Max McLean, Founder & Artistic Director

a Man for all easons Sby Robert Bolt Max McLean, Founder & Artistic Director

Presents a for Man all easons Sby Robert Bolt With John Ahlin Harry Bouvy Todd Cerveris Michael Countryman Trent Dawson Sean Dugan Carolyn McCormick David McElwee Kevyn Morrow Kim Wong

Scenic Design Costume Design Lighting Design Composer/Sound Design Steven C. Kemp Theresa Squire Aaron Porter John Gromada

Dialect Coach Casting Director Claudia Hill-Sparks McCorkle Casting Ltd

Marketing & Advertising Press Relations The Pekoe Group Matt Ross Public Relations

Production Manager General Management Stage Manager Lew Mead Aruba Productions Kelly Burns

Executive Producer Ken Denison

Directed by Christa Scott-Reed CAST OF CHARACTERS

(in order of appearance)

The Common Man...... Harry Bouvy

Sir Thomas More...... Michael Countryman

Richard Rich...... David McElwee

The Duke of Norfolk...... Kevyn Morrow

Lady Alice More/Woman...... Carolyn McCormick

Margaret More...... Kim Wong

Cardinal Wolsey/Sigñor Chapuys...... John Ahlin

Thomas Cromwell...... Todd Cerveris

William Roper/Archbishop Cranmer...... Sean Dugan

King Henry VIII...... Trent Dawson

The action takes place in England, 1526 -1535, during the reign of King Henry VIII.

Stage Manager...... Kelly Burns

Assistant Stage Manager...... Alayna Graziani

The performance will run 2 hours and 30 minutes with a 15 minute intermission.. Please turn off all electronic devices before the performance begins. Thank you.

3 am not a Catholic nor even in the Robert Bolt’s meaningful sense of the word a Chris- Itian. So by what right do I appropriate a preface to Christian Saint to my purposes? What first attracted me [to Thomas More] A Man for was a person who could not be accused of any incapacity for life, who indeed seized life in great…quantities. Nevertheless, All Seasons found something in himself without which life was valueless and when that was de- nied him was able to grasp his death.

Thomas More was respectably not nobly born, in the merchant class, the progres- sive class of the epoch, distinguished himself first as a scholar, then as a lawyer, was made an Ambassador, finally Lord Chancellor. A visitors’ book at his house in Chelsea would have looked like a Six- teenth Century Who’s Who: Holbein, Eras- mus, Colet, everybody. He corresponded with the greatest minds in Europe. He was a friend of the King, who would send for More when his social appetites took a turn in that direction.

Another thing that attracted me to this amazing man was his splendid social ad- justment. So far from being one of society’s sore teeth he was almost indecently suc- cessful…He parted with more than most men when he parted with his life, for he accepted and enjoyed his social context.

Why do I take as my hero a man who brings about his own death because he can’t put his hand on an old black book and tell an ordinary lie? For this reason: A man takes an oath only when he wants to commit himself quite exceptionally to the statement, when he wants to make an identity between the truth of it and his own virtue; he offers himself as a guaran- tee. And it works. There is a special kind of shrug for a perjurer; we feel that the

4 man has no self to commit, no guaran- There are still some for whom that is tee to offer. We would prefer most men perfectly simple, but for most it can to guarantee their statements with, only be a metaphor. I took it as a met- say, cash rather than with themselves. aphor for that larger context which we We feel—we know—the self to be an all inhabit, the terrifying cosmos. Terrify- equivocal commodity. There are fewer ing because no laws, no sanctions, no and fewer things which, as they say, we mores obtain there; it is either empty ‘cannot bring ourselves’ to do. or occupied by God and Devil nakedly at war. The sensible man will seek to Thomas More became for me a man with live his life without dealings with this an adamantine sense of his own self. He larger environment, treating it as a fine knew where he began and where he left spectacle on a clear night, or a subject off, what area of himself he could yield to for innocent curiosity. At the most he the encroachments of his enemies, and will allow himself an agreeable frisson what to the encroachments of those he when he contemplates his own relation loved…at length he was asked to retreat to the cosmos, but he will not try to live from that final area where he located his in it; he will gratefully accept the shelter self. And there this supple, humorous, of his society. unassuming and sophisticated person set like metal, was overtaken by an abso- We no longer have any picture of indi- lutely primitive rigor, and could no more vidual Man by which…to measure our- be budged than a cliff. selves; we are anything. But if anything, then nothing, and it is not everyone But why did a man so utterly absorbed who can live with that, though it is our in his society, at one particular point di- true present position. Hence our willing- sastrously part company from it? ...For ness to locate ourselves into something More the answer to this question would that is certainly larger than ourselves, be perfectly simple (though not easy); the society that contains us…But our the English Kingdom, his immediate so- society finds no fixed points…the only ciety, was subservient to the larger soci- positive is ‘get and spend’ (‘get and ety of the Church of Christ, founded by spend - if you can’ from the right and Christ, extending over Past and Future, ‘get and spend – you deserve it’ from ruled from Heaven. More was a very the left)…We are thrown back by our orthodox Catholic and for him an oath society at our lowest, that is at our least was something perfectly specific; it was satisfactory to ourselves. an invitation to God, an invitation God would not refuse, to act as a witness, Robert Bolt, and to judge; the consequence of per- September, 1960 jury was damnation. (Excerpted for length)

Producer’s Note: The playwright created a character called ‘The Common Man,’ who speaks directly to the audience. The word ‘common’ was intended to mean ‘that which is common to us all’; someone with whom the audience could identify with as a kind of a mirror as we watch the interaction of these great men of court. To my mind, this character lifts this 58-year-old play out of the tumultuous 16th century and gives contemporary 21st century audiences something to ponder on our way home. – Max McLean

5 WHO’S WHO

JOHN AHLIN (Wolsey/ Cha- MICHAEL COUNTRYMAN puys) Broadway: Waiting for (Thomas More): Broadway: Godot, Journey’s End (Tony M. Butterfly, Six Degrees of Award for Best Revival), The Separation, Wit, Mary Stuart, Lieutenant of Inishmore, Night Must Fall, Holiday, Voices in the Dark, One Mo’ Laughter on the 23rd Floor, Time, Macbeth, Whoopee! A Few Good Men and Face Off Broadway: Orson’s Shadow, Gray Area, Value. Recent Off Broadway: Privacy, The ChipandGus. Regional: Denver Center, Pio- Open House (Drama Desk Award), Bluebird, neer, La Jolla, Old Globe, Humana, Goodman, Equivocation, Shipwrecked! Film: Spotlight, Guthrie, Goodspeed, Kennedy Center, Cincin- True Story, Burn After Reading, P.S. I Love nati Playhouse, St. Louis Rep, Baltimore Cen- You, Che, The Namesake, among others. ter Stage, Pittsburgh Public, McCarter, DC Television includes: The Marvelous Mrs. Mai- Shakespeare. TV/Film: Law & Order: SVU, sel, The Path, Boardwalk Empire (SAG Nom- Third Watch, As the World Turns, Late Night ination), The Americans, The Girlfriend Expe- with David Letterman, Inside Llewyn Davis. rience, Elementary, Billions, The Sopranos.

TRENT DAWSON (Henry) HARRY BOUVY (Common Broadway: The Herbal Man) most recently played Bed. Off Broadway: Maple & God in An Act of God at the Vine (Playwrights Horizons). Bucks County Playhouse. In Theatre Row: The Memoran- NYC, Harry played Dr. Chil- dum, The Reviv- ton in the Off-Broadway al. Regional: The Homecom- smash, Silence! The Musical ing, Lady Windermere’s Fan, (original cast recording). National tours: Dr. Misalliance (Baltimore Center Stage), The Dillamond in Wicked and Carmen Ghia in Miser (GEVA), School for Scandal (McCarter The Producers. Regional: Yale Rep, St. Louis Theatre), Beyond Therapy (Westport), Dead Rep, Cincinnati Playhouse, Actors Theatre of Man’s Cell Phone (ICT), Pal Joey (Prince Mu- Louisville, Pittsburgh Public, TheaterWorks sic Theatre), The Pain and the Itch (Zephyr). Hartford, Syracuse Stage. TV: The Good Film/TV: Men in Black III, Homeland, The Wife, Law & Order, Sex & The City. harrybou- Good Wife, NCIS, NCIS LA, Castle, General vy.com Hospital, As the World Turns (3 Emmy Nom- inations). trentdawson.com TODD CERVERIS (Crom- well) Broadway: South Pa- SEAN DUGAN (Roper/Cran- cific, Twentieth Century. Off mer): Broadway: Next Broadway: Let Me Spell It Fall (Drama Desk Out For You (author); Yours nomination). Off Broadway: Unfaithfully; Southern Com- Cloud 9, Tail! Spin!, The Illu- fort; Almost, Maine; The sion, Next Fall, English Chan- Booth Variations (co-author); The Butcher- nel, BFF, Nerds, Valhalla, house Chronicles. Tours: War Horse, Spring Flesh and Blood, Corpus Christi, Shake- Awakening, Twelve Angry Men. Regional: speare’s R&J. Regional: Old Globe, Actors Arena Stage, La Jolla Playhouse, Old Globe, Theatre of Louisville, Alley, Chautauqua, ACT, Actors Theater of Louisville, Cleveland Play Roundhouse, Yale Rep, Huntington, Cal House, Cincinnati Playhouse. International: Shakes, ART. Film: Dinner@40, A Good Mar- Edinburgh Fringe, Actor’s Touring Company. riage, Victoriana, Gigantic, Trust the Man, Film/TV: Madam Secretary, Allegiance, Company Man, Overnight Sensation. Televi- Homeland, Nurse Jackie, White Collar, Law sion: Instinct, Lottery, Smash, Boardwalk Em- & Order, One True Thing, Living and Dining. pire, Blue Bloods, Elementary, I Just Want My Pants Back, Good Wife, Fringe, SVU, Criminal Intent, Oz.

6 WHO’S WHO

CAROLYN McCORMICK (Al- KIM WONG (Margaret). After ice More) Broadway: Equus, spending 2018 working Off The Dinner Party, Private Lives. Broadway on Henry V (The Off Broadway: The Stone Public) and Henry VI (NAAT- Witch, What I Did Last Sum- CO), it seems only appropriate mer, The Open House (Drama to continue with a play about Desk Award, Lucille Lortel Henry VIII! Kim has performed Nomination), Family Furniture, Black Tie, Ten in over 30 Shakespearean productions at such Chimneys, Celebration, Privilege, Biography, theaters as The Guthrie, Barrington Stage, Folg- Dinner with Friends. Regional: The Seattle Rep, er Theater, St. Louis Rep, Triad Stage and Penn- The Old Globe, ACT, Denver Center, William- sylvania Shakes. Also Off Broadway: Promis- stown, The Papermill Playhouse, Yale Rep. Tele- ing, Red Flamboyant, and, most recently, The vision: Dr. Olivet on Law and Order, series regu- Hard Problem (Lincoln Center). TV: The Deuce, lar on Cracker and Spenser For Hire, as well as Wizard of Lies, Blue Bloods, Deception. guest stars on Bull, Billions, Madam Secretary, BFA:NYU. Blue Bloods, Body of Proof, Cold Case, Judging Amy, The Practice, Homicide, Star Trek. Film: ROBERT BOLT CBE (Playwright) A Tony, Os- Mapplethorpe, The Post, Whatever Works, Lov- car and Golden Globe Award-winning play- erboy, You Know My Name, A Simple Twist of wright and screenwriter, Robert Bolt wrote 11 Fate, Enemy Mine…Myriad audio books includ- plays and 11 screenplays in a renowned ca- ing The Hunger Games and many Ken Burns reer stretching from 1955 to 1985. Bolt was documentaries. Education: Williams College known for creating dramas that explored the BFA, American Conservatory MFA. tension between his protagonists and the soci- eties in which they lived. In addition to the Tony DAVID McELWEE (Richard) Award-winning A Man for All Seasons (1960), NYC Theatre: How to Tran- notable stage works include Flowering Cher- scend a Happy Marriage, Lin- ry (1958), Vivat! Vivat, Regina! (1971) and State coln Center; The Wayside Mo- of Revolution (1977) for which he received an tor Inn at Signature Theatre Olivier Award nomination. His writing for the (Drama Desk Award, Out- screen includes Lawrence of Arabia (1962) standing Ensemble); Snow and Doctor Zhivago (1965) and A Man for All Orchid, Theatre Row. Regional Theatre: All Seasons (1967) both of which earned him My Sons with Alec Baldwin and Laurie Met- Academy Awards and Golden Globes. He was calf; Our Town, Luna Gale and Macbeth, Ac- named a Commander of the Order of the Brit- tor’s Theatre of Louisville; Memoirs of a Forgot- ish Empire in 1972 and passed away in 1995. ten Man, CATF; Red at B Street Theatre and Florida Repertory Theatre. TV: Law & Order: CHRISTA SCOTT-REED (Director) Christa is SVU, Boardwalk Empire. Film: Show Yourself. the Literary Manager for Fellowship for Per- BFA, Acting from FSU. forming Arts. Last season she directed the ac- claimed first New York revival of William Nich- KEVYN MORROW (Norfolk) olson’s Shadowlands, starring Daniel Gerroll, Broadway: Bandstand, The at The Acorn Theatre. Christa’s acting cred- Color Purple-revival, The Scar- its include Broadway, Off Broadway, Nation- lett Pimpernel, Dream, Smokey al Tour, Regional Theatre, Film and TV. She Joe’s Cafe, Dreamgirls, A Cho- has worked at Atlantic Theater Company, Sec- rus Line, Leader of the Pack. ond Stage, Irish Repertory Theatre, New World West End: Ragtime, Olivier Stages, Keen Company, Urban Stages, Mc- Best Actor Nominee. Regional: Driving Miss Dai- Ginn-Cazale, Berkeley Repertory Theatre, Ac- sy, The Lion in Winter, The Whipping Man, Ra- tors Theatre of Louisville, The Old Globe, Two dio Golf, Gem of the Ocean. Television: Central River Theatre, Paper Mill Playhouse, Bar- Park Five, The Path, Instinct, The Good Wife, Ele- rington Stage, Denver Center, Theatre- mentary, Blue Bloods, Person of Interest, Hos- Works, Bucks County Playhouse, Cincinnati tages, L/O. Film: Fair Market Value, The Trade, Playhouse, Repertory Theatre of St. Louis, and Staying Alive. Helen Hayes, Barrymore, NAACP many more. She performed in FPA’s long-run- Best Actor Nominee. Moulin Rouge spring 2019. ning production of The Great Divorce. Chris-

7 WHO’S WHO ta teaches BFA drama students at the New Other New York: Amy and the Orphans, Old School and is also a private acting and audi- Hats, Incident at Vichy, Dada Woof Papa tion coach. She holds a BA in Theatre from Hot, Ripcord, My Name Is Asher Lev, Mea- Whitman College and an MFA in Acting from sure for Measure (Delacorte Theater), The Or- the National Theatre Conservatory. Member: phans’ Home Cycle (Drama Desk and Henry SDC, AEA, SAG-AFTRA. christascottreed.com Hewes Awards), The Screwtape Letters, Ship- wrecked!... (Lucille Lortel Award), The Skrik- STEVEN C. KEMP (Scenic Designer) FPA Debut. er (Drama Desk Award), Machinal (Obie Over 50 productions in NYC including other Off- Award). His regional theatre credits number Broadway designs with: Mint Theater Company, more than 300 productions at major regional Second Stage Theatre, York Theatre Company, theatres. His television credits include a score the Duke on 42nd Street, 47th Street Theatre, for the Emmy Award-nominated film version the Cherry Lane Theatre, The Playwright’s of The Trip to Bountiful. Johngromada.com Realm and 10 productions for Keen Company including the revivals of Tick, Tick...Boom, Marry PAT McCORKLE (Casting Director): Broadway: Me a Little and Ordinary Days. Has designed for Over 50 productions including: On The Town, 26 American Opera companies. Amazing Grace, End of the Rainbow, The Lieu- tenant of Inishmore, Cat on a Hot Tin Roof, One THERESA SQUIRE (Costume Design) has Flew Over The Cuckoo’s Nest, Amadeus, She been designing costumes in New York for Loves Me, A Few Good Men, etc. Off Broadway: over 20 years. Although she designs main- Highlights: Party Face Clever Little Lies, Tribes, ly for theatre, her work has also been seen Our Town (Barrow Street), Freud’s Last Session, in dance, film, print, industrials and commer- Toxic Avenger, Almost Maine, Driving Miss Dai- cials. Her most recent favorite projects in- sy. Feature films: Currently: Mental State. Pre- clude the costumes for Sooner/Later direct- viously: Senior Moment, Child of Grace, Year ed by Lisa Rothe at Cincinnati Playhouse in by the Sea, Premium Rush, Ghost Town, The the Park, To the Bone at the Cherry Lane writ- Thomas Crown Affair, Die Hard with a Ven- ten by Lisa Ramirez and directed by Lisa Pe- geance, School Ties, etc. Television: Twisted, terson, Looking for Helen Twelvetrees under Humans for Sesame Street, Hack (CBS), Cali- director Leigh Silverman and Cusi Cram’s The fornication (Emmy Nomination), Max Bickford Saint Vincent’s Project directed by Daniella To- (CBS), Chappelle’s Show, Strangers with Can- pol at Rattlestick Playwrights Theater. dy, Barbershop, etc. mccorklecasting.com.

AARON PORTER (Lighting Design) Select- KELLY BURNS (Stage Manager) Other FPA ed Design work: Monster Stomp (SeaWor- productions: Shadowlands. Off Broadway: Or- ld San Antonio), One Flea Spare (Off Broad- dinary Days (Keen Company); Conflict, The way), Songbird (Off Broadway) and (Two River Lucky One (Mint Theatre Company); Three Wise Theatre), A Christmas Carol (Triad Stage), Wait- Guys, The Gravedigger’s Lullaby, She Stoops to ress (Manila, Philippines). Selected Broadway Conquer, Widowers’ Houses, Hard Love, Abun- Associate: Waitress, Getting the Band Back To- dance, The Killing of Sister George, Beyond gether and The Price. He received the 2013 Ris- Therapy and Natural Affection (TACT); A Mid- ing Star Award, presented by Live Design and summer Night’s Dream, The Taming of the USITT. aporterld.com Shrew, As You Like It and The Seagull (New York Classical Theatre); Mother Courage and JOHN GROMADA (Composer/Sound Design- Her Children (CSC). Regional: Mystery of Irma er) FPA.: Shadowlands, The Screwtape Letters, Vep, Dial M for Murder, The Sunset Limited (Tri- The Most Reluctant Convert, The Great Divorce. ad Stage). Film/TV: Ambition’s Debt (Uwaki Broadway (Composer and/or Sound Design): Film LLC), Homer and Penelope (Cinema with More than 35 productions, including Torch Cinema LLC). BFA from the University of North Song, The Elephant Man, The Trip to Bounti- Carolina at Greensboro. ful (Tony nomination), The Best Man (Drama Desk Award), Clybourne Park, Seminar, Man ALAYNA GRAZIANI (Assistant Stage Manag- and Boy, The Columnist, A Bronx Tale, Pre- er) NYC Credits: My Parsifal Conductor (The lude to a Kiss, Proof, Sight Unseen, Rabbit Directors Company, Assistant Stage Manag- Hole, Twelve Angry Men, A Few Good Men. er) Martin Luther on Trial (Tour, Fellowship

8 WHO’S WHO for Performing Arts, Production Stage Man- al, C.S. Lewis Onstage: The Most Reluctant Con- ager), Later Life (Keen Company, Assistant vert (also co-Director) and Shadowlands. Other Stage Manager), The View UpStairs (Invisible projects include Human Nature’s Jukebox in Las Wall Productions, ASM), Othello (Classic Stage Vegas and worldwide, Back Home Again (featur- Company’s The Young Company, PSM), Blue ing the songs of John Denver), Broadway & The Window (Columbia Stages, PSM), The World Bard (starring Len Cariou), as well as Songbird of Extreme Happiness (Manhattan Theatre and Desperate Measures Off Broadway. Addi- Club, Production Assistant). MFA Stage Man- tional credits include Doctor Zhivago in Australia agement Columbia University. Proud Member and on Broadway, An Officer and a Gentleman of Actor’s Equity. in Australia, Tony ‘n’ Tina’s Wedding and The Mary Wilson Holiday Spectacular with the Four CLAUDIA HILL-SPARKS (Voice & Dialect Tops in Chicago. Ken’s experience as a Produc- Coach) Broadway: Anastasia, Dance of the er, Executive Producer and General Manager Vampires. Off Broadway: An Octoroon (Soho extends over 25 years and includes numerous Rep/TFANA), The Merchant of Venice (TFA- pre-Broadway and Broadway productions. He NA), A Midsummer Night’s Dream (The Pub- was the Associate Producer of the original Tony lic Theater, Shakespeare in the Park), Polish Award-winning production of Disney’s The Lion Joke (MTC), Time and the Conways (Epic The- King and was the General Manager and Director ater Ensemble), Stone Cold, Dead Serious (The of Production and Operations for the renowned Edge Theater Company), Shadowlands (Fel- Old Globe Theatre in San Diego for 15 years. lowship for Performing Arts). Regional: 2008– 2010 Summer Shakespeare Festivals, 8 years MAX McLEAN (Artistic Director) Adapted C.S. as Resident Vocal Coach for The Old Globe, Lewis’ The Screwtape Letters, C.S. Lewis On- Hartford Stage, Barrington Stage Company, stage: The Most Reluctant Convert, C.S. Lewis’ Long Wharf Theatre, Huntington Theater Com- The Great Divorce, Genesis and Mark’s Gos- pany, North Shore Music Theater, American pel. As an actor, created the roles of Screw- Players Theatre, Chautauqua Theater Compa- tape in New York and on National Tour, C.S. ny. Numerous National Tours for Network Pre- Lewis in The Most Reluctant Convert in New sentations. Television: Dialect Coach for Rich- York and on National Tour and Mark in Mark’s ard Easton as Ben Franklin for PBS. Faculty: The Gospel (Jeff Award for Solo Performance). Old Globe/USD MFA Professional Actor Train- Favorite roles include Stanley, A Streetcar ing Program, Boston University BFA Profes- Named Desire, and Snoopy, You’re a Good sional Actor Training Program, The American Man, Charlie Brown. He has narrated the Bi- Academy of Dramatic Arts, The Wilma Theater. ble five times as well asJohn Bunyan’s Pil- Education: MFA in Acting, Temple University. grim’s Progress and Classics of the Chris- tian Faith. His narrations received four Audie LEW MEAD (Production Manager) Broad- Award nominations. Max enjoys a round of way engineering credits include: A Chorus Line, golf. Ephesians 2:10. Dreamgirls, Bring Back Birdie. Broadway Design credits include Onward Victoria, Tom Sawyer, FELLOWSHIP FOR PERFORMING ARTS (Pro- Urinetown, The King and I, and Wonderful Town. ducer) Fellowship for Performing Arts is a New Touring credits include Julie Andrews and Les- York City-based theatrical production com- lie Uggams. Fellowship for Performing Arts cred- pany founded by its Artistic Director, Max Mc- its include The Screwtape Letters, The Great Di- Lean. FPA’s mission is to produce theatre from vorce and The Most Reluctant Convert. Lew is the a Christian worldview that engages diverse au- Director of Autograph A2D an audio distribution diences. In addition to its annual New York sea- company located in New York City and London. son where it has produced Shadowlands, C.S. Lewis Onstage: The Most Reluctant Convert, KEN DENISON (Executive Producer) /ARUBA The Great Divorce, Martin Luther on Trial, The PRODUCTIONS Aruba Productions is a gener- Screwtape Letters and A Man for All Seasons; al management/executive producing organiza- FPA tours at universities (Brown, Princeton, UC, tion that manages and produces shows world- Berkeley) and in major performing arts centers wide. Ken serves as the Executive Producer for across the country. In the past year, over 65,000 FPA’s productions of C.S. Lewis’ The Screwtape people have experienced an FPA production. Letters, The Great Divorce, Martin Luther on Tri- FPAtheatre.com

9 FOR THE PRODUCTION

PRODUCER Fellowship for Performing Arts, Inc. Board of Directors: Glenn Gault, Roberta Livesay, Max McLean, Hardie Morgan, Daniel Quigley, John Rogers, Richard Spears and Michael Tarwater Max McLean, Founder & Artistic Director EXECUTIVE PRODUCER Ken Denison GENERAL MANAGEMENT Aruba Productions, LLC Ken Denison Amy Polan-Clarke PRESS REPRESENTATIVE Matt Ross Public Relations 212.756.1248 Matt Ross Sarah Sgro Liz Lombardi ADVERTISING & MEDIA The Pekoe Group FELLOWSHIP FOR PERFORMING ARTS PRODUCTION Philanthropy...... Marshall Pennel & Jessica Ching, PennelChing, LLC Production Manager...... Lew Mead Technical Director...... Abby Walsh Creative Director...... Ben Geist Head Carpenter...... Katie Martin Communications Director...... Paul Cozby Head Electrician...... Diana Duecker Database & Office Manager...... Jennifer Maala Electrician...... Evan Hawkins Head Audio...... Devon Swigger Office Coordinator & Social Media...... Dan DuPraw Wardrobe Supervisor...... Andrew Wehling Donor Relations Manager...... Sarah Mills Prop Supervisor...... Jessica C. Ayala Literary Manager...... Christa Scott-Reed House Manager...... Stephanie Anderson Asst. House Manager...... Phillip Padgett Project Coordinator...... Allison McQuade Ushers...... Nick Petrelli, Abby Tilly, Lucas Thomas, . University & Special Event Coordinator...... Courtney Menking Hannah Hessletine, Tara Bosarge, Amanda Millone Controller...... Erin Kouch, YPTC ARUBA PRODUCTIONS Group Sales...... Phillip Padgett Associate General Manager...... Kate Holland Company Manager...... Lucy Rybarczyk Videographer...... Alex Barker Ticketing Manager...... Robyn Sunderland IT Consultant...... Jox Teodocio Booking Manager...... William Meade Web Developer...... Amanda Atkins Finance Assistant...... Paul Bernfeld Payroll Service...... Media Services Assistant to Creative Director...... Phil Laskowski Legal Counsel...... Jason Baruch, Sendroff & Baruch LLP Auditors...... Lutz and Carr CPA, LLP General Management Intern...... Isabelle Mann

THEATRE ROW is a program of non-profit Building for the Arts NY, Inc. BFA presents vibrant arts initiatives to communities and neighborhoods, elevating people and places to serve their greatest purpose. www.bfany. org. BFA Board of Directors: Kevin Harrington – Chair, Carmen Bowser – Secretary, Daniel Biederman – Treasurer, Kevin Alger, Andy Hamingson, Miriam Harris, Jeffrey A. Horwitz, William J. Maloney, Melissa Pianko, Wendy Rowden, Zachary Smith, Joyce Storm. BFA Executive Team: Wendy Rowden, President – Bruce Levine, Chief Financial Officer Theatre Row Staff: Erika Feldman, General Manager – Shawn Murphy, Associate General Manager – Keith Adams, Technical Director, Assistant Technical Directors – Colin Colford, Sean Jones, Chris Phan, Matthew Sells, Marketing and Social Media Manager – Beth Brennan, Box Office Manager – Kelsey Kennedy, Box Office Staff – Taurice Artis, Sara Christopher, Amanda Finch, Kristin Heckler, Kiley McDonald, Kelly Webb, House Manager – Jack Donoghue, Studio Manager – Scott Pegg In the event of fire, please proceed quietly to the nearest exit. Exits are located where you entered the theater complex. The use of cameras and other recording devices in this theater is prohibited by law. There is no smoking anywhere in this theater or in the theater complex, including, lobby, stairways and restrooms. This presentation is not a Theatre Row or Building for the Arts NY Inc production, nor does its presentation in this theater imply approval or sanction by either Theatre Row or Building for the Arts. The Actors and Stage Managers employed in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. 10 NOTE FROM THE ARTISTIC DIRECTOR

While experiencing a production by Fellow- and an atheist by observation and introspec- ship for Performing Arts, some people are tion.” He went on to express “how much I curious about what drives our work. admire the approach of Fellowship for Per- forming Arts...They do their work through a FPA’s objective is to engage and entertain careful combination of good storytelling— its patrons by telling stories from a Christian craft comes first...allowing any message im- worldview that can capture the imagination plicit in the material to take care of itself.” of a diverse audience. A third critic commented that “Fellowship Our process begins with careful attention for Performing Arts offers something that to selecting works we think can accomplish has been sorely missing from the New York this objective. theater scene for far too long: high-qual- Next, we strive to ity, challenging the- execute our artistic ater from a Christian vision to the highest perspective. Most level of excellence “ART HINTS AT impressively...they our budgets allow. THE DEEPER let the drama lead Part of achieving this the way, allowing us is to attract a first- STRUCTURES to debate what we rate cast and creative OF REALITY.” have witnessed on team. the trip home.”

I’m aware that, de- Such feedback is spite the best of in- welcomed. Art hints tentions, for some the notion of a “religious” at the deeper structures of reality. FPA de- play might send up a yellow flag. sires to create theatre that contributes to a better understanding of that reality. To do During our first New York season, several that requires honest, clear-eyed storytelling reviewers expressed this skepticism in print. that entertains and engages its audiences. If One critic, upon discovering our worldview, a play doesn’t do that, it really doesn’t mat- wrote “my heart sank.” Another made the ter what else it does. understatement that presenting plays from a place of religious conviction “to a general Thank you for the privilege of attempting to audience is no easy thing.” do just that at this performance.

In both cases, it was the work that led them to reconsider. The first declared, “I expect- ed a preachy bore, not this deliciously witty, theatrical treat that still resonates and amus- es the day after.” He went on, “I expect that, like the first, [the next production] will be entertaining, very well-staged and imbued Max McLean, with serious Christian thought and an ear- Founder and Artistic Director nest invitation to introspection.” Fellowship for Performing Arts

The second critic began by stating that he was “Jewish by birth, liberal by conviction

11 FELLOWSHIP CIRCLE

The Fellowship Circle is a key building block to help Fellowship for Performing Arts achieve our mission of presenting theatre from a Christian worldview that engages a diverse audience. The following Circle Members provided the financial support to produce The Screwtape Letters, The Great Divorce, Martin Luther on Trial and The Most Reluctant Convert:

Platinum Circle Sharon Wigal Jeffrey and JoAnn Peterson Rick & Libby Cottrell Jonathan & Mary Kay ANONYMOUS (1) Dan and Alison Quigley Charles & Candace Curie Borisch Dr. & Dr. Robert & Judith Peter and Janis Duda Dr. & Mrs. William & Bridget Silver Circle Rausch Dave & Meg Dupee Coughran Donald & Fara Avery Bob & Sissel Rhyme Dr. & Mrs. Eric & Kim Elder Alan & Barbara Gates Lorne & Michelle Bain Harley & Posey Riedel Dr. Timothy Flanigan Hardie & Andrea Morgan Andrew Billing Sheryl & William Robertson Timothy & Jackie Flynn Kay & Gary Rupp Timothy & Kelly Biltz John & Lynn Siefker David & Judy Franklin Edward & Josephine Gary & Pamela Bollier Ned & Doris Snider David Fuller Skoudis Susan & Dirk Brokaw William & Lury Snyder David & Autumn Dawn Michael & Ann Tarwater Wayne & Laura Buchanan David Spence Galbreath Sharon Van Dellen Robert & Susan Buck St. Martin’s Episcopal Brian & Audrie Ana Gardner Walt & Anne Waldie Chris & Susan Burchett Church Christopher & Christine Gorz ANONYMOUS (1) Keith & Eileen Denner Dr. & Mrs. James & Cheryl Muffin Grant Charles & Connie Dunn Strang David & Patricia Harper Gold Circle Mac & Andy Everett Jody & Beth Stubbs Joel & Catheryn Helton Todd & Kellie Avakian Billy & Shannon Flippin Lana Valenta James Michael & Patricia Singh & Mary Bajwa Clint & Diana Fultz Karen Vandermeer Hines Bernard & Jeanne Bertsche James & Elizabeth Gadsby Mr. & Dr. John & Abna Sterling and Alice Hitchcock Mary E Boyd Waddell Curtis Grant David and Heide Louis & Joan Braddi Allan & Mary Ellen Wampler Mark & Barbara Gubb Hungerford Jere & Patsy Drummond Ed & Becky Watt Doug & Jane Guffy Ryan & Adrienne Israel John & Laura Fairfield Richard & Linda Wyatt Diane Iorio Michael Handel Elbert & Cheryl Forman Robert & Nancy Michael & Laurie Jaffe Harry & Gayle Hargrave Capt. & Mrs. Don & Sharon Zimmerman John Johnson Philip Hausler Frahler Steven & Linda Znachko Gordon & Martha Koppin Chris & Anne Hayes Trent & Jill Gazzaway ANONYMOUS (4) Mark & Susan Lancaster Gordon & Nada Geddes Mr. & Dr. Dean & Ginger Hertenstein James & Cindy Ray & Mary Graf Bronze Circle Lauffenburger Ivan Hinrichs Dr. & Dr. JD & Edith Hall James & Barbara Alexander Paul and Carol Lindgren Elliott and Mary Jo Horne Robert & Chris Hiday William Artzt Dr. & Mrs. Brant & Susie Ronald & Renee Joelson Todd & Helen Johnson Wendell & Cynthia Barton Lipscomb Daniel & Sonia Kenna Hal & Joan Kraft Tricia Bass Peterson Alex & Claudia Livingston Dr. & Mrs. Tony & Courtney Joan Bauer Lawrence & Anita Maxwell Kyle & Ann Krueger Kim Chad & Jennifer Bentz Sam & Mary Menefee Richard & Marilyn Lynch Robert & Michele Larson Stewart & Tammy Bertron Jon & Debbie Noetzel Capt. & Mrs. Richard and Robert & Linda Laskin Tina Prevatt Ken & Laurel Beukelman John & Nancy Olinde Thad & Lisa Leach Sheli Remick Berry & Connie Brooks Scott & Bridget Olson Don & Roberta Livesay Jeremy Roberts Mark & Patricia Burton Brad & Heather Pease Robert & Mary Long Bruce & Jan Saxon Joe & Esther Campanella Donnie Perkins Terry & Mary MacRae Dr. & Mrs. Gary & Terri Chris and Lesley Chambless Toby & Cindy Perry Max & Sharon McLean Schmitt Frank & Carol Childress John & Ann Porter Carrie Mostul Mary Ellen Schrock Bradley & Justine Jenny Pruitt Brad & Andrea Newell J.D. & Angie Slaughter Chmielewski Jeff & J’Anne Rawson Keith & Deborah Nichols Richard & Carol Spears Tom & Peggy Coleman Jane Rectenwald Jeff & Debbie Upchurch Dr. & Mrs. Jeffrey & Jo Ann Dr. Ruth Correll Peterson Russ Reinsel

12 FELLOWSHIP CIRCLE

Mike & Diana Riley Birch Bowdre Bart Henson Doug & Lisa Rogers Martin & Carol Robinson Dr. & Mrs. Dana & Sharlene Ken & Deb Hess Andy & Julie Sauter Lee & Christina Roth Bradshaw Tynes & Trish Hildebrand Benjamin & Jackie Scardello Dr. & Mrs. Ned & Charlene Gordon & Barbara Sue Jack & Laura Hodge Dale & Arlene Schaefer Rupp Broberg Nelson Hoffman John Schiller Chris & Linda Scharnhorst Barry & Amy Brooks Elliott and Mary Jo Horne Jason & Wendy Schmidly Daniel & Jennie Schipper Capt. & Mrs. Chris & Yves Kevin & Yvonne Hull Steven Schulman Brooks Kathleen Schmidt Christi Hymel Troy & Kelly Schulze Paul & Cynthia Brosnan Stephen & Cheryl Shuler Susan Jones Carlton & Elaine Sears Jerry Brown Thomas & Alice Shupe Scott & Shifra Kauffmann Marshall & Carole Seese Gordon & Carolyn Burch Mr. & Dr. Rich & Andrea Brandi Kavanaugh Robert & Debbie Seevers Walker & Marjorie Cain Sittema Charles & Jane Kim Marion Sharp William & Karen Carlson Cynthia & Steven Smith Patricia Kissell Christiane Shipley Judy & Rachel Chaney Norm & Betty Snyder Steven & Marie Klein Renee Skeels Carl J Chiappa Rev. & Mrs. James & Diane Francis Koudelka Terry & Wendy Slattery Stanton Mitchell & Sara Chwatt Marsha Kuhnley Brian & Denise Smith Jim & Terri Steinkamp Bill & Anne Clippard Larry & Carol Landis Douglas & Sharon Smith Charles & Joy Strnad John Cofer James & Jill Laski Dr. & Mrs. Steven & Kathy James & Darcy Terry Paul & Sherry Cozby Gregory & Patricia Lee Smith Jim Thornton Ronald & Vicky Crowe Robert (Greg) & Deborah Greg & Joyce Smith Thomas & Carola Tucker Mark & Angie Dailey Low Gregory & Michele Smith Craig & Emilie Wierda Joy Dance Joel & Wendy Lundberg Lois Southard Ryan & Katrina Wilhelmsen Erik Daniels Tony & Tammy Magaldi Richard Spees Brent & Erin Wyper Michael & Megan Davis Paul & Sandra Magnuson Jerry & Kitty Spence Jonathan Yuen Nick & Sonya DeCarlo Mike & Carol Marker Olga Statz ANONYMOUS (3) Hannah Demaray William & Colleen McCrary Timothy Stember Dairus DeNeui Allison McDonald Patricia Stichweh Cornerstone Circle Jarrett & Christine Dewelde Bruce & Suzanne McFadden Richard & Jane Struck W. Shepherdson & Kathryn Richard Dippolito William & Flo McGee Joseph Stubbs Abell John Durham John & Mary Allen Mark McNickle Candy Sutfin Jonathan & Lori Eaton Jackie Mears Joe Teague John & Katherine Alsdorf Charles & Carolyn Eklund Eric & Moana Andersen David & Darrellyn Melilli Dr. & Mrs. Peter & Julie Turk Jeffrey & Michele Etherton Gary & Vivian Merideth John & Diane Utley Gwen Anderson Paul & Adele Everett Roberta Armijo Joseph & Rosanne Mitchell Gary Vandenbos Dr. & Mrs. Kent & Leah Radford & Wendy Moeller Gordon & Elaine James & Phyllis Ashe Farish David & Katherine Moore Vandermeulen Chris & Cheryl Bachelder Dr. Caroline Fife Thomas & Donna Mowery Beverly, Hugh & Catherine Ed & Connie Baker Thomas Forsberg Scott & Jenelle Mullet Verano Bill & Linda Bantz Philip & Amelia Gaillard Gary & Judy Nagel Giles & Deidre Vick Scott & Jennifer Barringer Michael and Diane Gandy Douglas & Ellen Naylor Wesley and Janet Wada Lori Batchelder Michael & Carla Gasser Dr. Sally Naylor Glenn & Mary Warner Teresa Battaglia J. H. & Tabitha Gatewood Thomas & Susan Olmstead Karen Warriner Dr. & Mrs. Terry & Connie Glenn & Rebecca Gault Dr. Leanne Olson Steven & Kathryn Waters Bawcom Brian & Kendra Gevry John & Marilyn O’Neal Randy & Melissa Waters Jon & Denise Beckman Timothy Gillis Rick & Melissa Owens Matthew & Martina Watkins Frederick & Linda Behm James & Victoria Goddard Ted & Nan Peters Sandy & Betsy Weathersbee Kay Behrenwald Steve & Katie Gohde Mark Plaster Jon and Dusty Weichbrodt March & Mariam Bell Ellen Gould David & Beverly Porter Tanya Weston Matt & Marcy Benedict Jim & Sherrie Grabot Richard & Tina Prevatt Jamie & Todd Wheeler Robert & Kelli Black Carter and Erin Hamilton Mason & Katherine Reay Rita Wignall Jim & Carole Bluhm Jim and Fran Harrison Rodney & Diana Repasky James & Carol Wilhoit David & Brenda Bodanza Selby Harrison Douglas & Alice Ritter Elise Wilkes Mr. & Dr. Michael & Denise Ted & Ibel Hartlett Boriack Marcia & Kevin Williamson

13 FELLOWSHIP CIRCLE

Robert & Linda Wohleber Michael Colton Barney & Karen Giesen Tom & Pamela Johnson ANONYMOUS (3) Michael Connelly Scott Goldstein James & Susan Jones Leonard & Joanne Conner Ray & Lynda Goodfellow Wayne & Elizabeth Jones Founder’s Circle Chris & Nancy Conniff Terry and Julie Gorman Dale & Cindy Jorgenson Victor & Jana Aagaard Ronald & Nancy Connor Shaun & Sharron Grannis Eugene & Michelle Kaleniak Steve & Shari Abbott Dr. Joy Corby Kathleen Green Curtis and Mary Kauffman Mark Aijian Alan & Linda Corey Mart and Diana Green Charles & Joy Kelley Brad & Olga Alarid Paul Correa Thomas & Barbara Everett & Charlene Kennedy Fred & Beth Alexander Jim & Lori Cox Greenberg Gregg & Jill Kiehl Dan & Susan Allen Ben & Tamara Crawford Gordon & Denise Greenhill David Kilpatrick Ed & Deborah Alyanak Barry & Shirley Daniel Michael and Carol Gregg Lane & Linda Kimbrough Gary Anderson David & Heidi Dasinger Michael & Barbara Grey David & Pat Kirker Marc & Millie Arnold Rev. & Mrs. Charles & Ingrid Rev. & Mrs. David & Sharon David Kitchens Rev. & Mrs. Hank & Glo Davis Haberer Kirk Knous Avent Frank & Elaine Dennison John & Kate Hadley Kent & Beth Kochheiser G. Laurence and Dana Dr. & Mrs. Colin & Susan Mark & Sally Hanson Larry & Rosemary Laird Baggett Derdeyn Jeffrey & Jennifer Hargrave Mark & Silvia Lamendola Andrew & Marcella Barrett Mark Deterling Dr. & Mrs. James & Mary Dr. Michael Landwehr Hudson & Deborah Barton Ann Harkema Kenneth & Valerie Dickerson James & Bonnie Laney Thomas Bast Jeff & Janet Harris Bob & Jo Ellen Dietz Jimmie Lawson Jason & Julie Battaglia Mark & Nancy Harris Ross Dorsett Roseanna Lee Elizabeth Becht Sharon Harrison Jerry & Sandra Drake Bruce Leep Suzanne Behr George & Sally Hauptfuhrer Mr. & Rev. Dr. William & Dr. & Mrs. Eric & Barbara Michelle Behrenwald Suzanne Ebel Edward & Pamela Hawkins Leestma Lt. Col. Linn Benson Fred & Linda Edwards John & Susan Hayes Daniel Legare Michael Bergmann Helen & Martin Eger Robert & Judy Heaton Greg & Shelley Leith Steve & Rebecca Betulius Christina & Roy Ellsberry Lea Helmerich Raymond & Carole Jay & Maya Betz Lisa Elmore Chet & Gwen Henry Lewandowski Steve and Gigi Bolman Gary & Sheila Engel Greg & Mary Grace Heston Lisa and Stephen Lex Frank & Jamie Bonetto Franklin & Debra Ensor Jackson & Penney Hill Brett Long Dr. & Mrs. Andrew & Dena James & Catheryn Epstein Nancy Horton Wesley & Stephanie Boswell John and Valerie Fairchild Col. & Mrs. Ronald & Lonsberry Curt & Rachael Branch Blaise Fallon Elizabeth Houle McCrary Lowe Peter & Martha Bridge William and June Farrell Vinson & Sharal Huegele Ken Lupino Bill Britton William Faulk Steve & Cynthia Huffstetter Martin & Allison Maners Pat Brown John Feyerer Peter & Joanne Hughes Jin & Monika Marshall Amy Brown Greg & Sandee Finley Kenneth & Lourdes Hunt John Marshall Michelle Brubaker First Presbyterian Church Robert Hunter Jay & Betty Martin Nan Buchanan of Tulsa Ian Ibbitson James & Nadine Maxwell Roger & Cindy Bumps Kenneth & Lesley Fluke Lee & Natalie Iden William & Colleen McCrary Tom & Linda Burley Pam Forbes Don & Barbara Iehl Jewelette McDaniel Debbie Burow Dr. & Mrs. Mark & Lauren Doug & Dorothy Iliff Peter McGrath Ken & Shay Callahan Franklin Dr. & Mrs. William & Marilyn Renee McGuire Janet Carpenter Scooter & Carol Franks Ingram Ernie McLean John & Dorothy Castle James and Jeri Frederick Alan & Susan Jackson Ryan McNeill Danny & Kim Cecil Valerie Frey David & Ricki Jackson Ed & Nancy Mello Glenn & Karen Cesa Kent Garbee David & Debbie Jackson Christopher Miles David & Janet Chestnut John & Courtney Garrett Sunhee Jeon JD & Diane Miller Sheau Ping Ching Brenda Gaskins Diana Jin Robert & Joan Miller Marty & Nancy Clayton Phil & Jasmine Gatti Julie Johns Mark & Karen Mitchell Doug Clifton Kelly & Beth Gebert Blake Johnson Bob & Jerrie Moffett Dr. & Mrs. J. David & Beverly Robert & Bonnie Getts Juliette Johnson Dr. & Mrs. Merrill & Jena Clyde Richard & Kay Giesecke Lynn Johnson Morey

14 FELLOWSHIP CIRCLE

Marquita Moss Stone & Barbara Rose Dick & Kris Spain Chris & Sarah Watson Robert & Nancy Mowrey Dr. & Mrs. Hugh & Kathleen Rick Spees Charlie & Natalie Weakly Jack & Leslie Murphy Ross Frank & Arlana St. Clair John & Diana Weiss Myatt Myatt Eric Rothdeutsch Don & Kate Stamas David & Ronda Wells Randy & Pamela Newman Michael Rothe Julie Starcher Denise Westfall William & Linda Newton Briana Rouse Barry & Sam Stare Jan Weston Patricia Nichols Edward Sabo Philip & Rachael Starke John Wheeler Carolyne Nielson Carol Sampson Terry & Joy Stauffer James & Kelly Whitcomb Steve & Denise Nyberg Theodore & Sarah Sands Milivoje & Terry Stefanovic Hal & Sandy Widener Timothy & Carroll Olson Dr. & Mrs. Steven & Anne Lyle Stephenson Robert & Joyce Wilks Joy & Eric Orme Sarkisian Kenneth Stern Rodger & Karen Williams Dale Orwig Kerby & Lisa Saunders Chuck Stetson Brian & Julia Wilson Stefan & Kathleen Palansky Ryan Schaub Russell & Kathy Stevens James and Shannon Scott & Marline Pallais Douglas & Elizabeth Mark & Robin Stewart Winebrenner Scheffler Jerry & Becky Parker Laura Sullivan Larry & Wanda Wiseman Beverly Scheliga Bryan & Brenda Peck Damon & Lynn Swaner Paul & Mary Jo Wohlers Vernon & Ellie Schmidt Eric & Gina Peter Dr. & Mrs. Marc & Beth Bill & Holly Worsley Robert & Virginia Schofield Randy & Sherryl Peters Swiontkowski Steven Wyse Walter & Pat Schriver Pete & Sam Peterson Doug Tabor Terry Young Cynthia Schroth Blake Pfeffer Steven & Carmen Tate Neil & Nancy Young Bob Schweikhard Greg Ploss Dr. & Mrs. David & Mickey William & Amy Zewe Thomas & Kelly Scurich Jeffrey & Jennifer Plunkett Templin ANONYMOUS (4) Kim Seeburger Glen Posladek Judi Teske Anneliese Sepaniak Kay & Hill Pound Jay & Cheryl Thompson Matching Gift Companies Daniel & Nancy Sharp James & Karen Pruitt Kirk Thomsen Central Cal Homes, Inc. Fred & Sherrie Sharpe Robert Pruitt Joshua Thorsvik Dayton Foundation Jonathan & Rachel Sherrill Charles & Karletta Grant & Suzan Tibbetts ExxonMobil Matching Gifts Pruszynski Micheline Shipley Dr. Jim Toner Mission to the World John Putnam Dale & Susan Shirasago Luann Van Campen Occidental Petroleum Dale & Cathy Reichel Kathy Skrivanek Jon & Dana Van Kinsbergen Shell Oil Matching Gifts Jim & Cindy Reilly Christa Slyman Sheryl & Chris Van Ruiten Sweet Pea Property of Stevan & Terri Rexroad Baker & Debby Smith Dr. & Dr. Lloyd & Mary Van Westlake Adam & Christina Richards Doug and Nan Smith Winkle United Way Jeffrey Ring Edward Smith Brenda Vantrease Vine Medical Associates James & Betty Roberson Norm & Kathie Smith Don & Lois Verleur Bruce Robertson Roger & Judy Smith Mark & Marissa Wadlington Mark & Melissa Robertson Pamela Smyth Dr. & Mrs. Lyle & Gayle Wadsworth Eric & Naja Robinson Josh & Denise Snyder Arden & Virginia Walker Michael Rodgers Timothy Solt

The names on this list were last updated on December 17, 2018 and reflect annual giving. Every effort has been made to ensure the accuracy of this list. Please call us with any questions or corrections. FPA values the donations of our many other supporters and friends and extends our deepest gratitude to all. To join our Fellowship Circle, visit FPAtheatre.com/support or call us at 212.582.2920 and ask for Sarah Mills.

Platinum Circle ($100,000 +), Gold Circle ($25,000 - $99,999), Silver Circle ($10,000 - $24,999), Bronze Circle ($5,000 - $9,999), Cornerstone Circle ($2,000 - $4,999), Founder’s Circle ($1,000 - $1,999)

Fellowship for Performing Arts 630 Ninth Avenue, Suite 1409, New York, NY 10036 212.582.2920 [email protected] FPAtheatre.com facebook.com/CSLewisOnStage @cslewisonstage

15 2019 NATIONAL TOUR*

ONSTAGE THE MOST RELUCTANT CONVERT JAN 31-FEB 3 • UNIVERSITY OF TEXAS, AUSTIN FEB 7 • UNIVERSITY OF MIAMI FEB 10 • FT. LAUDERDALE - Parker Playhouse FEB 16-17 • TAMPA - Straz Center MAR 10 • LOUISVILLE - Brown Theatre MAR 20-24 • CHARLOTTE - Booth Playhouse APR 14 • BIRMINGHAM - BJCC Concert Hall APR 17 • VANDERBILT UNIVERSITY APR 27 • CHATTANOOGA - Tivoli Theatre MAY 3 • SAN ANTONIO - Majestic Theatre JUNE 14-15 • SACRAMENTO - Harris Center, Folsom JUN 22-23 • SAN FRANCISCO - Herbst Theatre JUN 29 • COLORADO SPRINGS - Pikes Peak Center JUL 11-21 • LOS ANGELES - Broad Stage, Santa Monica AUG 2-3 • PORTLAND, OR - Newmark Theatre AUG 10 • BAY HARBOR, MI - Great Lakes Center for the Arts

JAN 18-19 • NASHVILLE - TPAC JAN 29-FEB 3 • WASHINGTON D.C. - Lansburgh Theatre FEB 16 • PITTSBURGH - Byham Theater FEB 23 • DALLAS - Eisemann Center MAR 5-17 • HOUSTON - George Theater MAR 28-31 • TULSA - Tulsa PAC APR 12-13 • KANSAS CITY - Kauffman Center MAY 10-11 • PHOENIX - Herberger Theatre Center MAY 18 • SAN DIEGO - Balboa Theatre JUNE 8-9 • ATLANTA - Ferst Center JULY 13-14 • CHARLOTTE - Knight Theater FPAtheatre.com Fellowship for Performing Arts • 630 Ninth Avenue, Suite 1409, New York, New York 10036 *As of Dec. 17, 2018. New dates added regularly. Please check website.