VIII. LET US REMEMBER Reverend Wesley H. Allen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tenant Manual
TENANT MANUAL (2017) 475 Riverside Drive New York, NY 10115 (212) 870-2200 • (212) 870-2440 fax www.interchurch-center.org TIC TENANT MANUAL (2017) TABLE OF CONTENTS1 TOPIC Page(s) TABLE OF CONTENTS ii – iv MESSAGE FROM EXECUTIVE DIRECTOR 5 MISSION STATEMENT 6 INTRODUCTION TO THE INTERCHURCH CENTER 7 ADMINISTRATION & EMERGENCY PHONE NUMBERS 8 THE BUILDING 9 – 52 Access Hours & Special Days 9 Emergencies 9 Holidays 9 Inclement Weather 9 Building Pass & Personnel Data Form (employees) 9 – 11 Orientation 11 Regulations 11 – 18 Fire Protection 11 – 13 o Alarms & Advice o Fire Alarm Procedures o Handicapped Personnel o Signals o Stairways General 14 o Alcoholic Beverages o Corridors & Lobbies o Drugs o Gambling o Recycling Requirements o Signs & Posters o Vendors, Solicitors, Private Business Non-Fire Hazards 14 - 15 o Elevator Entrapment Guidelines ADDENDUM A – Rules & Regulations 16 – 18 Security Policy 19 – 21 Checkpoints 19 Deliveries / Pick-ups 19 Inspections & Permits (packages & equipment) 19 Keys 19 Passes 19 – 20 o Visitor Pass Problems 20 Reception Desk 20 Sign-in Procedures 21 1 ADDENDUMS were prepared to assist tenants in using the resources of the building. They include detailed information in regard to TIC’s Rules & Regulations, Services, Rates and Special Services. ii 5/10/2017ja TIC TENANT MANUAL (2017) TOC (cont’d.) TOPIC Page(s) Tenant Agency Responsibility 21 Services 21 – 40 Building 21 – 22 o Before & After Business Hours o Cleaning o Heating, Ventilation & Air Conditioning o Maintenance - Tenant Agency Space ADDENDUM B – Cleaning Services 23 ADDENDUM C – Service Rates: Day Time Hours 24 ADDENDUM D – Service Rates: After Hours 25 ADDENDUM E - Electricity Surcharge 26 Food Service 27 o Cafeteria . -
Student Life the Arts
Student Life The Arts University Art Collection the steps of Low Memorial Library; Three- “Classical Music Suite,” the “Essential Key- Way Piece: Points by Henry Moore, on board Series,” and the “Sonic Boom Festival.” Columbia maintains a large collection of Revson Plaza, near the Law School; Artists appearing at Miller Theatre have art, much of which is on view throughout Bellerophon Taming Pegasus by Jacques included the Juilliard, Guarneri, Shanghai, the campus in libraries, lounges, offices, Lipchitz, on the facade of the Law School; a Emerson, Australian, and St. Petersburg and outdoors. The collection includes a cast of Auguste Rodin’s Thinker, on the String Quartets; pianists Russell Sherman, variety of works, such as paintings, sculp- lawn of Philosophy Hall; The Great God Peter Serkin, Ursula Oppens, and Charles tures, prints, drawings, photographs, and Pan by George Grey Barnard, on the lawn Rosen; as well as musical artists Joel Krosnick decorative arts. The objects range in date of Lewisohn Hall; Thomas Jefferson, in front and Gilbert Kalish, Dawn Upshaw, Benita from the ancient Near Eastern cylinder seals of the Journalism Building, and Alexander Valente, Speculum Musicae, the Da Capo of the second millennium B.C.E. to con- Hamilton, in front of Hamilton Hall, both Chamber Players, Continuum, and the temporary prints and photographs. by William Ordway Partridge; and Clement New York New Music Ensemble. Also in the collection are numerous por- Meadmore’s Curl, in front of Uris Hall. The “Jazz! in Miller Theatre” series has help- traits of former faculty and other members ed to preserve one of America’s most important of the University community. -
The Interchurch Center Trivia How Well Do You Know the Interchurch Center?
The Interchurch Center Trivia How well do you know The Interchurch Center? 1. Prior to 1975 _____________was allowed in the Elevators? A. Meetings B. Tap dancing C. Smoking D. Eating Answer C. Smoking 2. In December 1962 Henry A. McCanna of NCCC contributed the following original song to the Newsletter? A. Christmas at TIC B. Car Pool Blues C. An Ode to The Interchurch Center D. OH TIC OH TIC Answer B. Car Pool Blues 3. What was the original name of the First Newsletter? A. 475 Riverside Drive B. TIC Tattler C. The Interchurch Center Newsletter D. TIC Gossip Rag Answer A. 475 Riverside Drive 4. Which sign hung in the Lobby when the building first opened? A. Please do not feed the Puffins B. No Smoking in the Elevator C. No roller-skating in the Lobby D. Please do not spill coffee on the terrazzo Answer D. Please do not spill coffee on the terrazzo 5. In 1974 Jessie W. Scott of the United Presbyterian Church wrote the following poem after giving blood? A. Wow That Really Hurt B. How to Save a Life C. What Would You do for a Cookie D. This is My Blood Answer D. This My Blood 6. In 1979 what seminar was offered? A. How to be a more effective speaker B. Disco Dancing C. Accounting issues for non-profits & churches D. Paint by numbers Answer B. Disco Dancing 7. The exhibit in the Treasure Room in December 1980 featured an original Collection of what? A. Puppets B. Christmas Cards C. Muppets D. -
The Paris Paradox: Colorblindness and Colonialism in African
American Literature Laila The Paris Paradox: Amine Colorblindness and Colonialism in African American Expatriate Fiction In fiction by Richard Wright, James Baldwin, and Wil- liam Gardner Smith, the literary trope of the romance between black American men and white European women symbolizes African Ameri- cans’ newly held freedom in Paris after World War II, but it obscures France’s own color line. Many African American expatriates consid- ered the city a refuge from the daily frustrations of second-class citizen- ship at home and Joseph McCarthy’s witch hunt of the black radical Left. The Parisian interracial romance, which juxtaposes the subjuga- tion of black men in the United States with their liberation in Paris, con- structs a utopian horizon that emphasizes the equality of black and white men and frames American lynching as an anomaly; Paris is a space where freedom is supposedly achieved and manhood recovered. Even in the rare pessimistic visions of the French capital and interracial romance that permeate Wright’s 1959 “Island of Hallucination,” the author insists on Paris being a place with “no race prejudice” (190). And yet, African American exiles knew no one in Paris was color- blind. One only need remember the sight of a semi-nude Josephine Baker in banana skirt gyrating her hips in la danse sauvage, or Bald- win’s exasperation when asked if he played the trumpet, or Chester Himes and Richard Gibson’s fear of getting caught in anti-Algerian police raids.1 Even in the domain of interracial romance, it was rarely French women who were involved with black American men. -
Off* for Visitors
Welcome to The best brands, the biggest selection, plus 1O% off* for visitors. Stop by Macy’s Herald Square and ask for your Macy’s Visitor Savings Pass*, good for 10% off* thousands of items throughout the store! Plus, we now ship to over 100 countries around the world, so you can enjoy international shipping online. For details, log on to macys.com/international Macy’s Herald Square Visitor Center, Lower Level (212) 494-3827 *Restrictions apply. Valid I.D. required. Details in store. NYC Official Visitor Guide A Letter from the Mayor Dear Friends: As temperatures dip, autumn turns the City’s abundant foliage to brilliant colors, providing a beautiful backdrop to the five boroughs. Neighborhoods like Fort Greene in Brooklyn, Snug Harbor on Staten Island, Long Island City in Queens and Arthur Avenue in the Bronx are rich in the cultural diversity for which the City is famous. Enjoy strolling through these communities as well as among the more than 700 acres of new parkland added in the past decade. Fall also means it is time for favorite holidays. Every October, NYC streets come alive with ghosts, goblins and revelry along Sixth Avenue during Manhattan’s Village Halloween Parade. The pomp and pageantry of Macy’s Thanksgiving Day Parade in November make for a high-energy holiday spectacle. And in early December, Rockefeller Center’s signature tree lights up and beckons to the area’s shoppers and ice-skaters. The season also offers plenty of relaxing options for anyone seeking a break from the holiday hustle and bustle. -
CIVIL RIGHTS and SOCIAL JUSTICE Abolitionism: Activism to Abolish
CIVIL RIGHTS and SOCIAL JUSTICE Abolitionism: activism to abolish slavery (Madison Young Johnson Scrapbook, Chicago History Museum; Zebina Eastman Papers, Chicago History Museum) African Americans at the World's Columbian Exposition/World’s Fair of 1893 (James W. Ellsworth Papers, Chicago Public Library; World’s Columbian Exposition Photographs, Loyola University Chicago) American Indian Movement in Chicago Anti-Lynching: activism to end lynching (Ida B. Wells Papers, University of Chicago; Arthur W. Mitchell Papers, Chicago History Museum) Asian-American Hunger Strike at Northwestern U Ben Reitman: physician, activist, and socialist; founder of Hobo College (Ben Reitman Visual Materials, Chicago History Museum; Dill Pickle Club Records, Newberry Library) Black Codes: denied ante-bellum African-Americans living in Illinois full citizenship rights (Chicago History Museum; Platt R. Spencer Papers, Newberry Library) Cairo Civil Rights March: activism in southern Illinois for civil rights (Beatrice Stegeman Collection on Civil Rights in Southern Illinois, Southern Illinois University; Charles A. Hayes Papers, Chicago Public Library) Carlos Montezuma: Indian rights activist and physician (Carlos Montezuma Papers, Newberry Library) Charlemae Hill Rollins: advocate for multicultural children’s literature based at the George Cleveland Branch Library with Vivian Harsh (George Cleveland Hall Branch Archives, Chicago Public Library) Chicago Commission on Race Relations / The Negro in Chicago: investigative committee commissioned after the race riots -
Gone with the Wind and the Imagined Geographies of the American South Taulby H. Edmondson Dissertation Submitt
The Wind Goes On: Gone with the Wind and the Imagined Geographies of the American South Taulby H. Edmondson Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Social, Political, Ethical, and Cultural Thought Emily M. Satterwhite, Co-Chair David P. Cline, Co-Chair Marian B. Mollin Scott G. Nelson February 13, 2018 Blacksburg, Virginia Keywords: Gone with the Wind, Mass Media and History, US South, Slavery, Civil War, Reconstruction, African American History, Memory, Race Relations, Whiteness, Nationalism, Tourism, Audiences Copyright: Taulby H. Edmondson 2018 The Wind Goes On: Gone with the Wind and the Imagined Geographies of the American South Taulby H. Edmondson ABSTRACT Published in 1936, Margaret Mitchell’s Gone with the Wind achieved massive literary success before being adapted into a motion picture of the same name in 1939. The novel and film have amassed numerous accolades, inspired frequent reissues, and sustained mass popularity. This dissertation analyzes evidence of audience reception in order to assess the effects of Gone with the Wind’s version of Lost Cause collective memory on the construction of the Old South, Civil War, and Lost Cause in the American imagination from 1936 to 2016. By utilizing the concept of prosthetic memory in conjunction with older, still-existing forms of collective cultural memory, Gone with the Wind is framed as a newly theorized mass cultural phenomenon that perpetuates Lost Cause historical narratives by reaching those who not only identify closely with it, but also by informing what nonidentifying consumers seeking historical authenticity think about the Old South and Civil War. -
NEGRO PUBLICATIONS. Newspapers. When Federal Troops
NEGRO PUBLICATIONS. Newspapers. When federal troops marched into Oxford, Miss., following the desegrega tion of the University of Mississippi in September 1962, the circulation of Negro newspapers across the country reached an all-year high. As the tension subsided and it became apparent that James H. Meredith, the first known Negro ever to be enrolled by "Ole Miss,” would be allowed to remain, the aggregate circulation of Negro newspapers dwindled again to an approximate 1.5 million. Since the end of World War II, when the nation’s Negro newspapers began a general decline in both number and cir culation, racial crises have been the principal spur to periodic —and usually temporary—circulation increases. The editor of a Detroit Negro weekly equated the survival of the Negro press with the prevailing degree of Jim Crow. "If racial discrimination and enforced segregation were ended tomor row,” he suggested, "the Negro press would all but disappear from the national scene.” While this statement is a deliberate oversimplification of the situation, it is borne out, to some extent, by the recent history of the Negro press. In 1948, six years before the Supreme Court desegregation decision, there were some 202 Negro newspapers with a total circulation of 3 million. But in 1962, according to the annual report of the Lincoln (Mo.) University School of Journalism, the number of Negro news papers—daily, weekly, semiweekly, and biweekly—had shrunk to 133, with a gross circulation of just over half the 1948 figure. The Pittsburgh Courier, which in 1948 boasted a national weekly circulation of 300,000, now sells about 86,000 copies in its various editions. -
1. Carbon Copy: 6/25 – 6/29 1973
The online Adobe Acrobat version of this file does not show sample pages from Coleman’s primary publishing relationships. The complete print version of A. D. Coleman: A Bibliography of His Writings on Photography, Art, and Related Subjects from 1968 to 1995 can be ordered from: Marketing, Center for Creative Photography, The University of Arizona, Tucson, AZ 85721-0103, or phone 520-621-7968. Books presented in chronological order 1. Carbon Copy: 6/25 – 6/29 1973. New York: ADCO interviews” with those five notable figures, serves also as Enterprises, 1973. [Paperback: edition of 50, out of print, “a modest model of critical inquiry.”This booklet, printed unpaginated, 50 pages. 17 monochrome (brown). Coleman’s on the occasion of that opening lecture, was made available first artist’s book. A body-scan suite of Haloid Xerox self- by the PRC to the audiences for the subsequent lectures in portrait images, interspersed with journal/collage pages. the series.] Produced at Visual Studies Workshop Press under an 5. Light Readings: A Photography Critic’s Writings, artist’s residency/bookworks grant from the New York l968–1978. New York: Oxford University Press, 1979. State Council on the Arts.] [Hardback and paperback: Galaxy Books paperback, 2. Confirmation. Staten Island: ADCO Enterprises, 1975. 1982; second edition (Albuquerque: University of New [Paperback: first edition of 300, out of print; second edition Mexico Press, 1998); xviii + 284 pages; index. 34 b&w. of 1000, 1982; unpaginated, 48 pages. 12 b&w. Coleman’s The first book-length collection of Coleman’s essays, this second artist’s book. -
Corpus Christi Church, New York
VOLUME 94 | APRIL 2020 | MASHECK JOSEPH MASHECK Corpus Christi Church, New York Its Architecture and Art he treasured church of Corpus Christi on Morningside Heights in T Manhattan (“Corpus”), is known for liturgy and music—including com- missioned Mass music and congregational singing in Gregorian chant and English—rather than as a work of architecture or a site for art. Yet in the mid- and later-twentieth century the parish that worshipped in this, its second church built on West 121st Street in Manhattan, was no stranger to contem- porary culture. In 1938, two years after the church opened, Thomas Merton was conditionally baptized here.1 Three years later, the bombing of Pearl Harbor occurred during Advent; the next day, December 8, 1941, the US declared war on Japan; a few days later, children of the parish school, directed by one of their Dominican teaching sisters, found themselves painting a nativity mural with Japanese figures in a Japanese landscape.2 During the war, the French Jewish philoso- pher Simone Weil, who lived on Riverside Drive in 1942, often visited Corpus Christi for Mass, sitting, legend has it, in the back row. Corpus was in the forefront of the liturgical movement: I remember being taken here as a boy in the 1950s to participate in a “Dialogue Mass”—then considered extraordinary. (In the ’60s, Worship was sold in the vestibule.) When Nadia Boulanger, a Catholic and the great composition teacher of many modernist composers, 1 At a font from the first church, where the Servant of God Terence Cardinal Cooke had been baptized in 1921. -
February 2015 Interfaith Center of New York E-Announcements
February 2015 Interfaith Center of New York E-Announcements In this Issue: Message from ICNY ICNY's "Interfaith Faith Leader ICNY Other Upcoming Holidays Executive Director Matters" Blog Spotlight Events Events & Observances Ways to Support and Promote ICNY: Like Follow Subscribe Connect Message from ICNY Executive Director Dear Friends, We are delighted to share our video on Islam, Parenting & Foster Care, which was produced for ICNY’s Catholic-Muslim Social Action Program, and focused on increasing cultural sensitivity for staff in faith based and secular child welfare agencies. The video was shown in our 2014 workshops, attended by over 150 staff members and Muslim community leaders. In addition, ICNY was one of the signers of Muslim Advocate’s letter calling out divisive media coverage targeting the Muslim community in the wake of the attacks in Paris. The letter was mentioned on CNN's The Situation Room and posted on the website Media Matters. In the aftermath of December’s police shootings and fractured relations between law enforcement and community, Sarah Sayeed, ICNY’s Director of Community Partnerships, wrote this op-ed published in the Huffington Post: “In Memory of Officer Liu: What Buddhism Offers to Police and Race Relations.” Looking towards February, in this newsletter you will find: - an announcement of the March 15 application deadline for the new 2015 Learning Together Interfaith Youth Fellowships - an information session for religious leaders and social service staff on New York’s Municipal ID - the NYPD’s Office of the Inspector General’s report on Chokehold cases - the Hindu Temple Society of North America’s celebration of the 66th Republic Day of India and the Movement Leaders of Non-Violence (Sarvodaya Day) Finally, the French American School in Larchmont New York will be holding an Interfaith vigil offering prayers for the tragedy in Paris. -
Facets‒ Facts About Columbia Essential to Students ACKNOWLEDGMENTS
facets‒ Facts About Columbia Essential to Students ACKNOWLEDGMENTS FACETS represents a concerted effort by hundreds of Columbia Photo Credits University employees. Every contribution to this publication is valu- Cover Photos of Current Students: Eileen Barroso able—from writing and revising entire sections to simply confirming a Interior Photos*: Eileen Barroso, pp. 3, 4, 16, 28, 61, 66; Amy telephone number. The editorial staff of FACETS wishes to express Callahan, pp. 5, 10, 25, 26, 54, 63, 78, 79, 97; Anne Canty, p. 82; thanks to all whose hard work and prompt response to pressing dead- Columbian yearbook (various years), pp. 8, 9, 12, 13, 14, 15, 44, 50, 74, lines enabled the compilation, composition, and design of this important 77, 86; Joyce Culver, p. 84; Esto Photographics, p. 88; Office of student resource. External Affairs at the Health Sciences campus, pp. 11, 16; Kris Special thanks to Rhea Pliakas, David Hill, and the staff of the Kavanaugh, p. 41; Diana Kolodny, p. 10; NASA, p. 55; I. M. Pei and Columbiana Library for opening to us Columbia’s rich archives and Partners, p. 15; Joe Pineiro, pp. 10, 13, 17, 20, 21, 35, 51; Ron Purdy, making FACETS’ timeline a living history. pp. 46, 48; Jonathan Lockwood Smith Photography, pp. 22, 23; Wallach Others who contributed invaluable direction, advice, and support were Art Gallery p. 75; all other photos were contributed by University Wayne Blair, Amy Callahan, Ree DeDonato, Michael Feiler, Katharina Publications. Kramer, Fran Pantazis, Harris Schwartz, Paul Vita, Marsha Wagner, Sarah Weiner, Rich Welch, Lorenzo Wyatt, and especially Mark Burstein * Please note that credit is given to photographers and/or to individuals who and Joe Ienuso.