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Negroes Are Different in Dixie: the Press, Perception, and Negro League Baseball in the Jim Crow South, 1932 by Thomas Aiello Research Essay ______
NEGROES ARE DIFFERENT IN DIXIE: THE PRESS, PERCEPTION, AND NEGRO LEAGUE BASEBALL IN THE JIM CROW SOUTH, 1932 BY THOMAS AIELLO RESEARCH ESSAY ______________________________________________ “Only in a Negro newspaper can a complete coverage of ALL news effecting or involving Negroes be found,” argued a Southern Newspaper Syndicate advertisement. “The good that Negroes do is published in addition to the bad, for only by printing everything fit to read can a correct impression of the Negroes in any community be found.”1 Another argued that, “When it comes to Negro newspapers you can’t measure Birmingham or Atlanta or Memphis Negroes by a New York or Chicago Negro yardstick.” In a brief section titled “Negroes Are Different in Dixie,” the Syndicate’s evaluation of the Southern and Northern black newspaper readers was telling: Northern Negroes may ordain it indecent to read a Negro newspaper more than once a week—but the Southern Negro is more consolidated. Necessity has occasioned this condition. Most Southern white newspapers exclude Negro items except where they are infamous or of a marked ridiculous trend… While his northern brother is busily engaged in ‘getting white’ and ruining racial consciousness, the Southerner has become more closely knit.2 The advertisement was designed to announce and justify the Atlanta World’s reformulation as the Atlanta Daily World, making it the first African-American daily. This fact alone probably explains the advertisement’s “indecent” comment, but its “necessity” argument seems far more legitimate.3 For example, the 1932 Monroe Morning World, a white daily from Monroe, Louisiana, provided coverage of the black community related almost entirely to crime and church meetings. -
The Negro Press and the Image of Success: 1920-19391 Ronald G
the negro press and the image of success: 1920-19391 ronald g. waiters For all the talk of a "New Negro," that period between the first two world wars of this century produced many different Negroes, just some of them "new." Neither in life nor in art was there a single figure in whose image the whole race stood or fell; only in the minds of most Whites could all Blacks be lumped together. Chasms separated W. E. B. DuBois, icy, intellectual and increasingly radical, from Jesse Binga, prosperous banker, philanthropist and Roman Catholic. Both of these had little enough in common with the sharecropper, illiterate and bur dened with debt, perhaps dreaming of a North where—rumor had it—a man could make a better living and gain a margin of respect. There was Marcus Garvey, costumes and oratory fantastic, wooing the Black masses with visions of Africa and race glory while Father Divine promised them a bi-racial heaven presided over by a Black god. Yet no history of the time should leave out that apostle of occupational training and booster of business, Robert Russa Moton. And perhaps a place should be made for William S. Braithwaite, an aesthete so anonymously genteel that few of his White readers realized he was Black. These were men very different from Langston Hughes and the other Harlem poets who were finding music in their heritage while rejecting capitalistic America (whose chil dren and refugees they were). And, in this confusion of voices, who was there to speak for the broken and degraded like the pitiful old man, born in slavery ninety-two years before, paraded by a Mississippi chap ter of the American Legion in front of the national convention of 1923 with a sign identifying him as the "Champeen Chicken Thief of the Con federate Army"?2 In this cacaphony, and through these decades of alternate boom and bust, one particular voice retained a consistent message, though condi tions might prove the message itself to be inconsistent. -
The Iowa Bystander
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1983 The oI wa Bystander: a history of the first 25 years Sally Steves Cotten Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the African American Studies Commons, Journalism Studies Commons, and the Mass Communication Commons Recommended Citation Cotten, Sally Steves, "The oI wa Bystander: a history of the first 25 years" (1983). Retrospective Theses and Dissertations. 16720. https://lib.dr.iastate.edu/rtd/16720 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The Iowa Bystander: A history of the first 25 years by Sally Steves Cotten A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE Major: Journalism and Mass Communication Signatures have been redacted for privacy Iowa State University Ames, Iowa 1983 Copyright © Sally Steves Cotten, 1983 All rights reserved 144841,6 ii TABLE OF CONTENTS Page ACKNOWLEDGEMENT iii I. INTRODUCTION 1 II. THE EARLY YEARS 13 III. PULLING OURSELVES UP 49 IV. PREJUDICE IN THE PROGRESSIVE ERA 93 V. FIGHTING FOR DEMOCRACY 123 VI. CONCLUSION 164 VII. BIBLIOGRAPHY 175 VIII. APPENDIX A STORY AND FEATURE ILLUSTRATIONS 180 1894-1899 IX. APPENDIX B ADVERTISING 1894-1899 182 X. APPENDIX C POLITICAL CARTOONS AND LOGOS 1894-1899 184 XI. -
The Crisis, Vol. 1, No. 2. (December, 1910)
THE CRISIS A RECORD OF THE DARKER RACES Volume One DECEMBER, 1910 Number Two Edited by W. E. BURGHARDT DU BOIS, with the co-operation of Oswald Garrison Villard, J. Max Barber, Charles Edward Russell, Kelly Miller, VV. S. Braithwaite and M. D. Maclean. CONTENTS Along the Color Line 5 Opinion . 11 Editorial ... 16 Cartoon .... 18 By JOHN HENRY ADAMS Editorial .... 20 The Real Race Prob lem 22 By Profeaor FRANZ BOAS The Burden ... 26 Talks About Women 28 By Mn. J. E. MILHOLLAND Letters 28 What to Read . 30 PUBLISHED MONTHLY BY THE National Association for the Advancement of Colored People AT TWENTY VESEY STREET NEW YORK CITY ONE DOLLAR A YEAR TEN CENTS A COPY THE CRISIS ADVERTISER ONE OF THE SUREST WAYS TO SUCCEED IN LIFE IS TO TAKE A COURSE AT The Touissant Conservatory of Art and Music 253 West 134th Street NEW YORK CITY The most up-to-date and thoroughly equipped conservatory in the city. Conducted under the supervision of MME. E. TOUISSANT WELCOME The Foremost Female Artist of the Race Courses in Art Drawing, Pen and Ink Sketching, Crayon, Pastel, Water Color, Oil Painting, Designing, Cartooning, Fashion Designing, Sign Painting, Portrait Painting and Photo Enlarging in Crayon, Water Color, Pastel and Oil. Artistic Painting of Parasols, Fans, Book Marks, Pin Cushions, Lamp Shades, Curtains, Screens, Piano and Mantel Covers, Sofa Pillows, etc. Music Piano, Violin, Mandolin, Voice Culture and all Brass and Reed Instruments. TERMS REASONABLE THE CRISIS ADVERTISER THE NATIONAL ASSOCIATION for the ADVANCEMENT of COLORED PEOPLE OBJECT.—The National Association COMMITTEE.—Our work is car for the Advancement of Colored People ried on under the auspices of the follow is an organization composed of men and ing General Committee, in addition to the women of all races and classes who be officers named: lieve that the present widespread increase of prejudice against colored races and •Miss Gertrude Barnum, New York. -
Challenges Haven't Changed Much for Young Black Males
Indiana’s Greatest Weekly Newspaper Preparing a conscious community today and beyond Friday, February 28, 2020 Since 1895 www.indianapolisrecorder.com 75 cents Council votes to address inequity, but hard part still ahead By TYLER FENWICK [email protected] A special resolution signifying a commitment to address historical inequalities passed unani- mously in the Indianapolis City-County Council, but that will likely prove to be the easy part. The hard part — going for substantive changes — is still to come. All members of the city-county council, which consists of 20 Democrats and five Republicans, are listed as sponsors on the proposal, but coun- cil President Vop Osili, a Democrat, admitted there may be some “difficult conversations” and “difficult decisions” on the horizon. The special resolution, Proposal 85, creates a steering committee comprised of local leaders — including Osili — who participated in a work- shop led by the Government Alliance on Race and Equity (GARE) in December 2019. Kenneth Allen, chairman of the Indiana Commission on the Social Status of Black Males, speaks According to Osili, the committee has com- to students at the fifth annual Young Black Males Matter event Feb. 25 at the Indiana State- mitments from every city and county public house. (Photo/Tyler Fenwick) agency to, as the proposal reads, “use available tools to assist in the elimination of racial and social disparities across key indicators of success, including health, education, criminal justice, the environment, employment and the economy.” Challenges haven’t changed The committee then helps guide actions that are supposed to create a more equitable India- much for young Black males napolis and, where necessary, fix systems created See VOTES, A7 ® By TYLER FENWICK [email protected] Speakers at the Young Black Males Matter event Feb. -
1900-1920 Indianapolis at the Time of the First Great Migration
Indianapolis at the Time of the Great Migration, 1900-1920 by Carolyn M. Brady Copyright 1996 C.M. Brady http://www.carolynbrady.com/indymigration.html Originally published in August 1996 (No. 65) Black History News & Notes, a newsletter of the Indiana Historical Society. In the first two decades of the twentieth century, the number of African Americans in Indianapolis more than doubled, growing from 15,931 in 1900 to 34,678 in 1920. This increase was a result of the Great Migration, the movement of large numbers of African Americans from the South to the North in search of work and opportunity. Indianapolis did not see as great an influx of new arrivals as did cities such as Detroit and Chicago, but the growth of the black population would change life in the Hoosier capital.(1) African Americans in southern states heard about opportunities in the North through labor recruiters, black-run newspapers, relatives, and friends. Besides the lure of jobs in the North, a number of factors pushed many African Americans to leave the South. Between 1900 and 1920 natural disasters in the South, such as floods, drought, and boll weevils, destroyed the crops that many African-American farmers depended on for their livelihood. Although racial segregation and discrimination existed in northern states like Indiana, the Jim Crow laws of the South and the decline of black political power there after Reconstruction made the situation in the North seem an improvement by comparison.(2) This article looks not so much at the reasons that brought African Americans to Indianapolis, but at the general circumstances they would have encountered in the early twentieth century. -
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY
2011/2012 Black History Trivia Bowl Study Questions # CATEGORY QUESTION ANSWER Along the Gulf Coast of Louisiana, what type of music is played 1 Arts with the accordion? Zydeco 2 Arts Who wrote "Their Eyes Were Watching God" ? Zora Neale Hurston Which one of composer/pianist Anthony Davis' operas premiered in Philadelphia in 1985 and was performed by the X: The Life and Times of 3 Arts New York City Opera in 1986? Malcolm X Since 1987, who has held the position of director of jazz at 4 Arts Lincoln Center for the Performing Arts in New York City? Wynton Marsalis Of what profession were Langston Hughes, Zora Neale Hurston, and Countee Cullen, major contributors to the Harlem 5 Arts Renaissance? Writers Who wrote Clotel , or The President’s Daughter , the first 6 Arts published novel by a Black American in 1833? William Wells Brown Who published The Escape , the first play written by a Black 7 Arts American? William Wells Brown 8 Arts What is the given name of blues great W.C. Handy? William Christopher Handy What aspiring fiction writer, journalist, and Hopkinsville native, served as editor of three African American weeklies: the Indianapolis Recorder , the Freeman , and the Indianapolis William Alexander 9 Arts Ledger ? Chambers 10 Arts Nat Love wrote what kind of stories? Westerns Cartoonist Morrie Turner created what world famous syndicated 11 Arts comic strip? Wee Pals Who was born in Florence, Alabama in 1873 and is called 12 Arts “Father of the Blues”? WC Handy Georgia Douglas Johnson was a poet during the Harlem Renaissance era. -
Guide to African American History Materials in Manuscript and Visual Collections at the Indiana Historical Society
Guide to African American History Materials in Manuscript and Visual Collections at the Indiana Historical Society Originally compiled as a printed guide (Selected African-American History Collections) by Wilma L. Gibbs, 1996 Revised and updated by Wilma L. Gibbs as an online guide, 2002 and 2004 Introduction Personal Papers Organizations, Institutions, and Projects Communities Education Race Relations Religious Institutions 15 July 2004 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org Introduction This guide describes manuscript and visual collections in the William Henry Smith Memorial Library of the Indiana Historical Society (IHS) that document the experiences of African Americans in Indiana. In 1982, a collecting effort was formalized at the Historical Society to address the concern for the paucity of records available for doing research on the history of African Americans in the state. The purpose of that effort continues to be to collect, process, preserve, and disseminate information related to the history of black Hoosiers. The Archivist, African American History is available to answer and direct research questions from the public. Indiana Historical Society members can receive Black History News & Notes, a quarterly newsletter that publicizes library collections, relevant historical events, and short papers pertaining to Indiana’s black history. Preserving Indiana’s African American heritage is a cooperative venture. The Society needs your help in providing information about existing records in attics, basements, and garages that can be added to the library’s collections. As more records are collected and organized, a more accurate and complete interpretation of Indiana history will emerge. -
INDIANAPOLIS RECORDER Newspaper Media Service Guide
INDIANAPOLIS RECORDER NEwspaper mEDIA SERvICE guIDE Do you have a product you are trying to promote? Can the general community benefit from the services that your company provides? Are you trying to reach a specific audience? If you answered yes to any of these questions, the Recorder media group has exactly what you need. At 123-years-old, the Recorder has been a mainstay in the community by providing powerful and informative news that enhances the knowledge of African-Americans throughout Indiana, the country and even the world. we also have a newly-enhanced website which allow us to address your needs with a more technologically-advanced approach. we are committed to being quality news-gathering resources that not only service the general community, but also work hard to effectively meet the needs of our clients. Feel free to peruse this media kit. Our talented sales staff is readily available to provide you with a competitively-priced proposal that will successfully meet all of your needs. we are here to serve you! A RICH HISTORY OF EXCELLENCE The Indianapolis Recorder Newspaper is the nation’s fourth oldest surviving African-American newspaper in the country. What began in 1895 as a two- page church bulletin created by co-founders George P. Stewart and Will Porter now hails as one of the top African-American publications in the United States. In 1897, the newspaper’s co-founders expanded their successful newssheet into a weekly newspaper. The earliest existing issues of the Recorder date back to 1899 – the same year that Porter sold his share of the paper to Stewart. -
Indianapolis Recorder Newspaper Collection, 1893–1990
Collection #s M1067 OM0528 INDIANAPOLIS RECORDER NEWSPAPER COLLECTION, 1893–1990 Collection Information Historical Sketch Scope and Content Note Series Contents Cataloging Information Processed by Wilma L. Moore September 2013 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org COLLECTION INFORMATION VOLUME OF 1 manuscript box; 1 photograph box; 2 oversized folders COLLECTION: COLLECTION 1893–1990 DATES: PROVENANCE: Transferred from the Indiana State Museum RESTRICTIONS: None COPYRIGHT: REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained from the Indiana Historical Society. ALTERNATE FORMATS: RELATED M0556 George P. Stewart Papers; P0303 Indianapolis HOLDINGS: Recorder Newspaper; SC 1886 Hortense Harlin, "The Indianapolis Recorder: A History of a Negro Weekly Newspaper" (Masters thesis, 1951) ACCESSION 2007.0283 NUMBER: NOTES: HISTORICAL SKETCH The black press began in New York City with the publication of Freedom's Journal by Samuel Cornish and John Russworm in 1827. Another partnership, George P. Stewart and Will Porter, co-founded the Indianapolis Recorder about seventy years later. The forerunner of the Recorder was a news sheet, a church and business directory. By 1897, the co-founders of the newspaper decided to expand their already successful news sheet into a weekly newspaper. The earliest existing issues of the Recorder (on microfilm) date to 1899-the year Porter sold his share of the newspaper to Stewart for $300. Realizing the importance of local news, Stewart captured that market, outdistancing his competitors, the publishers of the Freeman and the Colored World. Both the Freeman and the Colored World, published in Indianapolis, had national reputations. -
Newspaper Distribution List
Newspaper Distribution List The following is a list of the key newspaper distribution points covering our Integrated Media Pro and Mass Media Visibility distribution package. Abbeville Herald Little Elm Journal Abbeville Meridional Little Falls Evening Times Aberdeen Times Littleton Courier Abilene Reflector Chronicle Littleton Observer Abilene Reporter News Livermore Independent Abingdon Argus-Sentinel Livingston County Daily Press & Argus Abington Mariner Livingston Parish News Ackley World Journal Livonia Observer Action Detroit Llano County Journal Acton Beacon Llano News Ada Herald Lock Haven Express Adair News Locust Weekly Post Adair Progress Lodi News Sentinel Adams County Free Press Logan Banner Adams County Record Logan Daily News Addison County Independent Logan Herald Journal Adelante Valle Logan Herald-Observer Adirondack Daily Enterprise Logan Republican Adrian Daily Telegram London Sentinel Echo Adrian Journal Lone Peak Lookout Advance of Bucks County Lone Tree Reporter Advance Yeoman Long Island Business News Advertiser News Long Island Press African American News and Issues Long Prairie Leader Afton Star Enterprise Longmont Daily Times Call Ahora News Reno Longview News Journal Ahwatukee Foothills News Lonoke Democrat Aiken Standard Loomis News Aim Jefferson Lorain Morning Journal Aim Sussex County Los Alamos Monitor Ajo Copper News Los Altos Town Crier Akron Beacon Journal Los Angeles Business Journal Akron Bugle Los Angeles Downtown News Akron News Reporter Los Angeles Loyolan Page | 1 Al Dia de Dallas Los Angeles Times -
OBJ (Application/Pdf)
OPINIONS AND ACTIVITIES OF THE BLACK COMMUNITY DURING WORLD WAR II AS SEEN IN THE BLACK PRESS AND RELATED SOURCES A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY BERNADETTE EILEEN SHEPARD DEPARTMENT OF AFRO-AMERICAN STUDIES ATLANTA, GEORGIA DECEMBER 1974 U TABLE OF CONTENTS Chapter I. INTRODUCTION 1 II. BLACKS ON THE HOME FRONT 12 War Industries and Jobs 17 III. TREATMENT OF BLACKS IN THE ARMED FORCES . 27 Enlistment and Training • 28 Incidents of Prejudices in the Armed Forces 40 CONCLUSION 44 BIBLIOGRAPHY 47 CHAPTER I INTRODUCTION The first World War provided the tide of protest upon which the Black Press rose in importance and in militancy. It was largely the Black press that made Blacks fully conscious of the inconsistency between America's war aims to "make the world safe for "demo cracy" and her treatment of this minority at home. The Second World War again increased unrest, suspicion, and dissatisfaction among Blacks. lit stimulated great interest of the Black man in his press and the fact that the depression was just about over made it possible for him to translate this interest into financial support. By the outbreak of the war many Black newspapers had become economically able to send their own corres pondents overseas. In addition, the Chicago Defender; the Baltimore Afro-American and the Norfolk Journal and Guide had special correspondents who traveled from camp 3-Gunnar Myrdal, An American Dilemma (New York: Harper and Row, 1944), p. 914. 2Vishnu V.