John H. Johnson: Finding the Black Consumer from Forbes Greatest Business Stories of All Time by Daniel Gross, Et Al
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The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Magazines Timeline Workflow
Black Magazines As a Mirror to 1960-1970s American History A Statistical Approach Kushal K Dey1, Lei Sun1 and Lauren M. Jackson2 1 Department of Statistics, 2 Department of English Word frequency analysis Word pair associations Timeline We apply word2vec on yearly text data, which learns vector embeddings for words and then computes cosine of angle between the embedded Relative frequencies of (black) vectors for a word pair to determine their association score - the higher and (negro) related words show the score, the more similar are the words contextually an identity shift towards the dr. king vs assassination trend plot dr. king vs assassination trend plot 0.8 end of civil rights movement 0.5 (martin luther king) 0.6 0.4 vs 0.3 Assassination of 0.4 Moon 1st Cuban missile Assassination of Dr. King and Watergate landing Negro Digest / Black World Ebony (assassination) 0.2 Earth 0.2 crisis John F. Kennedy score association Robert Kennedy scandal score association Day 0.1 0.0 Trend in association 0.0 1964 1968 1972 1976 Upon removing black and negro related words terms 1964 1968 1972 1976 year score across time year Clustering of texts (K=2) from each of the 2 magazines using their yearly data on frequencies Ebony Negro Digest / Black of the different words in the vocabulary (topic models). R package : CountClust World 1976 1975 1974 1973 1970 1971 1972 1965 1967 1962 1964 1963 1968 1961 1966 1969 Black, negro identity influencing associations Ebony Negro Digest / Black World Civil rights movement Ebony_1976 BL_1976 theater, watergate, -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFO RM A TIO N TO U SER S This manuscript has been reproduced from the microfilm master. UMI film s the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be fromany type of con^uter printer. The quality of this reproduction is dependentquality upon o fthe the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inqjroper alignment can adverse^ afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one e3q)osure and is included in reduced form at the back of the book. Photogr^hs included inoriginal the manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for aiy photographs or illustrations appearing in this copy for an additional charge. Contact UMI direct^ to order. UMJ A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 LAWLESSNESS AND THE NEW DEAL; CONGRESS AND ANTILYNCHING LEGISLATION, 1934-1938 DISSERTATION presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Robin Bernice Balthrope, A.B., J.D., M.A. -
Here May Is Not Rap Be Music D in Almost Every Major Language,Excerpted Including Pages Mandarin
ENCYCLOPEDIA OF THE BLACK ARTS MOVEMENT ed or printed. Edited by istribut Verner D. Mitchell Cynthia Davis an uncorrected page proof and may not be d Excerpted pages for advance review purposes only. All rights reserved. This is ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 18_985_Mitchell.indb 3 2/25/19 2:34 PM ed or printed. Published by Rowman & Littlefield An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 istribut www.rowman.com 6 Tinworth Street, London, SE11 5AL, United Kingdom Copyright © 2019 by The Rowman & Littlefield Publishing Group Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: Mitchell, Verner D., 1957– author. | Davis, Cynthia, 1946– author. Title: Encyclopedia of the Black Arts Movement / Verner D. Mitchell, Cynthia Davis. Description: Lanhaman : uncorrectedRowman & Littlefield, page proof [2019] and | Includes may not bibliographical be d references and index. Identifiers:Excerpted LCCN 2018053986pages for advance(print) | LCCN review 2018058007 purposes (ebook) only. | AllISBN rights reserved. 9781538101469This is (electronic) | ISBN 9781538101452 | ISBN 9781538101452 (cloth : alk. paper) Subjects: LCSH: Black Arts movement—Encyclopedias. Classification: LCC NX512.3.A35 (ebook) | LCC NX512.3.A35 M58 2019 (print) | DDC 700.89/96073—dc23 LC record available at https://lccn.loc.gov/2018053986 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
The Paris Paradox: Colorblindness and Colonialism in African
American Literature Laila The Paris Paradox: Amine Colorblindness and Colonialism in African American Expatriate Fiction In fiction by Richard Wright, James Baldwin, and Wil- liam Gardner Smith, the literary trope of the romance between black American men and white European women symbolizes African Ameri- cans’ newly held freedom in Paris after World War II, but it obscures France’s own color line. Many African American expatriates consid- ered the city a refuge from the daily frustrations of second-class citizen- ship at home and Joseph McCarthy’s witch hunt of the black radical Left. The Parisian interracial romance, which juxtaposes the subjuga- tion of black men in the United States with their liberation in Paris, con- structs a utopian horizon that emphasizes the equality of black and white men and frames American lynching as an anomaly; Paris is a space where freedom is supposedly achieved and manhood recovered. Even in the rare pessimistic visions of the French capital and interracial romance that permeate Wright’s 1959 “Island of Hallucination,” the author insists on Paris being a place with “no race prejudice” (190). And yet, African American exiles knew no one in Paris was color- blind. One only need remember the sight of a semi-nude Josephine Baker in banana skirt gyrating her hips in la danse sauvage, or Bald- win’s exasperation when asked if he played the trumpet, or Chester Himes and Richard Gibson’s fear of getting caught in anti-Algerian police raids.1 Even in the domain of interracial romance, it was rarely French women who were involved with black American men. -
CIVIL RIGHTS and SOCIAL JUSTICE Abolitionism: Activism to Abolish
CIVIL RIGHTS and SOCIAL JUSTICE Abolitionism: activism to abolish slavery (Madison Young Johnson Scrapbook, Chicago History Museum; Zebina Eastman Papers, Chicago History Museum) African Americans at the World's Columbian Exposition/World’s Fair of 1893 (James W. Ellsworth Papers, Chicago Public Library; World’s Columbian Exposition Photographs, Loyola University Chicago) American Indian Movement in Chicago Anti-Lynching: activism to end lynching (Ida B. Wells Papers, University of Chicago; Arthur W. Mitchell Papers, Chicago History Museum) Asian-American Hunger Strike at Northwestern U Ben Reitman: physician, activist, and socialist; founder of Hobo College (Ben Reitman Visual Materials, Chicago History Museum; Dill Pickle Club Records, Newberry Library) Black Codes: denied ante-bellum African-Americans living in Illinois full citizenship rights (Chicago History Museum; Platt R. Spencer Papers, Newberry Library) Cairo Civil Rights March: activism in southern Illinois for civil rights (Beatrice Stegeman Collection on Civil Rights in Southern Illinois, Southern Illinois University; Charles A. Hayes Papers, Chicago Public Library) Carlos Montezuma: Indian rights activist and physician (Carlos Montezuma Papers, Newberry Library) Charlemae Hill Rollins: advocate for multicultural children’s literature based at the George Cleveland Branch Library with Vivian Harsh (George Cleveland Hall Branch Archives, Chicago Public Library) Chicago Commission on Race Relations / The Negro in Chicago: investigative committee commissioned after the race riots -
Reading the Negro Bible – Online Access to Jet and Ebony
Tait, D. (2009) Reading the "Negro Bible": online access to Jet and Ebony. Resources for American Studies, 62 . ISSN 1746-9414 http://eprints.gla.ac.uk/39279/ Deposited on: 24 September 2010 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Reading the “Negro Bible” : Online access to Jet and Ebony Abstract : this article gives a very brief account of the rise to prominence of the black owned and run Johnson Publishing Company, with particular emphasis on its earlier years and specifically on the role played by its two most important publications, Ebony and Jet. The late Redd Foxx called Jet "The Negro Bible," and a character in one of poet/playwright Maya Angelou's plays said that "if it wasn't in Jet, it didn't happen.". It then describes how runs of these 2 titles, and others from the same publishing house, are now available online from Google Book Search, before looking at some potential uses of these resources as primary source material for research. Some samples of the covers of issues of Jet and Ebony Introduction As yet, there are few 20th century magazine archives freely available online, (with Time being a notable exception). By contrast, there is an increasing amount of newspaper content becoming digitised, much of it via Google News Archive Search1, and available free of charge. Yet perhaps even more so than newspapers, magazines can be hugely important tools for historical research, carrying as they do a range of content such as articles, reviews and advertisements which cumulatively allow unique insights into the cultural mores and attitudes of readership of any given title. -
Gone with the Wind and the Imagined Geographies of the American South Taulby H. Edmondson Dissertation Submitt
The Wind Goes On: Gone with the Wind and the Imagined Geographies of the American South Taulby H. Edmondson Dissertation submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy In Social, Political, Ethical, and Cultural Thought Emily M. Satterwhite, Co-Chair David P. Cline, Co-Chair Marian B. Mollin Scott G. Nelson February 13, 2018 Blacksburg, Virginia Keywords: Gone with the Wind, Mass Media and History, US South, Slavery, Civil War, Reconstruction, African American History, Memory, Race Relations, Whiteness, Nationalism, Tourism, Audiences Copyright: Taulby H. Edmondson 2018 The Wind Goes On: Gone with the Wind and the Imagined Geographies of the American South Taulby H. Edmondson ABSTRACT Published in 1936, Margaret Mitchell’s Gone with the Wind achieved massive literary success before being adapted into a motion picture of the same name in 1939. The novel and film have amassed numerous accolades, inspired frequent reissues, and sustained mass popularity. This dissertation analyzes evidence of audience reception in order to assess the effects of Gone with the Wind’s version of Lost Cause collective memory on the construction of the Old South, Civil War, and Lost Cause in the American imagination from 1936 to 2016. By utilizing the concept of prosthetic memory in conjunction with older, still-existing forms of collective cultural memory, Gone with the Wind is framed as a newly theorized mass cultural phenomenon that perpetuates Lost Cause historical narratives by reaching those who not only identify closely with it, but also by informing what nonidentifying consumers seeking historical authenticity think about the Old South and Civil War. -
NEGRO PUBLICATIONS. Newspapers. When Federal Troops
NEGRO PUBLICATIONS. Newspapers. When federal troops marched into Oxford, Miss., following the desegrega tion of the University of Mississippi in September 1962, the circulation of Negro newspapers across the country reached an all-year high. As the tension subsided and it became apparent that James H. Meredith, the first known Negro ever to be enrolled by "Ole Miss,” would be allowed to remain, the aggregate circulation of Negro newspapers dwindled again to an approximate 1.5 million. Since the end of World War II, when the nation’s Negro newspapers began a general decline in both number and cir culation, racial crises have been the principal spur to periodic —and usually temporary—circulation increases. The editor of a Detroit Negro weekly equated the survival of the Negro press with the prevailing degree of Jim Crow. "If racial discrimination and enforced segregation were ended tomor row,” he suggested, "the Negro press would all but disappear from the national scene.” While this statement is a deliberate oversimplification of the situation, it is borne out, to some extent, by the recent history of the Negro press. In 1948, six years before the Supreme Court desegregation decision, there were some 202 Negro newspapers with a total circulation of 3 million. But in 1962, according to the annual report of the Lincoln (Mo.) University School of Journalism, the number of Negro news papers—daily, weekly, semiweekly, and biweekly—had shrunk to 133, with a gross circulation of just over half the 1948 figure. The Pittsburgh Courier, which in 1948 boasted a national weekly circulation of 300,000, now sells about 86,000 copies in its various editions. -
Johnson Publishing Company Building 820 S
LANDMARK DESIGNATION REPORT Publisher John H. Johnson (1918–2005) Architect John Warren Moutoussamy JOHNSON PUBLISHING COMPANY BUILDING 820 S. MICHIGAN AVENUE Final Landmark Recommendation adopted by the Commission on Chicago Landmarks, October 5, 2017 CITY OF CHICAGO Rahm Emanuel, Mayor Department of Planning and Development David Reifman, Commissioner 1 The Johnson Publishing Company is located at 820 S. Michigan Boule- vard Building, it shown here a year after it was completed in 1971. (Hedrich-Blessing photo- graph collection, Job file HB-35849, Chicago History Museum) 2 CONTENTS Introduction 4 John Johnson and the Johnson Publishing Company 7 Building Design and Construction 9 Architect John Warren Moutoussamy (1922-1995) 12 Criteria For Designation 14 Significant Historical and Architectural Features 16 Select Bibliography 17 3 JOHNSON PUBLISHING COMPANY BUILDING 820 S. MICHIGAN AVENUE BUILT: 1969-71 (Dedicated 1972) ARCHITECT: JOHN W. MOUTOUSSAMY, OF DUBIN, DUBIN, BLACK AND MOUTOUSSAMY On May 16, 1972, over 1,000 politicians, business leaders, and celebrities gathered on Michigan Avenue to dedicate the new and boldly modern headquarters of the Johnson Publishing Company. It was the first and on- ly structure in downtown Chicago built by an African American, publisher John H. Johnson. A unique inter- pretation of the International Style, the building was designed by Chicago architect John W. Moutoussamy, the first African American to become partner in a large Chicago architectural firm, Dubin, Dubin, Black & Moutoussamy. The dedication speech by Johnson, the founder of the nationally-significant publishing compa- ny, described the architecture as a reflection of his publishing company’s “openness to truth, openness to light, openness to all the currents swirling in all the black communities of this land.” Johnson founded his publishing company in 1942 on a shoestring and over the next six decades grew it into one of the most influential African American businesses in the nation. -
Sample Chapter
BUSINESS ENTREPRENEURS/ MEDIA frican Americans have a long and rich his- Virginia, is believed to be the first person of tory of entrepreneurship in America; African descent to have become an entrepreneur AAfrican Americans have been in business in America. Jean Baptist DuSable, a wholesaler since before the Civil War and continue their en- and merchant who established the first settle- trepreneurial tradition today. Segments of the ment in Chicago in the early 1770s, was another African American population have exhibited the pre-Civil War era entrepreneur. same entrepreneurial spirit as segments of other ethnic groups who have migrated to this coun- Prior to the Civil War, however, slavery de- try. Very often, however, the history of black en- fined the existence of most African Americans. trepreneurship has been either overlooked or Thus, two categories of business persons were misconstrued. able to develop and sustain business enterprises. The first group was composed of free African Americans, numbering approximately sixty thou- ENTREPRENEURS sand, who could accumulate the capital to gen- erate business activity. They developed ntrepreneurship for African Americans has enterprises in almost every area of the business incorporated ownership as a means to man- community, including merchandising, real estate, age and disseminate information for the E manufacturing, construction, transportation, and betterment of the community as well as a means extractive industries. to gain economic opportunities. African Ameri- can religious publishers were the first entrepre- The second group consisted of slaves who— neurs to represent African American interests as a result of thrift, ingenuity, industry, and/or the using print media. -
Books of Interest
Books of Interest The Book Collecting Practices of Black Magazine Editors (Sacramento, CA: Litwin Books, LLC, 2014, pp.120; ISBN: 978-1-936117-63-5) by Thomas Weissinger. This work focuses on the collecting habits and personal libraries of three Black magazine editors, Ben Burns and Era Bell Thompson editors of Negro Digest, Ebony and Jet, and Tom Dent, editor of Umbra and Nkombo. The book builds upon prior research in Black bibliography, examines the reasons why certain Black press editors sought to assemble personal libraries, considers the effect of racial ideology on their collection building activities, and takes a look at how their collections are configured and on what makes them useful. In regards to data analysis, a mixed-methods approach is used via historical analysis based on primary and secondary sources to discern the racial ideologies and personal experiences of the bibliophiles wherein text network analysis is used to analyze the structure and configuration of their personal libraries. Blackness in the Andes: Ethnographic Vignettes of Cultural Politics in the Time of Multiculturalism (Macmillan, 2014, pp.256, ISBN: 978-1-137-27271-3) by Jean Muteba Rahier. In this work the author examines the cultural politics of Afro- Ecuadorian populations within the context of the Andean region's recent pivotal history and the Latin American 'multicultural turn" of the past two decades, bringing contemporary political trends together with questions of race, space, and sexuality. Organized around eight ethnographic vignettes, the book