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William Roperroper----2267622676 6 Feb 2011 Page 1
Descendants of William RoperRoper----2267622676 6 Feb 2011 Page 1 1. William RoperRoper----2267622676 (b.1498(b.1498----Canterbury,,Kent,England;d.4Canterbury,,Kent,England;d.4 Jan 1577/15781577/1578----Canterbury,,Kent,England)Canterbury,,Kent,England) sp: Margaret More-22678 (b.1505-Chelsea,,Kent,England;m.2 Jul 1521;d.Abt 25 Dec 1544-Butclose,,Kent,England) 2. Margaret Roper-22683 (b.Abt 1523-Eltham,,Kent,England;d.Aft 1577) sp: William Dawtrey-25482 (b.Abt 1526-Petworth,,Suss,England;m.Abt 1547;d.Abt 1590-Petworth,,Suss,England) 3. William Dawtrey Jr-25483 (b.Abt 1548-Petworth,,Suss,England;d.16 Sep 1589) sp: Dorothy Stanley-35949 (b.Abt 1553-Warwick,,England;m.20 Aug 1574) 4. Henry Dawtrey-35950 (b.Abt 1578-Petworth,,Suss,England) sp: Anne Dunne-35953 (b.Abt 1580-Theydon Gernon,,Essex,England;m.Abt 1620;d.23 Feb 1623/1624) 5. Henry Dawtrey-35956 (b.30 Apr 1621-Petworth,,Suss,England) 5. William Dawtrey-35957 (b.1 Jan 1623/1624-Petworth,,Suss,England;d.Abt 4 Nov 1679) sp: Amy Strutt-35967 (b.Abt 1626-Great Warley,,Essex,England;m.25 Apr 1650) 6. Thomas Dawtrey-35968 (b.Abt 1652-Petworth,,Suss,England;d.Abt 11 Oct 1732) sp: Sarah Bright-35970 (m.28 Nov 1677) 7. William Dawtrey-35971 (b.8 Nov 1678-Petworth,,Suss,England;d.26 Aug 1758-Petworth,,Suss,England) 7. Sarah Dawtrey-35972 (b.Abt 1679-Petworth,,Suss,England) sp: Edward Luther-35973 8. William Luther-35974 8. Richard Luther-35975 (d.28 Dec 1767-Vicars Hill,,,England) sp: Charlotte Chamberlen-35976 (d.1 Feb 1776-Bath,,,England) 9. -
OPENING of the ROPER VAULT in St. Dunstan's Canterbury and Thoughts on the Burial of William and Margaret Roper
OPENING OF THE ROPER VAULT in St. Dunstan's Canterbury and thoughts on the burial of William and Margaret Roper. by Hugh O. Albin From Saturday 15 July until Wednesday 26 July 1978, the vault of the Roper family remained open in St. Dunstan's Church, Canterbury, for the purpose of making a complete record of its contents. This first archaeological survey ever made was arranged by me to mark the 500th anniversary of the birth of Sir Thomas More. The work was carried out by members of the Canterbury Archaeological Trust under their director Tim Tatton-Brown in conjunction with the church architect Peter Marsh, whose Dutch assistant, Henk Strik made detailed drawings of the Chapel and vault, as well as a complete photographic record. The archaeological report tells us that the present Roper chantry chapel attached to the south-east side of St. Dunstan's Church is almost entirely the building that was erected circa 1524. Of the first chapel, built in 1402, there probably remain only the three arches, one on the west and two on the north, which join the chapel to the main church building. The pilgrim looking at the outside of the Roper Chapel should notice that it is made of fine red bricks with Caen stone quoins and window surrounds. The windows are all typical of the early 16th century. The bricks are large (6.5 x 12 x 25 cms) and each laid entirely in an English bond. Red brickwork of this type does not occur commonly in Canterbury until the late 15th century. -
One Two Films / Blackbird Pictures
www.triciagray.com FILM THE TALE, HBO/A Luminous Mind Production/ One Two Films / Blackbird Pictures- Drama/ Period 1973 Producers: Lawrence Inglee, Laura Rister, Reka Posta, Oren Moverman Director: Jennifer Fox With: Laura Dern, Ellen Burstyn, Elizabeth Debicki, Isabelle Nelisse, Sebastian Koch KID VS MONSTERS, Dark Dunes Productions Producers: Lawrie Brewster, Adamo P. Cultrano, Kenneth Burke Director: Sultan Saeed Al Darmaki with Malcolm McDowell, Armand Assante, Lance Henriksen, Francesca Eastwood THE BABYMAKERS, Duck Attack Films, Blumhouse Productions Producers: Jason Blum, Jay Chandrasekhar, Brian Kavanaugh-Jones, Bill Gerber, Jeanette Brill, Gerard DiNardi Director: Jay Chandrasekhar with Olivia Munn, Paul Schneider, Jay Chandrasekhar, Kevin Heffernan, Nat Faxon, MC Gainey OPEN HOUSE, Stonebrook Entertainment Producers: Mitchell Goldman, Jack Schuster, Randy Wayne Director: Andrew Paquin with Anna Paquin, Stephen Moyer, Brian Geraghty, Rachel Blanchard, Tricia Helfer FREELOADERS, Broken Lizard Industries, ATG Productions Producers: Adam Duritz, Richard Perello, Matthew Pritzger Director: Dan Rosen with Clifton Collins Jr, Jane Seymour, Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Adam Duritz, Sir Richard Branson THE SLAMMIN’ SALMON, Broken Lizard Industries Producers: Peter Lengyel, Richard Perello Director: Kevin Heffernan with Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, Erik Stolhanske, Michael Clarke Duncan, Morgan Fairchild, Lance Henriksen DUKES OF HAZZARD 2: The Beginning, -
The Relevance of St. Thomas More
The Catholic Lawyer Volume 13 Number 2 Volume 13, Spring 1967, Number 2 Article 5 The Relevance of St. Thomas More Richard A. Vachon, S.J. Follow this and additional works at: https://scholarship.law.stjohns.edu/tcl Part of the Catholic Studies Commons This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in The Catholic Lawyer by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. THE RELEVANCE OF ST. THOMAS MORE RICHARD A. VACHON, S.J.* T HOMAS MORE WAS the contemporary man. I mean this not in the sense Winston Churchill had in mind when he wrote, "More stood forth as the defender of all that was finest in the medieval outlook." Rather, Thomas More was our man. He worked for a salary and met a payroll. Long before urban sprawl, More was a city man-Reynolds calls him the greatest of all Londoners. He was born in the city and lived in the heart of it for nearly 50 years. Then he became a suburbanite-opening up Chelsea. He invested in land, leasing farmland to tenant-farmers or holding it on speculation. He was a politician, probably the only canonized saint who ever ran for public office and won. And when Parliament elected him Speaker, he petitioned and received from the King immunity for the members of the House to express their opinions freely on the matters submitted to them. -
Petr Osolsobě Sir Thomas More
PETR OSOLSOBĚ SIR THOMAS MORE: LESS COLLABORATIVE, MORE SHAKESPEAREAN Is Sir Thomas More, in all its fortuitous dramatic unity, the subtle symmetries of its characters, and its network of cross-references a collaborative work? As far as modern editors are concerned, there is a measure of agreement that the original play was the work of Anthony Munday and Henry Chettle, and was completed around 1592-94. Its manuscript contains a number of rewritten and additional passages, attributed to Chettle, Heywood, Dekker and Shakespeare. Gabrieli and Melchiori, in their admirable 1990 Revels edition of Sir Thomas More, support the assumption: playwriting at the time, at least for the public stage, was a collaborative practice between men of letters and actors and the men of the theatre, frequently on the basis of a ‘plot’ devised by a single author[. Besides,] all the extant or lost plays connected with Munday’s name [...] are written in collaboration. (Gabrieli and Melchiori 1990: 13) Munday’s claim to authorship is, furthermore, supported by his access to Harpsfield’s Life of More as well as to other rare recusant literature used in the play; Munday was the right-hand man of Richard Topcliffe, a notorious priest-catcher under Queen Elizabeth, and his close ‘collaborator’ in arresting and executing Roman Catholic priests Edmund Campion, Ralph Sherwin and Alexander Briant in 1581 (Gabrieli and Melchiori 1990: 8). Moreover, Munday was familiar with Latin tags and quotations which are abundant in the original text, always correct in spelling, grammar and syntax, owing to his daily usage of Latin during the months he spent as a spy in the Catholic English College in Rome from February to May 1579. -
The Family and Descendants of Sir Thomas More
The Family and Descendants of Sir Thomas More Grandparents: William More and Johanna Joye: William was a Citizen and Baker of London. He died in 1469. Johanna (d.1470) was the daughter of John Joye, a Citizen and Brewer of London and his wife Johanna, daughter of John Leycester, a Chancery Clerk. Due to the seizure of family documents by Henry VIII following Thomas More‟s execution his ancestry cannot be traced back further than this. He referred to himself as “a Londoner born, of no noble family, but of honest stock”. [Note: It has sometimes been claimed that Sir John More, Thomas More‟s father, said that his ancestors came from Ireland. However, what he actually said was that his ancestors “either came out of the Mores of Ireland, or they came out of us”. No records of any Irish links have been discovered.] Parents: Sir John More (c.1451-1530) and Agnes Graunger (d.1499): John and Agnes were married in the church of St Giles without Cripplegate, London, on 24th April 1474. Agnes was the daughter of Thomas Graunger, an Alderman of London and a Merchant of the Staple of Calais. Agnes was John More‟s first wife, and the mother of all his children. Agnes died in 1499 and was buried in the Church of St. Michael Bassishaw, London. After her death John More married again three times. His second wife was Joan Marshall (the widow of John Marshall) who died in 1505. His third wife was Joan Bowes (the widow of Thomas Bowes) who died in 1520. -
It All Begins with Glass
film festival guide IT ALL BEGINS WITH GLASS The selection of a lens is the moment that can defi ne a shoot. From Hollywood studios to exotic locations around the globe, amazing big screen content is dramatized every day through the selection of Canon cinema lenses. The technologies behind our PL and EF mount cinema lenses ensure clear, crisp motion capture to the most demanding shoots. Canon optics empower fi lmmakers to bring visions to life. Throughout the more than 75 years of Canon history, it’s why we’ve always placed Glass First. glassfi rst.com GLASS FIRST © 2015 Canon U.S.A., Inc. All rights reserved. Canon is a registered trademark of Canon Inc. in the United States and may also be a registered trademark or trademark in other countries. Canon_Glass First Ad_CINEQUEST 2016.indd 1 1/7/16 3:03 PM WELCOME unite at Film Festival! Join forces with eye in the sky artists, film lovers, and innova- pg 7 tors—from across the globe, from all walks of life. Experience the com- pelling power of ONE, through films, media innovations, events, and celebrations. Embrace old friend- james franco ships, create new pg 17 connections, band together. Radiate outward, forging original pathways into the future. Emerge as a close-knit community, bound by fresh and fortified fellowship, collaboration, inspiration, vision, rita moreno and creativity. Come together…Unite! pg 25 CINEQUEST FILM FESTIVAL 2016 MARCH 1 - 13 CINEQUEST FILM FESTIVAL PICTURE THE POSSIBILITIES CINEQUEST MAVERICKS STUDIO showcases premiere films, empowers global youth with the creates innovative and renowned and emerging artists, tools, confidence, and inspiration motion pictures, television, and and breakthrough technology— to form and create their dreams distribution paradigms. -
Durham E-Theses
Durham E-Theses The early career op Christopher Goodman and his place in the development of English protestant thought Dawson, Jane E. A. How to cite: Dawson, Jane E. A. (1978) The early career op Christopher Goodman and his place in the development of English protestant thought, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/8005/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 THE EAPiY CAREER OP CHRISTOPHER GOODMAN AND HIS PLACE IN THE DEVELOPMENT OF ENGLISH PROTESTANT THOUGHT JANE E. A. DAWSON Thesis submitted for the degree of Doctor of Philosophy at the University of Durham 1978 The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. JANE E.A. -
The Life and Death of Sir Thomas More, Knight by Nicholas Harpsfield
The Life and Death of Sir Thomas More, Knight by Nicholas Harpsfield icholas Harpsfield (1519–1575) com- Clements, and the Rastells. With Mary’s ac- Npleted this biography ca. 1557, during cession to the throne in 1553, he returned and the reign of Queen Mary, but it was not pub- became archdeacon of Canterbury and worked lished until 1932. Indebted to William Rop- closely with Cardinal Reginald Pole, the Arch- er’s recollections, Harpsfield’s Life presents bishop of Canterbury. With Mary’s and Pole’s More as both a spiritual and secular figure, and deaths in 1558, and with his refusal to take the Harpsfield dedicates his biography to William oath recognizing Queen Elizabeth’s suprem- Roper, presenting More as the first English acy, Harpsfield was imprisoned from 1559 to martyr among the laity, who serves as an “am- 1574 in Fleet Prison where, as he relates in his bassador” and “messenger” to them. Dedicatory Epistle, William Roper supported Harpsfield was born in London, and was ed- him generously. ucated at Winchester and then New College This edition of Harpsfield’s Life is based on at Oxford where he became a perpetual fellow the critical edition published for the Early En- and eventually earned a doctorate in canon glish Text Society (EETS) in 1932 by Oxford law. In 1550, during the reign of Edward VI, University Press, edited by E. V. Hitchcock; he moved to Louvain and come to know many the cross-references in the headnotes refer to in the More circle such as Antonio Bonvisi, the this edition. -
Hans Holbein at the Court of Henry VIII
Holbein at the Court of Henry VIII • The talk is about Holbein’s life in England and the well known personalities at Henry VIII’s court that he painted. • Figures such as Thomas Wolsey (no portrait by Holbein), Thomas More, Thomas Cromwell, Richard Rich (drawing), and Thomas Cranmer (not by Holbein) figured prominently in Henry's administration. • I discuss Holbein’s style by comparing his drawings with his paintings. • And, finally, I look at the many puzzles presented by The Ambassadors. Notes The Tudors (1485 -1603) in brief: • Henry VII 1485 – 1509, Henry Richmond, descendent of John of Gaunt, defeated Richard III at Bosworth Field in 1485. Married Elizabeth of York uniting the two houses of York (white) and Lancaster (red) as symbolised in the white and red rose he adopted. He was a skilful politician but he is often described as avaricious although this did mean he left a lot in the treasury for his son to spend. • Henry VIII 1509 – 1547, he married Catherine of Aragon (his brother’s widow and mother of Mary) but Henry annulled the marriage to marry Anne Boleyn (mother Elizabeth) who he beheaded for alleged adultery. He declared himself head of the Catholic Church and married Jane Seymour who died after giving birth to Edward. He then married Anne of Cleves but the marriage was annulled and she survived Henry the longest. He then married Catherine Howard who he beheaded for adultery and finally Catherine Parr (her third husband) who outlived him and married Thomas Seymour (who grew up in Wulfhall) whose brother was Edward Seymour, Lord Protector of England during the first two years of Edward VI’s reign. -
Grade Twelve: Theology Course: Western Philosophy Text: a Man for All Seasons Author: Robert Bolt
Grade Twelve: Theology Course: Western Philosophy Text: A Man for All Seasons Author: Robert Bolt Main Characters The Common Man Margaret More William Roper Sir Thomas More Cardinal Wolsey King Henry VIII Richard Rich Thomas Cromwell Cranmer, Archbishop of The Duke of Norfolk Signor Chapuys, the Canterbury Alice More Spanish Ambassador Character Reflections 1. Who is the Common Man? What different roles does he play? What do they all have in common? 2. What is Thomas More's occupation? What virtues is he known for? Describe his relationship with King Henry at the beginning of the play. 3. Who is King Henry VIII? What is his predicament? Why does this present a problem for his ministers? 4. How does Thomas More's family look at him? What is his relationship with his daughter, Margaret, like? 5. What is the nature of Thomas More's friendship with the Duke of Norfolk? How are they different from each other? How does their friendship change by the end of the play? 6. Who is Richard Rich? What advice does Thomas give him? Why does he refuse to take this advice? How does he “lose his innocence”? 7. Why does King Henry so greatly desire Thomas's approval of his divorce from Catherine of Aragon? 8. Why does Thomas refuse to share with his family and friends his opinion about the King's actions? 9. Who is William Roper? Why does Thomas initially refuse to give his daughter to him in marriage? In what way are he and Thomas very different? How are they the same? 10. -
Sir Thomas More (1478-1535)
The following text was originally published in Prospects: the quarterly review of comparative education (Paris, UNESCO: International Bureau of Education), vol. XXIV, no. 1/2, 1994, p. 185–202 ©UNESCO:International Bureau of Education, 2000 This document may be reproduced free of charge as long as acknowledgement is made of the source SIR THOMAS MORE (1478-1535) Keith Watson1 Sir Thomas More, or more accurately Saint Thomas More, since he was beatified by the Roman Catholic Church in 1886 and canonized as a saint in 1935, has been variously described as ‘the most attractive figure of the early sixteenth century’,2 ‘the voice of conscience’ of the early English Reformation3 and ‘one of the three greatest figures of the English Renaissance’.4 He was a scholar, lawyer, theologian, statesman and eventual martyr, whose influence was less on the development of the Reformation in England as upon creating a particular genre of futuristic and idealistic writing about society. His most famous book, Utopia, has come to be accepted as an everyday term in the English language and ‘utopian’ is often used to refer to an idea or concept that is idealistic and highly desirable, but which at the same time is completely impracticable and unrealistic. In terms of political science, both liberals and socialists lay claim to Thomas More as a founder of some of their ideas. There has even been a room in the Kremlin devoted to Thomas More because of his apparent espousal of communism as a political ideal.5 He was born into a period of intense political and social turmoil in English history as the House of York was overthrown by Henry Tudor in 1485 and as a new, ruthless dynasty was established, a dynasty that was to have a profound influence not only on the future shape of Church/State relations, and consequently on the development of parliamentary democracy in England and Wales, but above all on the future development of the Reformation in England.