MS/BS Hurt by Policies Registered
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Negatief04.Pdf
2 2 seien es die Clubs oder Szenevertreter. Darü- EDITORIAL ber hinaus hat sich auch viel auf unserer In- INHALT ternetseite getan. Es gibt viele Videostreams Zu allererst möchten wir uns ganz herzlich von Interviews, die wir mit unseren Partnern für die vielen positiven Zuschri� en von euch Schwarze Seiten und Scha� en TV im Rahmen 35 6 <omm bedanken, denn das NEGAtief ist auf euer des letzten M’era Luna Festivals geführt ha- Feedback maßgeblich angewiesen. Natür- ben. Neu ist auch die Rubrik „Extended“, in 38 Caleidolex lich bedanken wir uns auch ganz herzlich welcher wir zusätzliche und erweiterte Inter- 36 Cynicism bei unseren vielen treuen Verteilerstationen, viewfragen zu aktuellen NEGAtief-Beiträgen au� ereitet haben. Darüber hinaus gibt es ab 32 Dawn of Ashes jetzt auch das NEGAtief Special „Web EP“ mit ausgewählten Künstlern. Die Web EP 13 Diva Destruction ist eine Gratisdownload-Aktion, die euch ei- 26 Eisbrecher nen Künstler oder eine Band näher bringen soll. Wir drucken das Cover der Webveröf- 19 Harmonia Mundi 2 fentlichung im Innenteil des NEGAtief zum Ausschneiden ab und ihr könnt dann nach 37 Heavy Current dem Download der Web EP eure eigene CD 10 IAMX basteln. Da es sich bei den Titeln der Web EP um exklusives Material handelt, hoff en wir 12 Monica Richards auf eure faire Honorierung den Künstlern gegenüber. Sollte euch die Web EP gefallen, 34 NVMPH so kau� doch auch den einen oder anderen 40 Polarlicht im Handel erhältlichen Tonträger des Künst- Seabound - Double-Crosser lers. Diesmal werden wir auf der Web EP eine 15 Seabound EMPFEHLUNG DER REDAKTION EMPFEHLUNG VÖ: 27.10.06 Band aus der Schweiz vorstellen, die zuletzt mit ihrem Au� ri� auf dem WGT 2006 für Fu- 9 Snakeskin rore gesorgt hat: Die Metallspürhunde stellen 33 Steril auf der Web EP Unplugged-Versionen ihrer Songs vor, welche einige von euch bestimmt 30 The Crüxshadows im Rahmen der diesjährigen NEGAtief Open Art Days 2006 während des WGT bereits 31 The Eternal Affl ict hören konnten. -
KREVISS Cargo Records Thanks WW DISCORDER and All Our Retail Accounts Across the Greater Vancouver Area
FLAMING LIPS DOWN BY LWN GIRL TROUBLE BOMB ATOMIC 61 KREVISS Cargo Records thanks WW DISCORDER and all our retail accounts across the greater Vancouver area. 1992 was a good year but you wouldn't dare start 1993 without having heard: JESUS LIZARD g| SEBADOH Liar Smash Your Head IJESUS LIZARD CS/CD On The Punk Rock CS/CD On Sebadoh's songwriter Lou Barlow:"... (his) songwriting sticks to your gullet like Delve into some raw cookie dough, uncharted musical and if he ever territory. overcomes his fascination with the The holiday season sound of his own being the perfect nonsense, his time for this baby Sebadoh could be from Jesus Lizard! the next greatest band on this Hallelujah! planet". -- Spin ROCKET FROM THE CRYPT Circa: Now! CS/CD/LP San Diego's saviour of Rock'n'Roll. Forthe ones who Riff-driven monster prefer the Grinch tunes that are to Santa Claus. catchier than the common cold and The most brutal, loud enough to turn unsympathetic and your speakers into a sickeningly repulsive smoldering heap of band ever. wood and wires. A must! Wl Other titles from these fine labels fjWMMgtlllli (roue/a-GO/ are available through JANUARY 1993 "I have a responsibility to young people. They're OFFICE USE ONLY the ones who helped me get where I am today!" ISSUE #120 - Erik Estrada, former CHiPs star, now celebrity monster truck commentator and Anthony Robbins supporter. IRREGULARS REGULARS A RETROSPECT ON 1992 AIRHEAD 4 BOMB vs. THE FLAMING LIPS COWSHEAD 5 SHINDIG 9 GIRL TROUBLE SUBTEXT 11 You Don't Go To Hilltop, You VIDEOPHILTER 21 7" T\ REAL LIVE ACTION 25 MOFO'S PSYCHOSONIC PIX 26 UNDER REVIEW 26 SPINLIST. -
Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Blues in the Blood a M U E S L B M L E O O R D
March 2011 | No. 107 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com J blues in the blood a m u e s l b m l e o o r d Johnny Mandel • Elliott Sharp • CAP Records • Event Calendar In his play Romeo and Juliet, William Shakespeare wrote, “A rose by any other name would smell as sweet.” It is a lovely sentiment but one with which we agree only partially. So with that introduction, we are pleased to announce that as of this issue, the gazette formerly known as AllAboutJazz-New York will now be called The New York City Jazz Record. It is a change that comes on the heels of our separation New York@Night last summer from the AllAboutJazz.com website. To emphasize that split, we felt 4 it was time to come out, as it were, with our own unique identity. So in that sense, a name is very important. But, echoing Shakespeare’s idea, the change in name Interview: Johnny Mandel will have no impact whatsoever on our continuing mission to explore new worlds 6 by Marcia Hillman and new civilizations...oh wait, wrong mission...to support the New York City and international jazz communities. If anything, the new name will afford us new Artist Feature: Elliott Sharp opportunities to accomplish that goal, whether it be in print or in a soon-to-be- 7 by Martin Longley expanded online presence. We are very excited for our next chapter and appreciate your continued interest and support. On The Cover: James Blood Ulmer But back to the business of jazz. -
Recordings by Artist
Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt -
A Tribute to Rush's Incomparable Drum Icon
A TRIBUTE TO RUSH’S INCOMPARABLE DRUM ICON THE WORLD’S #1 DRUM RESOURCE MAY 2020 ©2020 Drum Workshop, Inc. All Rights Reserved. From each and every one of us at DW, we’d simply like to say thank you. Thank you for the artistry. Thank you for the boundless inspiration. And most of all, thank you for the friendship. You will forever be in our hearts. Volume 44 • Number 5 CONTENTS Cover photo by Sayre Berman ON THE COVER 34 NEIL PEART MD pays tribute to the man who gave us inspiration, joy, pride, direction, and so very much more. 36 NEIL ON RECORD 70 STYLE AND ANALYSIS: 44 THE EVOLUTION OF A LIVE RIG THE DEEP CUTS 48 NEIL PEART, WRITER 74 FIRST PERSON: 52 REMEMBERING NEIL NEIL ON “MALIGNANT NARCISSISM” 26 UP AND COMING: JOSHUA HUMLIE OF WE THREE 28 WHAT DO YOU KNOW ABOUT…CERRONE? The drummer’s musical skills are outweighed only by his ambitions, Since the 1970s he’s sold more than 30 million records, and his playing which include exploring a real-time multi-instrumental approach. and recording techniques infl uenced numerous dance and electronic by Mike Haid music artists. by Martin Patmos LESSONS DEPARTMENTS 76 BASICS 4 AN EDITOR’S OVERVIEW “Rhythm Basics” Expanded, Part 3 by Andy Shoniker In His Image by Adam Budofsky 78 ROCK ’N’ JAZZ CLINIC 6 READERS’ PLATFORM Percussion Playing for Drummers, Part 2 by Damon Grant and Marcos Torres A Life Changed Forever 8 OUT NOW EQUIPMENT Patrick Hallahan on Vanessa Carlton’s Love Is an Art 12 PRODUCT CLOSE-UP 10 ON TOUR WFLIII Three-Piece Drumset and 20 IN THE STUDIO Peter Anderson with the Ocean Blue Matching Snare Drummer/Producer Elton Charles Doc Sweeney Classic Collection 84 CRITIQUE Snares 80 NEW AND NOTABLE Sabian AAX Brilliant Thin Crashes 88 BACK THROUGH THE STACK and Ride and 14" Medium Hi-Hats Billy Cobham, August–September 1979 Gibraltar GSSVR Stealth Side V Rack AN EDITOR’S OVERVIEW In His Image Founder Ronald Spagnardi 1943–2003 ole models are a tricky thing. -
Henry Rollins Rolls Onto Campus Tomorrow Night LIQUORS Sun Rayz Tanning
page SIDESHOW March 27, 2003 Henry Rollins rolls onto campus tomorrow night The muscle-bound, tattooed, childhood that landed him in an all- you into me/ I'll turn you into me/ cide: "The only funny part I can find singer, songwriter, poet, boys military school. Rollins sepa- cause I'm a liar, a liar, a liar, a liar...." is, statistically, it might be safer for actor, publisher, punk rocker, rated himself from his divorced par- For many, his twisted observa- you to be in the middle of a liquor humbled egotist, political savvy, ents. And expect to hear about the tional humor might scare more than store holdup than to be at home alterative icon Henry Rollins will recent murder of his best friend, Joe entertain. Rollins explained to The make his 25th appearance of his 50- Cole, on stage. Boston Globe about his tirade on sui- See Rollins. 10 date spoken-word tour at MTSU's It wasn't until Rollins, born Tucker Theatre tomorrow night. Henry Garfield. started identifying But don"t get confused - this himself in the Southern California isn't your beatnik coffee house hardcore punk rock scene with poetry reading. Black Flag that he found mainstream With his in-your-face-tactics and success. He won a Grammy in 1994 cynical humor. Rollins will shock for his Get in the Van: On The Road LIQUORS you, scare you and maybe even tick- with Black Flag diary album. Welcome MTSU Students le your funny bone. The punk rock But it was with his own creation legend has moved past his tumul- - Rollins band with Chris Hashett STUDENT DISCOUNTS (ID Required) tuous years as the lead singer for (guitar). -
Pigface Fook Mp3, Flac, Wma
Pigface Fook mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Fook Country: US Released: 1992 Style: Industrial MP3 version RAR size: 1557 mb FLAC version RAR size: 1386 mb WMA version RAR size: 1435 mb Rating: 4.4 Votes: 471 Other Formats: WAV TTA RA AIFF AU MP3 MP1 Tracklist Hide Credits Alles Ist Mine A1 3:55 Backing Vocals – Bella Black, Terry BlackProgrammed By – En Esch Ten Ground And Down A2 Cello – Barbara HunterSynthesizer [Anti-tank Guitar] – Matt SchultzVocals – Chris 6:15 Connelly, Lesley Rankine Seven Words A3 1:36 Bass – William Tucker Insemination A4 4:52 Scratches – Sean JoyceSynthesizer [Anti-tank Guitar] – Matt SchultzVocals – Ogre* Hips, Lips, Tits, Power! A5 5:23 Bass – Paul RavenGuitar – Fuzz*Vocals – Lesley Rankine Satellite B1 5:10 Bass – Paul RavenDrum Programming – Andrew WeissGuitar [Backwards] – Chris Haskett I'm Still Alive B2 4:03 Backing Vocals – Ogre* Auto Hag B3 4:42 Keyboards – William Tucker Go! B4 3:39 Backing Vocals – Martin AtkinsVocals – Ogre* I Can Do No Wrong B5 6:17 Backing Vocals – Martin AtkinsBass – David SimsGuitar, Vocals – Chris Connelly Credits Bass – Andrew Weiss (tracks: A1, A3, A5, B1 to B3), Paul Raven (tracks: A1, A5, B1) Drums – Martin Atkins Engineer – Andy Reilly, Keith Auerbach, Lee Popa, Mark Walk Guitar – En Esch (tracks: A1, A5, B1, B3), William Tucker (tracks: A1, A3, B1, B4) Producer – Martin Atkins Programmed By – William Tucker (tracks: A3, A5, B2, B4) Vocals – En Esch (tracks: A1, B2, B4), Mary Byker (tracks: A3, A5, B1, B3) Other versions Category Artist Title (Format) Label Category Country Year INV 018 CD Pigface Fook (CD, Album) Invisible INV 018 CD US 1992 Fook (Limited Edition 3-CD Invisible, UIN 1117 Pigface Re-Issue) (3xCD, Album, UIN 1117 US 2005 Underground, Inc. -
The Social, Cultural, Religious and Ethical Implications of Automatic Identification
University of Wollongong Research Online Faculty of Engineering and Information Faculty of Informatics - Papers (Archive) Sciences January 2004 The Social, Cultural, Religious and Ethical Implications of Automatic Identification Katina Michael University of Wollongong, [email protected] M G. Michael University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/infopapers Part of the Physical Sciences and Mathematics Commons Recommended Citation Michael, Katina and Michael, M G.: The Social, Cultural, Religious and Ethical Implications of Automatic Identification 2004. https://ro.uow.edu.au/infopapers/393 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Social, Cultural, Religious and Ethical Implications of Automatic Identification Abstract The number of automatic identification (auto-ID) technologies being utilized in eBusiness applications is growing rapidly. With an increasing trend toward miniaturization and wireless capabilities, auto-ID technologies are becoming more and more pervasive. The pace at which new product innovations are being introduced far outweighs the ability for citizens to absorb what these changes actually mean, and what their likely impact will be upon future generations. This paper attempts to cover a broad spectrum of issues ranging from the social, cultural, religious and ethical implications of auto-ID with an emphasis on human transponder implants. Previous work is brought together and presented in a way that offers a holistic view of the current state of proceedings, granting an up-to-date bibliography on the topic. The concluding point of this paper is that the long-term side effects of new auto-ID technologies should be considered at the outset and not after it has enjoyed widespread diffusion. -
Front Line Assembly - Bio
FRONT LINE ASSEMBLY - BIO Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released the classic album, Tactical Neural Implant, which has become for many, the genre's crowning moment. To this day, TNI still defines the best of industrial music. FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial's perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. -
September 1994
Contents Features DENNIS CHAMBERS Baltimore's most monstrous drummin' son just keeps on going. John McLaughlin, Steve Khan, the Brecker Brothers— jazz giants left and right are squeezing Dennis into their plans these days. Get the latest from the drummer many consider the greatest. • Robin Tolleson 20 JIM CHAPIN Asking your average drummer about Jim Chapin's Advanced Techniques For The Modern Drummer is like asking your aver- age Jesuit priest about The Bible. This month MD taps the mind of one of drum-dom's acknowledged sages. • Rick Mattingly 26 SIM CAIN Henry Rollins is a seriously fierce performer. His band obvious- ly has to kick equally serious butt. Drummer Sim Cain describes the controlled chaos he negotiates every day—and the surprisingly varied back- ground that feeds his style. • Matt Peiken 30 DRUM THRONES UP CLOSE Everyone knows the drummer is king, so it's no accident our stool is called "the drum throne." But the drummer's job also depends on comfort—and our seat needs to serve that "end" as well as possible. In this spe- cial report, MD covers today's stool scene from AtoZ. • Rick Van Horn 34 Volume 18, Number 9 Cover photo of Dennis Chambers by Michael Bloom Jim Chapin by Rick Malkin Columns EDUCATION NEWS EQUIPMENT 48 LATIN 8 UPDATE SYMPOSIUM Phillip Rhodes of Applying The Clave Gin Blossoms, BY CHUCK SILVERMAN Brother Cane's Scott Collier, Akira Jimbo, and Jeff Donavan of 56 Rock'N' the Paladins, plus News JAZZ CLINIC Doubling Up: Part 2 120 INDUSTRY BY ROD MORGENSTEIN HAPPENINGS 74 JAZZ DRUMMERS' DEPARTMENTS WORKSHOP -
The New Soul of an Old Machine | 80S Essentials, Industrial Revolution
80s Essentials, Industrial Revolution [Because the decade was a formative time for so much more than just our beloved heavy metal, today we're pleased to present you with a look at fifteen essential industrial albums from the 1980s.] I’m neither historian nor sociologist enough to speak to the politico- economic milieu that shaped industrial music’s formative clatterings, but a few general observations may suffice. The advanced industrial world was hardly being ground in the same way as by the ravenous gears of the late- eighteenth/early-nineteenth century Industrial Revolution (cf. Friedrich Engels on The Condition of the Working Class in England), but the 1970s and ‘80s saw an increasingly aggressive attack on the social welfare state that had so flourished in the three or four decades since the end of World War II. The elections of Margaret Thatcher, Ronald Reagan, and Helmut Kohl (in Britain, the U.S., and West Germany, respectively) ushered in an era of neoliberal government retrenchment that would largely define the domestic political debate in the years to follow, while throwing the (often uneasy) balance between capital and labor into disrepair throughout the rich world. Reagan’s tough-talking rhetoric meant that many of the signs of rapprochement and detente that had offered brief glimmers of, if not hope, then perhaps bleakly muted optimism in the 1970s gave way to a renewed era of Cold War stridency and military hand-wringing. In many ways, then, the same social, political, economic, and cultural context that led to the development of punk’s disaffected worldview and heavy metal’s increasingly doom-saying weightiness would also provide grist for the eternally wending mill of nascent musical experimentalism that gradually coalesced into industrial music.