. No Bidding in person Buyer’s Premium and associated charges. If we approve the 8. VAT may be interested in a Lot, including Bidders and potential yourself do not have expertise regarding a Lot, you should statement or representation by Bonhams or on its behalf in any You should come to our Bidder registration desk at the Sale identity of your client in advance, we will be in a position to Bidders (including any eventual Buyer of the Lot). For ease of consult someone who does to advise you. We can assist in way descriptive of any Lot or any Estimate is incorporated into venue and fill out a Bidder Registration Form on (or, if possible, address the invoice to your principal rather than you. We will The prevailing rate of VAT at the time of going to press is 20%, reference we refer to such persons as “Bidders” or “you”. Our arranging facilities for you to carry out or have carried out more our Buyer’s Agreement. before) the day of the Sale. The bidding number system is require proof of the agent’s client’s identity and residence in but this is subject to government change and the rate payable List of Definitions and Glossary is incorporated into this Notice detailed inspections and tests. Please ask our staff for details. sometimes referred to as “paddle bidding”. You will be issued advance of any bids made by the agent on his behalf. Please will be the rate in force on the date of the Sale. to Bidders. It is at Appendix 3 at the back of the Catalogue. Alterations with a large card (a “paddle”) with a printed number on it. This refer to our Conditions of Business and contact our Customer Where words and phrases are used in this notice which are in Any person who damages a Lot will be held liable for the Descriptions and Estimates may be amended at Bonhams’ will be attributed to you for the purposes of the Sale. Should Services Department for further details. The following symbols, shown beside the Lot number, are the List of Definitions, they are printed in italics. loss caused. discretion from time to time by notice given orally or in you be a successful Bidder you will need to ensure that your used to denote that VAT is due on the Hammer Price and writing before or during a Sale. number can be clearly seen by the Auctioneer and that it is 6. CONTRACTS BETWEEN THE BUYER AND Buyer’s Premium: IMPORTANT: Additional information applicable to the Sale 3. DESCRIPTIONS OF LOTS AND ESTIMATES your number which is identified as the Buyer’s. You should not SELLER AND THE BUYER AND BONHAMS † VAT at the prevailing rate on Hammer Price and Buyer’s may be set out in the Catalogue for the Sale, in an insert in THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST let anyone else use your paddle as all Lots will be invoiced to Premium the Catalogue and/or in a notice displayed at the Sale venue Contractual Description of a Lot FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE the name and address given on your Bidder Registration Form. On the Lot being knocked down to the Buyer, a Contract for Ω VAT on imported items at the prevailing rate on Hammer and you should read them as well. Announcements affecting The Catalogue contains an Entry about each Lot. Each Lot STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT Once an invoice is issued it will not be changed. If there is Sale of the Lot will be entered into between the Seller and the Price and Buyer’s Premium the Sale may also be given out orally before and during the is sold by its respective Seller to the Buyer of the Lot as EXAMINED ON YOUR BEHALF BEFORE THE SALE. any doubt as to the Hammer Price of, or whether you are the Buyer on the terms of the Contract for Sale set out in Appendix * VAT on imported items at a preferential rate of 5% Sale without prior written notice. You should be alert to the corresponding only with that part of the Entry which is printed successful Bidder of, a particular Lot, you must draw this to 1 at the back of the Catalogue. You will be liable to pay the on Hammer Price and the prevailing rate on Buyer’s possibility of changes and ask in advance of bidding if there in bold letters and (except for the colour, which may be 4. CONDUCT OF THE SALE the attention of the Auctioneer before the next Lot is offered for Purchase Price, which is the Hammer Price plus any applicable Premium have been any. inaccurately reproduced) with any photograph of the Lot in the Sale. At the end of the Sale, or when you have finished bidding VAT. At the same time, a separate contract is also entered into G Gold bullion exempt from VAT on the Hammer Price Catalogue. The remainder of the Entry, which is not printed in Our Sales are public auctions which persons may attend and please return your paddle to the Bidder registration desk. between us as Auctioneers and the Buyer. This is our Buyer’s and subject to VAT at the prevailing rate on the Buyer’s 1. OUR ROLE bold letters, represents Bonhams’ opinion (given on behalf of you should take the opportunity to do so. We do reserve the Agreement, the terms of which are set out in Appendix 2 at the Premium the Seller) about the Lot only and is not part of the Contractual right at our sole discretion to refuse admission to our premises Bidding by telephone back of the Catalogue. Please read the terms of the Contract • Zero rated for VAT, no VAT will be added to the Hammer In its role as Auctioneer of Lots, Bonhams acts solely for Description in accordance with which the Lot is sold by the or to any Sale without stating a reason. We have complete If you wish to bid at the Sale by telephone, please complete a for Sale and our Buyer’s Agreement contained in the Catalogue Price or the Buyer’s Premium and in the interests of the Seller. Bonhams’ job is to sell the Seller. discretion as to whether the Sale proceeds, whether any Telephone Bidding Form, which is available from our offices or in case you are the successful Bidder. We may change the a Buyers from within the EU: VAT is payable at the Lot at the highest price obtainable at the Sale to a Bidder. Lot is included in the Sale, the manner in which the Sale is in the Catalogue. Please then return it to the office responsible terms of either or both of these agreements in advance of prevailing rate on just the Buyer’s Premium (NOT the Bonhams does not act for Buyers or Bidders in this role and Estimates conducted and we may offer Lots for Sale in any order we for the Sale at least 24 hours in advance of the Sale. It is their being entered into, by setting out different terms in the Hammer Price). Buyers from outside the EU: VAT is does not give advice to Buyers or Bidders. When it or its In most cases, an Estimate is printed beside the Entry. choose notwithstanding the numbers given to Lots in the your responsibility to check with our Bids Office that your Catalogue and/or by placing an insert in the Catalogue and/ payable at the prevailing rate on both Hammer Price and staff make statements about a Lot or, if Bonhams provides Estimates are only an expression of Bonhams’ opinion made Catalogue. You should therefore check the date and starting bid has been received. Telephone calls will be recorded. The or by notices at the Sale venue and/or by oral announcements Buyer’s Premium. If a Buyer, having registered under a Condition Report on a Lot it is doing that on behalf of the on behalf of the Seller of the range where Bonhams thinks the time of the Sale, whether there have been any withdrawals telephone bidding facility is a discretionary service and may not before and during the Sale. You should be alert to this a non-EU address, decides that the item is not to be Seller of the Lot. Bidders and Buyers who are themselves Hammer Price for the Lot is likely to fall; it is not an Estimate or late entries. Remember that withdrawals and late entries be available in relation to all Lots. We will not be responsible possibility of changes and ask if there have been any. exported from the EU, then he should advise Bonhams not expert in the Lots are strongly advised to seek and obtain of value. It does not take into account any VAT or Buyer’s may affect the time at which a Lot you are interested in is put for bidding on your behalf if you are unavailable at the time of immediately. independent advice on the Lots and their value before bidding Premium payable or any other fees payable by the Buyer, up for Sale. We have complete discretion to refuse any bid, the Sale or if the telephone connection is interrupted during 7. BUYER’S PREMIUM AND OTHER CHARGES for them. The Seller has authorised Bonhams to sell the Lot which are detailed in paragraph 7 of the Notice to Bidders, to nominate any bidding increment we consider appropriate, bidding. Please contact us for further details. PAYABLE BY THE BUYER In all other instances no VAT will be charged on the Hammer as its agent on its behalf and, save where we expressly make below. Lots can in fact sell for Hammer Prices below and to divide any Lot, to combine two or more Lots, to withdraw Price, but VAT at the prevailing rate will be added to Buyer’s it clear to the contrary, Bonhams acts only as agent for the above the Estimate. Any Estimate should not be relied on any Lot from a Sale and, before the Sale has been closed, Bidding by post or fax Under the Buyer’s Agreement, a premium (the Buyer’s Premium which will be invoiced on a VAT inclusive basis. Seller. Any statement or representation we make in respect as an indication of the actual selling price or value of a Lot. to put up any Lot for auction again. Auction speeds can Absentee Bidding Forms can be found in the back of this Premium) is payable to us by the Buyer in accordance with the of a Lot is made on the Seller’s behalf and, unless Bonhams Estimates are in the currency of the Sale. exceed 100 Lots to the hour and bidding increments are Catalogue and should be completed and sent to the office terms of the Buyer’s Agreement and at rates set out below, 9. PAYMENT sells a Lot as principal, not on our behalf and any Contract for generally about 10%. However these do vary from Sale to responsible for the Sale. It is in your interests to return your calculated by reference to the Hammer Price and payable Sale is between the Buyer and the Seller and not with us. If Condition Reports Sale and from Auctioneer to Auctioneer. Please check with form as soon as possible, as if two or more Bidders submit in addition to it. For this Sale the following rates of Buyer’s It is of critical importance that you ensure that you have readily Bonhams sells a Lot as principal this will either be stated in the In respect of most Lots, you may ask for a Condition Report the department organising the Sale for advice on this. Where identical bids for a Lot, the first bid received takes preference. Premium will be payable by Buyers of Lots: available funds to pay the Purchase Price and the Buyer’s Catalogue or an announcement to that effect will be made by on its physical condition from Bonhams. If you do so, this will a Reserve has been applied to a Lot, the Auctioneer may, In any event, all bids should be received at least 24 hours Premium (plus VAT and any other charges and Expenses to us) the Auctioneer, or it will be stated in a notice at the Sale or an be provided by Bonhams on behalf of the Seller free of charge. in his absolute discretion, place bids (up to an amount not before the start of the Sale. Please check your Absentee 25% up to £175,000 of the Hammer Price in full before making a bid for the Lot. If you are a successful insert in the Catalogue. Bonhams is not entering into a contract with you in respect equalling or exceeding such Reserve) on behalf of the Seller. Bidding Form carefully before returning it to us, fully completed 20% from £175,001 to £3,000,000 of the Hammer Price Bidder, payment will be due to us by 4.30 pm on the second of the Condition Report and accordingly does not assume We are not responsible to you in respect of the presence or and signed by you. It is your responsibility to check with our 12.5% from £3,000,001 of the Hammer Price working day after the Sale so that all sums are cleared by the Bonhams does not owe or undertake or agree to any duty responsibility to you in respect of it. Nor does the Seller owe or absence of any Reserve in respect of any Lot. If there is a Bids Office that your bid has been received. This additional eighth working day after the Sale. Payments made by anyone or responsibility to you in contract or tort (whether direct, agree to owe you as a Bidder any obligation or duty in respect Reserve it will normally be no higher than the lower figure for service is complimentary and is confidential. Such bids are Storage and handling charges may also be payable by the other than the registered Buyer will not be accepted. Bonhams collateral, express, implied or otherwise). If you successfully bid of this free report about a Lot, which is available for your own any Estimate in the Catalogue, assuming that the currency of made at your own risk and we cannot accept liability for our Buyer as detailed on the specific Sale Information page at the reserves the right to vary the terms of payment at any time. for a Lot and buy it, at that stage Bonhams does enter into an inspection or for inspection by an expert instructed by you. the Reserve has not fluctuated adversely against the currency failure to receive and/or place any such bids. All bids made front of the catalogue. agreement with the Buyer. The terms of that contract are set However, any written Description of the physical condition of of the Estimate. The Buyer will be the Bidder who makes the on your behalf will be made at the lowest level possible Bonhams’ preferred payment method is by out in our Buyer’s Agreement, which you will find at Appendix the Lot contained in a Condition Report will form part of the highest bid acceptable to the Auctioneer for any Lot (subject subject to Reserves and other bids made for the Lot. Where The Buyer’s Premium and all other charges payable to us by bank transfer. 2 at the back of the Catalogue. This will govern Bonhams’ Contractual Description of the Lot under which it is sold to to any applicable Reserve) to whom the Lot is knocked down appropriate your bids will be rounded down to the nearest the Buyer are subject to VAT at the prevailing rate, currently relationship with the Buyer. any Buyer. by the Auctioneer at the fall of the Auctioneer’s hammer. Any amount consistent with the Auctioneer’s bidding increments. 20%. You may electronically transfer funds to our Trust Account. dispute as to the highest acceptable bid will be settled by the New Bidders must also provide proof of identity and address If you do so, please quote your paddle number and invoice 2. LOTS The Seller’s responsibility to you Auctioneer in his absolute discretion. All bids tendered will when submitting bids. Failure to do this will result in your bid VAT may also be payable on the Hammer Price of the Lot, number as the reference. Our Trust Account details are as The Seller does not make or agree to make any representation relate to the actual Lot number announced by the Auctioneer. not being placed. where indicated by a symbol beside the Lot number. See follows: Subject to the Contractual Description printed in bold letters of fact or contractual promise, Guarantee or warranty and An electronic currency converter may be used at the Sale. This paragraph 8 below for details. in the Entry about the Lot in the Catalogue (see paragraph 3 undertakes no obligation or duty, whether in contract or in equipment is provided as a general guide as to the equivalent Bidding via the internet Bank: National Westminster Bank Plc below), Lots are sold to the Buyer on an “as is” basis, with tort (other than to the eventual Buyer as set out above), in amount in certain currencies of a given bid. We do not accept Please visit our Website at http://www.bonhams.com for On certain Lots, which will be marked “AR” in the Catalogue Address: PO Box 4RY all faults and imperfections. Illustrations and photographs respect of the accuracy or completeness of any statement any responsibility for any errors which may occur in the use of details of how to bid via the internet. and which are sold for a Hammer Price of €1,000 or greater 250 Regent Street contained in the Catalogue (other than photographs forming or representation made by him or on his behalf, which is in the currency converter. We may use video cameras to record (converted into the currency of the Sale using the European London W1A 4RY part of the Contractual Description) or elsewhere of any Lots any way descriptive of any Lot or as to the anticipated or the Sale and may record telephone calls for reasons of security Bidding through an agent Central Bank Reference rate prevailing on the date of the Sale), Account Name: Bonhams 1793 Limited Trust Account are for identification purposes only. They may not reveal the likely selling price of any Lot. Other than as set out above, no and to assist in solving any disputes which may arise in relation Bids will be accepted as placed on behalf of the person named the Additional Premium will be payable to us by the Buyer to Account Number: 25563009 true condition of the Lot. A photograph or illustration may not statement or representation in any way descriptive of a Lot to bids made at the Sale. At some Sales, for example, jewellery as the principal on the Bidding Form although we may refuse cover our Expenses relating to the payment of royalties under Sort Code: 56-00-27 reflect an accurate reproduction of the colour(s) of the Lot. or any Estimate is incorporated into any Contract for Sale Sales, we may use screens on which images of the Lots will be to accept bids from an agent on behalf of a principal and the Artists Resale Right Regulations 2006. The Additional IBAN Number: GB 33 NWBK 560027 25563009 Lots are available for inspection prior to the Sale and it is for between a Seller and a Buyer. projected. This service is provided to assist viewing at the Sale. will require written confirmation from the principal confirming Premium will be a percentage of the amount of the Hammer you to satisfy yourself as to each and every aspect of a Lot, The image on the screen should be treated as an indication the agent’s authority to bid. Nevertheless, as the Bidding Price calculated in accordance with the table below, and shall If paying by bank transfer, the amount received after the including its authorship, attribution, condition, provenance, Bonhams’ responsibility to you only of the current Lot. It should be noted that all bids tendered Form explains, any person placing a bid as agent on behalf not exceed €12,500 (converted into the currency of the Sale deduction of any bank fees and/or conversion of the currency history, background, authenticity, style, period, age, suitability, You have the opportunity of examining the Lot if you want to will relate to the actual Lot number announced by of another (whether or not he has disclosed that fact or the using the European Central Bank Reference rate prevailing on of payment to pounds sterling must not be less than the quality, roadworthiness (if relevant), origin, value and and the Contract for Sale for a Lot is with the Seller and not the Auctioneer. We do not accept any responsibility for any identity of his principal) will be jointly and severally liable with the date of the Sale). sterling amount payable, as set out on the invoice. estimated selling price (including the Hammer Price). It is your with Bonhams; Bonhams acts as the Seller’s agent only (unless errors which may occur in the use of the screen. the principal to the Seller and to Bonhams under any contract responsibility to examine any Lot in which you are interested. It Bonhams sells the Lot as principal). resulting from the acceptance of a bid. Subject to the above, Hammer Price Percentage amount Payment may also be made by one of the following methods: should be remembered that the actual condition of a Lot may 5. BIDDING please let us know if you are acting on behalf of another From €0 to €50,000 4% not be as good as that indicated by its outward appearance. Bonhams undertakes no obligation to you to examine, person when bidding for Lots at the Sale. From €50,000.01 to €200,000 3% Sterling personal cheque drawn on a UK branch of a bank In particular, parts may have been replaced or renewed and investigate or carry out any tests, either in sufficient depth or at We do not accept bids from any person who has not From €200,000.01 to €350,000 1% or building society: all cheques must be cleared before you Lots may not be authentic or of satisfactory quality; the inside all, on each Lot to establish the accuracy or otherwise of any completed and delivered to us one of our Bidding Forms, Equally, please let us know if you intend to nominate another From €350,000.01 to €500,000 0.5% can collect your purchases and should be made payable to of a Lot may not be visible and may not be original or may be Descriptions or opinions given by Bonhams, or by any person either our Bidder Registration Form, Absentee Bidding Form or person to bid on your behalf at the Sale unless this is to be Exceeding €500,000 0.25% Bonhams 1793 Limited. damaged, as for example where it is covered by upholstery on Bonhams’ behalf, whether in the Catalogue or elsewhere. Telephone Bidding Form. You will be asked for proof of identity, carried out by us pursuant to a Telephone or Absentee Bidding or material. Given the age of many Lots they may have been residence and references, which, when asked for, you must Form that you have completed. If we do not approve the Cash: you may pay for Lots purchased by you at this Sale damaged and/or repaired and you should not assume that You should not suppose that such examinations, investigations supply if your bids are to be accepted by us. Please bring agency arrangements in writing before the Sale, we are entitled with notes or coins in the currency in which the Sale is a Lot is in good condition. Electronic or mechanical parts or tests have occurred. your passport, driving licence (or similar photographic proof of to assume that the person bidding at the Sale is bidding on his conducted (but not any other currency) provided that the total may not operate or may not comply with current statutory identity) and proof of address. We may request a deposit from own behalf. Accordingly, the person bidding at the Sale will be amount payable by you in respect of all Lots purchased by requirements. You should not assume that electrical items Bonhams does not make or agree to make any representation you before allowing you to bid. We may refuse entry to a Sale the Buyer and will be liable to pay the Hammer Price and you at the Sale does not exceed £3,000, or the equivalent designed to operate on mains electricity will be suitable for of fact, and undertakes no obligation or duty (whether in to any person even if that person has completed a Bidding in the currency in which the Sale is conducted, at the time connection to the mains electricity supply and you should contract or tort) in respect of the accuracy or completeness Form. when payment is made. If the amount payable by you for Lots obtain a report from a qualified electrician on their status before of any statement or representation made by Bonhams or on exceeds that sum, the balance must be paid otherwise than doing so. Such items which are unsuitable for connection Bonhams’ behalf which is in any way descriptive of any Lot in coins or notes; this limit applies to both payment at our premises and direct deposit into our bank account.

NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 Debit cards (including China Union Pay (CUP) cards and otherwise, whether given orally or in writing and whether given sleeving and measurements once rendered unserviceable debit cards issued by Visa and MasterCard only). There is no before or during the Sale. Neither we nor the Seller will be according to the Gun Barrel Proof Act of 1968 to 1978 and the limit on payment value if payment is made in person using Chip liable for any loss of Business, profits, revenue or income, or Rules of Proof. & Pin verification. for loss of reputation, or for disruption to Business or wasted time on the part of management or staff, or for indirect losses Condition of Firearms Payment by telephone may also be accepted up to £5,000, or consequential damages of any kind, irrespective in any Comment in this Catalogue is restricted, in general, to subject to appropriate verification procedures, although this case of the nature, volume or source of the loss or damage exceptional condition and to those defects that might facility is not available for first time buyers. If the amount alleged to be suffered, and irrespective of whether the said affect the immediate safety of a firearm in normal use. An payable by you for Lots exceeds that sum, the balance must loss or damage is caused by or claimed in respect of any intending Bidder unable to make technical examinations be paid by other means. negligence, other tort, breach of contract (if any) or statutory and assessments is recommended to seek advice from a duty, restitutionary claim or otherwise. In any circumstances gunmaker or from a modern firearms specialist. All prospective Credit cards (including China Union Pay (CUP) cards and where we and/or the Seller are liable in relation to any Lot or Bidders are advised to consult the ˚ of bore and wall-thickness credit cards issued by Visa and MasterCard only). There is any Description or Estimate made of any Lot, or the conduct measurements posted in the saleroom and available from the a £5,000 limit on payment value if payment is made in person of any Sale in relation to any Lot, whether in damages, for department. Bidders should note that guns are stripped only using Chip & Pin verification. an indemnity or contribution, or for a restitutionary remedy or where there otherwise, our and/or the Seller’s liability (combined, if both is a strong indication of a mechanical malfunction. Stripping It may be advisable to notify your debit or credit card provider we and the Seller are liable) will be limited to payment of a sum is not, otherwise, undertaken. Guns intended for use should of your intended purchase in advance to reduce delays caused which will not exceed by way of maximum the amount of the be stripped and cleaned beforehand. Hammer guns should by us having to seek authority when you come to pay. Purchase Price of the Lot irrespective in any case of the nature, have their rebound mechanisms checked before use. The volume or source of any loss or damage alleged to be suffered safety mechanisms of all guns must be tested before use. Note: only one debit or credit card may be used for payment or sum claimed as due, and irrespective of whether the liability All measurements are approximate. of an account balance. If you have any questions with arises from any negligence, other tort, breach of contract (if regards to card payments, please contact our Customer any) or statutory duty or otherwise. Nothing set out above will Original Gun Specifications Derived from Services Department. be construed as excluding or restricting (whether directly or Gunmakers indirectly) our liability or excluding or restricting any person’s The Sporting Gun Department endeavours to confirm a gun’s 10. COLLECTION AND STORAGE rights or remedies in respect of (i) fraud, or (ii) death or original specification and date of manufacture with makers who personal injury caused by our negligence (or by the negligence hold their original records. The Buyer of a Lot will not be allowed to collect it until payment of any person under our control or for whom we are legally in full and in cleared funds has been made (unless we have responsible), or (iii) acts or omissions for which we are liable Licensing Requirements made a special arrangement with the Buyer). For collection and under the Occupiers Liability Act 1957, or (iv) any other liability Firearms Act 1968 as amended removal of purchased Lots, please refer to Sale Information at to the extent the same may not be excluded or restricted as Bonhams is constantly reviewing its procedures and would the front of the Catalogue. Our offices are open 9.00am – 5pm a matter of law or (v) our undertakings under paragraphs 9 (in remind you that, in the case of firearms or shotguns subject to Monday to Friday. Details relating to the collection of a Lot, the relation to specialist Stamp or Book Sales only) and 10 of the certification, to conform with current legislation, Bonhams is storage of a Lot and our Storage Contractor after the Sale are Buyer’s Agreement. The same applies in respect of the Seller, required to see, as appropriate, your original registered firearms set out in the Catalogue. as if references to us in this paragraph were substituted with dealer’s certificate / shot gun certificate / firearm certificate / references to the Seller. museum firearms licence / Section 5 authority or import licence 11. SHIPPING (or details of any exemption from which you may benefit, for For information and estimates on domestic and international 15. BOOKS instance Crown servant status) for the firearm(s) you have shipping as well as export licenses please contact purchased prior to taking full payment of the amount shown Alban Shipping on +44 (0) 1582 493 099 As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of [email protected] to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of 12. EXPORT/TRADE RESTRICTIONS in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. It is your sole responsibility to comply with all export and unframed maps and bound manuscripts are not liable to VAT import regulations relating to your purchases and also to on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable obtain any relevant export and/or import licence(s). Export to produce the correct paperwork, the Lot(s) will be reoffered licences are issued by Arts Council England and application 16. CLOCKS AND WATCHES by Bonhams in the next appropriate Sale, on standard terms forms can be obtained from its Export Licensing Unit. The for Sellers, and you will be responsible for any loss incurred by detailed provisions of the export licencing arrangements can All Lots are sold “as is”, and the absence of any reference to Bonhams on the original Sale to you. be found on the ACE website http://www.artscouncil.org.uk/ the condition of a clock or watch does not imply that the Lot is what-we-do/supporting-museums/cultural-property/export- in good condition and without defects, repairs or restorations. In the case of RFD certificates and Section 5 authorities, we controls/export-licensing/ or by phoning ACE on +44 (0)20 Most clocks and watches have been repaired in the course of wish to keep an up-to-date copy on file. Please supply us with 7973 5188. The need for import licences varies from country their normal lifetime and may now incorporate parts not original a Fax or photocopy. It would be helpful if you could send us an to country and you should acquaint yourself with all relevant to them. Furthermore, Bonhams makes no representation or updated copy whenever your certificate or authority is renewed local requirements and provisions. The refusal of any import or warranty that any clock or watch is in working order. As clocks or changed. export licence(s) or and watches often contain fine and complex mechanisms, any delay in obtaining such licence(s) shall not permit the Bidders should be aware that a general service, change of Lots marked ‘S1´ and bearing red labels are Section 1 firearms rescission of any Sale nor allow any delay in making full battery or further repair work, for which the Buyer is solely and require a valid British Firearms certificate, RFD Licence or payment for the Lot. Generally, please contact our shipping responsible, may be necessary. Bidders should be aware import licence. department before the Sale if you require assistance in that the importation of watches such as Rolex, Frank Muller relation to export regulations. and Corum into the United States is highly restricted. These Lots marked ‘S2’ and bearing blue labels are Section 2 watches may not be shipped to the USA and can only be firearms and require a valid British Shotgun certificate, RFD 13. CITES REGULATIONS imported personally. licence or import licence.

Please be aware that all Lots marked with the symbol Y are 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are subject to CITES regulations when exporting these items CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 outside the EU. These regulations may be found at Authority or import licence. http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or Proof of Firearms may be requested from: The term “proof exemption” indicates that a firearm has been Lots marked with a ‘S58´ and bearing yellow labels are for examined at a Proof House, but not proved, as either (a) it was obsolete calibres and no licence is required unless ammunition Animal Health and Veterinary Laboratories Agency (AHVLA) deemed of interest and not intended for use, or (b) ammunition is held. Wildlife Licencing was not available. In either case, the firearm must be regarded Floor 1, Zone 17, Temple Quay House as unsafe to fire unless subsequently proved. Firearms Unmarked Lots require no licence. 2 The Square, Temple Quay proved for Black Powder should not be used with smokeless BRISTOL BS1 6EB ammunition. Please do not hesitate to contact the Modern Sporting Gun Tel: +44 (0) 117 372 8774 Department should you have any queries. The term “Certificate of Unprovability” indicates that a firearm 14. THE SELLERS AND/OR BONHAMS’ LIABILITY has been examined at a Proof House and is deemed both Taxidermy and Related Items unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply Other than any liability of the Seller to the Buyer of a Lot such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to under the Contract for Sale, neither we nor the Seller are inform themselves of all such regulations and should expect liable (whether in negligence or otherwise) for any error or the exportation of items to take some time to arrange. misdescription or omission in any Description of a Lot or any Guns Sold as Parts Barrels of guns sold as parts will only be made available for Estimate in respect of it, whether contained in the Catalogue or

NTB/MAIN/1.2018/V2 Debit cards (including China Union Pay (CUP) cards and otherwise, whether given orally or in writing and whether given sleeving and measurements once rendered unserviceable 18. FURNITURE • Unless otherwise specified, dimensions given are those of 24. WINE debit cards issued by Visa and MasterCard only). There is no before or during the Sale. Neither we nor the Seller will be according to the Gun Barrel Proof Act of 1968 to 1978 and the the piece of paper on which the image is printed, including limit on payment value if payment is made in person using Chip liable for any loss of Business, profits, revenue or income, or Rules of Proof. Upholstered Furniture any margins. Some photographs may appear in the Lots which are lying under Bond and those liable to VAT may & Pin verification. for loss of reputation, or for disruption to Business or wasted Whilst we take every care in cataloguing furniture which has Catalogue without margins illustrated. not be available for immediate collection. time on the part of management or staff, or for indirect losses Condition of Firearms been upholstered we offer no Guarantee as to the originality • All photographs are sold unframed unless stated in the Lot Payment by telephone may also be accepted up to £5,000, or consequential damages of any kind, irrespective in any Comment in this Catalogue is restricted, in general, to of the wood covered by fabric or upholstery. Description. Examining the wines subject to appropriate verification procedures, although this case of the nature, volume or source of the loss or damage exceptional condition and to those defects that might It is occasionally possible to provide a pre-Sale tasting for facility is not available for first time buyers. If the amount alleged to be suffered, and irrespective of whether the said affect the immediate safety of a firearm in normal use. An 19. JEWELLERY 21. PICTURES larger parcels (as defined below). This is generally limited to payable by you for Lots exceeds that sum, the balance must loss or damage is caused by or claimed in respect of any intending Bidder unable to make technical examinations more recent and everyday drinking wines. Please contact the Explanation of Catalogue Terms be paid by other means. negligence, other tort, breach of contract (if any) or statutory and assessments is recommended to seek advice from a department for details. Gemstones The following terms used in the Catalogue have the following duty, restitutionary claim or otherwise. In any circumstances gunmaker or from a modern firearms specialist. All prospective Historically many gemstones have been subjected to a variety meanings but are subject to the general provisions relating to Credit cards (including China Union Pay (CUP) cards and where we and/or the Seller are liable in relation to any Lot or Bidders are advised to consult the ˚ of bore and wall-thickness of treatments to enhance their appearance. Sapphires and 0It is not our policy to inspect every unopened case. In the Descriptions contained in the Contract for Sale: credit cards issued by Visa and MasterCard only). There is any Description or Estimate made of any Lot, or the conduct measurements posted in the saleroom and available from the rubies are routinely heat treated to improve their colour and case of wines older than 20 years the boxes will usually • “Jacopo Bassano”: in our opinion a work by the artist. a £5,000 limit on payment value if payment is made in person of any Sale in relation to any Lot, whether in damages, for department. Bidders should note that guns are stripped only clarity, similarly emeralds are frequently treated with oils have been opened and levels and appearance noted in When the artist’s forename(s) is not known, a series of using Chip & Pin verification. an indemnity or contribution, or for a restitutionary remedy or where there or resin for the same purpose. Other treatments such as the Catalogue where necessary. You should make proper asterisks, followed by the surname of the artist, whether otherwise, our and/or the Seller’s liability (combined, if both is a strong indication of a mechanical malfunction. Stripping staining, irradiation or coating may have been used on other allowance for variations in ullage levels and conditions of corks, preceded by an initial or not, indicates that in our opinion It may be advisable to notify your debit or credit card provider we and the Seller are liable) will be limited to payment of a sum is not, otherwise, undertaken. Guns intended for use should gemstones. These treatments may be permanent, whilst capsules and labels. the work is by the artist named; of your intended purchase in advance to reduce delays caused which will not exceed by way of maximum the amount of the be stripped and cleaned beforehand. Hammer guns should others may need special care or re-treatment over the years • “Attributed to Jacopo Bassano”: in our opinion probably by us having to seek authority when you come to pay. Purchase Price of the Lot irrespective in any case of the nature, have their rebound mechanisms checked before use. The to retain their appearance. Bidders should be aware that a work by the artist but less certainty as to authorship is Corks and Ullages volume or source of any loss or damage alleged to be suffered safety mechanisms of all guns must be tested before use. Estimates assume that gemstones may have been subjected Ullage refers to the space between the base of the cork expressed than in the preceding category; Note: only one debit or credit card may be used for payment or sum claimed as due, and irrespective of whether the liability All measurements are approximate. to such treatments. A number of laboratories issue certificates and the wine. Ullage levels for Bordeaux shaped bottles are • “Studio/Workshop of Jacopo Bassano”: in our opinion a of an account balance. If you have any questions with arises from any negligence, other tort, breach of contract (if that give more detailed Descriptions of gemstones. However only normally noted when below the neck and for Burgundy, work by an unknown hand in a studio of the artist which regards to card payments, please contact our Customer any) or statutory duty or otherwise. Nothing set out above will there may not be consensus between different laboratories on Alsace, German and Cognac shaped bottles when greater Original Gun Specifications Derived from may or may not have been executed under the artist’s Services Department. be construed as excluding or restricting (whether directly or the degrees, or types of treatment for any particular gemstone. than 4 centimetres (cm). Acceptable ullage levels increase with Gunmakers direction; indirectly) our liability or excluding or restricting any person’s The Sporting Gun Department endeavours to confirm a gun’s In the event that Bonhams has been given or has obtained age; generally acceptable levels are as follows: • “Circle of Jacopo Bassano”: in our opinion a work by 10. COLLECTION AND STORAGE rights or remedies in respect of (i) fraud, or (ii) death or original specification and date of manufacture with makers who certificates for any Lot in the Sale these certificates will be a hand closely associated with a named artist but not Under 15 years old – into neck or less than 4cm personal injury caused by our negligence (or by the negligence hold their original records. disclosed in the Catalogue. Although, as a matter of policy, necessarily his pupil; 15 to 30 years old – top shoulder (ts) or up to 5cm The Buyer of a Lot will not be allowed to collect it until payment of any person under our control or for whom we are legally Bonhams endeavours to provide certificates from recognised • “Follower of Jacopo Bassano”: in our opinion a work by a Over 30 years old – high shoulder (hs) or up to 6cm in full and in cleared funds has been made (unless we have responsible), or (iii) acts or omissions for which we are liable laboratories for certain gemstones, it is not feasible to obtain Licensing Requirements painter working in the artist’s style, contemporary or nearly made a special arrangement with the Buyer). For collection and under the Occupiers Liability Act 1957, or (iv) any other liability Firearms Act 1968 as amended certificates for each Lot. In the event that no certificate is contemporary, but not necessarily his pupil; It should be noted that ullages may change between removal of purchased Lots, please refer to Sale Information at to the extent the same may not be excluded or restricted as Bonhams is constantly reviewing its procedures and would published in the Catalogue, Bidders should assume that the • “Manner of Jacopo Bassano”: in our opinion a work in the publication of the Catalogue and the Sale and that corks may the front of the Catalogue. Our offices are open 9.00am – 5pm a matter of law or (v) our undertakings under paragraphs 9 (in remind you that, in the case of firearms or shotguns subject to gemstones may have been treated. Neither Bonhams nor style of the artist and of a later date; fail as a result of transporting the wine. We will only accept Monday to Friday. Details relating to the collection of a Lot, the relation to specialist Stamp or Book Sales only) and 10 of the certification, to conform with current legislation, Bonhams is the Seller accepts any liability for contradictions or differing • “After Jacopo Bassano”: in our opinion, a copy of a known responsibility for Descriptions of condition at the time of storage of a Lot and our Storage Contractor after the Sale are Buyer’s Agreement. The same applies in respect of the Seller, required to see, as appropriate, your original registered firearms certificates obtained by Buyers on any Lots subsequent to work of the artist; publication of the Catalogue and cannot accept responsibility set out in the Catalogue. as if references to us in this paragraph were substituted with dealer’s certificate / shot gun certificate / firearm certificate / the Sale. • “Signed and/or dated and/or inscribed”: in our opinion the for any loss resulting from failure of corks either before or after references to the Seller. museum firearms licence / Section 5 authority or import licence signature and/or date and/or inscription are from the hand this point. (or details of any exemption from which you may benefit, for 11. SHIPPING Estimated Weights of the artist; For information and estimates on domestic and international instance Crown servant status) for the firearm(s) you have If a stone(s) weight appears within the body of the Description 15. BOOKS • “Bears a signature and/or date and/or inscription”: in our shipping as well as export licenses please contact purchased prior to taking full payment of the amount shown in capital letters, the stone(s) has been unmounted and Options to buy parcels opinion the signature and/or date and/or inscription have A parcel is a number of Lots of identical size of the same wine, Alban Shipping on +44 (0) 1582 493 099 As stated above, all Lots are sold on an “as is” basis, subject on your invoice. Should you not already be in possession of weighed by Bonhams. If the weight of the stone(s) is stated been added by another hand. bottle size and Description. The Buyer of any of these Lots has [email protected] to all faults, imperfections and errors of Description save as such an authority or exemption, you are required to initially to be approximate and does not appear in capital letters, the the option to accept some or all of the remaining Lots in the set out below. However, you will be entitled to reject a Book pay a deposit of 95% of the total invoice with the balance of stone(s) has been assessed by us within its/their settings, 22. PORCELAIN AND GLASS parcel at the same price, although such options will be at the 12. EXPORT/TRADE RESTRICTIONS in the circumstances set out in paragraph 11 of the Buyers 5% payable on presentation of your valid certificate or licence and the stated weight is a statement of our opinion only. This Auctioneer’s sole discretion. Absentee Bidders are, therefore, Agreement. Please note that Lots comprising printed Books, showing your authority to hold the firearm(s) concerned. information is given as a guide and Bidders should satisfy Damage and Restoration advised to bid on the first Lot in a parcel. It is your sole responsibility to comply with all export and unframed maps and bound manuscripts are not liable to VAT themselves with regard to this information as to its accuracy. For your guidance, in our Catalogues we detail, as far as import regulations relating to your purchases and also to on the Buyer’s Premium. Please be advised that if a successful Bidder is then unable practicable, recorded all significant defects, cracks and obtain any relevant export and/or import licence(s). Export to produce the correct paperwork, the Lot(s) will be reoffered Wines in Bond Signatures restoration. Such practicable Descriptions of damage cannot Wines lying in Bond are marked Δ. All Lots sold under Bond, licences are issued by Arts Council England and application 16. CLOCKS AND WATCHES by Bonhams in the next appropriate Sale, on standard terms 1. A diamond brooch, by Kutchinsky be definitive, and in providing Condition Reports, we cannot and which the Buyer wishes to remain under Bond, will be forms can be obtained from its Export Licensing Unit. The for Sellers, and you will be responsible for any loss incurred by When the maker’s name appears in the title, in Bonhams’ Guarantee that there are no other defects present which have invoiced without VAT or Duty on the Hammer Price. If the detailed provisions of the export licencing arrangements can All Lots are sold “as is”, and the absence of any reference to Bonhams on the original Sale to you. opinion the piece is by that maker. not been mentioned. Bidders should satisfy themselves by Buyer wishes to take the Lot as Duty paid, UK Excise Duty and be found on the ACE website http://www.artscouncil.org.uk/ the condition of a clock or watch does not imply that the Lot is inspection, as to the condition of each Lot. Please see the VAT will be added to the Hammer Price on the invoice. what-we-do/supporting-museums/cultural-property/export- in good condition and without defects, repairs or restorations. In the case of RFD certificates and Section 5 authorities, we 2. A diamond brooch, signed Kutchinsky Contract for Sale printed in this Catalogue. Because of the controls/export-licensing/ or by phoning ACE on +44 (0)20 Most clocks and watches have been repaired in the course of wish to keep an up-to-date copy on file. Please supply us with Has a signature that, in Bonhams’ opinion, is authentic but difficulty in determining whether an item of glass has been Buyers must notify Bonhams at the time of the sale whether 7973 5188. The need for import licences varies from country their normal lifetime and may now incorporate parts not original a Fax or photocopy. It would be helpful if you could send us an may contain gemstones that are not original, or the piece may repolished, in our Catalogues reference is only made to visible they wish to take their wines under Bond or Duty paid. If a to country and you should acquaint yourself with all relevant to them. Furthermore, Bonhams makes no representation or updated copy whenever your certificate or authority is renewed have been altered. chips and cracks. No mention is made of repolishing, severe Lot is taken under Bond, the Buyer will be responsible for all local requirements and provisions. The refusal of any import or warranty that any clock or watch is in working order. As clocks or changed. or otherwise. VAT, Duty, clearance and other charges that may be payable export licence(s) or and watches often contain fine and complex mechanisms, 3. A diamond brooch, mounted by Kutchinsky thereon. any delay in obtaining such licence(s) shall not permit the Bidders should be aware that a general service, change of Lots marked ‘S1´ and bearing red labels are Section 1 firearms Has been created by the jeweller, in Bonhams’ opinion, but 23. VEHICLES rescission of any Sale nor allow any delay in making full battery or further repair work, for which the Buyer is solely and require a valid British Firearms certificate, RFD Licence or using stones or designs supplied by the client. Buyers outside the UK must be aware that any forwarding payment for the Lot. Generally, please contact our shipping responsible, may be necessary. Bidders should be aware import licence. agent appointed to export their purchases must have a department before the Sale if you require assistance in that the importation of watches such as Rolex, Frank Muller The Veteran Car Club of Great Britain 20. PHOTOGRAPHS movement certificate for Lots to be released under Bond. relation to export regulations. and Corum into the United States is highly restricted. These Lots marked ‘S2’ and bearing blue labels are Section 2 watches may not be shipped to the USA and can only be firearms and require a valid British Shotgun certificate, RFD Explanation of Catalogue Terms Dating Plates and Certificates • “Bill Brandt”: in our opinion a work by the artist. When mention is made of a Veteran Car Club Dating Plate or Bottling Details and Case Terms 13. CITES REGULATIONS imported personally. licence or import licence. • “Attributed to Bill Brandt”: in our opinion probably a work by Dating Certificate in this Catalogue, it should be borne in mind The following terms used in the Catalogue have the following the artist, but less certainty to authorship is expressed than that the Veteran Car Club of Great Britain using the services of meanings: Please be aware that all Lots marked with the symbol Y are 17. FIREARMS – PROOF, CONDITION AND Lots marked ‘S5´ and bearing specially marked red labels are in the preceding category. Veteran Car Company Ltd, does from time to time, review cars CB – Château bottled subject to CITES regulations when exporting these items CERTIFICATION Section 5 prohibited firearms and require a valid Section 5 • “Signed and/or titled and/or dated and/or inscribed”: in already dated and, in some instances, where fresh evidence DB – Domaine bottled outside the EU. These regulations may be found at Authority or import licence. our opinion the signature and/or title and/or date and/or becomes available, the review can result in an alteration of EstB – Estate bottled http://www.defra.gov.uk/ahvla-en/imports-exports/cites/ or Proof of Firearms inscription are in the artist’s hand. date. Whilst the Club and Veteran Car Company Ltd make BB – Bordeaux bottled may be requested from: The term “proof exemption” indicates that a firearm has been Lots marked with a ‘S58´ and bearing yellow labels are for • “Signed and/or titled and/or dated and/or inscribed in every effort to ensure accuracy, the date shown on the Dating BE – Belgian bottled examined at a Proof House, but not proved, as either (a) it was obsolete calibres and no licence is required unless ammunition Animal Health and Veterinary Laboratories Agency (AHVLA) another hand”: in our opinion the signature and/or title and/ Plate or Dating Certificate cannot be guaranteed as correct and FB – French bottled deemed of interest and not intended for use, or (b) ammunition is held. Wildlife Licencing or date and/or inscription have been added by intending purchasers should make their own enquiries as to the GB – German bottled was not available. In either case, the firearm must be regarded Floor 1, Zone 17, Temple Quay House another hand. date of the car. OB – Oporto bottled as unsafe to fire unless subsequently proved. Firearms Unmarked Lots require no licence. 2 The Square, Temple Quay • The date given is that of the image (negative). Where no UK – United Kingdom bottled proved for Black Powder should not be used with smokeless BRISTOL BS1 6EB further date is given, this indicates that the photographic owc – original wooden case ammunition. Please do not hesitate to contact the Modern Sporting Gun Tel: +44 (0) 117 372 8774 print is vintage (the term “vintage” may also be included in iwc – individual wooden case Department should you have any queries. the Lot Description). A vintage photograph is one which oc – original carton The term “Certificate of Unprovability” indicates that a firearm 14. THE SELLERS AND/OR BONHAMS’ LIABILITY was made within approximately 5-10 years of the negative. has been examined at a Proof House and is deemed both Taxidermy and Related Items Where a second, later date appears, this refers to the date unsuitable for proof and use. Reproof is required before any As a Seller of these articles, Bonhams undertakes to comply Other than any liability of the Seller to the Buyer of a Lot of printing. Where the exact printing date is not known, but such firearm is to be used. fully with Cites and DEFRA regulations. Buyers are advised to under the Contract for Sale, neither we nor the Seller are understood to be later, “printed later” will appear in the Lot inform themselves of all such regulations and should expect liable (whether in negligence or otherwise) for any error or Description. the exportation of items to take some time to arrange. misdescription or omission in any Description of a Lot or any Guns Sold as Parts Barrels of guns sold as parts will only be made available for Estimate in respect of it, whether contained in the Catalogue or

NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 SYMBOLS 1.4 The contract is made on the fall of the Auctioneer’s 4.2 The Seller will not be liable for any breach of any hammer in respect of the Lot when it is knocked undertaking, whether implied by the Sale of Goods THE FOLLOWING SYMBOLS ARE USED TO down to you. Act 1979 or otherwise, as to the satisfactory quality DENOTE of the Lot or its fitness for any purpose. 2 SELLER’S UNDERTAKINGS Y Subject to CITES regulations when exporting these items 5 RISK, PROPERTY AND TITLE outside the EU, see clause 13. 2.1 The Seller undertakes to you that: TP Objects displayed with a TP will be located at the 5.1 Risk in the Lot passes to you when it is knocked Cadogan Tate warehouse and will only be available for 2.1.1 the Seller is the owner of the Lot or is duly authorised down to you on the fall of the Auctioneer’s collection from this location. to sell the Lot by the owner; hammer in respect of the Lot. The Seller will W Objects displayed with a w will be located in the not be responsible thereafter for the Lot prior to Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the you collecting it from Bonhams or the Storage collection from this location. Catalogue, the Seller sells the Lot with full title Contractor, with whom you have separate contract(s) Δ Wines lying in Bond. guarantee or, where the Seller is an executor, trustee, as Buyer. You will indemnify the Seller and keep the AR An Additional Premium will be payable to us by the Buyer liquidator, receiver or administrator, with whatever Seller fully indemnified from and against all claims, to cover our Expenses relating to payment of royalties right, title or interest he may have in the Lot; proceedings, costs, expenses and losses arising in under the Artists Resale Right Regulations 2006. See respect of any injury, loss and damage caused to the clause 7 for details. 2.1.3 except where the Sale is by an executor, trustee, Lot after the fall of the Auctioneer’s hammer until you ○ The Seller has been guaranteed a minimum price for the liquidator, receiver or administrator the Seller is both obtain full title to it. Lot, either by Bonhams or a third party. This may take the legally entitled to sell the Lot, and legally capable form of an irrevocable bid by a third party, who may make of conferring on you quiet possession of the Lot 5.2 Title to the Lot remains in and is retained by the a financial gain on a successful Sale or a financial loss if and that the Sale conforms in every respect with Seller until the Purchase Price and all other sums unsuccessful. the terms implied by the Sale of Goods Act 1979, payable by you to Bonhams in relation to the Lot ▲ Bonhams owns the Lot either wholly or partially or may Sections 12(1) and 12(2) (see the Definitions and have been paid in full to, and received in cleared otherwise have an economic interest. Glossary); funds by, Bonhams. Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into 2.1.4 the Seller has complied with all requirements, legal or 6 PAYMENT the USA. otherwise, relating to any export or import of the Lot, and all duties and taxes in respect of the export or 6.1 Your obligation to pay the Purchase Price arises Ω a •, †, *, G, , see clause 8, VAT, for details. import of the Lot have (unless stated to the contrary when the Lot is knocked down to you on the fall of in the Catalogue or announced by the Auctioneer) the Auctioneer’s hammer in respect of the Lot. DATA PROTECTION – USE OF YOUR INFORMATION been paid and, so far as the Seller is aware, all third parties have complied with such requirements in 6.2 Time will be of the essence in relation to payment of Where we obtain any personal information about you, we the past; the Purchase Price and all other sums payable by shall only use it in accordance with the terms of our Privacy you to Bonhams. Unless agreed in writing with you Policy (subject to any additional specific consent(s) you may 2.1.5 subject to any alterations expressly identified as such by Bonhams on the Seller’s behalf (in which case have given at the time your information was disclosed). A made by announcement or notice at the Sale venue you must comply with the terms of that agreement), copy of our Privacy Policy can be found on our Website www. or by the Notice to Bidders or by an insert in the all such sums must be paid to Bonhams by you bonhams.com or requested by post from Customer Services Catalogue, the Lot corresponds with the Contractual in the currency in which the Sale was conducted Department, 101 New Bond Street, London, W1S 1SR or by Description of the Lot, being that part of the Entry by not later than 4.30pm on the second working email from [email protected] about the Lot in the Catalogue which is in bold day following the Sale and you must ensure that letters and (except for colour) with any photograph of the funds are cleared by the seventh working day APPENDIX 1 the Lot in the Catalogue and the contents of after the Sale. Payment must be made to Bonhams any Condition Report which has been provided to by one of the methods stated in the Notice to CONTRACT FOR SALE the Buyer. Bidders unless otherwise agreed with you in writing by Bonhams. If you do not pay any sums due in IMPORTANT: These terms may be changed in advance of 3 DESCRIPTIONS OF THE LOT accordance with this paragraph, the Seller will have the Sale of the Lot to you, by the setting out of different terms the rights set out in paragraph 8 below. in the Catalogue for the Sale and/or by placing an insert in the 3.1 Paragraph 2.1.5 sets out what is the Contractual Catalogue and/or by notices at the Sale venue and/or by oral Description of the Lot. In particular, the Lot is not 7 COLLECTION OF THE LOT announcements before and during the Sale at the Sale venue. sold as corresponding with that part of the Entry in You should be alert to this possibility of changes and ask in the Catalogue which is not printed in bold letters, 7.1 Unless otherwise agreed in writing with you by advance of bidding if there have been any. which merely sets out (on the Seller’s behalf) Bonhams, the Lot will be released to you or to your Bonhams’ opinion about the Lot and which is not order only when Bonhams has received cleared Under this contract the Seller’s liability in respect of the quality part of the Contractual Description upon which the funds to the amount of the full Purchase Price and of the Lot, it’s fitness for any purpose and its conformity with Lot is sold. Any statement or representation other all other sums owed by you to the Seller and to any Description is limited. You are strongly advised to examine than that part of the Entry referred to in paragraph Bonhams. the Lot for yourself and/or obtain an independent examination 2.1.5 (together with any express alteration to it of it before you buy it. as referred to in paragraph 2.1.5), including any 7.2 The Seller is entitled to withhold possession from you Description or Estimate, whether made orally or in of any other Lot he has sold to you at the same or 1 THE CONTRACT writing, including in the Catalogue or on Bonhams’ at any other Sale and whether currently in Bonhams’ Website, or by conduct, or otherwise, and whether possession or not until payment in full and in cleared 1.1 These terms govern the Contract for Sale of the Lot by or on behalf of the Seller or Bonhams and funds of the Purchase Price and all other sums due by the Seller to the Buyer. whether made prior to or during the Sale, is not part to the Seller and/or Bonhams in respect of the Lot. of the Contractual Description upon which the Lot is 1.2 The Definitions and Glossary contained in Appendix sold. 7.3 You will collect and remove the Lot at your own 3 in the Catalogue are incorporated into this Contract expense from Bonhams’ custody and/ or control or for Sale and a separate copy can also be provided 3.2 Except as provided in paragraph 2.1.5, the Seller from the Storage Contractor’s custody in accordance by Bonhams on request. Where words and phrases does not make or give and does not agree to with Bonhams’ instructions or requirements. are used which are in the List of Definitions, they are make or give any contractual promise, undertaking, printed in italics. obligation, guarantee, warranty, or representation 7.4 You will be wholly responsible for packing, handling of fact, or undertake any duty of care, in relation to and transport of the Lot on collection and for 1.3 The Seller sells the Lot as the principal to the any Description of the Lot or any Estimate in relation complying with all import or export regulations in Contract for Sale, such contract being made to it, nor of the accuracy or completeness of any connection with the Lot. between the Seller and you through Bonhams which Description or Estimate which may have been made acts in the sole capacity as the Seller’s agent and not by or on behalf of the Seller including by Bonhams. 7.5 You will be wholly responsible for any removal, as an additional principal. However, if the Catalogue No such Description or Estimate is incorporated into storage or other charges or Expenses incurred states that Bonhams sells the Lot as principal, or this Contract for Sale. by the Seller if you do not remove the Lot in such a statement is made by an announcement accordance with this paragraph 7 and will by the Auctioneer, or by a notice at the Sale, or an 4 FITNESS FOR PURPOSE AND indemnify the Seller against all charges, costs, insert in the Catalogue, then Bonhams is the Seller SATISFACTORY QUALITY including any legal costs and fees, Expenses and for the purposes of this agreement. losses suffered by the Seller by reason of your 4.1 The Seller does not make and does not agree failure to remove the Lot including any charges to make any contractual promise, undertaking, due under any Storage Contract. All such sums obligation, guarantee, warranty, or representation of due to the Seller will be payable on demand. fact in relation to the satisfactory quality of the Lot or its fitness for any purpose. NTB/MAIN/1.2018/V2 SYMBOLS 1.4 The contract is made on the fall of the Auctioneer’s 4.2 The Seller will not be liable for any breach of any 8 FAILURE TO PAY FOR THE LOT 9 THE SELLER’S LIABILITY 10.3 If either party to the Contract for Sale is prevented hammer in respect of the Lot when it is knocked undertaking, whether implied by the Sale of Goods from performing that party’s respective obligations THE FOLLOWING SYMBOLS ARE USED TO down to you. Act 1979 or otherwise, as to the satisfactory quality 8.1 If the Purchase Price for a Lot is not paid to 9.1 The Seller will not be liable for any injury, loss or under the Contract for Sale by circumstances DENOTE of the Lot or its fitness for any purpose. Bonhams in full in accordance with the Contract for damage caused by the Lot after the fall of the beyond its reasonable control or if performance of its 2 SELLER’S UNDERTAKINGS Sale the Seller will be entitled, with the prior written Auctioneer’s hammer in respect of the Lot. obligations would by reason of such circumstances Y Subject to CITES regulations when exporting these items 5 RISK, PROPERTY AND TITLE agreement of Bonhams but without further notice to give rise to a significantly increased financial outside the EU, see clause 13. 2.1 The Seller undertakes to you that: you, to exercise one or more of the following rights 9.2 Subject to paragraph 9.3 below, except for breach of cost to it, that party will not, for so long as such TP Objects displayed with a TP will be located at the 5.1 Risk in the Lot passes to you when it is knocked (whether through Bonhams or otherwise): the express undertaking provided in paragraph 2.1.5, circumstances prevail, be required to perform such Cadogan Tate warehouse and will only be available for 2.1.1 the Seller is the owner of the Lot or is duly authorised down to you on the fall of the Auctioneer’s the Seller will not be liable for any breach of any term obligations. This paragraph does not apply to the collection from this location. to sell the Lot by the owner; hammer in respect of the Lot. The Seller will 8.1.1 to terminate immediately the Contract for Sale of the that the Lot will correspond with any Description obligations imposed on you by paragraph 6. W Objects displayed with a w will be located in the not be responsible thereafter for the Lot prior to Lot for your breach of contract; applied to it by or on behalf of the Seller, whether Bonhams Warehouse and will only be available for 2.1.2 save as disclosed in the Entry for the Lot in the you collecting it from Bonhams or the Storage implied by the Sale of Goods Act 1979 or otherwise. 10.4 Any notice or other communication to be given collection from this location. Catalogue, the Seller sells the Lot with full title Contractor, with whom you have separate contract(s) 8.1.2 to resell the Lot by auction, private treaty or any under the Contract for Sale must be in writing and Δ Wines lying in Bond. guarantee or, where the Seller is an executor, trustee, as Buyer. You will indemnify the Seller and keep the other means on giving seven days’ written notice to 9.3 Unless the Seller sells the Lot in the course of a may be delivered by hand or sent by first class AR An Additional Premium will be payable to us by the Buyer liquidator, receiver or administrator, with whatever Seller fully indemnified from and against all claims, you of the intention to resell; Business and the Buyer buys it as a Consumer, post or air mail or fax transmission, if to the Seller, to cover our Expenses relating to payment of royalties right, title or interest he may have in the Lot; proceedings, costs, expenses and losses arising in addressed c/o Bonhams at its address or fax under the Artists Resale Right Regulations 2006. See respect of any injury, loss and damage caused to the 8.1.3 to retain possession of the Lot; 9.3.1 the Seller will not be liable (whether in negligence, number in the Catalogue (marked for the attention of clause 7 for details. 2.1.3 except where the Sale is by an executor, trustee, Lot after the fall of the Auctioneer’s hammer until you other tort, breach of contract or statutory duty or in the Company Secretary), and if to you to the address ○ The Seller has been guaranteed a minimum price for the liquidator, receiver or administrator the Seller is both obtain full title to it. 8.1.4 to remove and store the Lot at your expense; restitution or under the Misrepresentation Act 1967, or fax number of the Buyer given in the Bidding Form Lot, either by Bonhams or a third party. This may take the legally entitled to sell the Lot, and legally capable or in any other way) for any lack of conformity with, (unless notice of any change of address is given in form of an irrevocable bid by a third party, who may make of conferring on you quiet possession of the Lot 5.2 Title to the Lot remains in and is retained by the 8.1.5 to take legal proceedings against you for any sum or inaccuracy, error, misdescription or omission in writing). It is the responsibility of the sender of the a financial gain on a successful Sale or a financial loss if and that the Sale conforms in every respect with Seller until the Purchase Price and all other sums due under the Contract for Sale and/or damages for any Description of the Lot or any Entry or Estimate in notice or communication to ensure that it is received unsuccessful. the terms implied by the Sale of Goods Act 1979, payable by you to Bonhams in relation to the Lot breach of contract; relation to the Lot made by or on behalf of the Seller in a legible form within any applicable time period. ▲ Bonhams owns the Lot either wholly or partially or may Sections 12(1) and 12(2) (see the Definitions and have been paid in full to, and received in cleared (whether made in writing, including in the Catalogue, otherwise have an economic interest. Glossary); funds by, Bonhams. 8.1.6 to be paid interest on any monies due (after as well or on the Website, or orally, or by conduct or 10.5 If any term or any part of any term of the Contract This lot contains or is made of ivory. The United States Ф as before judgement or order) at the annual rate otherwise) and whether made before or after this for Sale is held to be unenforceable or invalid, Government has banned the import of ivory into 2.1.4 the Seller has complied with all requirements, legal or 6 PAYMENT of 5% per annum above the base rate of National agreement or prior to or during the Sale; such unenforceability or invalidity will not affect the the USA. otherwise, relating to any export or import of the Lot, Westminster Bank Plc from time to time to be enforceability and validity of the remaining terms or and all duties and taxes in respect of the export or 6.1 Your obligation to pay the Purchase Price arises calculated on a daily basis from the date upon which 9.3.2 the Seller will not be liable for any loss of Business, the remainder of the relevant term. Ω a •, †, *, G, , see clause 8, VAT, for details. import of the Lot have (unless stated to the contrary when the Lot is knocked down to you on the fall of such monies become payable until the date of actual Business profits or revenue or income or for loss of in the Catalogue or announced by the Auctioneer) the Auctioneer’s hammer in respect of the Lot. payment; reputation or for disruption to Business or wasted 10.6 References in the Contract for Sale to Bonhams will, DATA PROTECTION – USE OF YOUR INFORMATION been paid and, so far as the Seller is aware, all third time on the part of the Buyer or of the Buyer’s where appropriate, include reference to Bonhams’ parties have complied with such requirements in 6.2 Time will be of the essence in relation to payment of 8.1.7 to repossess the Lot (or any part thereof) which has management or staff or, for any indirect losses or officers, employees and agents. Where we obtain any personal information about you, we the past; the Purchase Price and all other sums payable by not become your property, and for this purpose consequential damages of any kind, irrespective in shall only use it in accordance with the terms of our Privacy you to Bonhams. Unless agreed in writing with you (unless the Buyer buys the Lot as a Consumer from any case of the nature, volume or source of the loss 10.7 The headings used in the Contract for Sale are for Policy (subject to any additional specific consent(s) you may 2.1.5 subject to any alterations expressly identified as such by Bonhams on the Seller’s behalf (in which case the Seller selling in the course of a Business) you or damage alleged to be suffered, and irrespective convenience only and will not affect its interpretation. have given at the time your information was disclosed). A made by announcement or notice at the Sale venue you must comply with the terms of that agreement), hereby grant an irrevocable licence to the Seller by of whether the said loss or damage is caused by copy of our Privacy Policy can be found on our Website www. or by the Notice to Bidders or by an insert in the all such sums must be paid to Bonhams by you himself and to his servants or agents to enter upon or claimed in respect of any negligence, other tort, 10.8 In the Contract for Sale “including” means “including, bonhams.com or requested by post from Customer Services Catalogue, the Lot corresponds with the Contractual in the currency in which the Sale was conducted all or any of your premises (with or without vehicles) breach of contract, statutory duty, restitutionary claim without limitation”. Department, 101 New Bond Street, London, W1S 1SR or by Description of the Lot, being that part of the Entry by not later than 4.30pm on the second working during normal Business hours to take possession of or otherwise; email from [email protected] about the Lot in the Catalogue which is in bold day following the Sale and you must ensure that the Lot or part thereof; 10.9 References to the singular will include reference to letters and (except for colour) with any photograph of the funds are cleared by the seventh working day 9.3.3 in any circumstances where the Seller is liable to the plural (and vice versa) and reference to any one APPENDIX 1 the Lot in the Catalogue and the contents of after the Sale. Payment must be made to Bonhams 8.1.8 to retain possession of any other property sold to you in respect of the Lot, or any act, omission, gender will include reference to the other genders. any Condition Report which has been provided to by one of the methods stated in the Notice to you by the Seller at the Sale or any other auction statement, or representation in respect of it, or CONTRACT FOR SALE the Buyer. Bidders unless otherwise agreed with you in writing or by private treaty until all sums due under the this agreement or its performance, and whether in 10.10 Reference to a numbered paragraph is to a by Bonhams. If you do not pay any sums due in Contract for Sale shall have been paid in full in damages, for an indemnity or contribution or for paragraph of the Contract for Sale. IMPORTANT: These terms may be changed in advance of 3 DESCRIPTIONS OF THE LOT accordance with this paragraph, the Seller will have cleared funds; a restitutionary remedy or in any way whatsoever, the Sale of the Lot to you, by the setting out of different terms the rights set out in paragraph 8 below. the Seller’s liability will be limited to payment of a 10.11 Save as expressly provided in paragraph 10.12 in the Catalogue for the Sale and/or by placing an insert in the 3.1 Paragraph 2.1.5 sets out what is the Contractual 8.1.9 to retain possession of, and on seven days written sum which will not exceed by way of maximum the nothing in the Contract for Sale confers (or purports Catalogue and/or by notices at the Sale venue and/or by oral Description of the Lot. In particular, the Lot is not 7 COLLECTION OF THE LOT notice to sell, Without Reserve, any of your other amount of the Purchase Price of the Lot irrespective to confer) on any person who is not a party to the announcements before and during the Sale at the Sale venue. sold as corresponding with that part of the Entry in property in the possession of the Seller and/or of in any case of the nature, volume or source of Contract for Sale any benefit conferred by, or the You should be alert to this possibility of changes and ask in the Catalogue which is not printed in bold letters, 7.1 Unless otherwise agreed in writing with you by Bonhams (as bailee for the Seller) for any purpose any loss or damage alleged to be suffered or sum right to enforce any term of, the Contract for Sale. advance of bidding if there have been any. which merely sets out (on the Seller’s behalf) Bonhams, the Lot will be released to you or to your (including, without limitation, other goods sold to claimed as due, and irrespective of whether the Bonhams’ opinion about the Lot and which is not order only when Bonhams has received cleared you) and to apply any monies due to you as a result liability arises from any negligence, other tort, breach 10.12 Where the Contract for Sale confers an immunity Under this contract the Seller’s liability in respect of the quality part of the Contractual Description upon which the funds to the amount of the full Purchase Price and of such Sale in satisfaction or part satisfaction of any of contract, statutory duty, bailee’s duty, restitutionary from, and/or an exclusion or restriction of, the of the Lot, it’s fitness for any purpose and its conformity with Lot is sold. Any statement or representation other all other sums owed by you to the Seller and to amounts owed to the Seller or to Bonhams; and claim or otherwise. responsibility and/or liability of the Seller, it will also any Description is limited. You are strongly advised to examine than that part of the Entry referred to in paragraph Bonhams. operate in favour and for the benefit of Bonhams, the Lot for yourself and/or obtain an independent examination 2.1.5 (together with any express alteration to it 8.1.10 so long as such goods remain in the possession 9.4 Nothing set out in paragraphs 9.1 to 9.3 above will Bonhams’ holding company and the subsidiaries of it before you buy it. as referred to in paragraph 2.1.5), including any 7.2 The Seller is entitled to withhold possession from you of the Seller or Bonhams as its bailee, to rescind be construed as excluding or restricting (whether of such holding company and the successors and Description or Estimate, whether made orally or in of any other Lot he has sold to you at the same or the contract for the Sale of any other goods sold to directly or indirectly) any person’s liability or excluding assigns of Bonhams and of such companies and of 1 THE CONTRACT writing, including in the Catalogue or on Bonhams’ at any other Sale and whether currently in Bonhams’ you by the Seller at the Sale or at any other auction or restricting any person’s rights or remedies in any officer, employee and agent of Bonhams and Website, or by conduct, or otherwise, and whether possession or not until payment in full and in cleared or by private treaty and apply any monies received respect of (i) fraud, or (ii) death or personal injury such companies, each of whom will be entitled to 1.1 These terms govern the Contract for Sale of the Lot by or on behalf of the Seller or Bonhams and funds of the Purchase Price and all other sums due from you in respect of such goods in part or full caused by the Seller’s negligence (or any person rely on the relevant immunity and/or exclusion and/or by the Seller to the Buyer. whether made prior to or during the Sale, is not part to the Seller and/or Bonhams in respect of the Lot. satisfaction of any amounts owed to the Seller or to under the Seller’s control or for whom the Seller is restriction within and for the purposes of Contracts of the Contractual Description upon which the Lot is Bonhams by you. legally responsible), or (iii) acts or omissions for which (Rights of Third Parties) Act 1999, which enables the 1.2 The Definitions and Glossary contained in Appendix sold. 7.3 You will collect and remove the Lot at your own the Seller is liable under the Occupiers Liability Act benefit of a contract to be extended to a person who 3 in the Catalogue are incorporated into this Contract expense from Bonhams’ custody and/ or control or 8.2 You agree to indemnify the Seller against all legal 1957, or (iv) any other liability to the extent the same is not a party to the contract, and generally at law. for Sale and a separate copy can also be provided 3.2 Except as provided in paragraph 2.1.5, the Seller from the Storage Contractor’s custody in accordance and other costs of enforcement, all losses and other may not be excluded or restricted as a matter of law. by Bonhams on request. Where words and phrases does not make or give and does not agree to with Bonhams’ instructions or requirements. Expenses and costs (including any monies payable 11 GOVERNING LAW are used which are in the List of Definitions, they are make or give any contractual promise, undertaking, to Bonhams in order to obtain the release of the printed in italics. 10 MISCELLANEOUS obligation, guarantee, warranty, or representation 7.4 You will be wholly responsible for packing, handling Lot) incurred by the Seller (whether or not court All transactions to which the Contract for Sale of fact, or undertake any duty of care, in relation to and transport of the Lot on collection and for proceedings will have been issued) as a result of 10.1 You may not assign either the benefit or burden of applies and all connected matters will be governed 1.3 The Seller sells the Lot as the principal to the any Description of the Lot or any Estimate in relation complying with all import or export regulations in Bonhams taking steps under this paragraph 8 on the Contract for Sale. by and construed in accordance with the laws of Contract for Sale, such contract being made to it, nor of the accuracy or completeness of any connection with the Lot. a full indemnity basis together with interest thereon that part of the United Kingdom where the Sale between the Seller and you through Bonhams which Description or Estimate which may have been made (after as well as before judgement or order) at the 10.2 The Seller’s failure or delay in enforcing or exercising takes place and the Seller and you each submit to acts in the sole capacity as the Seller’s agent and not by or on behalf of the Seller including by Bonhams. 7.5 You will be wholly responsible for any removal, rate specified in paragraph 8.1.6 from the date upon any power or right under the Contract for Sale will the exclusive jurisdiction of the courts of that part as an additional principal. However, if the Catalogue No such Description or Estimate is incorporated into storage or other charges or Expenses incurred which the Seller becomes liable to pay the same until not operate or be deemed to operate as a waiver of of the United Kingdom, save that the Seller may states that Bonhams sells the Lot as principal, or this Contract for Sale. by the Seller if you do not remove the Lot in payment by you. his rights under it except to the extent of any express bring proceedings against you in any other court of such a statement is made by an announcement accordance with this paragraph 7 and will waiver given to you in writing. Any such waiver will competent jurisdiction to the extent permitted by by the Auctioneer, or by a notice at the Sale, or an 4 FITNESS FOR PURPOSE AND indemnify the Seller against all charges, costs, 8.3 On any resale of the Lot under paragraph 8.1.2, the not affect the Seller’s ability subsequently to enforce the laws of the relevant jurisdiction. Bonhams has a insert in the Catalogue, then Bonhams is the Seller SATISFACTORY QUALITY including any legal costs and fees, Expenses and Seller will account to you in respect of any balance any right arising under the Contract for Sale. complaints procedure in place. for the purposes of this agreement. losses suffered by the Seller by reason of your remaining from any monies received by him or on 4.1 The Seller does not make and does not agree failure to remove the Lot including any charges his behalf in respect of the Lot, after the payment of to make any contractual promise, undertaking, due under any Storage Contract. All such sums all sums due to the Seller and to Bonhams, within obligation, guarantee, warranty, or representation of due to the Seller will be payable on demand. 28 days of receipt of such monies by him or on his fact in relation to the satisfactory quality of the Lot or behalf. its fitness for any purpose. NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date specified in the Notice to Bidders, you authorise us, BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as acting as your agent and on your behalf, to enter otherwise set out in the Notice to Bidders, you must into a contract (the “Storage Contract”) with the IMPORTANT: These terms may be changed in advance of pay to us by not later than 4.30pm on the second Storage Contractor for the storage of the Lot on the the Sale of the Lot to you, by the setting out of different terms working day following the Sale: then current standard terms and conditions agreed in the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per advance of bidding if there have been any. out in the Notice to Bidders on each lot, and Lot per day) will be payable from the expiry of the period referred to in paragraph 4.2. These storage 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. which is calculated and payable in accordance with 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage Contractor as agent on behalf of the Seller and 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. into this agreement and a separate copy can also be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the charges (and all costs of moving the Lot into storage) Reference is made in this agreement to information methods of payment set out in the Notice to due under any Storage Contract. You acknowledge printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the and agree that you will not be able to collect the Lot Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an from the Storage Contractor’s premises until you is referred to it is incorporated into this agreement. agent for a named principal and we have approved have paid the Purchase Price, any Expenses and all that arrangement, in which case we will address the charges due under the Storage Contract. 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. also made between you and Bonhams on the terms all such sums. in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any event before any collection of the Lot by you or on 1.5 Our personal obligations to you are governed by 3.6 Time will be of the essence in relation to any your behalf. this agreement and we agree, subject to the terms payment payable to us. If you do not pay the below, to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT accordance with this paragraph 3, we will have the 1.5.1 we will, until the date and time specified in the Notice rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your to Bidders or otherwise notified to you, store theLot removal of the Lot or until the time and date set out in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down in the Notice to Bidders, on the Sale Information to you, any monies we receive from you will be Page or at the back of the catalogue (or if no date 1.5.2 subject to any power of the Seller or us to refuse to applied firstly pro-rata to pay the Purchase Price of is specified, by 4.30pm on the seventh day after the release the Lot to you, we will release the Lot to you each Lot and secondly pro-rata to pay all amounts Sale) and, subject to paragraphs 6 and 10, to be in accordance with paragraph 4 once you have paid due to Bonhams. responsible as bailee to you for damage to or the to us, in cleared funds, everything due to us and the loss or destruction of the Lot (notwithstanding that it Seller; 4 COLLECTION OF THE LOT is not your property before payment of the Purchase Price). If you do not collect the Lot before the time 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us incorporated into this agreement between you and Notice to Bidders for collection on the days and will title in the Lot pass to you. However under the us. Any such Description or Estimate, if made by us times specified in the Notice to Bidders. Thereafter, Contract for Sale, the risk in the Lot passed to you or on our behalf, was (unless Bonhams itself sells the Lot may be removed elsewhere for storage and when it was knocked down to you. the Lot as principal) made as agent on behalf of the you must enquire from us as to when and where you Seller. can collect it, although this information will usually be 6.2 You are advised to obtain insurance in respect of the set out in the Notice to Bidders. Lot as soon as possible after the Sale. 2 PERFORMANCE OF THE CONTRACT FOR SALE

You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/1.2018/V2 APPENDIX 2 3 PAYMENT 4.4 If you have not collected the Lot by the date 7 FAILURE TO PAY OR TO REMOVE THE LOT 7.3 If you pay us only part of the sums due to us such 9.3 Paragraph 9 will not apply in respect of a Forgery if: specified in the Notice to Bidders, you authorise us, AND PART PAYMENTS payment shall be applied firstly to the Purchase Price BUYER’S AGREEMENT 3.1 Unless agreed in writing between you and us or as acting as your agent and on your behalf, to enter of the Lot (or where you have purchased more than 9.3.1 the Entry in relation to the Lot contained in the otherwise set out in the Notice to Bidders, you must into a contract (the “Storage Contract”) with the 7.1 If all sums payable to us are not so paid in full at one Lot pro-rata towards the Purchase Price of each Catalogue reflected the then accepted general IMPORTANT: These terms may be changed in advance of pay to us by not later than 4.30pm on the second Storage Contractor for the storage of the Lot on the the time they are due and/or the Lot is not removed Lot) and secondly to the Buyer’s Premium (or where opinion of scholars and experts or fairly indicated the Sale of the Lot to you, by the setting out of different terms working day following the Sale: then current standard terms and conditions agreed in accordance with this agreement, we will without you have purchased more than one Lot pro-rata to that there was a conflict of such opinion or reflected in the Catalogue for the Sale and/or by placing an insert in the between Bonhams and the Storage Contractor further notice to you be entitled to exercise one or the Buyer’s Premium on each Lot) and thirdly to any the then current opinion of an expert acknowledged Catalogue and/or by notices at the Sale venue and/or by oral 3.1.1 the Purchase Price for the Lot; (copies of which are available on request). If the Lot more of the following rights (without prejudice to any other sums due to us. to be a leading expert in the relevant field; or announcements before and during the Sale at the Sale venue. is stored at our premises storage fees at our current rights we may exercise on behalf of the Seller): You should be alert to this possibility of changes and ask in 3.1.2 a Buyer’s Premium in accordance with the rates set daily rates (currently a minimum of £3 plus VAT per 7.4 We will account to you in respect of any balance we 9.3.2 it can be established that the Lot is a Forgery only advance of bidding if there have been any. out in the Notice to Bidders on each lot, and Lot per day) will be payable from the expiry of the 7.1.1 to terminate this agreement immediately for your hold remaining from any monies received by us in by means of a process not generally accepted for period referred to in paragraph 4.2. These storage breach of contract; respect of any Sale of the Lot under our rights under use until after the date on which the Catalogue was 1 THE CONTRACT 3.1.3 if the Lot is marked [AR], an Additional Premium fees form part of our Expenses. this paragraph 7 after the payment of all sums due to published or by means of a process which it was which is calculated and payable in accordance with 7.1.2 to retain possession of the Lot; us and/or the Seller within 28 days of receipt by us of unreasonable in all the circumstances for us to have 1.1 These terms govern the contract between Bonhams the Notice to Bidders together with VAT on that sum 4.5 Until you have paid the Purchase Price and any all such sums paid to us. employed. personally and the Buyer, being the person to whom if applicable so that all sums due to us are cleared Expenses in full the Lot will either be held by us as 7.1.3 to remove, and/or store the Lot at your expense; a Lot has been knocked down by the Auctioneer. funds by the seventh working day after the Sale. agent on behalf of the Seller or held by the Storage 8 CLAIMS BY OTHER PERSONS IN RESPECT 9.4 You authorise us to carry out such processes and Contractor as agent on behalf of the Seller and 7.1.4 to take legal proceedings against you for payment OF THE LOT tests on the Lot as we in our absolute discretion 1.2 The Definitions and Glossary contained in Appendix 3.2 You must also pay us on demand any Expenses ourselves on the terms contained in the Storage of any sums payable to us by you (including the consider necessary to satisfy ourselves that the Lot 3 to the Catalogue for the Sale are incorporated payable pursuant to this agreement. Contract. Purchase Price) and/or damages for breach of 8.1 Whenever it becomes apparent to us that the Lot is is or is not a Forgery. into this agreement and a separate copy can also contract; the subject of a claim by someone other than you be provided by us on request. Where words and 3.3 All payments to us must be made in the currency 4.6 You undertake to comply with the terms of any and other than the Seller (or that such a claim can 9.5 If we are satisfied that a Lot is a Forgery we will (as phrases which are defined in the List of Definitions in which the Sale was conducted, using, unless Storage Contract and in particular to pay the 7.1.5 to be paid interest on any monies due to us (after reasonably be expected to be made), we may, at our principal) purchase the Lot from you and you will are used in this agreement, they are printed in italics. otherwise agreed by us in writing, one of the charges (and all costs of moving the Lot into storage) as well as before judgement or order) at the annual absolute discretion, deal with the Lot in any manner transfer the title to the Lot in question to us, with Reference is made in this agreement to information methods of payment set out in the Notice to due under any Storage Contract. You acknowledge rate of 5% per annum above the base lending rate which appears to us to recognise the legitimate full title guarantee, free from any liens, charges, printed in the Notice to Bidders, printed in the Bidders. Our invoices will only be addressed to the and agree that you will not be able to collect the Lot of National Westminster Bank Plc from time to time interests of ourselves and the other parties involved encumbrances and adverse claims, in accordance Catalogue for the Sale, and where such information registered Bidder unless the Bidder is acting as an from the Storage Contractor’s premises until you to be calculated on a daily basis from the date upon and lawfully to protect our position and our legitimate with the provisions of Sections 12(1) and 12(2) of is referred to it is incorporated into this agreement. agent for a named principal and we have approved have paid the Purchase Price, any Expenses and all which such monies become payable until the date of interests. Without prejudice to the generality of the the Sale of Goods Act 1979 and we will pay to you that arrangement, in which case we will address the charges due under the Storage Contract. actual payment; discretion and by way of example, we may: an amount equal to the sum of the Purchase Price, 1.3 Except as specified in paragraph 4 of the Notice to invoice to the principal. Buyer’s Premium, VAT and Expenses paid by you in Bidders the Contract for Sale of the Lot between you 4.7 You will be wholly responsible for packing, handling 7.1.6 to repossess the Lot (or any part thereof) which has 8.1.1 retain the Lot to investigate any question raised or respect of the Lot. and the Seller is made on the fall of the Auctioneer’s 3.4 Unless otherwise stated in this agreement all and transport of the Lot on collection and for not become your property, and for this purpose reasonably expected by us to be raised in relation to hammer in respect of the Lot, when it is knocked sums payable to us will be subject to VAT at the complying with all import or export regulations in (unless you buy the Lot as a Consumer) you hereby the Lot; and/or 9.6 The benefit of paragraph 9 is personal to, and down to you. At that moment a separate contract is appropriate rate and VAT will be payable by you on connection with the Lot. grant an irrevocable licence to us, by ourselves, our incapable of assignment by, you. also made between you and Bonhams on the terms all such sums. servants or agents, to enter upon all or any of your 8.1.2 deliver the Lot to a person other than you; and/or in this Buyer’s Agreement. 4.8 You will be wholly responsible for any removal, premises (with or without vehicles) during normal 9.7 If you sell or otherwise dispose of your interest in the 3.5 We may deduct and retain for our own benefit from storage, or other charges for any Lot not removed business hours to take possession of any Lot or part 8.1.3 commence interpleader proceedings or seek any Lot, all rights and benefits under this paragraph will 1.4 We act as agents for the Seller and are not the monies paid by you to us the Buyer’s Premium, in accordance with paragraph 4.2, payable at our thereof; other order of any court, mediator, arbitrator or cease. answerable or personally responsible to you for any the Commission payable by the Seller in respect current rates, and any Expenses we incur (including government body; and/or breach of contract or other default by the Seller, of the Lot, any Expenses and VAT and any interest any charges due under the Storage Contract), all of 7.1.7 to sell the Lot Without Reserve by auction, private 9.8 Paragraph 9 does not apply to a Lot made up of or unless Bonhams sells the Lot as principal. earned and/or incurred until payment to the Seller. which must be paid by you on demand and in any treaty or any other means on giving you three 8.1.4 require an indemnity and/or security from you in including a Chinese painting or Chinese paintings, a event before any collection of the Lot by you or on months’ written notice of our intention to do so; return for pursuing a course of action agreed to by motor vehicle or motor vehicles, a Stamp or Stamps 1.5 Our personal obligations to you are governed by 3.6 Time will be of the essence in relation to any your behalf. you. or a Book or Books. this agreement and we agree, subject to the terms payment payable to us. If you do not pay the 7.1.8 to retain possession of any of your other property in below, to the following obligations: Purchase Price, or any other sum due to us in 5 STORING THE LOT our possession for any purpose (including, without 8.2 The discretion referred to in paragraph 8.1: 10 OUR LIABILITY accordance with this paragraph 3, we will have the limitation, other goods sold to you or with us for Sale) 1.5.1 we will, until the date and time specified in the Notice rights set out in paragraph 7 below. We agree to store the Lot until the earlier of your until all sums due to us have been paid in full; 8.2.1 may be exercised at any time during which we have 10.1 We will not be liable whether in negligence, other to Bidders or otherwise notified to you, store the Lot removal of the Lot or until the time and date set out actual or constructive possession of the Lot, or at tort, breach of contract or statutory duty or in in accordance with paragraph 5; 3.7 Where a number of Lots have been knocked down in the Notice to Bidders, on the Sale Information 7.1.9 to apply any monies received from you for any any time after such possession, where the cessation restitution or under the Misrepresentation Act 1967 to you, any monies we receive from you will be Page or at the back of the catalogue (or if no date purpose whether at the time of your default or at any of such possession has occurred by reason of any or in any other way for lack of conformity with or 1.5.2 subject to any power of the Seller or us to refuse to applied firstly pro-rata to pay the Purchase Price of is specified, by 4.30pm on the seventh day after the time thereafter in payment or part payment of any decision, order or ruling of any court, mediator, any inaccuracy, error, misdescription or omission in release the Lot to you, we will release the Lot to you each Lot and secondly pro-rata to pay all amounts Sale) and, subject to paragraphs 6 and 10, to be sums due to us by you under this agreement; arbitrator or government body; and any Description of the Lot or any Entry or Estimate in accordance with paragraph 4 once you have paid due to Bonhams. responsible as bailee to you for damage to or the in respect of it, made by us or on our behalf or by to us, in cleared funds, everything due to us and the loss or destruction of the Lot (notwithstanding that it 7.1.10 on three months’ written notice to sell, Without 8.2.2 will not be exercised unless we believe that there or on behalf of the Seller (whether made in writing, Seller; 4 COLLECTION OF THE LOT is not your property before payment of the Purchase Reserve, any of your other property in our exists a serious prospect of a good arguable case in including in the Catalogue, or on the Bonhams’ Price). If you do not collect the Lot before the time possession or under our control for any purpose favour of the claim. Website, or orally, or by conduct or otherwise) and 1.5.3 we will provide guarantees in the terms set out in 4.1 Subject to any power of the Seller or us to refuse and date set out in the Notice to Bidders (or if no (including other goods sold to you or with us for whether made before or after this agreement or prior paragraphs 9 and 10. to release the Lot to you, once you have paid to us, date is specified, by 4.30pm on the seventh day Sale) and to apply any monies due to you as a result 9 FORGERIES to or during the Sale. in cleared funds, everything due to the Seller and after the Sale) we may remove the Lot to another of such Sale in payment or part payment of any 1.6 We do not make or give and do not agree to make to us, we will release the Lot to you or as you may location, the details of which will usually be set out amounts owed to us; 9.1 We undertake a personal responsibility for any 10.2 Our duty to you while the Lot is at your risk and/or or give any contractual promise, undertaking, direct us in writing. The Lot will only be released on in the relevant section of the Catalogue. If you have Forgery in accordance with the terms of this your property and in our custody and/or control is to obligation, Guarantee, warranty, representation of production of a buyer collection document, obtained not paid for the Lot in accordance with paragraph 3, 7.1.11 refuse to allow you to register for a future Sale or to paragraph 9. exercise reasonable care in relation to it, but we will fact in relation to any Description of the Lot or any from our cashier’s office. and the Lot is moved to any third party’s premises, reject a bid from you at any future Sale or to require not be responsible for damage to the Lot or to other Estimate in relation to it, nor of the accuracy or the Lot will be held by such third party strictly to you to pay a deposit before any bid is accepted by 9.2 Paragraph 9 applies only if: persons or things caused by: completeness of any Description or Estimate which 4.2 You must collect and remove the Lot at your own Bonhams’ order and we will retain our lien over the us at any future Sale in which case we will be entitled may have been made by us or on our behalf or by expense by the date and time specified in the Notice Lot until we have been paid in full in accordance with to apply such deposit in payment or part payment, 9.2.1 your name appears as the named person to whom 10.2.1 handling the Lot if it was affected at the time of Sale or on behalf of the Seller (whether made orally or in to Bidders, or if no date is specified, by 4.30pm on paragraph 3. as the case may be, of the Purchase Price of any Lot the original invoice was made out by us in respect of to you by woodworm and any damage is caused as writing, including in the Catalogue or on Bonhams’ the seventh day after the Sale. of which you are the Buyer. the Lot and that invoice has been paid; and a result of it being affected by woodworm; or Website, or by conduct, or otherwise), and whether 6 RESPONSIBILITY FOR THE LOT made before or after this agreement or prior to or 4.3 For the period referred to in paragraph 4.2, the Lot 7.2 You agree to indemnify us against all legal and other 9.2.2 you notify us in writing as soon as reasonably 10.2.2 changes in atmospheric pressure; nor will we be during the Sale. No such Description or Estimate is can be collected from the address referred to in the 6.1 Only on the payment of the Purchase Price to us costs, all losses and all other Expenses (whether or practicable after you have become aware that the liable for: incorporated into this agreement between you and Notice to Bidders for collection on the days and will title in the Lot pass to you. However under the not court proceedings will have been issued) incurred Lot is or may be a Forgery, and in any event within us. Any such Description or Estimate, if made by us times specified in the Notice to Bidders. Thereafter, Contract for Sale, the risk in the Lot passed to you by us as a result of our taking steps under this one year after the Sale, that the Lot is a Forgery; and 10.2.3 damage to tension stringed musical instruments; or or on our behalf, was (unless Bonhams itself sells the Lot may be removed elsewhere for storage and when it was knocked down to you. paragraph 7 on a full indemnity basis together with the Lot as principal) made as agent on behalf of the you must enquire from us as to when and where you interest thereon (after as well as before judgement or 9.2.3 within one month after such notification has been 10.2.4 damage to gilded picture frames, plaster picture Seller. can collect it, although this information will usually be 6.2 You are advised to obtain insurance in respect of the order) at the rate specified in paragraph 7.1.5 from given, you return the Lot to us in the same condition frames or picture frame glass; and if the Lot is or set out in the Notice to Bidders. Lot as soon as possible after the Sale. the date upon which we become liable to pay the as it was at the time of the Sale, accompanied by becomes dangerous, we may dispose of it without 2 PERFORMANCE OF THE CONTRACT FOR same until payment by you. written evidence that the Lot is a Forgery and details notice to you in advance in any manner we think fit SALE of the Sale and Lot number sufficient to identify the and we will be under no liability to you for doing so. Lot. You undertake to us personally that you will observe and comply with all your obligations and undertakings to the Seller under the Contract for Sale in respect of the Lot.

NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are for Business profits, revenue or income or for loss of reflected the then accepted general opinion of convenience only and will not affect its interpretation. Business reputation or for disruption to Business or scholars and experts or fairly indicated that there wasted time on the part of the Buyer’s management was a conflict of such opinion; or 12.8 In this agreement “including” means “including, or staff or, if you are buying the Lot in the course of without limitation”. a Business, for any indirect losses or consequential it can be established that the Lot is a non- damages of any kind, irrespective in any case of conforming Lot only by means of a process not 12.9 References to the singular will include reference to the nature, volume or source of the loss or damage generally accepted for use until after the date on the plural (and vice versa) and reference to any one alleged to be suffered, and irrespective of whether which the Catalogue was published or by means gender will include reference to the other genders. the said loss or damage is caused by or claimed of a process which it was unreasonable in all the in respect of any negligence, other tort, breach of circumstances for us to have employed; or 12.10 Reference to a numbered paragraph is to a contract, statutory duty, bailee’s duty, a restitutionary paragraph of this agreement. claim or otherwise. the Lot comprises atlases, maps, autographs, manuscripts, extra illustrated books, music or 12.11 Save as expressly provided in paragraph 12.12 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or nothing in this agreement confers (or purports to circumstances where we are liable to you in confer) on any person who is not a party to this respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under agreement any benefit conferred by, or the right to representation in respect of it, or this agreement “collections” or “collections and various” or the Lot enforce any term of, this agreement. or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain a an indemnity or contribution or for a restitutionary collection, issue or Books which are undescribed or 12.12 Where this agreement confers an immunity remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the from, and/or an exclusion or restriction of, the limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles responsibility and/or liability of Bonhams, it will also by way of maximum the amount of the Purchase or advertisements. operate in favour and for the benefit of Bonhams’ Price of the Lot plus Buyer’s Premium (less any holding company and the subsidiaries of such sum you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- holding company and the successors and assigns irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the of Bonhams and of such companies and of any source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot officer, employee and agent of Bonhams and such or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from companies, each of whom will be entitled to rely the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse on the relevant immunity and/or exclusion and/or breach of contract, statutory duty, bailee’s duty, a claims and we will pay to you an amount equal to restriction within and for the purposes of Contracts restitutionary claim or otherwise. the sum of the Purchase Price and Buyer’s Premium (Rights of Third Parties) Act 1999, which enables the paid by you in respect of the Lot. benefit of a contract to be extended to a person who You may wish to protect yourself against loss by is not a party to the contract, and generally at law. obtaining insurance. The benefit of paragraph 10 is personal to, and incapable of assignment by, you and if you sell or 13 GOVERNING LAW 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all rights or restricting (whether directly or indirectly) any and benefits under this paragraph will cease. All transactions to which this agreement applies person’s liability or excluding or restricting any and all connected matters will be governed by and person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS construed in accordance with the laws of that part (ii) death or personal injury caused by our negligence of the United Kingdom where the Sale takes (or (or any person under our control or for whom we 12.1 You may not assign either the benefit or burden of is to take) place and we and you each submit to are legally responsible), or (iii) acts or omissions for this agreement. the exclusive jurisdiction of the courts of that part which we are liable under the Occupiers Liability Act of the United Kingdom, save that we may bring 1957, or (iv) any other liability to the extent the same 12.2 Our failure or delay in enforcing or exercising any proceedings against you in any other court of may not be excluded or restricted as a matter of law, power or right under this agreement will not operate competent jurisdiction to the extent permitted by or (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights the laws of the relevant jurisdiction. Bonhams has a conditions. under it except to the extent of any express waiver complaints procedure in place. given to you in writing. Any such waiver will not affect 11 BOOKS MISSING TEXT OR ILLUSTRATIONS our ability subsequently to enforce any right arising DATA PROTECTION – USE OF YOUR INFORMATION under this agreement. Where the Lot is made up wholly of a Book or Books Where we obtain any personal information about you, we and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from shall only use it in accordance with the terms of our Privacy either case referred to as a “non-conforming Lot”), performing that party’s respective obligations Policy (subject to any additional specific consent(s) you may we undertake a personal responsibility for such a under this agreement by circumstances beyond its have given at the time your information was disclosed). A non-conforming Lot in accordance with the terms of reasonable control or if performance of its obligations copy of our Privacy Policy can be found on our Website www. this paragraph, if: would by reason of such circumstances give rise bonhams.com or requested by post from Customer Services to a significantly increased financial cost to it, that Department, 101 New Bond Street, London W1S 1SR, United the original invoice was made out by us to you in party will not, for so long as such circumstances Kingdom or by email from [email protected]. respect of the Lot and that invoice has been paid; prevail, be required to perform such obligations. This and paragraph does not apply to the obligations imposed APPENDIX 3 on you by paragraph 3. you notify us in writing as soon as reasonably DEFINITIONS AND GLOSSARY practicable after you have become aware that the 12.4 Any notice or other communication to be given Lot is or may be a non-conforming Lot, and in any under this agreement must be in writing and may Where these Definitions and Glossary are incorporated, the event within 20 days after the Sale (or such longer be delivered by hand or sent by first class post or following words and phrases used have (unless the context period as we may agree in writing) that the Lot is a air mail or fax transmission (if to Bonhams marked otherwise requires) the meanings given to them below. The non-conforming Lot; and for the attention of the Company Secretary), to the Glossary is to assist you to understand words and phrases address or fax number of the relevant party given which have a specific legal meaning with which you may not within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change be familiar. such longer period as we may agree in writing) you of address is given in writing). It is the responsibility return the Lot to us in the same condition as it was of the sender of the notice or communication to LIST OF DEFINITIONS at the time of the Sale, accompanied by written ensure that it is received in a legible form within any evidence that the Lot is a non-conforming Lot and applicable time period. “Additional Premium” a premium, calculated in accordance details of the Sale and Lot number sufficient to with the Notice to Bidders, to cover Bonhams’ Expenses identify the Lot. 12.5 If any term or any part of any term of this agreement relating to the payment of royalties under the Artists Resale is held to be unenforceable or invalid, such Right Regulations 2006 which is payable by the Buyer to but not if: unenforceability or invalidity will not affect the Bonhams on any Lot marked [AR] which sells for a Hammer enforceability and validity of the remaining terms or Price which together with the Buyer’s Premium (but excluding the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. any VAT) equals or exceeds 1000 euros (converted into indicates that the rights given by this paragraph do the currency of the Sale using the European Central Bank not apply to it; or 12.6 References in this agreement to Bonhams will, where Reference rate prevailing on the date of the Sale). appropriate, include reference to Bonhams’ officers, “Auctioneer” the representative of Bonhams conducting employees and agents. the Sale.

NTB/MAIN/1.2018/V2 10.3.1 We will not be liable to you for any loss of Business, the Entry in the Catalogue in respect of the Lot 12.7 The headings used in this agreement are for “Bidder” a person who has completed a Bidding Form. “Loss and Damage Warranty” means the warranty described “artist’s resale right”: the right of the creator of a work of art Business profits, revenue or income or for loss of reflected the then accepted general opinion of convenience only and will not affect its interpretation. “Bidding Form” our Bidding Registration Form, our Absentee in paragraph 8.2 of the Conditions of Business. to receive a payment on Sales of that work subsequent to the Business reputation or for disruption to Business or scholars and experts or fairly indicated that there Bidding Form or our Telephone Bidding Form. “Loss and Damage Warranty Fee” means the fee described original Sale of that work by the creator of it as set out in the wasted time on the part of the Buyer’s management was a conflict of such opinion; or 12.8 In this agreement “including” means “including, “Bonhams” Bonhams 1793 Limited or its successors or in paragraph 8.2.3 of the Conditions of Business. Artists Resale Right Regulations 2006. or staff or, if you are buying the Lot in the course of without limitation”. assigns. Bonhams is also referred to in the Buyer’s Agreement, “Lot” any item consigned to Bonhams with a view to its Sale “bailee”: a person to whom goods are entrusted. a Business, for any indirect losses or consequential it can be established that the Lot is a non- the Conditions of Business and the Notice to Bidders by the at auction or by private treaty (and reference to any Lot will “indemnity”: an obligation to put the person who has the damages of any kind, irrespective in any case of conforming Lot only by means of a process not 12.9 References to the singular will include reference to words “we”, “us” and “our”. include, unless the context otherwise requires, reference to benefit of the indemnity in the same position in which he would the nature, volume or source of the loss or damage generally accepted for use until after the date on the plural (and vice versa) and reference to any one “Book” a printed Book offered forSale at a specialist Book individual items comprised in a group of two or more items have been, had the circumstances giving rise to the indemnity alleged to be suffered, and irrespective of whether which the Catalogue was published or by means gender will include reference to the other genders. Sale. offered for Sale as one Lot). not arisen and the expression “indemnify” is construed the said loss or damage is caused by or claimed of a process which it was unreasonable in all the “Business” includes any trade, Business and profession. “Motoring Catalogue Fee” a fee payable by the Seller to accordingly. in respect of any negligence, other tort, breach of circumstances for us to have employed; or 12.10 Reference to a numbered paragraph is to a “Buyer” the person to whom a Lot is knocked down by the Bonhams in consideration of the additional work undertaken “interpleader proceedings”: proceedings in the Courts to contract, statutory duty, bailee’s duty, a restitutionary paragraph of this agreement. Auctioneer. The Buyer is also referred to in the Contract for by Bonhams in respect of the cataloguing of motor vehicles determine ownership or rights over a Lot. claim or otherwise. the Lot comprises atlases, maps, autographs, Sale and the Buyer’s Agreement by the words “you” and and in respect of the promotion of Sales of motor vehicles. “knocked down”: when a Lot is sold to a Bidder, indicated by manuscripts, extra illustrated books, music or 12.11 Save as expressly provided in paragraph 12.12 “your”. “New Bond Street” means Bonhams’ saleroom at 101 New the fall of the hammer at the Sale. 10.3.2 Unless you buy the Lot as a Consumer, in any periodical publications; or nothing in this agreement confers (or purports to “Buyer’s Agreement” the contract entered into by Bonhams Bond Street, London W1S 1SR. “lien”: a right for the person who has possession of the Lot to circumstances where we are liable to you in confer) on any person who is not a party to this with the Buyer (see Appendix 2 in the Catalogue). “Notional Charges” the amount of Commission and VAT retain possession of it. respect of a Lot, or any act, omission, statement, the Lot was listed in the Catalogue under agreement any benefit conferred by, or the right to “Buyer’s Premium” the sum calculated on the Hammer Price which would have been payable if the Lot had been sold at the “risk”: the possibility that a Lot may be lost, damaged, representation in respect of it, or this agreement “collections” or “collections and various” or the Lot enforce any term of, this agreement. at the rates stated in the Notice to Bidders. Notional Price. destroyed, stolen, or deteriorate in condition or value. or its performance, and whether in damages, for was stated in the Catalogue to comprise or contain a “Catalogue” the Catalogue relating to the relevant Sale, “Notional Fee” the sum on which the Consignment Fee “title”: the legal and equitable right to the ownership of a Lot. an indemnity or contribution or for a restitutionary collection, issue or Books which are undescribed or 12.12 Where this agreement confers an immunity including any representation of the Catalogue published on payable to Bonhams by the Seller is based and which is “tort”: a legal wrong done to someone to whom the wrong remedy or in any way whatsoever, our liability will be the missing text or illustrations are referred to or the from, and/or an exclusion or restriction of, the our Website. calculated according to the formula set out in the Conditions doer has a duty of care. limited to payment of a sum which will not exceed relevant parts of the Book contain blanks, half titles responsibility and/or liability of Bonhams, it will also “Commission” the Commission payable by the Seller to of Business. by way of maximum the amount of the Purchase or advertisements. operate in favour and for the benefit of Bonhams’ Bonhams calculated at the rates stated in the Contract Form. “Notional Price” the latest in time of the average of the SALE OF GOODS ACT 1979 Price of the Lot plus Buyer’s Premium (less any holding company and the subsidiaries of such “Condition Report” a report on the physical condition of a Lot high and low Estimates given by us to you or stated in the sum you may be entitled to recover from the Seller) If we are reasonably satisfied that a Lot is a non- holding company and the successors and assigns provided to a Bidder or potential Bidder by Bonhams on behalf Catalogue or, if no such Estimates have been given or stated, The following is an extract from the Sale of Goods Act 1979: irrespective in any case of the nature, volume or conforming Lot, we will (as principal) purchase the of Bonhams and of such companies and of any of the Seller. the Reserve applicable to the Lot. source of any loss or damage alleged to be suffered Lot from you and you will transfer the title to the Lot officer, employee and agent of Bonhams and such “Conditions of Sale” the Notice to Bidders, Contract for Sale, “Notice to Bidders” the notice printed at the back or front of “Section 12 Implied terms about title, etc or sum claimed as due, and irrespective of whether in question to us, with full title guarantee, free from companies, each of whom will be entitled to rely Buyer’s Agreement and Definitions and Glossary. our Catalogues. the liability arises from negligence, other tort, any liens, charges, encumbrances and adverse on the relevant immunity and/or exclusion and/or “Consignment Fee” a fee payable to Bonhams by the Seller “Purchase Price” the aggregate of the Hammer Price and (1) In a contract of sale, other than one to which subsection breach of contract, statutory duty, bailee’s duty, a claims and we will pay to you an amount equal to restriction within and for the purposes of Contracts calculated at rates set out in the Conditions of Business. VAT on the Hammer Price (where applicable), the Buyer’s (3) below applies, there is an implied term on the part of restitutionary claim or otherwise. the sum of the Purchase Price and Buyer’s Premium (Rights of Third Parties) Act 1999, which enables the “Consumer” a natural person who is acting for the relevant Premium and VAT on the Buyer’s Premium and any Expenses. the seller that in the case of a sale he has a right to sell paid by you in respect of the Lot. benefit of a contract to be extended to a person who purpose outside his trade, Business or profession. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to sell he You may wish to protect yourself against loss by is not a party to the contract, and generally at law. “Contract Form” the Contract Form, or vehicle Entry form, as (whether at auction or by private treaty). will have such a right at the time when the property is to obtaining insurance. The benefit of paragraph 10 is personal to, and applicable, signed by or on behalf of the Seller listing the Lots “Sale” the auction Sale at which a Lot is to be offered for Sale pass. incapable of assignment by, you and if you sell or 13 GOVERNING LAW to be offered for Sale by Bonhams. by Bonhams. 10.4 Nothing set out above will be construed as excluding otherwise dispose of your interest in the Lot, all rights “Contract for Sale” the Sale contract entered into by the “Sale Proceeds” the net amount due to the Seller from the (2) In a contract of sale, other than one to which subsection or restricting (whether directly or indirectly) any and benefits under this paragraph will cease. All transactions to which this agreement applies Seller with the Buyer (see Appendix 1 in the Catalogue). Sale of a Lot, being the Hammer Price less the Commission, (3) below applies, there is also an implied term that- person’s liability or excluding or restricting any and all connected matters will be governed by and “Contractual Description” the only Description of the Lot any VAT chargeable thereon, Expenses and any other amount person’s rights or remedies in respect of (i) fraud, or 12 MISCELLANEOUS construed in accordance with the laws of that part (being that part of the Entry about the Lot in the Catalogue due to us in whatever capacity and howsoever arising. (a) the goods are free, and will remain free until (ii) death or personal injury caused by our negligence of the United Kingdom where the Sale takes (or which is in bold letters, any photograph (except for the colour) “Seller” the person who offers the Lot for Sale named on the time when the property is to pass, from any (or any person under our control or for whom we 12.1 You may not assign either the benefit or burden of is to take) place and we and you each submit to and the contents of any Condition Report) to which the Seller the Contract Form. Where the person so named identifies on charge or encumbrance not disclosed or known are legally responsible), or (iii) acts or omissions for this agreement. the exclusive jurisdiction of the courts of that part undertakes in the Contract of Sale the Lot corresponds. the form another person as acting as his agent, or where the to the buyer before the contract is made, and which we are liable under the Occupiers Liability Act of the United Kingdom, save that we may bring “Description” any statement or representation in any person named on the Contract Form acts as an agent for a 1957, or (iv) any other liability to the extent the same 12.2 Our failure or delay in enforcing or exercising any proceedings against you in any other court of way descriptive of the Lot, including any statement or principal (whether such agency is disclosed to Bonhams or (b) the buyer will enjoy quiet possession of the may not be excluded or restricted as a matter of law, power or right under this agreement will not operate competent jurisdiction to the extent permitted by representation relating to its authorship, attribution, condition, not), “Seller” includes both the agent and the principal who goods except in so far as it may be disturbed by or (v) under our undertaking in paragraph 9 of these or be deemed to operate as a waiver of our rights the laws of the relevant jurisdiction. Bonhams has a provenance, authenticity, style, period, age, suitability, quality, shall be jointly and severally liable as such. The Seller is also the owner or other person entitled to the benefit conditions. under it except to the extent of any express waiver complaints procedure in place. origin, value, estimated selling price (including the Hammer referred to in the Conditions of Business by the words “you” of any charge or encumbrance so disclosed or given to you in writing. Any such waiver will not affect Price). and “your”. known. 11 BOOKS MISSING TEXT OR ILLUSTRATIONS our ability subsequently to enforce any right arising DATA PROTECTION – USE OF YOUR INFORMATION “Entry” a written statement in the Catalogue identifying the “Specialist Examination” a visual examination of a Lot by a under this agreement. Lot and its Lot number which may contain a Description and specialist on the Lot. (3) This subsection applies to a contract of sale in the Where the Lot is made up wholly of a Book or Books Where we obtain any personal information about you, we illustration(s) relating to the Lot. “Stamp” means a postage Stamp offered forSale at a case of which there appears from the contract or is and any Book does not contain text or illustrations (in 12.3 If either party to this agreement is prevented from shall only use it in accordance with the terms of our Privacy “Estimate” a statement of our opinion of the range within Specialist Stamp Sale. to be inferred from its circumstances an intention that either case referred to as a “non-conforming Lot”), performing that party’s respective obligations Policy (subject to any additional specific consent(s) you may which the hammer is likely to fall. “Standard Examination” a visual examination of a Lot by a the seller should transfer only such title as he or a third we undertake a personal responsibility for such a under this agreement by circumstances beyond its have given at the time your information was disclosed). A “Expenses” charges and Expenses paid or payable by non-specialist member of Bonhams’ staff. person may have. non-conforming Lot in accordance with the terms of reasonable control or if performance of its obligations copy of our Privacy Policy can be found on our Website www. Bonhams in respect of the Lot including legal Expenses, “Storage Contract” means the contract described in this paragraph, if: would by reason of such circumstances give rise bonhams.com or requested by post from Customer Services banking charges and Expenses incurred as a result of paragraph 8.3.3 of the Conditions of Business or paragraph (4) In a contract to which subsection (3) above applies there to a significantly increased financial cost to it, that Department, 101 New Bond Street, London W1S 1SR, United an electronic transfer of money, charges and Expenses 4.4 of the Buyer’s Agreement (as appropriate). is an implied term that all charges or encumbrances the original invoice was made out by us to you in party will not, for so long as such circumstances Kingdom or by email from [email protected]. for loss and damage cover, insurance, Catalogue and “Storage Contractor” means the company identified as such known to the seller and not known to the buyer have respect of the Lot and that invoice has been paid; prevail, be required to perform such obligations. This other reproductions and illustrations, any customs duties, in the Catalogue. been disclosed to the buyer before the contract is and paragraph does not apply to the obligations imposed APPENDIX 3 advertising, packing or shipping costs, reproductions rights’ “Terrorism” means any act or threatened act of terrorism, made. on you by paragraph 3. fees, taxes, levies, costs of testing, searches or enquiries, whether any person is acting alone or on behalf of or in you notify us in writing as soon as reasonably DEFINITIONS AND GLOSSARY preparation of the Lot for Sale, storage charges, removal connection with any organisation(s) and/or government(s), (5) In a contract to which subsection (3) above applies practicable after you have become aware that the 12.4 Any notice or other communication to be given charges, removal charges or costs of collection from the Seller committed for political, religious or ideological or similar there is also an implied term that none of the following Lot is or may be a non-conforming Lot, and in any under this agreement must be in writing and may Where these Definitions and Glossary are incorporated, the as the Seller’s agents or from a defaulting Buyer, plus VAT if purposes including, but not limited to, the intention to influence will disturb the buyer’s quiet possession of the goods, event within 20 days after the Sale (or such longer be delivered by hand or sent by first class post or following words and phrases used have (unless the context applicable. any government and/or put the public or any section of the namely: period as we may agree in writing) that the Lot is a air mail or fax transmission (if to Bonhams marked otherwise requires) the meanings given to them below. The “Forgery” an imitation intended by the maker or any other public into fear. non-conforming Lot; and for the attention of the Company Secretary), to the Glossary is to assist you to understand words and phrases person to deceive as to authorship, attribution, origin, “Trust Account” the bank account of Bonhams into which all (a) the seller; address or fax number of the relevant party given which have a specific legal meaning with which you may not authenticity, style, date, age, period, provenance, culture, sums received in respect of the Purchase Price of any within 20 days of the date of the relevant Sale (or in the Contract Form (unless notice of any change be familiar. source or composition, which at the date of the Sale had a Lot will be paid, such account to be a distinct and separate (b) in a case where the parties to the contract intend such longer period as we may agree in writing) you of address is given in writing). It is the responsibility value materially less than it would have had if the Lot had not account to Bonhams’ normal business bank account. that the seller should transfer only such title as a return the Lot to us in the same condition as it was of the sender of the notice or communication to LIST OF DEFINITIONS been such an imitation, and which is not stated to be such “VAT” value added tax at the prevailing rate at the date of the third person may have, that person; at the time of the Sale, accompanied by written ensure that it is received in a legible form within any an imitation in any description of the Lot. A Lot will not be a Sale in the United Kingdom. evidence that the Lot is a non-conforming Lot and applicable time period. “Additional Premium” a premium, calculated in accordance Forgery by reason of any damage to, and/or restoration and/ “Website” Bonhams Website at www.bonhams.com (c) anyone claiming through or under the seller or details of the Sale and Lot number sufficient to with the Notice to Bidders, to cover Bonhams’ Expenses or modification work (including repainting or over painting) “Withdrawal Notice” the Seller’s written notice to Bonhams that third person otherwise than under a charge identify the Lot. 12.5 If any term or any part of any term of this agreement relating to the payment of royalties under the Artists Resale having been carried out on the Lot, where that damage, revoking Bonhams’ instructions to sell a Lot. or encumbrance disclosed or known to the buyer is held to be unenforceable or invalid, such Right Regulations 2006 which is payable by the Buyer to restoration or modification work (as the case may be) does not “Without Reserve” where there is no minimum price at which before the contract is made. but not if: unenforceability or invalidity will not affect the Bonhams on any Lot marked [AR] which sells for a Hammer substantially affect the identity of the Lot as one conforming to a Lot may be sold (whether at auction or by private treaty). enforceability and validity of the remaining terms or Price which together with the Buyer’s Premium (but excluding the Description of the Lot. (5A) As regards England and Wales and Northern Ireland, the the Entry in the Catalogue in respect of the Lot the remainder of the relevant term. any VAT) equals or exceeds 1000 euros (converted into “Guarantee” the obligation undertaken personally by GLOSSARY term implied by subsection (1) above is a condition and indicates that the rights given by this paragraph do the currency of the Sale using the European Central Bank Bonhams to the Buyer in respect of any Forgery and, in the the terms implied by subsections (2), (4) and (5) above not apply to it; or 12.6 References in this agreement to Bonhams will, where Reference rate prevailing on the date of the Sale). case of specialist Stamp Sales and/or specialist Book Sales, a The following expressions have specific legal meanings with are warranties.” appropriate, include reference to Bonhams’ officers, “Auctioneer” the representative of Bonhams conducting Lot made up of a Stamp or Stamps or a Book or Books as set which you may not be familiar. The following glossary is employees and agents. the Sale. out in the Buyer’s Agreement. intended to give you an understanding of those expressions “Hammer Price” the price in the currency in which the Sale is but is not intended to limit their legal meanings: conducted at which a Lot is knocked down by the Auctioneer.

NTB/MAIN/1.2018/V2 NTB/MAIN/1.2018/V2 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Glass Furniture Modern, Contemporary Russian Art UK UK UK & Latin American Art UK Charles O’ Brien John Sandon Thomas Moore U.S.A. Daria Khristova +44 20 7468 8360 +44 20 7468 8244 +44 20 8963 2816 Alexis Chompaisal +44 20 7468 8334 U.S.A. +1 323 436 5469 U.S.A. Madalina Lazen British Ceramics European Sculptures Yelena Harbick +1 212 644 9108 UK & Works of Art Modern & Contemporary +1 212 644 9136 John Sandon UK Middle Eastern Art 20th Century British Art +44 20 7468 8244 Michael Lake Nima Sagharchi Scientific Instruments Matthew Bradbury +44 20 8963 6813 +44 20 7468 8342 Jon Baddeley +44 20 7468 8295 California & +44 20 7393 3872 American Paintings Greek Art Modern & Contemporary U.S.A. Aboriginal Art Scot Levitt Anastasia Orfanidou South Asian Art Jonathan Snellenburg Francesca Cavazzini +1 323 436 5425 +44 20 7468 8356 Tahmina Ghaffar +1 212 461 6530 +61 2 8412 2222 +44 207 468 8382 Carpets Golf Sporting Scottish Pictures African Modern & UK Memorabilia Modern Design Chris Brickley Contemporary Art Helena Gumley-Mason Kevin McGimpsey Gareth Williams +44 131 240 2297 Giles Peppiatt +44 20 8393 2615 +44 131 240 2296 +44 20 7468 5879 + 44 20 7468 8355 U.S.A Hamish Wilson Silver & Gold Boxes Celeste Smith +44 131 240 0916 Motor Cars UK African, Oceanic +415 503 3214 UK Ellis Finch & Pre-Columbian Art Irish Art Tim Schofield +44 20 7393 3973 U.S.A. Chinese & Asian Art Penny Day +44 20 7468 5804 Fredric Backlar UK +44 20 7468 8366 U.S.A. South African Art +1 323 436 5416 Asaph Hyman Mark Osborne Giles Peppiatt +44 20 7468 5888 Impressionist & +1 415 503 3353 +44 20 7468 8355 American Paintings U.S.A Modern Art EUROPE Liz Goodridge Dessa Goddard UK Philip Kantor Sporting Guns +1 917 206 1621 +1 415 503 3333 India Phillips +32 476 879 471 Patrick Hawes Jennifer Jacobsen HONG KONG +44 20 7468 8328 +44 20 7393 3815 +1 917 206 1699 Xibo Wang U.S.A. Automobilia +852 3607 0010 Caitlyn Pickens UK Travel Pictures Antiquities AUSTRALIA +1 212 644 9135 Toby Wilson Veronique Scorer Francesca Hickin Yvett Klein +44 20 8963 2842 +44 20 7393 3962 +44 20 7468 8226 +61 2 8412 2231 Indian, Himalayan & Adrian Pipiros Southeast Asian Art +44 20 8963 2840 Urban Art Antique Arms & Armour Clocks HONG KONG Gareth Williams UK UK Edward Wilkinson Motorcycles +44 20 7468 5879 David Williams James Stratton +852 2918 4321 Ben Walker +44 20 7393 3807 +44 20 7468 8364 U.S.A. +44 20 8963 2819 Watches & U.S.A. U.S.A. Mark Rasmussen Wristwatches James Ferrell Jonathan Snellenburg +1 917 206 1688 Native American Art UK +1 415 503 3332 +1 212 461 6530 Ingmars Lindbergs Jonathan Darracott Islamic & Indian Art +1 415 503 3393 +44 20 7447 7412 Art Collections, Coins & Medals Oliver White U.S.A. Estates & Valuations UK +44 20 7468 8303 Natural History Jonathan Snellenburg Harvey Cammell John Millensted U.S.A. +1 212 461 6530 +44 (0) 20 7468 8340 +44 20 7393 3914 Japanese Art Claudia Florian HONG KONG U.S.A. UK +1 323 436 5437 Tim Bourne Art Nouveau & Decorative Paul Song Suzannah Yip +852 3607 0021 Art & Design +1 323 436 5455 +44 20 7468 8368 Old Master Pictures UK U.S.A. UK Whisky Mark Oliver Contemporary Art Jeff Olson Andrew Mckenzie UK +44 20 7393 3856 UK +1 212 461 6516 +44 20 7468 8261 Martin Green U.S.A. Ralph Taylor U.S.A. +44 131 225 2266 Benjamin Walker +44 20 7447 7403 Jewellery Mark Fisher HONG KONG +1 212 710 1306 U.S.A. UK +1 323 436 5488 Daniel Lam Dan Tolson Jeremy Goldsmith Jean Ghika +852 2918 4321 +1 917 206 1611 +1 917 206 1656 +44 20 7468 8282 Orientalist Art U.S.A. Charles O’Brien Wine Australian Art Entertainment Caroline Morrissey +44 20 7468 8360 UK Merryn Schriever Memorabilia +1 212 644 9046 Richard Harvey +61 2 8412 2222 UK HONG KONG Photography +44 20 7468 5811 Alex Clark Katherine Schofield Graeme Thompson U.S.A. U.S.A. +61 3 8640 4088 +44 20 7393 3871 +852 3607 0006 Laura Paterson Christine Ballard U.S.A. +1 917 206 1653 +1 415 503 3221 Australian Colonial Catherine Williamson Marine Art HONG KONG Furniture and Australiana +1 323 436 5442 UK Prints and Multiples Daniel Lam +61 2 8412 2222 Veronique Scorer UK +852 2918 4321 European Ceramics +44 20 7393 3962 Lucia Tro Santafe Books, Maps & UK +44 20 7468 8262 Manuscripts Sebastian Kuhn Mechanical Music U.S.A. UK +44 20 7468 8384 Jon Baddeley Morisa Rosenberg Matthew Haley U.S.A. +44 20 7393 3872 +1 323 447 9374 +44 20 7393 3817 +1 415 503 3326 U.S.A. Catherine Williamson +1 323 436 5442 SD08/11/18 International Salerooms, Offices and Associated Companies( • Indicates Saleroom) To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected] UNITED KINGDOM Midlands EUROPE Switzerland - Geneva Georgia ASIA Rue Etienne-Dumont 10 Mary Moore Bethea 19th Century Paintings British & European Glass Furniture Modern, Contemporary Russian Art London Knowle Austria 1204 Geneva +1 (404) 842 1500 Hong Kong • The Old House +41 (0) 22 300 3160 [email protected] Suite 2001 UK UK UK & Latin American Art UK 101 New Bond Street • Thomas Kamm London W1S 1SR Station Road +49 (0) 89 2420 5812 [email protected] One Pacific Place Charles O’ Brien John Sandon Thomas Moore U.S.A. Daria Khristova +44 20 7447 7447 Knowle, Solihull [email protected] Illinois & Midwest 88 Queensway Natalie B. Waechter +44 20 7468 8360 +44 20 7468 8244 +44 20 8963 2816 Alexis Chompaisal +44 20 7468 8334 +44 20 7447 7400 fax West Midlands Switzerland - Zurich Admiralty U.S.A. +1 323 436 5469 U.S.A. B93 0HT Andrea Bodmer +1 (773) 267 3300 Hong Kong Belgium [email protected] Madalina Lazen British Ceramics European Sculptures Yelena Harbick Montpelier Street • +44 1564 776 151 Boulevard Dreikönigstrasse 31a +852 2918 4321 +44 1564 778 069 fax 8002 Zürich +852 2918 4320 fax +1 212 644 9108 UK & Works of Art Modern & Contemporary +1 212 644 9136 London SW7 1HH Saint-Michel 101 Massachusetts John Sandon UK Middle Eastern Art +44 20 7393 3900 1040 Brussels +41 44 281 9535 Amy Corcoran [email protected] +44 20 7393 3905 fax Oxford +32 (0) 2 736 5076 [email protected] +1 (617) 742 0909 20th Century British Art +44 20 7468 8244 Michael Lake Nima Sagharchi Scientific Instruments Beijing Banbury Road [email protected] [email protected] Matthew Bradbury +44 20 8963 6813 +44 20 7468 8342 Jon Baddeley Shipton on Cherwell Jessica Zhang Suite 511 +44 20 7468 8295 California & +44 20 7393 3872 South East Kidlington OX5 1JH France MIDDLE EAST +44 1865 853 640 Nevada Chang An Club American Paintings Greek Art Modern & Contemporary U.S.A. England 4 rue de la Paix David Daniel +44 1865 372 722 fax 75002 Paris Israel 10 East Chang An Avenue Aboriginal Art Scot Levitt Anastasia Orfanidou South Asian Art Jonathan Snellenburg +1 (775) 831 0330 Beijing 100006 Guildford +33 (0) 1 42 61 10 10 Joslynne Halibard Francesca Cavazzini +1 323 436 5425 +44 20 7468 8356 Tahmina Ghaffar +1 212 461 6530 +972 (0)54 553 5337 [email protected] +86(0) 10 6528 0922 +61 2 8412 2222 +44 207 468 8382 Millmead, [email protected] Guildford, Yorkshire & North East joslynne.halibard@ +86(0) 10 6528 0933 fax Carpets Golf Sporting Scottish Pictures Surrey GU2 4BE England bonhams.com New Mexico [email protected] Germany - Cologne Terri Adrian-Hardy African Modern & UK Memorabilia Modern Design Chris Brickley +44 1483 504 030 Katharina Schmid +1 (602) 859 1843 Contemporary Art Helena Gumley-Mason Kevin McGimpsey Gareth Williams +44 131 240 2297 +44 1483 450 205 fax Leeds +49 (0) 221 9865 3419 Singapore The West Wing [email protected] Bernadette Rankine Giles Peppiatt +44 20 8393 2615 +44 131 240 2296 +44 20 7468 5879 +49 (0) 157 9234 6717 NORTH AMERICA 11th Floor, Wisma Atria + 44 20 7468 8355 U.S.A Hamish Wilson Silver & Gold Boxes Isle of Wight Bowcliffe Hall [email protected] Bramham USA Oregon 435 Orchard Road +44 1273 220 000 Sheryl Acheson Celeste Smith +44 131 240 0916 Motor Cars UK Leeds Singapore 238877 Germany - Munich • +1 (971) 727 7797 +65 (0) 6701 8038 African, Oceanic +415 503 3214 UK Ellis Finch Representative: LS23 6LP Maximilianstrasse 52 San Francisco 220 San Bruno Avenue [email protected] +65 (0) 6701 8001 fax & Pre-Columbian Art Irish Art Tim Schofield +44 20 7393 3973 +44 113 234 5755 80538 Munich Brighton & Hove San Francisco bernadette.rankine@ U.S.A. Chinese & Asian Art Penny Day +44 20 7468 5804 Tim Squire-Sanders +44 113 244 3910 fax +49 (0) 89 2420 5812 CA 94103 Texas bonhams.com +44 1273 220 000 [email protected] [email protected] Fredric Backlar UK +44 20 7468 8366 U.S.A. South African Art +1 (415) 861 7500

+1 323 436 5416 Asaph Hyman Mark Osborne Giles Peppiatt +1 (415) 861 8951 fax Taiwan +44 20 7468 5888 Impressionist & +1 415 503 3353 +44 20 7468 8355 West Sussex North West England Germany - Stuttgart Virginia 37th Floor, Taipei 101 Tower +44 (0) 1273 220 000 Neue Brücke 2 American Paintings Modern Art Los Angeles • Gertraud Hechl No. 7 Xinyi Road, Section 5 U.S.A EUROPE Chester New Bridge Offices Sporting Guns 7601 W. Sunset Boulevard +1 (202) 422 2733 Taipei, 100 Liz Goodridge Dessa Goddard UK Philip Kantor 2 St Johns Court, 70173 Stuttgart [email protected] +886 2 8758 2898 +1 917 206 1621 +1 415 503 3333 India Phillips +32 476 879 471 Patrick Hawes Vicars Lane, Los Angeles South West +49 (0) 711 2195 2640 CA 90046 +886 2 8758 2897 fax Jennifer Jacobsen HONG KONG +44 20 7468 8328 +44 20 7393 3815 England Chester, +49 (0) 157 9234 6717 Washington [email protected] CH1 1QE +1 (323) 850 7500 +1 917 206 1699 Xibo Wang U.S.A. 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U.S.A. Mark Rasmussen Wristwatches Terri Adrian-Hardy CANADA TR1 2NR Channel Islands [email protected] +1 (602) 859 1843 Melbourne James Ferrell Jonathan Snellenburg +1 917 206 1688 Native American Art UK +44 1872 250 170 [email protected] Toronto, Ontario Como House +1 415 503 3332 +1 212 461 6530 Ingmars Lindbergs Jonathan Darracott +44 1872 250 179 fax Jersey Italy - Milan Como Avenue La Chasse Kristin Kearney Islamic & Indian Art +1 415 503 3393 +44 20 7447 7412 Via Boccaccio 22 California 340 King St East South Yarra Art Collections, Coins & Medals Oliver White U.S.A. Exeter La Rue de la Vallee 20123 Milano Melbourne VIC 3141 St Mary Central Valley 2nd Floor, Office 213 Estates & Valuations UK +44 20 7468 8303 Natural History Jonathan Snellenburg The Lodge +39 0 2 4953 9020 David Daniel Toronto ON Australia Jersey JE3 3DL [email protected] Harvey Cammell John Millensted U.S.A. +1 212 461 6530 Southernhay West Exeter, +1 (916) 364 1645 M5A 1K8 +61 (0) 3 8640 4088 Devon +44 1534 722 441 [email protected] +61 (0) 2 9475 4110 fax +44 (0) 20 7468 8340 +44 20 7393 3914 Japanese Art Claudia Florian HONG KONG +44 1534 759 354 fax +1 (416) 462 9004 EX1 1JG Italy - Rome [email protected] [email protected] U.S.A. UK +1 323 436 5437 Tim Bourne +44 1392 425 264 Via Sicilia 50 Representative: California Art Nouveau & Decorative Paul Song Suzannah Yip +852 3607 0021 +44 1392 494 561 fax 00187 Roma Palm Springs Montreal, Quebec Art & Design +1 323 436 5455 +44 20 7468 8368 Old Master Pictures Guernsey +39 06 485 900 Brooke Sivo David Kelsey AFRICA UK U.S.A. UK Whisky Tetbury +44 1481 722 448 [email protected] +1 (760) 350 4255 +1 (514) 894 1138 Mark Oliver Contemporary Art Jeff Olson Andrew Mckenzie UK Eight Bells House [email protected] [email protected] Nigeria 14 Church Street The Netherlands Neil Coventry +44 20 7393 3856 UK +1 212 461 6516 +44 20 7468 8261 Martin Green Tetbury Scotland De Lairessestraat 154 +234 (0)8110 033 792 U.S.A. Ralph Taylor U.S.A. +44 131 225 2266 California Gloucestshire 1075 HL Amsterdam San Diego SOUTH AMERICA +27 (0)7611 20171 Benjamin Walker +44 20 7447 7403 Jewellery Mark Fisher HONG KONG GL8 8JG Edinburgh • +31 (0) 20 67 09 701 Brooke Sivo [email protected] +1 212 710 1306 U.S.A. UK +1 323 436 5488 Daniel Lam +44 1666 502 200 22 Queen Street [email protected] +1 (760) 567 1744 Brazil Dan Tolson Jeremy Goldsmith Jean Ghika +852 2918 4321 +44 1666 505 107 fax Edinburgh [email protected] +55 11 3031 4444 South Africa - EH2 1JX +55 11 3031 4444 fax Johannesburg +1 917 206 1611 +1 917 206 1656 +44 20 7468 8282 Orientalist Art Portugal Representatives: +44 131 225 2266 Rua Bartolomeu Dias Penny Culverwell U.S.A. Charles O’Brien Wine Colorado +27 (0)71 342 2670 Dorset +44 131 220 2547 fax nº160. 1º Australian Art Entertainment Lance Vigil [email protected] Caroline Morrissey +44 20 7468 8360 UK Bill Allan Belem +1 (720) 355 3737 Merryn Schriever Memorabilia +1 212 644 9046 Richard Harvey +44 1935 815 271 Bonhams West 1400-031 Lisbon [email protected] +61 2 8412 2222 UK HONG KONG Photography +44 20 7468 5811 of Scotland +351 218 293 291 Alex Clark Katherine Schofield Graeme Thompson U.S.A. U.S.A. East Anglia and Kirkhill House [email protected] Florida +61 3 8640 4088 +44 20 7393 3871 +852 3607 0006 Laura Paterson Christine Ballard Bury St. Edmunds Broom Road East April Matteini Michael Steel Newton Mearns Spain - Barcelona +1 (305) 978 2459 U.S.A. +1 917 206 1653 +1 415 503 3221 +44 1284 716 190 Glasgow Teresa Ybarra [email protected] Australian Colonial Catherine Williamson Marine Art HONG KONG G77 5LL +34 930 156 686 Alexis Butler Furniture and Australiana +1 323 436 5442 UK Prints and Multiples Daniel Lam Norfolk +44 141 223 8866 +34 680 347 606 +1 (305) 878 5366 +61 2 8412 2222 Veronique Scorer UK +852 2918 4321 The Market Place [email protected] [email protected] European Ceramics +44 20 7393 3962 Lucia Tro Santafe Reepham Books, Maps & UK +44 20 7468 8262 Norfolk NR10 4JJ Wales Spain - Madrid Manuscripts Sebastian Kuhn Mechanical Music U.S.A. +44 1603 871 443 Núñez de Balboa no 4-1C +44 1603 872 973 fax Representatives: 28001 Madrid UK +44 20 7468 8384 Jon Baddeley Morisa Rosenberg Cardiff +34 915 78 17 27 Matthew Haley U.S.A. +44 20 7393 3872 +1 323 447 9374 Jeff Muse [email protected] +44 20 7393 3817 +1 415 503 3326 +44 2920 727 980 U.S.A. Catherine Williamson +1 323 436 5442 SD08/11/18

G-NET24/10/18 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above. Paddle number (for office use only)

This sale will be conducted in accordance with Travel and Exploration 6 February 2019 Bonhams’ Conditions of Sale and bidding and buying Sale title: Sale date: at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with Sale no. 25106 Sale venue: Knightsbridge, London the Sale Information relating to this Sale which sets out the charges payable by you on the purchases If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours you make and other terms relating to bidding and prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue buying at the Sale. You should ask any questions you for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will have about the Conditions before signing this form. endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. These Conditions also contain certain undertakings by bidders and buyers and limit Bonhams’ liability to General Bid Increments: bidders and buyers. £10 - 200 ...... by 10s £10,000 - 20,000 ...... by 1,000s £200 - 500 ...... by 20 / 50 / 80s £20,000 - 50,000 ...... by 2,000 / 5,000 / 8,000s Data protection – use of your information £500 - 1,000 ...... by 50s £50,000 - 100,000 ...... by 5,000s Where we obtain any personal information about you, £1,000 - 2,000 ...... by 100s £100,000 - 200,000 .....by 10,000s we shall only use it in accordance with the terms of £2,000 - 5,000 ...... by 200 / 500 / 800s above £200,000 ...... at the auctioneer’s discretion our Privacy Policy (subject to any additional specific £5,000 - 10,000 ...... by 500s consent(s) you may have given at the time your information was disclosed). A copy of our Privacy Policy The auctioneer has discretion to split any bid at any time. can be found on our website (www.bonhams.com) or requested by post from Customer Services Department, Customer Number Title 101 New Bond Street, London W1S 1SR United Kingdom or by e-mail from [email protected]. We may disclose First Name Last Name your personal information to any member of our group which means our subsidiaries, our ultimate holding Company name (to be invoiced if applicable) company and its subsidiaries (whether registered in the UK or elsewhere). We will not disclose your data to Address anyone outside our group but we may from time to time provide you with information about goods and services which we feel maybe of interest to you including those provided by third parties. City County / State Would you like to receive information from us by email? or post Post / Zip code Country

Notice to Bidders. Telephone mobile Telephone daytime Clients are requested to provide photographic proof of ID - passport, driving licence, ID card, together with proof Telephone evening Fax of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their Preferred number(s) in order for Telephone Bidding (inc. country code) articles of association / company registration documents, together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in your bids not being processed. For higher value lots you E-mail (in capitals) may also be asked to provide a bank reference. By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news concerning Bonhams. Bonhams does not sell or trade email addresses. If successful I am registering to bid as a private buyer I am registering to bid as a trade buyer I will collect the purchases myself

Please arrange shippers to contact me with If registered for VAT in the EU please enter your registration here: Please tick if you have registered with us before a quote and I agree that you may pass them my contact details. / - - Please note that all telephone calls are recorded. MAX bid in GBP Telephone or Lot no. Brief description (excluding premium Absentee (T / A) Covering bid & VAT) *

FOR WINE SALES ONLY

Please leave lots “available under bond” in bond Please include delivery charges (minimum charge of £20 + VAT)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, VAT AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

Covering Bid: A maximum bid (exclusive of Buyers Premium and VAT) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB.* Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, 101 New Bond Street, London, W1S 1SR. Tel: +44 (0) 20 7447 7447 Fax: +44 (0) 20 7447 7401, [email protected] Bonhams 1793 Limited. Montpelier Street, London SW7 1HH. Incorporated in England. Company Number 4326560. UK/10/18

Travel and Exploration I Montpelier Street, London I 6 February 2019

Bonhams Montpelier Street Knightsbridge, London SW7 1HH 25106

+44 (0) 20 7393 3900 bonhams.com

AUCTIONEERS SINCE 1793