Hope in the Life of Thomas More Thomas L
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Relevance of St. Thomas More
The Catholic Lawyer Volume 13 Number 2 Volume 13, Spring 1967, Number 2 Article 5 The Relevance of St. Thomas More Richard A. Vachon, S.J. Follow this and additional works at: https://scholarship.law.stjohns.edu/tcl Part of the Catholic Studies Commons This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in The Catholic Lawyer by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. THE RELEVANCE OF ST. THOMAS MORE RICHARD A. VACHON, S.J.* T HOMAS MORE WAS the contemporary man. I mean this not in the sense Winston Churchill had in mind when he wrote, "More stood forth as the defender of all that was finest in the medieval outlook." Rather, Thomas More was our man. He worked for a salary and met a payroll. Long before urban sprawl, More was a city man-Reynolds calls him the greatest of all Londoners. He was born in the city and lived in the heart of it for nearly 50 years. Then he became a suburbanite-opening up Chelsea. He invested in land, leasing farmland to tenant-farmers or holding it on speculation. He was a politician, probably the only canonized saint who ever ran for public office and won. And when Parliament elected him Speaker, he petitioned and received from the King immunity for the members of the House to express their opinions freely on the matters submitted to them. -
JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES. -
Hans Holbein at the Court of Henry VIII
Holbein at the Court of Henry VIII • The talk is about Holbein’s life in England and the well known personalities at Henry VIII’s court that he painted. • Figures such as Thomas Wolsey (no portrait by Holbein), Thomas More, Thomas Cromwell, Richard Rich (drawing), and Thomas Cranmer (not by Holbein) figured prominently in Henry's administration. • I discuss Holbein’s style by comparing his drawings with his paintings. • And, finally, I look at the many puzzles presented by The Ambassadors. Notes The Tudors (1485 -1603) in brief: • Henry VII 1485 – 1509, Henry Richmond, descendent of John of Gaunt, defeated Richard III at Bosworth Field in 1485. Married Elizabeth of York uniting the two houses of York (white) and Lancaster (red) as symbolised in the white and red rose he adopted. He was a skilful politician but he is often described as avaricious although this did mean he left a lot in the treasury for his son to spend. • Henry VIII 1509 – 1547, he married Catherine of Aragon (his brother’s widow and mother of Mary) but Henry annulled the marriage to marry Anne Boleyn (mother Elizabeth) who he beheaded for alleged adultery. He declared himself head of the Catholic Church and married Jane Seymour who died after giving birth to Edward. He then married Anne of Cleves but the marriage was annulled and she survived Henry the longest. He then married Catherine Howard who he beheaded for adultery and finally Catherine Parr (her third husband) who outlived him and married Thomas Seymour (who grew up in Wulfhall) whose brother was Edward Seymour, Lord Protector of England during the first two years of Edward VI’s reign. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Grade Twelve: Theology Course: Western Philosophy Text: a Man for All Seasons Author: Robert Bolt
Grade Twelve: Theology Course: Western Philosophy Text: A Man for All Seasons Author: Robert Bolt Main Characters The Common Man Margaret More William Roper Sir Thomas More Cardinal Wolsey King Henry VIII Richard Rich Thomas Cromwell Cranmer, Archbishop of The Duke of Norfolk Signor Chapuys, the Canterbury Alice More Spanish Ambassador Character Reflections 1. Who is the Common Man? What different roles does he play? What do they all have in common? 2. What is Thomas More's occupation? What virtues is he known for? Describe his relationship with King Henry at the beginning of the play. 3. Who is King Henry VIII? What is his predicament? Why does this present a problem for his ministers? 4. How does Thomas More's family look at him? What is his relationship with his daughter, Margaret, like? 5. What is the nature of Thomas More's friendship with the Duke of Norfolk? How are they different from each other? How does their friendship change by the end of the play? 6. Who is Richard Rich? What advice does Thomas give him? Why does he refuse to take this advice? How does he “lose his innocence”? 7. Why does King Henry so greatly desire Thomas's approval of his divorce from Catherine of Aragon? 8. Why does Thomas refuse to share with his family and friends his opinion about the King's actions? 9. Who is William Roper? Why does Thomas initially refuse to give his daughter to him in marriage? In what way are he and Thomas very different? How are they the same? 10. -
Volume Dedication to Honorable Francis X. Swietlik Robert F
Marquette Law Review Volume 52 Article 1 Issue 1 Summer 1968 Volume Dedication to Honorable Francis X. Swietlik Robert F. Boden Follow this and additional works at: http://scholarship.law.marquette.edu/mulr Part of the Law Commons Repository Citation Robert F. Boden, Volume Dedication to Honorable Francis X. Swietlik, 52 Marq. L. Rev. (1968). Available at: http://scholarship.law.marquette.edu/mulr/vol52/iss1/1 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Law Review by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. (Photo by B. Artin Haig) Hon. Francis X. Swietlik HONORABLE FRANCIS X. SWIETLIK In A Man For All Seasons, the hit play by Robert Bolt, concerned with the martyrdom of the lawyer-saint, Sir Thomas More, a scene at the opening of the play has More counseling with young Rich con- cerning the latter's future, and More suggests that he might consider a career as a teacher. Rich objects that little fame can come to a teacher and that, after all, who would ever know if he would be a successful teacher, to which More replies: "You, your pupils, your friends, God. Not a bad public that." The "public" of Judge Francis X. Swietlik, Dean Emeritus of the Law School, includes three generations of lawyers practicing through- out the country and in several foreign countries. The judge's teaching career at Marquette spans 52 of the school's 60 years of existence. -
Contemporary Dramatists 9
CONTEMPORARY 1/ DRAMATISTS SECOND EDITION WITH A PREFACE BY RUBY COHN EDITOR JAMES VINSON ASSOCIATE EDITOR D. L. KIRKPATRICK ST. JAMES PRESS ' ST. MARTIN'S PRESS LONDON NEW YORK COPYRIGHT© 1977 BY ST. JAMES PRESS LTD. All rights reserved. For information, write: St. James Press Ltd., 3 Percy Street, London WIP 9FA or St. Martin's Press, Inc., 175 Fifth Ave., New York, N.Y. 10010 Typeset by Computacomp (UK) Ltd., and Printed in Great Britain ISBN 0 900997 86 9 Library of Congress Catalog Card Number 76-54628 First published in the u.K. and U.s.A. in 1977 /) f') ,1 / '\ ~-7 \) CONTENTS PREFACE BY RUBY COHN page vii EDITOR'S NOTE xi ADVISERS AND CONTRIBUTORS xiii. CONTEMPORARY DRAMATISTS 9 SUPPLEMENT SCREEN WRITERS 891 RADIO WRITERS 901 TELEVISION WRITERS 913 MUSICAL LIBRETTISTS 923 THE THEATRE OF MIXED MEANS 939 THEATRE COLLECTIVES 951 APPENDIX 967 TITLE INDEX 991 NOTES ON ADVISERS AND CONTRIBUTORS 1077 ADVISERS Arthur H. Ballet Frank Marcus Michael Benedikt E. A. Markham Eric Bentley Benedict Nightingale Herbert Blau Richard Schechner John Bowen Alan Schneider Harold Clurman Michael Smith Ruby Cohn John Spurling John Robert Colombo Alan Strachan Albert Cook J. L. Styan Robert W. Corrigan Howard Taubman W. A. Darlington John Russell Taylor John Elsom J. C. Trewin Richard Gilman Darwin T. Turner Ronald Hayman Irving Wardle Stanley Kauffmann Gerald Weales Laurence Kitchin B. A. Young Richard Kostelanetz CONTRIBUTORS Erica Aronson Martin Gottfried Roger Baker Anthony Graham-White Arthur H. Ballet Jonathan Hammond David W. Beams Ronald Hayman James Bertram Dick Higgins C. W. E. Bigsby Errol Hill Michael Billington Morgan Y. -
EASTERN ILLINOIS UNIVERSITY THEATRE a PLAY by ROBERT BOLT M
EASTERN ILLINOIS UNIVERSITY THEATRE presents A PLAY BY ROBERT BOLT m. A MAN FOR ALL SEASONS Directed by GCRALD SULLIVAN Set~ing Designed by CINDI S\HTZER (under the supervision of C. F. Blanchette) Costumes Designed by Lighting Designed by KANCY PAULE BRUCE K. MORRISS Technic al Direction by CINDI SWITZER & C.P. BLANCHETTE Cast of Characters (In the Order of Their Appearance) THE COHMON MAN •.. ,, •.. •• ,.,., .•••••... Gary Shrader SIR THOMAS MORE •••. • ...•...•. , •• ~,,, ... Randy Arney MASTER RICHARD RICH, .••• •• ••1 •••• I •••••• Earl H~lbe THE DUKE OF NORFOLK, Earl Marshal of England, , .. .• Ben Andrews LADY ALICE MORE , Sir Thomas's Wife. ,,, .•. , ••. , ••. • Kati e Sullivan LADY MARGARET MORE, Sir Thomas's daughter ...•.•.. , Theresa Sparlin CARDINAL WOLSEY, .• ..... , • . • , , .• , .. Scott Zimmerman THO HAS CROMWELL •. , . , . , . , .•. , , •••. J arne s P . Kl ec kn e r SIGNOR CHAPUYS , the Spanish Ambassador .. , .•.•••.•. John Hightower CHAPUY 'S ATTENDANT ,. ,,,, , ... ,.,.,. I, Terry Kroenung WILLIAM ROPER •...•.•...•.•...•...• Scott J . Stanley KING HENRY the EIGHTH., .•. .• , .•.•.• , •. Peter Samuel A WOHAN • . •••.• . •• 1., •••••••• , •• 1 •• • 1 •••• Betty Cash THOMAS CRANMER, Archbishop of Canterbury ,, .•.•... , Bill Pierson The action of the play takes place in England during the 16th Century. There will be one ten-minute intermission . Production Staff: STAGE MANAGER • •••• .••• , , •• • • • • •• •• • . • .. Julia Grant ASSISTANT STAGE MANAG ER • .• •• . , . ••. •. Terry Kroenung PROPERTIES MISTRESS .• • -
A Study Guide, with Theatrical Emphasis, for Robert Bolt's Play a Man for All Seasons For
A Study Guide, with Theatrical Emphasis, For Meg for Robert Bolt’s Play A Man for All Seasons by Arthur Kincaid V. Questions for Discussion and Essay Writing…..….…....…105 Contents VI. List of Works Consulted……………….………..………..109 I. Introduction…………………………..……….………..….5 II. General Background 1. Thomas More…………………………..….……...……..6 2. Henry VIII and Thomas More…...……….…….….…..10 3. Renaissance Humanism…...……………....…….….…..12 4. Robert Bolt…………………………………...….…..…13 5. Theatrical Influences………………………….......…....15 III. Classroom & Theatre Performance 1. What Is Theatre?……………...………….….…….....…19 2. Aspects of a Play...……………………………………..22 3. Classroom Performance………...………………..…......30 4. Full Performance………………………………………31 5. Acting Exercises……………….……..………….....…..37 IV. Notes and Questions for Study and Performance 1. Act 1, A Man for All Seasons……………...…….....…..….47 2. Act 2, A Man for All Seasons……………....……..…....….74 5 www.thomasmorestudies.org Kincaid’s Guide: A Man for All Seasons 6 II. General Background I. Introduction 1. Sir Thomas More This guide is designed to give a performance orientation to the study of Robert Bolt’s A Man for All Seasons. It attempts to encourage teachers Nobody wants to be a hero. You go through life giving up and students to discover the work as a play to be performed. You can use parts of yourself – a hope, a dream, an ambition, a belief, a liking, this guide for inactive classroom study if you wish, but it would be much a piece of self-respect. But in every man there is something he more interesting and productive to use it as a stimulus to performance cannot give up and still remain himself – a core, an identity, a work of some sort, whether it be rehearsing a scene in class or a full thing that is summed up for him by the sound of his own name on his own ears. -
Download Playbill
Max McLean, Founder & Artistic Director a Man for all easons Sby Robert Bolt Max McLean, Founder & Artistic Director Presents a for Man all easons Sby Robert Bolt With John Ahlin Harry Bouvy Todd Cerveris Michael Countryman Trent Dawson Sean Dugan Carolyn McCormick David McElwee Kevyn Morrow Kim Wong Scenic Design Costume Design Lighting Design Composer/Sound Design Steven C. Kemp Theresa Squire Aaron Porter John Gromada Dialect Coach Casting Director Claudia Hill-Sparks McCorkle Casting Ltd Marketing & Advertising Press Relations The Pekoe Group Matt Ross Public Relations Production Manager General Management Stage Manager Lew Mead Aruba Productions Kelly Burns Executive Producer Ken Denison Directed by Christa Scott-Reed CAST OF CHARACTERS (in order of appearance) The Common Man .................................................................... Harry Bouvy Sir Thomas More ......................................................... Michael Countryman Richard Rich ......................................................................... David McElwee The Duke of Norfolk .............................................................. Kevyn Morrow Lady Alice More/Woman ................................................Carolyn McCormick Margaret More ..............................................................................Kim Wong Cardinal Wolsey/Sigñor Chapuys ................................................. John Ahlin Thomas Cromwell .................................................................. Todd Cerveris William Roper/Archbishop -
The English Correspondence of Sir Thomas More
The English Correspondence of Sir Thomas More The letter and line numbers correspond to the 1947 Rogers edition (Princeton UP). The English spellings have been standardized for this edition and its concordance by Andrea Frank. A complete concordance to this work can be found at www.thomasmorestudies.org/publications.html#Concordance. ©CTMS 2014 Thomas More’s English letters, following 1947 Rogers numbering [4] To Sister Joyce Leigh. <London, c. 1 January 1505> …………………………… 3 [11] To the Council, from Tunstall, Sampson, More. Bruges, 9 July 1515………….... 4 [12] To <Henry VIII>, from Tunstall, More, Clyfford. Bruges, 21 July 1515............. 5 [13] To Wolsey, from Knight, More, Wilsher, Sampson,…. Bruges, 1 Oct 1515......... 6 [49] To Wolsey & Council, from Wingfield, Knight, More. Calais, 13 Oct <1517>...... 6 [51] To Wolsey & Council, from Wingfield, Knight, More. <Calais? c. Oct 1517>…... 7 [53] To <Wolsey>, from Wingfield, Knight, More. Calais, 4 <Nov>ember <1517>.... 9 [77] To Wolsey. Woking, 5 July <1519>.......................................................... 10 [78] To Wolsey. Woking, 6 July <1519>.......................................................... 11 [79] To Wolsey. Woking, 9 July <1519>.......................................................... 12 [98] To Wolsey, from Knight, More, Wilsher, Sampson. Bruges, 15 Sept <1520>........ 13 [100] To the Deputy Chamberlains of the Exchequer. <c. May 1521>....................... 15 [109] To Wolsey. Newhall, 14 September <1522> ............................................. 15 [110] -
The WKNO-TV Collection
The Theatre Memphis Programs Collection Processed by Joan Cannon 2007 Memphis and Shelby County Room Memphis Public Library and Information Center 3030 Poplar Avenue Memphis, Tennessee 38111 Scope and Content The Theatre Memphis Programs Collection was donated to the Memphis Public Library and Information Center by many individual donors over several years. Consisting of programs from performances at Theatre Memphis between the years 1975 and 2007, the collection provides invaluable information on the operation of community theatre in Memphis. Each program includes the names of the director, cast and crew as well as information on the production. Theatre Memphis was established as the Little Theatre in 1921. For several years plays were performed in a variety of locations in Memphis including Germania Hall and the Nineteenth Century Club. In 1929 the Little Theatre was headquartered at the Pink Palace Museum Playhouse where they would remain until the mid-1970s. When the Pink Palace closed for renovations, the theatrical company opened their own venue on Perkins Extended in East Memphis. Changing their name to Theatre Memphis, productions resumed in 1975 and have continued until the present day. 2 THEATRE MEMPHIS PROGRAMS COLLECTION BOX 1 Folder 1 Items 6 1975-1976 (56th Season) SUNSHINE BOYS by Neil Simon. Directed by Sherwood Lohrey. Cast: Archie S. Grinalds, Jerry Chipman, Ed Cook, Frank B. Crumbaugh, III, Andy Shenk, James Brock, Holly Shelton, Patricia Gill, Sam Stock. n.d. DESIRE UNDER THE ELMS by Eugene O’Neill. Directed by Sherwood Lohrey. Cast: Jay Ehrlicher, Don Barber, Carl Bogan, John Malloy, Janie Paris, Merle Ray, Ralph Brown.