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ARBOR CIVIC THEATRE 00&~~ ~I2.Lli®Ill 9 Rmio©~TI&J£~ C C ~@~~ B~ffil~@GJ 0 1}8t I?JRGJIE)• M©lfD@EJooAIIII ARBOR CIVIC THEATRE 00&~~ ~I2.lli®ill 9 rMIO©~TI&J£~ c c IPm~~~~110 R@~~rR1r B@KliC 9f3 . IDIII!{~@tjfE@ ~tr a M0~G;I&~ ~fl~~~~0@~ac~illM~~~0@~ .a~®U?®Q.IIM U11 OQ W®~~G1J~m m. ~9 fj) ~ ~@ ~ 11~ ~ 1<V~7 NOTES ABOUT .. Norman Wilkinson (Director), an instructor in both the Engineering English and Speech departments at the University of Michigan, comes to AACT with a rich background in acting and directing. He has acted in workshops in Albany and New York City, with the University Players and the APA here in Ann Arbor, and in several U·M Television Center series, including the recent "Canterbury Tales." He has wricten and directed several chancel dramas which have been presented in 1ocal churches. He also won a major Hopwood Award for fiction at the University of Michigan in 1965. Joyce Schrock (Assistant to the Director) has been active in many phases of AACT work for the past seven years. She has been a member of the make-up crew for five years. She acted in "The Grass Harp" and "The Best Man", and was in the chorus in "Guys and Dolls," "Kiss Me Kate" and "Gypsy." For the past two years she has been secretary for the AACT Board of Directors. She is a homemaker, the mother of three small children. Beverley Pooley (The Common Man) has appeared in AACT's productions of "Major Barbara," "Shot in the Dark" {for which he won AACT's best supporting actor award), "Mary, Mary," and "The Devil's Disciple". He has also appeared in several U-M Television Center productions. A native of London, England, he is now associate professor in the Law School. Fred Reilly (Thomas More) was in three AACT plays last season: "Enter Laughing," "The Devil's Disciple", and "Come Back Little Sheba". A member of a theatrical family (his great uncle was the playwright Lincoln Carter and his great aunt was the actress Louisa Lord), he formerly acted with the Goodman Memorial Theatre in Chicago, in summer stock, and with the American Theatre Wing. He is in Medical Administration at the VA hospital. Michael Raines (Richard Rich), a senior at the University of Michigan, appears for the first time with AACT. He has acted with the University Players and with the APA here in Ann Arbor. Joseph Medrano (Norfolk) won AACT's best supporting actor award two years ago when he appeared in two plays. "All the Way Home" and "A View from the Bridge." Last year he was Harry the Horse in "Guys and 'Dolls." He has been a mem­ ber of AACT's Board of Directors for two years and he is currently second vice­ president. During the day, away from the stage, he is a math teacher. Patricia Reilly (Alice) is making her debut with AACT, but definitely not with the stage. If her voice is familiar, it is probably because you heard her on radio, where for eight years, performing under the professional name of Patsy Campbell, she was the "Second Mrs. Burton" on CBS Daytime Radio. A veteran of more than 20 years of acting, most of it in network radio, bu t including three years in the Good­ man Theatre in Chicago, she is the wife of Fred Reilly. They have one son, Mark. Dariel J. Ligget (Margaret) is one of those rare individuals -- a "native" Ann Ar­ borite. She has previously al,'peared for AACT as a show girl in "Gypsy" and she was in the back-stage crew 10 "Come Back Little Sheba." She is secretary in the personnel section at the U of M Medical Center. Robert Seeman (Cardinal Wolsey) previously has appeared in "Mister Roberts", "The Best Man," "A View from the Bridge," and "Night of the Iguana" for AACT. But this tells only a part of the story: he is the immediate past president of AACT, was production chairman for four years, and has been an active board member for several terms. He is liaison representative for The Commission on Professional and Hospital Activities. Michael C. Gerlach (Cromwell), a teaching fellow in the U-M Department of Speech, has appeared in several University Players production, including "Galileo," "Win­ ter's Tale", and "King Henry IV." He directed "Cowboy In Absentia" for the U-M last year as well as several one-acts plays for the laboratory theatre, winning an award for the best directing of a student laboratory theatre play. David Harbison (Signor Chapuys) has appeared in many AACT plays, including "Mary, Mary," "The Devil's Disciple," and "Mr. Roberts." Before joining AACT he was formerly active in the Grosse Pointe Community Theatre. He is a sales repre­ sentative for the Central Steel and Wire Co. John Armbruster (Attendant) is an eighth grader in Tappan Junior High School. John, who also was in the AACT play "All the Way Home" is the son of two active members. Fran and Ed Armbruster. John Lake (Will Roper) is one of three Britishers involved with this show (the only two being Norman Wilkinson and Beverley Pooley), but John calls himself an "Ex Canadian Englishman." He was formerly active in several drama groups in England, and he appeared in the AACT production of "Come Back Little Sheba" last year. He is an engineer with the Chrysler Corporation. Kingsbury Marzolf (King Henry VIII ) will be remembered for his AACT perfor­ mances as the Archbishop in "Romanoff and Juliett," Russell in "The Best Man" and architecture at the U-M. Carol Duffy (Catherine Anger) has previously appeared with AACT in "Enter Laughing," "Night of the Iquana," and "Becket." She also wrote two melodramas presented at the Ann Arbor Street Art Fair and has been active backstage. She is an elementary school teacher in Ann Arbor Public Schools. Gene Gilliam (Thomas Cranmer) has previously appeared in "Night of the Iguana" ''Kiss Me Kate," "View from the Bridge," and "All the Way Home. he is an elec­ tronic specialist. A Man For All Seasons By Robert Bolt Director-- Norman Wilkinson Assistant Director--Joyce Schrock Set Designer-- Alice Crawford CAST OF CHARACTERS ( In order of appearance) The Common Man ...... ____ ......... Beverley Pooley Sir Thomas More ..... Fred Reilly Master Richard Rich . Michael J. Raines Duke of Norfolks, Earl Marshall of England .... Joseph Medrano Lady Alice More, St. Thomas's wife ........ Patricia Reilly Lady Margaret More, St. Thomas's daughter _ .. Dariel Ligget Cardinal Wolsey ...................... Bob Seeman Thomas Cromwell .................... Michael C. Gerlach Signor Chapuys, Spanish Ambassador ....... David Harbison Chapuy's Attendant .................. John Armbruster William Roper ......... John Lake King Henry VIII . Kingsbury Marzolf Woman (Catherine Anger) . Carol Duffy Thomas Cranmer, Archbishop of Canterbury . Gene Gilliam Act I,. Scene 1 --Sir Thomas More's House at Chelsea (1526) Scene 2 --Wolsey's apartment at Richmond Scene 3 -The riverside at Richmond Scene 4 - Sir Thomas More's house Scene 5 --Hampton Court Palace (1530) Scene 6 -The garden of Sir Thomas More's house Scene 7 -An inn Act II, Scene 1 --Sir Thomas More's house (1532) Scene 2 --Cromwell's apartment at Hampton Court (1533) Scene 3-- Sir Thomas More's house (1534) Scene 4- Cromwell's apartment Scene 5 --The riverside at Hampton Court Scene 6- The Tower of London (1535) Scene 7 -- The same Scene 8 --The Wall of Westminster Scene 9 --Tower Hill As a courtesy to the performers, late-comers will be detained at the rear of the house and seated when there is an opportune moment during the performance. Absolutely no photographs to be taken during the performance. PRODUCTION STAFF Set Designer ....................... Alice Crawford Set Construction and Scenery Crew . Don Stewart, chairman Ed Armbruster, Howard Armbruster, Don Lindeman, Alice Crawford, Bill Bond, Ted Farah, Will Farah, Fran Stewart, Fran Armbruster, Sonny B. LaFave, Mark Reilly, Clan Crawford, Peter Crawford, Ed Farah. Stage Manager ..................... Bill Marx Assistants to the Stage Manager ......... Ramona Moore, Robert Wilcox Lights . Priscilla Travis, designer David Mohler, Thomas Doyle, John Bott Costumes . Sandy Swinehart, Trudy Magloti, co-chairmen, Gloria Jadwin, Linda Plein, Vivian LaRue, Runelda Medrano Eileen Scofield, Sue Gibson, Sophie Farah, Kathie Muehlig Make-Up . Sophie Farah chairman Fran Armbruster, Sonny LaFave, Michele Masters, Amy Vuolo, Ravella Woodson Props . Sylvia Avsharian, chair­ man man, Laura Fidler, Ruth Hooper, Edith Yoder, Amy Vuolo, Dorothy Brown Sound . Ed Armbruster BUSINESS STAFF Box Office . Dorothy Maples, chairman Ushers . Geraldine Briegel, chairman Programs , . Nancy Davis, chairman Pat Ramsey Jerry Patterson, Bob Reinhart, Ken Johnson, Helga Hover Promotion and Publicity . Bob Wilcox, chairman Judy Riecker, Carol Deniston, Louis Farah, James Swinehart. Ticket Agent ................... Jerry Scofield Cover Design ................... John F . Longres Historical Notes to Help you Enjoy the Play More ..... The action of "A Man for All Seasons" covers the years 1526-1535, during the reign of King Henry VIII, who was king of England from 1509 to 1547. Thomas More (born 1478) entered King Henry's service in 1518 and was knighted in 1521. By 1527 King Henry was determined to divorce Katherine in order to marry Anne Boleyn. Two years later, in 1529, More was made Lord Chancellor at the fall of Thomas Wolsey, who later was arrested on false charges of treason in November, 1530, and who died at Leicester on his way to London. More resigned his office in 1532, was imprisoned in 1534 (the year after King Henry did marry Ann), and finally was be­ headed on a charge of treason in 1535. Meantime Thomas Cromwell had become Henry's chief minister in 1532. He also was condemned and beheaded in 1540 when the king allowed charges of treason and heresy to be brought against Cromwell by his bitter enemy, the Duke of Norfolk.
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