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The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Magazines Timeline Workflow
Black Magazines As a Mirror to 1960-1970s American History A Statistical Approach Kushal K Dey1, Lei Sun1 and Lauren M. Jackson2 1 Department of Statistics, 2 Department of English Word frequency analysis Word pair associations Timeline We apply word2vec on yearly text data, which learns vector embeddings for words and then computes cosine of angle between the embedded Relative frequencies of (black) vectors for a word pair to determine their association score - the higher and (negro) related words show the score, the more similar are the words contextually an identity shift towards the dr. king vs assassination trend plot dr. king vs assassination trend plot 0.8 end of civil rights movement 0.5 (martin luther king) 0.6 0.4 vs 0.3 Assassination of 0.4 Moon 1st Cuban missile Assassination of Dr. King and Watergate landing Negro Digest / Black World Ebony (assassination) 0.2 Earth 0.2 crisis John F. Kennedy score association Robert Kennedy scandal score association Day 0.1 0.0 Trend in association 0.0 1964 1968 1972 1976 Upon removing black and negro related words terms 1964 1968 1972 1976 year score across time year Clustering of texts (K=2) from each of the 2 magazines using their yearly data on frequencies Ebony Negro Digest / Black of the different words in the vocabulary (topic models). R package : CountClust World 1976 1975 1974 1973 1970 1971 1972 1965 1967 1962 1964 1963 1968 1961 1966 1969 Black, negro identity influencing associations Ebony Negro Digest / Black World Civil rights movement Ebony_1976 BL_1976 theater, watergate, -
INFORMATION to USERS This Manuscript Has Been Reproduced
INFO RM A TIO N TO U SER S This manuscript has been reproduced from the microfilm master. UMI film s the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be fromany type of con^uter printer. The quality of this reproduction is dependentquality upon o fthe the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inqjroper alignment can adverse^ afreet reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiD indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one e3q)osure and is included in reduced form at the back of the book. Photogr^hs included inoriginal the manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for aiy photographs or illustrations appearing in this copy for an additional charge. Contact UMI direct^ to order. UMJ A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 LAWLESSNESS AND THE NEW DEAL; CONGRESS AND ANTILYNCHING LEGISLATION, 1934-1938 DISSERTATION presented in partial fulfillment of the requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Robin Bernice Balthrope, A.B., J.D., M.A. -
Here May Is Not Rap Be Music D in Almost Every Major Language,Excerpted Including Pages Mandarin
ENCYCLOPEDIA OF THE BLACK ARTS MOVEMENT ed or printed. Edited by istribut Verner D. Mitchell Cynthia Davis an uncorrected page proof and may not be d Excerpted pages for advance review purposes only. All rights reserved. This is ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 18_985_Mitchell.indb 3 2/25/19 2:34 PM ed or printed. Published by Rowman & Littlefield An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 istribut www.rowman.com 6 Tinworth Street, London, SE11 5AL, United Kingdom Copyright © 2019 by The Rowman & Littlefield Publishing Group Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: Mitchell, Verner D., 1957– author. | Davis, Cynthia, 1946– author. Title: Encyclopedia of the Black Arts Movement / Verner D. Mitchell, Cynthia Davis. Description: Lanhaman : uncorrectedRowman & Littlefield, page proof [2019] and | Includes may not bibliographical be d references and index. Identifiers:Excerpted LCCN 2018053986pages for advance(print) | LCCN review 2018058007 purposes (ebook) only. | AllISBN rights reserved. 9781538101469This is (electronic) | ISBN 9781538101452 | ISBN 9781538101452 (cloth : alk. paper) Subjects: LCSH: Black Arts movement—Encyclopedias. Classification: LCC NX512.3.A35 (ebook) | LCC NX512.3.A35 M58 2019 (print) | DDC 700.89/96073—dc23 LC record available at https://lccn.loc.gov/2018053986 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. -
ED054036.Pdf
DOCUMENT RESUME ED 054 036 SO 001 726 AUTHOR Moskowitz, Jack W. TITLE The New Mood of Black America. INSTITUTION Minneapolis Public Schools, Minn. PUB DATE 69 NOTE 121p. EDRS PRICE EDRS Price MF-$0.65 HC-$6.58 DESCRIPTORS *Activism, *African American Studies, *Black Community, *Black Power, *Current Events, Economic Factors, Ethnic Studies, Grade 9, Human Relations, Negro Culture, Negro History, Political Power, Race Relations, Secondary Grades, Social Studies Units, Supplementary Reading Materials ABSTRACT This is a collection of articles, excerpts, poems, essays, and short stories dealing with the increasingly militant and aggressive posture now being assumed by certain segments of the Black community. It attempts to reflect, for the teacher and student, the direction in which great masses of Black Americans are currently moving. The initial chapter, Some Historical Considerations, attempts to compare the Black Revolution today with certain aspects of the American Revolution. Chapter two, Black Power, discusses various interpretations of this concept. Chapters three and four are concerned with the economic and political implications of Black Power. Chapter five, Brothers, discusses the legacy of Malcolm X and closes with statements concerning other alternatives open to Black America. Expression, chapter six, contains several poems and a discussion of the national controversy over the proper name for Americans of African descent, Negro vs. Afro-American vs. Black. The collection is designed to clarify the specific teaching episode prepared for grade 9 during the 1968-69 school year by the Task Force and will serve as a beginning in contemporary race relations. (Author/SBE) SOCIAL NOT TO BE REMOVED fileiM LIBRARY TASK FORCE ON MINORITY CULTURES THE NEW MOOD OF THE BLACK AMERICAN Perspectives for Teachers Y- THE MINNEAPOLIS PUBLIC SCHOOLS "4 1 SpecialTask Force on Minority Cultures Minneapolis Public Schools Minneapolis, Minnesota Dr. -
Reading the Negro Bible – Online Access to Jet and Ebony
Tait, D. (2009) Reading the "Negro Bible": online access to Jet and Ebony. Resources for American Studies, 62 . ISSN 1746-9414 http://eprints.gla.ac.uk/39279/ Deposited on: 24 September 2010 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Reading the “Negro Bible” : Online access to Jet and Ebony Abstract : this article gives a very brief account of the rise to prominence of the black owned and run Johnson Publishing Company, with particular emphasis on its earlier years and specifically on the role played by its two most important publications, Ebony and Jet. The late Redd Foxx called Jet "The Negro Bible," and a character in one of poet/playwright Maya Angelou's plays said that "if it wasn't in Jet, it didn't happen.". It then describes how runs of these 2 titles, and others from the same publishing house, are now available online from Google Book Search, before looking at some potential uses of these resources as primary source material for research. Some samples of the covers of issues of Jet and Ebony Introduction As yet, there are few 20th century magazine archives freely available online, (with Time being a notable exception). By contrast, there is an increasing amount of newspaper content becoming digitised, much of it via Google News Archive Search1, and available free of charge. Yet perhaps even more so than newspapers, magazines can be hugely important tools for historical research, carrying as they do a range of content such as articles, reviews and advertisements which cumulatively allow unique insights into the cultural mores and attitudes of readership of any given title. -
1YIARCH Tlibb a Jotinsan Rl7"LICATIOM S6a BLACK POWER IS 100 YEARS OLD
1YIARCH tliBB A JOtiNSaN rl7"LICATIOM S6a BLACK POWER IS 100 YEARS OLD 56.95 400 pages Illustrated Indexed The lessons of the Reconstruc- tion period ; the great achievements and brilliant careers of black men in the years after Emancipation and the bitter effects of the first "white back- lash" are detailed in Lerone Bennett's new book, a companion volume to his best-selling Negro history, Before the Mayflower. CONTENTS MARCH 1968 VOL. XVII NO . 5 Editor and Publisher: JOHN H. JOHNSON The Blacli University The Nature and Needs of the Black Managing Editor: University . , , . , , , . Gerald McIGorter 4 Hoyt W. Fuller The Black University: A Practical Approach Art Director : Darwin T. Turner 14 Herbert Temple The Black University : Toward Its Production Assistant: Ariel P. Strong Realization . Stephen E. Henderson 2l Circulation Manager : The Black University and Its Community Robert H, Fentress J. Herman. Blake 27 Some International Implications of the Necao Dmesr is pub- lished monthly at 1820 Black University . .Vincent Harding 32 S . Michigan Avenue, Chicago, Illinois 60616 . (" Copyright, 1968 by Final Reflections on A `Negro' College : the Johnson Publishing Company, Inc. New A Case Study . , , , , . Nathan Hare 40 York offices : Rockefel- ler Center, 1270 Ave- nue of the Americas, Editor's Notes . , . . 97 New York 10020 . I os Angeles offices : 3600 W'ilshirc Blvd ., Los Angeles, Calif . 900115, Washington, D . C . of- Fiction fices : 1750 Pennsyl- vania Ave ., N .W ., Washington, D . C ., The Game . , . , . , , . , , ,Christine :0006. Paris office, 38, Reanrs 54 Avenue George ~' Paris R", France . Sec- ond class postage paid at Chicago, Illinois . Photo Feature Reproduction in w9tole or in part forbidden without permission . -
NEGRO PUBLICATIONS. Newspapers. When Federal Troops
NEGRO PUBLICATIONS. Newspapers. When federal troops marched into Oxford, Miss., following the desegrega tion of the University of Mississippi in September 1962, the circulation of Negro newspapers across the country reached an all-year high. As the tension subsided and it became apparent that James H. Meredith, the first known Negro ever to be enrolled by "Ole Miss,” would be allowed to remain, the aggregate circulation of Negro newspapers dwindled again to an approximate 1.5 million. Since the end of World War II, when the nation’s Negro newspapers began a general decline in both number and cir culation, racial crises have been the principal spur to periodic —and usually temporary—circulation increases. The editor of a Detroit Negro weekly equated the survival of the Negro press with the prevailing degree of Jim Crow. "If racial discrimination and enforced segregation were ended tomor row,” he suggested, "the Negro press would all but disappear from the national scene.” While this statement is a deliberate oversimplification of the situation, it is borne out, to some extent, by the recent history of the Negro press. In 1948, six years before the Supreme Court desegregation decision, there were some 202 Negro newspapers with a total circulation of 3 million. But in 1962, according to the annual report of the Lincoln (Mo.) University School of Journalism, the number of Negro news papers—daily, weekly, semiweekly, and biweekly—had shrunk to 133, with a gross circulation of just over half the 1948 figure. The Pittsburgh Courier, which in 1948 boasted a national weekly circulation of 300,000, now sells about 86,000 copies in its various editions. -
October 15,1872
THF PORTLAND DAILY PRESS SUMMER RETREATS. WANTS, LOST, FOUND. REAL ESTATE. the miscellaneous. BUSINESS DIRECTORY. his publiKhcd every day (Sundays excepted) by press. volumes are standards in their way, still POBTIiAKD PI BI,I*HH(« CO., | [the others, from an error in his choice of subjects or of GEORGES HOTEL Geo. R. Davis & Agency for Sewing Machines. judgment a< to his own were not At toft Exchange St, Portland. Wanted Co.’s TUESDAY MORNING, OCT. 15, 1N72. gifts, Immediately FITZGERALDS H. DYER, No. 973 middle Mt. All successful. Terms : Eight Dollars a Year in advauce. MAIN STREET. Carpenters. Apply at W. Barrows’ B ULLETIJS, Shop kind, of maekine. for .ale and to let. A TENfoot of Cross street. master of an? idiomatic English, a# a THE MAINE STATE PRESS TH0MA8T0N, MAINE ocl4-d3t WM. BARROWS. Repairing. Gossip and Gleanings. he $20,000 to Loan It I prose-writer, did not succeed so well in which he sometimes And Is every Thcrsdav Morning at 50 a POPULAR Bakers. V'> attempted. published $2 This well favorite house has Wanted STORE. at 00 a old, known and durin; We are prepared to loan money In aiams W. C. has sumac and Of the fire year; if paid iu advance, $2 year. CORB,No. 13 Pearl Mt. Virginia seventeen mills, him k b.all. somet'ling poetic in he past winter, been repaired, remodelei i CIGMETHING to do a man who is thoroughly by young willing from 9100 lo any amount desired, on first r?“* were in his nd supplied with new furniture, in style equal t to work. -
Julyissuesingle.Pdf
The Independent Journal ofCreative Improvised Music cadence Vol 38 No3 JUL AUG SEP 2012 The New York City Jazz Record EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING: [email protected] SUBSCRIPTIONS AND GENERAL INFO: [email protected] FOLLOW US ON TWITTER: @NYCJAZZRECORD www.nycjazzrecord.com Cadence The Independent Journal of Creative Improvised Music July - August - September 2012 ABBREVIATIONS USED Vol. 38 No. 3 (401) IN CADENCE Cadence ISSN01626973 is published quarterly online acc: accordion and annually in print by as: alto sax Cadence Media LLC, bari s : baritone sax P.O. Box 282, Richland, OR 97870 b cl: bass clarinet bs: bass sax PH 315-289-1444 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Copy Editors: Kara D. Rusch, Jeffrey D. Todd flt: flute Transcriptions: Colin Haney, Paul Rogers, Rogers Word Fr hn: French horn Services g: guitar Art Director: Alex Haney hca: harmonica Crosswords: Ava Haney Martin kybd: keyboards Promotion and Publicity: Tiffany Rozee ldr: leader Advisory Committee: ob: oboe Jeanette Stewart org: organ Colin Haney perc: percussion Robert D. Rusch p: piano Abe Goldstein pic: piccolo rds: reeds ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and ss: soprano sax Discover accepted. sop: sopranino sax POSTMASTER: Send address change to Cadence Magazine, P.O. synth: synthesizer Box 282, Richland, OR 97870 ts: tenor sax © Copyright 2012 Cadence Magazine tbn: trombone Published by Cadence Media, LLC. -
Black Popular Culture
BLACK POPULAR CULTURE THE POPULAR CULTURE STUDIES JOURNAL AFRICOLOGY: A:JPAS THE JOURNAL OF PAN AFRICAN STUDIES Volume 8 | Number 2 | September 2020 Special Issue Editor: Dr. Angela Spence Nelson Cover Art: “Wakanda Forever” Dr. Michelle Ferrier POPULAR CULTURE STUDIES JOURNAL VOLUME 8 NUMBER 2 2020 Editor Lead Copy Editor CARRIELYNN D. REINHARD AMY DREES Dominican University Northwest State Community College Managing Editor Associate Copy Editor JULIA LARGENT AMANDA KONKLE McPherson College Georgia Southern University Associate Editor Associate Copy Editor GARRET L. CASTLEBERRY PETER CULLEN BRYAN Mid-America Christian University The Pennsylvania State University Associate Editor Reviews Editor MALYNNDA JOHNSON CHRISTOPHER J. OLSON Indiana State University University of Wisconsin-Milwaukee Associate Editor Assistant Reviews Editor KATHLEEN TURNER LEDGERWOOD SARAH PAWLAK STANLEY Lincoln University Marquette University Associate Editor Graphics Editor RUTH ANN JONES ETHAN CHITTY Michigan State University Purdue University Please visit the PCSJ at: mpcaaca.org/the-popular-culture-studies-journal. Popular Culture Studies Journal is the official journal of the Midwest Popular Culture Association and American Culture Association (MPCA/ACA), ISSN 2691-8617. Copyright © 2020 MPCA. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 EDITORIAL BOARD CORTNEY BARKO KATIE WILSON PAUL BOOTH West Virginia University University of Louisville DePaul University AMANDA PICHE CARYN NEUMANN ALLISON R. LEVIN Ryerson University Miami University Webster University ZACHARY MATUSHESKI BRADY SIMENSON CARLOS MORRISON Ohio State University Northern Illinois University Alabama State University KATHLEEN KOLLMAN RAYMOND SCHUCK ROBIN HERSHKOWITZ Bowling Green State Bowling Green State Bowling Green State University University University JUDITH FATHALLAH KATIE FREDRICKS KIT MEDJESKY Solent University Rutgers University University of Findlay JESSE KAVADLO ANGELA M. -
The Limit of Endurance Has Been Reached: the 7Th Us Cavalry
THE LIMIT OF ENDURANCE HAS BEEN REACHED: THE 7TH U.S. CAVALRY REGIMENT, RACIAL TERROR AND RECONSTRUCTION, 1871-1876 A Dissertation by THOMAS GLENN NESTER Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2010 Major Subject: History The Limit of Endurance Has Been Reached: The 7th U.S. Cavalry Regiment, Racial Terror and Reconstruction, 1871-1876 Copyright 2010 Thomas Glenn Nester THE LIMIT OF ENDURANCE HAS BEEN REACHED: THE 7TH U.S. CAVALRY REGIMENT, RACIAL TERROR AND RECONSTRUCTION, 1871-1876 A Dissertation by THOMAS GLENN NESTER Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Joseph G. Dawson III Committee Members, Walter Kamphoefner Albert Broussard Henry C. Schmidt William Bedford Clark Head of Department, Walter Buenger May 2010 Major Subject: History iii ABSTRACT The Limit of Endurance Has Been Reached: The 7th U.S. Cavalry, Racial Terror, and Reconstruction, 1871-76. (May 2010) Thomas Glenn Nester, B.A., Susquehanna University; M.A., Temple University Chair of Advisory Committee: Dr. Joseph G. Dawson III The 7th Cavalry Regiment participated in Reconstruction during two of its most critical phases. Companies from the regiment were deployed to South Carolina, from 1871-73, to conduct the federal government’s campaign to eradicate the Ku Klux Klan and to Louisiana, from 1874-76, in an effort to protect the legally-elected state government against White League depredations.