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Negroes Are Different in Dixie: the Press, Perception, and Negro League Baseball in the Jim Crow South, 1932 by Thomas Aiello Research Essay ______
NEGROES ARE DIFFERENT IN DIXIE: THE PRESS, PERCEPTION, AND NEGRO LEAGUE BASEBALL IN THE JIM CROW SOUTH, 1932 BY THOMAS AIELLO RESEARCH ESSAY ______________________________________________ “Only in a Negro newspaper can a complete coverage of ALL news effecting or involving Negroes be found,” argued a Southern Newspaper Syndicate advertisement. “The good that Negroes do is published in addition to the bad, for only by printing everything fit to read can a correct impression of the Negroes in any community be found.”1 Another argued that, “When it comes to Negro newspapers you can’t measure Birmingham or Atlanta or Memphis Negroes by a New York or Chicago Negro yardstick.” In a brief section titled “Negroes Are Different in Dixie,” the Syndicate’s evaluation of the Southern and Northern black newspaper readers was telling: Northern Negroes may ordain it indecent to read a Negro newspaper more than once a week—but the Southern Negro is more consolidated. Necessity has occasioned this condition. Most Southern white newspapers exclude Negro items except where they are infamous or of a marked ridiculous trend… While his northern brother is busily engaged in ‘getting white’ and ruining racial consciousness, the Southerner has become more closely knit.2 The advertisement was designed to announce and justify the Atlanta World’s reformulation as the Atlanta Daily World, making it the first African-American daily. This fact alone probably explains the advertisement’s “indecent” comment, but its “necessity” argument seems far more legitimate.3 For example, the 1932 Monroe Morning World, a white daily from Monroe, Louisiana, provided coverage of the black community related almost entirely to crime and church meetings. -
FOR SALE! Studio Closing! Atlanta Based
For Back-to-School Fashion NNPA: Proactive and Profitable and Savings .. * The National Newspaper Publisher Association members Christopher Bennett, Seattle Cleretta (NNPA), the Black Press of held its 51st Medium; JEROMES America, Annual Thomas-Blackmon, Mobile Beacon; Andrew The convention in Atlanta in June. With the theme: Proactive and Cooler, City Profitable* the NNPA Sun; Frances Murphy Draper, Afro American Newspaper Your Accounts Welcomed 1991 attendance doubled. Conferees enjoyed Group; William Garth, Chicago Citizen Carlton dynamic speakers such as Operation PUSH President Rev. B. Goodie Newspapers; C4A kl I IOCDTV #CURTAINS .READY-TO-'READY-TO. .BEDSPREADS -JOO 7A1A Williamson Sr., Rev. Henry 1, Reporter Publications; John Holoman, Herald DaIN. LIDCnlT .draperies wear .slipcovers Bernice King,' Essencc Magazine Editor-in- Dispatch; Dr. Ruth Love, California Voice; James Washington, Chief Susan . » Taylor, Congressman William Cray and Second Dallas ^Weekly; and Melyvn Williams, Macon* Courier. :1» i.m. lo S30 p.m. Morwtay-Satuiday Pond Wtdnsadsys Episcopal District (AME) Bishop Hamct Brookins, Thought Sponsors for the 1991 NNPA June Convention included: ¦ provoking workshops were led by National Bar Association Kraft General Foods, Philip Morris Tobacco Co., Miller President Algentia Scott founder of the ' for a Brewing - New Davis,, Organization Co., Southland Corporation, American Tobacco Co., Ford Motor Co., Equality Rev. Charles Stith, Money Watch TV host Theodore Martell Cognac, Pepsi-Cola Co., Shoney's, Coca Cola USA, Daniels, and: * ys Census specialist Dwight Johnson. McDonald's Corp., Coors Brewing Co., R.J. Reynolds Tobacco Co., rtawt mluih, Elections were held and the following publishers are. the General Motors Schieffelin & new NNPA Co., Somerset Co. -
The Negro Press and the Image of Success: 1920-19391 Ronald G
the negro press and the image of success: 1920-19391 ronald g. waiters For all the talk of a "New Negro," that period between the first two world wars of this century produced many different Negroes, just some of them "new." Neither in life nor in art was there a single figure in whose image the whole race stood or fell; only in the minds of most Whites could all Blacks be lumped together. Chasms separated W. E. B. DuBois, icy, intellectual and increasingly radical, from Jesse Binga, prosperous banker, philanthropist and Roman Catholic. Both of these had little enough in common with the sharecropper, illiterate and bur dened with debt, perhaps dreaming of a North where—rumor had it—a man could make a better living and gain a margin of respect. There was Marcus Garvey, costumes and oratory fantastic, wooing the Black masses with visions of Africa and race glory while Father Divine promised them a bi-racial heaven presided over by a Black god. Yet no history of the time should leave out that apostle of occupational training and booster of business, Robert Russa Moton. And perhaps a place should be made for William S. Braithwaite, an aesthete so anonymously genteel that few of his White readers realized he was Black. These were men very different from Langston Hughes and the other Harlem poets who were finding music in their heritage while rejecting capitalistic America (whose chil dren and refugees they were). And, in this confusion of voices, who was there to speak for the broken and degraded like the pitiful old man, born in slavery ninety-two years before, paraded by a Mississippi chap ter of the American Legion in front of the national convention of 1923 with a sign identifying him as the "Champeen Chicken Thief of the Con federate Army"?2 In this cacaphony, and through these decades of alternate boom and bust, one particular voice retained a consistent message, though condi tions might prove the message itself to be inconsistent. -
RTM 360 | Michigan Chronicle | 2019 Media Kit CONTENTS Page No
RTM 360 | Michigan Chronicle | 2019 Media Kit CONTENTS Page No ABOUT US 3 - 4 OUR AUDIENCE 5 - 6 PRODUCTS AND SERVICES 7 - 15 • PRINT 8 • TARGETED BANNER & VIDEO MARKETING 9 • EMAIL MARKETING 10 • TARGETED EMAIL 11 • E-NEWS DAILY 12 • NATIONAL SWEEPSTAKES AND CONTESTS 13 • SOCIAL MEDIA 14 • BRANDED PROJECTS 15 • BRANDED EVENTS 16 • RTM360 17 EDITORIAL AND EVENTS CALENDAR 18 – 20 • QUARTERS 1 & 2 19 • QUARTERS 3 & 4 20 RATES & SPECIFICATIONS 21 – 27 • CIRCULATION 22 • DISPLAY RATES 23 • DIGITAL & PACKAGES 24 • CLASSIFIED RATES 25 • INSERT RATES 26 • AD SPECS 27 RTM 360 | Michigan Chronicle | 2019 Media Kit Media Kit| 21 -- 2 A B O U T U S Real Times Media (RTM) is a Detroit-based multimedia company with a legacy that stretches back over 100 years. As the parent company to five of the country’s most respected African American-owned news organizations, the Atlanta Daily World, Atlanta Tribune: The Magazine, the Chicago Defender, the Michigan Chronicle, and the New Pittsburgh Courier, it is our job to maintain the heartbeat of the African American voice. Being built on the foundation of historic brands affords RTM a depth of knowledge and assets that are multi-generational, relevant, and trustworthy. RTM has an ongoing commitment to delivering quality news, events, and entertainment for African American audiences. In addition to its news brands, RTM offers custom programming and niche publishing through Who’s Who In Black—a professional lifestyle brand focused on live and virtual business/social events and content; strategic communications consultancy services through its marketing services arm, RTM360°, and RTM Digital Studios, an unparalleled archive of historical photographs, videos, and film clips of the African American experience available through licensing for advertising, marketing, publishing, and film initiatives. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Finding and Using African American Newspapers
Finding and Using African American Newspapers Timothy N. Pinnick [email protected] http://blackcoalminerheritage.net/ INTRODUCTION African American researchers will find black newspapers an extremely valuable part of their search strategy. Although mainstream newspapers should always be consulted, African American newspapers will provide nuggets of information that can be found nowhere else. Although the first African American newspaper was established in 1827, it is in the post Civil War period that the black press experienced tremendous growth. Hundreds of newspapers appeared to quench the thirst for knowledge in the newly freed slaves, and to provide an accurate and positive image of the race. Clint C. Wilson took the incomplete manuscript of the foremost historian of the African American press, Armistead Pride and produced A History of the Black Press in 1997. It is a great source of information on black newspapers. Another worthwhile source can be found online at the public television website of PBS. They produced the documentary film, “The Black Press: Soldiers Without Swords” in 1999, and their website is rich in reference material. http://www.pbs.org/blackpress/index.html VALUE OF BLACK NEWSPAPERS Aside from the most obvious benefit of locating obituaries, researchers can discover: an exact or nearly exact event date (birth, death, or marriage) of an ancestor, therefore enhancing the odds of a successful outcome when the eventual request for the vital record is made. Remember, some places will only search a short span of years in their index, and charge you whether they find the record or not. additional information on the event that will not be found on the vital record. -
The Crisis, Vol. 1, No. 2. (December, 1910)
THE CRISIS A RECORD OF THE DARKER RACES Volume One DECEMBER, 1910 Number Two Edited by W. E. BURGHARDT DU BOIS, with the co-operation of Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, VV. S. Braithwaite and M. D. Maclean. CONTENTS Along the Color Line 5 Opinion . 11 Editorial ... 16 Cartoon .... 18 By JOHN HENRY ADAMS Editorial .... 20 The Real Race Prob lem 22 By Profeaor FRANZ BOAS The Burden ... 26 Talks About Women 28 By Mn. J. E. MILHOLLAND Letters 28 What to Read . 30 PUBLISHED MONTHLY BY THE National Association for the Advancement of Colored People AT TWENTY VESEY STREET NEW YORK CITY ONE DOLLAR A YEAR TEN CENTS A COPY THE CRISIS ADVERTISER ONE OF THE SUREST WAYS TO SUCCEED IN LIFE IS TO TAKE A COURSE AT The Touissant Conservatory of Art and Music 253 West 134th Street NEW YORK CITY The most up-to-date and thoroughly equipped conservatory in the city. Conducted under the supervision of MME. E. TOUISSANT WELCOME The Foremost Female Artist of the Race Courses in Art Drawing, Pen and Ink Sketching, Crayon, Pastel, Water Color, Oil Painting, Designing, Cartooning, Fashion Designing, Sign Painting, Portrait Painting and Photo Enlarging in Crayon, Water Color, Pastel and Oil. Artistic Painting of Parasols, Fans, Book Marks, Pin Cushions, Lamp Shades, Curtains, Screens, Piano and Mantel Covers, Sofa Pillows, etc. Music Piano, Violin, Mandolin, Voice Culture and all Brass and Reed Instruments. TERMS REASONABLE THE CRISIS ADVERTISER THE NATIONAL ASSOCIATION for the ADVANCEMENT of COLORED PEOPLE OBJECT.—The National Association COMMITTEE.—Our work is car for the Advancement of Colored People ried on under the auspices of the follow is an organization composed of men and ing General Committee, in addition to the women of all races and classes who be officers named: lieve that the present widespread increase of prejudice against colored races and •Miss Gertrude Barnum, New York. -
Strong Men, Strong MINDS
STRONG MEN, STRONG MINDS A DISCUSSION ABOUT EMPOWERING AND UPLIFTING THE BLACK COMMUNITY JOIN US at 2 pm Saturday, August 1, 2020 facebook.com/IndyRecorder Moderator: Panelist: Panelist: Panelist: Panelist: Larry Smith Kenneth Allen Keith Graves Minister Nuri Muhammad Clyde Posley Jr., Ph.D. Community Servant Chairman Indianapolis City-County Speaker, Author Senior Pastor Indianapolis Recorder Indiana Commission on the Council District 13 Community Organizer Antioch Baptist Church Newspaper Columnist Social Status of Black Males Mosque #74 Indiana’s Greatest Weekly Newspaper Preparing a conscious community today and beyond Friday, July 31, 2020 Since 1895 www.indianapolisrecorder.com 75 cents ‘Elicit a change’: protests then and now By BREANNA COOPER [email protected] Mmoja Ajabu was 19 when Dr. Martin Luther King Jr. was assassinated. He was in the military at the time, in training in Missouri. He and the other Black soldiers in his base were Taran Richardson (left) stands relegated to a remote part of the with Kelli Marshall, who previously base and told they would be shot worked at Tindley Accelerated Schools, where Richardson gradu- if they attempted to leave as the ated from this year. Richardson white soldiers went out to “quell plans to attend Howard University the rebellion in St. Louis,” he said. in the fall to study astrophysics. (Photo provided) “I started understanding at that point what the hell was going on,” Ajabu said. Tindley grad ready NiSean Jones, founder of Black Out for Black Lives, addresses a for a new challenge See PROTESTS, A5® crowd downtown on June 19. (Photo/Tyler Fenwick) IPS MAY VOTE TO at Howard University CHANGE COURSE By TYLER FENWICK [email protected] By STAFF Indianapolis Public Schools (IPS) When Taran Richardson was in high could change course and go to e- school at Tindley Accelerated Schools, learning for all students instead of he developed an appropriate motto for giving students the option of vir- himself: #NoSleepInMySchedule. -
Finding Aid to the Historymakers ® Video Oral History with Robert Sengstacke
Finding Aid to The HistoryMakers ® Video Oral History with Robert Sengstacke Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Sengstacke, Robert (Bobby), 1943-2017 Title: The HistoryMakers® Video Oral History Interview with Robert Sengstacke, Dates: December 19, 2003 Bulk Dates: 2003 Physical 7 Betacame SP videocasettes (3:30:47). Description: Abstract: Photojournalist Robert Sengstacke (1943 - 2017 ) is president of the Chicago Defender newspaper. Sengstacke was interviewed by The HistoryMakers® on December 19, 2003, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2003_305 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Photographer and heir of a distinguished African American newspaper publisher, Robert Abbott Sengstacke, popularly known as “Bobby,” was born May 29, 1943, in Chicago, Illinois. Named after the founder of the Chicago Defender, Robert Sengstacke Abbott, Bobby attended the University of Chicago Lab School, Manument boarding school in Pennsylvania and Howalton Day School in Chicago before attending Hyde Park High School. Sengstacke graduated from Central YMCA High School in 1962. Artistic and restless, he attended Florida’s Bethune Cookman College for three and a half years before returning to Chicago. Growing up with the newspaper gave Sengstacke unique access to important events and people. Learning to shoot from Le Mont Mac Lemore, Billy Abernathy and Bob Black of the Chicago Sun-Times in the mid-1950s, Sengstacke’s thousands of black and white photographs of Dr. Martin Luther King, Jr., Muhammad Ali, Gwendolyn Brooks, Amiri Imamu Baraka and other well-known figures, places and events were widely published. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In th e unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 8703587 McFadden-Preston, Claudette THE RHETORIC OF MINISTER LOUIS FARRAKHAN: A PLURALISTIC APPROACH The O hio State University Ph.D. 1986 University Microfilms International300 N. -
University Press, 1965+
Inventory of the University Press Records in the Northern Illinois University Archives UA 33 INTRODUCTION The University Archives acquired material from the University Press in several installments from 1968 to 1978. Current publications are received regularly. There are no restrictions on access to the collection. 22 boxes 22.75 linear feet 1 9 6 5- SCOPE AND CONTENT The University Press records consist primarily of the Press’s publications. There are several folders of information on the formative years, 1965-1975. For additional information, researchers should consult the Presidents' Papers, the Provosts' Administrative Records and the records of the College of Education in the University Archives. HISTORICAL SKETCH The University Council approved the establishment of a University Press on May 3, 1965. By November of that year faculty members were being asked to serve on the University Press Board and the search for a Director of the Press was being organized. The Board held its first meeting on May 26, 1966, and the first publication came out in 1967. COLLECTION INVENTORY BOX FOLDER DESCRIPTION SERIES I: Records of the Press 1 1 Organization, Establishment, and History, (1965-2009) 2 Report to the Board of Regents, June, 1979 3 Board Minutes, 1966-1974 4 Sales Reports and Statements of Income and Expenses, 1968-1973 5 Correspondence, 1968-1978 6 American Association of University Presses, January 1971-March 1972 7 Support Function Review, University Press, FY 1988 8 Directors: Mary Lincoln (1980-2007), J. Alex Schwartz (2007- 2 1-2b Catalogs, (1969-2009) 3 Flyers and General Mailings, 1972, 1973, 1978 UA 33 - University Press Page 2 BOX FOLDER DESCRIPTION 2 4 Chicago Book Clinic and Midwestern Books Competition Awards, 1970- 1976 5-8 Chicago Book Clinic, 1968-1976 9 American Association of University Presses Book Show, 1977 SERIES II: Publications of the Press BOX YEAR TITLE 3 1967 Kallich, Martin I., Heaven's First Law: Rhetoric and Order in Pope’s Essay on Man. -
W.E.B. Du Bois Department of Afro-American Studies Celebrates Its 40Th Anniversary Drawing by Nelson Stevens
THE NEWSLETTER OF THE W.E.B. DU BOIS DEPARTMENT OF AFRO-AMERICAN STUDIES UMASS AMHERST 2009—2010 W.E.B. Du Bois Department of Afro-American Studies Celebrates Its 40th Anniversary Drawing by Nelson Stevens Inside this issue: Faculty News 2 Class of 2010 3 Meet our Graduate Students 4 Graduate Student News & 8 Views Black Poetry of the 60s & 70s 9 Alumni News 10 Fall 2011 Courses 11 TAKE NOTE: We’re on the Web at www.umass.edu/afroam Phone: 413-545-2751 Fax: 413-545-0628 PAGE 2 DU BOIS LINES PROFESSOR STEVEN TRACY LECTURES IN CHINA “Syncopating Heroes in Sterling Brown’s Poetry,” was attended by 250-300 graduate students and faculty….. dren, who were very inquisitive about the strange man with the strange instrument. Scholars from all over China attended the conference, which featured panels and papers with on a variety of subjects in American studies. Steve's talk on the second day, "Without Respect for Gender," preceded by "Swing Low Sweet Chariot" rofessor Steve Tracy returned to China for his second visit in honor of Obama's rise to the presidency, was well received, P in October 2009. Invited by Central China Normal Univer- and has been accepted for publication in Foreign Literature sity (CCNU) to lecture and Zheijiang Normal University to de- Studies (FLS). At dinner the second night, Steve found himself liver a keynote address, Steve spent six days in China talking sitting at a table with all women (the night before it had been with students and professors and sightseeing at cave sites and all men) taking some good-natured ribbing regarding his man- monuments in Central China.