Ancient Egyptian Materials and Technology
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In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Print and Web Resources (PDF, 191KB)
Print and Web Resources GENERAL RESOuRCES PBS. The Time of the Lincolns. www.pbs.org/ wgbh/amex/lincolns/ J. Paul Getty Museum. “The Elements of Art.” www.getty.edu/education/for_teachers/ Wilson, Jackie Napolean. Hidden Witness: building_lessons/elements.html African-American Images from the Dawn of Photography to the Civil War. New York: J. Paul Getty Museum. “Explore Art.” St. Martin’s Press, 2000. www.getty.edu/art/gettyguide/ Metropolitan Museum of Art. “Timeline of Art Celebration and Satire History.” www.metmuseum.org/toah/ Berman, Patricia G. James Ensor: Christ’s Entry Teaching Tolerance. www.tolerance.org into Brussels in 1889. Getty Museum Studies on Art. Los Angeles: J. Paul Getty Museum, 2002. Breaking the Chains, Rising Out of Circumstances Center for History and New Media, George Mason University. Liberty, Equality, Fraternity: BBC. “Ancient History: Romans.” www.bbc.co.uk/ Exploring the French Revolution. chnm.gmu. history/ancient/romans edu/revolution/ Bolster, W. Jeffrey. Soldiers, Sailors, Slaves, and France in Australia. “Emblems and symbols of the Ships: The Civil War Photographs of Henry P. French Republic.” www.ambafrance-au.org/ Moore. Concord: New Hampshire Historical spip.php?article468 Society, 1999. PBS. Freedom: A History of US. www.pbs.org/ National Gallery of Art. “Marriage A-la-Mode: 4. wnet/historyofus/ The Toilette.” www.nationalgallery.org.uk/cgi- bin/WebObjects.dll/CollectionPublisher.woa/ PBS. Napoleon. www.pbs.org/empires/napoleon/ wa/work?workNumber=ng116 home.html National Gallery of Art. “Princess Rákóczi.” ReadWriteThink. “Satirical Techniques www.nationalgallery.org.uk/cgi-bin/ Definitions.” www.readwritethink.org/lesson_ WebObjects.dll/CollectionPublisher.woa/wa/ images/lesson936/SatiricalTechniques.pdf work?workNumber=ng3883 Waldron, Ann. -
T U T a N K H a M
Veldmeijer Tutankhamun’s Footwear Tutankhamun’s Footwear Studies of Ancient Egyptian Footwear The discovery of Tutankhamun’s tomb by Howard Carter in 1922 is Studies of Ancient Egyptian Footwear one of the most significant archaeological discoveries of all time. It took Carter and his team 10 years to clear the contents of the tomb and among the objects found was a large collection of shoes and sandals. The Tutankhamun’s Footwear footwear is analysed here in detail for the first time since the discovery using Carter’s records and Harry Burton’s excellent photographs along with the author’s analyses of the objects, all of which are housed in the Egyptian Museum, Cairo and the Luxor Museum. Several specialists contributed to the volume discussing the different materials (gold, vegetable fibre, birch bark, glass and faience, leather, gemstones) that were used in the footwear. Tutankhamun’s footwear is compared with other finds in order to be able to put it in a broader context. The footwear from the tomb of Yuya and Tjuiu, the King’s great-grandparents, are, therefore, analysed as well. In addition to the analysis, footwear in texts and two- and three-dimensional art is considered. André J. Veldmeijer (assistant director for Egyptology at the Netherlands Flemish Institute Cairo) studied archaeology at Leiden University (The Netherlands) and received his PhD from Utrecht University (The Netherlands). He has worked in Egypt since 1995 as a leather, footwear and cordage specialist for various missons (including Amarna, Berenike, Dra’ Abu el-Naga, Elephantine, Hierakonpolis and Qasr Ibrim) and has also worked in several collections all over the world. -
The Functionality of the Mace When Associated with Women in the Dynastic Period
Women and Weapons in Ancient Egypt The functionality of the mace when associated with women in the Dynastic Period Rebecca Dean, The University of York, [email protected] Project Background The Experiment Continued Mace-head from female Upper part of east face of burial at Abydos, Hatshepsut’s Karnak North bottom left corner (Peet obelisk. The female pharaoh 1914, Pl. III). Hatshepsut is depicted holding a mace in the bottom right corner (Stevenson Smith 1942, 48). Harrogate mace-head displaying The visible cut made by the conical Damage to the conical mace- similar damage to that sustained mace-head on pig head number three. head from hitting the pig head. by the mace in the experimental Photo courtesy of Dr J. Fletcher. Photo courtesy of Dr J. Fletcher. work (Dean 2009, 92). The pig head struck with the with the globular mace-head appeared to sustain little damage, though it was possible to feel a slight crack in the skull through the skin. The pig head that The mace is a weapon that has endured throughout Egyptian history, from Predynastic times was struck with the conical mace-head again revealed damage. The part of the skull just through to the era of Roman rule (c.3500 BC to early centuries AD). The mace was a common above the eye-socket was definitely broken, with the skin split open over the same area. The and prominently depicted artefact in Pharaonic Egypt, as both a weapon and piece of regalia replica conical mace-head was also damaged during the striking of the pigs’ heads. -
Book Reviews
Book Reviews Mary Ann Eaverly. Tan Men/Pale Women. Color and ing polarization of male and female that was a key or- Gender in Archaic Greece and Egypt, a Comparative ganizing principle of ancient Athenian society” (156). Approach (Ann Arbor: The University of Michigan One now needs to examine her evidence in greater Press, 2013). ISBN 978-0-11911-0. Pp x + 181. detail, and I will do so by concentrating primarily on the Egyptian evidence because of the focus of this jour- The title of the book is doubtless based on a Eu- nal. Whereas it is true that the visual depiction of skin rocentric visual perception of ancient Egyptian works tones of men is generally darker than that of women of art and images on Attic black figure vase painting, in ancient Egyptian art, the use of reds and yellows in which color employed for the skin of men is per- can not be “considered opposites” (9). The Egyptian ceptibly darker than that used for women (surpris- lexicon contains four color-words. Among these is dSr, ingly, neither G. Robins, “The Image of the Queen” which I will employ instead of “red” in this review, en- nor L. Troy, “The Religious Role of the Queens,” in compassing all of the ranges of hue and value repre- C. Ziegler, ed., Queens of Egypt from Hetepheres to Cleopa- sented by the red-orange-yellow bands of the Western tra [Paris, 2008], 116–33 and 152–73, respectively, color spectrum. There is no identifiable Egyptian word address this issue). As such the author examines the for either orange or yellow (J. -
Amarna Period Down to the Opening of Sety I's Reign
oi.uchicago.edu STUDIES IN ANCIENT ORIENTAL CIVILIZATION * NO.42 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Thomas A. Holland * Editor with the assistance of Thomas G. Urban oi.uchicago.edu oi.uchicago.edu Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber THE ROAD TO KADESH A HISTORICAL INTERPRETATION OF THE BATTLE RELIEFS OF KING SETY I AT KARNAK SECOND EDITION REVISED WILLIAM J. MURNANE THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION . NO.42 CHICAGO * ILLINOIS oi.uchicago.edu Library of Congress Catalog Card Number: 90-63725 ISBN: 0-918986-67-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 1985, 1990 by The University of Chicago. All rights reserved. Published 1990. Printed in the United States of America. oi.uchicago.edu TABLE OF CONTENTS List of M aps ................................ ................................. ................................. vi Preface to the Second Edition ................................................................................................. vii Preface to the First Edition ................................................................................................. ix List of Bibliographic Abbreviations ..................................... ....................... xi Chapter 1. Egypt's Relations with Hatti From the Amarna Period Down to the Opening of Sety I's Reign ...................................................................... ......................... 1 The Clash of Empires -
I General for Place Names See Also Maps and Their Keys
Cambridge University Press 978-0-521-12098-2 - Ancient Egyptian Materials and Technology Edited by Paul T. Nicholson and Ian Shaw Index More information Index I General For place names see also maps and their keys. AAS see atomic absorption specrophotometry Tomb E21 52 aerenchyma 229 Abbad region 161 Tomb W2 315 Aeschynomene elaphroxylon 336 Abdel ‘AI, 1. 51 Tomb 113 A’09 332 Afghanistan 39, 435, 436, 443 abesh 591 Umm el-Qa’ab, 63, 79, 363, 496, 577, 582, African black wood 338–9, 339 Abies 445 591, 594, 631, 637 African iron wood 338–9, 339 A. cilicica 348, 431–2, 443, 447 Tomb Q 62 agate 15, 21, 25, 26, 27 A. cilicica cilicica 431 Tomb U-j 582 Agatharchides 162 A. cilicica isaurica 431 Cemetery U 79 agathic acid 453 A. nordmanniana 431 Abyssinia 46 Agathis 453, 464 abietane 445, 454 acacia 91, 148, 305, 335–6, 335, 344, 367, 487, Agricultural Museum, Dokki (Cairo) 558, 559, abietic acid 445, 450, 453 489 564, 632, 634, 666 abrasive 329, 356 Acacia 335, 476–7, 488, 491, 586 agriculture 228, 247, 341, 344, 391, 505, Abrak 148 A. albida 335, 477 506, 510, 515, 517, 521, 526, 528, 569, Abri-Delgo Reach 323 A. arabica 477 583, 584, 609, 615, 616, 617, 628, 637, absorption spectrophotometry 500 A. arabica var. adansoniana 477 647, 656 Abu (Elephantine) 323 A. farnesiana 477 agrimi 327 Abu Aggag formation 54, 55 A. nilotica 279, 335, 354, 367, 477, 488 A Group 323 Abu Ghalib 541 A. nilotica leiocarpa 477 Ahmose (Amarna oªcial) 115 Abu Gurob 410 A. -
Frances Anne Skoczylas Pownall
FRANCES POWNALL (March 2017) Department of History and Classics e-mail: [email protected] 2-28 H.M. Tory Building telephone: (780) 492-2630 University of Alberta (780) 492-9125 (fax) Edmonton, AB T6G 2H4 EDUCATION 1987–93 PhD in Classics, University of Toronto Major Field: The Greek Historiographical Tradition Before Alexander the Great Minor Field: Roman History Thesis: UnThucydidean Approaches: The Moral Use of the Past in Fourth-Century Prose Supervisor: Professor M. B. Wallace 1990 Vergilian Society, Summer Study Program Villa Vergiliana, Cuma, Italy 1989 American School of Classical Studies at Athens, Summer Archaeological Program 1985–87 MA in Classics, University of British Columbia Thesis: The Concept of Sacred War in Ancient Greece Supervisor: Professor Phillip Harding 1985 French Summer School, McGill University 1981–85 BA (Honours) in Classics, McGill University Thesis: The Cult of Artemis Tauropolos at Halae Araphenides and its Relationship with Artemis Brauronia Supervisor: Professor Albert Schachter SCHOLARLY AND RESEARCH INTERESTS • Greek historiography (Archaic through Hellenistic) • Greek history (especially Classical and Hellenistic) • Philip and Alexander of Macedon • Greek prose (history and oratory) ACADEMIC APPOINTMENTS 2008– University of Alberta (Professor) 1999–2008 University of Alberta (Associate Professor) 1993–99 University of Alberta (Assistant Professor) 1992–93 Memorial University of Newfoundland (Lecturer) 1991–92 Mount Allison University (Crake Doctoral Fellow/Instructor) NB: I took maternity -
Howard Carter Expressed His Concern That the Entry of Visitors Would Damage the Fabric of the Tomb
THE AUTHORIZED FACSIMILE OF THE BURIAL CHAMBER OF TUTANKHAMUN WITH SARCOPHAGUS, SARCOPHAGUS LID AND THE MISSING FRAGMENT FROM THE SOUTH WALL A GIFT TO THE PEOPLE OF EGYPT FROM FaCTUM ARTE, MADRID THE FaCTUM FOUNDATION FOR DIGITAL TECHNOLOGY IN CONSERVATION WITH THE SOCIETY FOR THE FRIENDS OF THE ROYAL TOMBS OF EGYPT, ZURICH TaREK WaLY CENTRE: ARCHITECTURE AND HERITAGE, CAIRO THE FACSIMILE OF THE TOMB OF TUTANKHAMUN The Facsimile of the tomb of Tutankhamun is part of an initiative to safeguard the tombs of the Theban Necropolis through the application of new recording technologies and the creation of exact facsimiles of tombs that are either closed to the public for conservation reasons or are in need of closure to preserve them for future generations. The tomb of Tutankhamun was discovered intact and in near perfect condition in 1923. The only fault in over 3000 years was the growth of microbacteria on the walls that probably reveals that the tomb was painted and sealed quickly. Soon after the discovery Howard Carter expressed his concern that the entry of visitors would damage the fabric of the tomb. The objects that once filled the tomb were removed and most are now in the Cairo Museum. The recent work undertaken in the tomb of Tutankhamun is an initiative that was first suggested in 1988 by the Society of Friends of the Royal Tombs of Egypt. Factum Arte’s involvement began in 2001 with a research project approved by Dr Gaballah Ali Gaballah to develop the techniques to accurately scan the tomb of Seti I. -
A Comparison of the Polychrome Geometric Patterns Painted on Egyptian “Palace Façades” / False Doors with Potential Counterparts in Mesopotamia
A comparison of the polychrome geometric patterns painted on Egyptian “palace façades” / false doors with potential counterparts in Mesopotamia Lloyd D. Graham Abstract: In 1st Dynasty Egypt (ca. 3000 BCE), mudbrick architecture may have been influenced by existing Mesopotamian practices such as the complex niching of monumental façades. From the 1st to 3rd Dynasties, the niches of some mudbrick mastabas at Saqqara were painted with brightly-coloured geometric designs in a clear imitation of woven reed matting. The possibility that this too might have drawn inspiration from Mesopotamian precedents is raised by the observation of similar geometric frescoes at the Painted Temple in Tell Uqair near Baghdad, a Late Uruk structure (ca. 3400-3100 BCE) that predates the proposed timing of Mesopotamian influence on Egyptian architecture (Jemdet Nasr, ca. 3100-2900 BCE). However, detailed scrutiny favours the idea that the Egyptian polychrome panels were an indigenous development. Panels mimicking reed mats, animal skins and wooden lattices probably proved popular on royal and religious mudbrick façades in Early Dynastic Egypt because they emulated archaic indigenous “woven” shelters such as the per-nu and per-wer shrines. As with Mesopotamian cone mosaics – another labour-intensive technique that seems to have mimicked textile patterns – the scope of such panels became limited over time to focal points in the architecture. In Egyptian tombs, the adornment of key walls and funerary equipment with colourful and complex geometric false door / palace façade composites (Prunkscheintüren) continued at least into the Middle Kingdom, and the template persisted in memorial temple decoration until at least the late New Kingdom. -
Photography, Archaeology, and Collective Effort at the Tomb of Tutankhamun
Shouldering the past: Photography, archaeology, and collective effort at the tomb of Tutankhamun Christina Riggs University of East Anglia, Norwich, UK Corresponding author: Christina Riggs, Art History and World Art Studies, Sainsbury Centre 0.28, University of East Anglia, Norwich NR4 7TJ, UK. Email: [email protected] Abstract Photographing archaeological labor was routine on Egyptian and other Middle Eastern sites during the colonial period and interwar years. Yet why and how such photographs were taken is rarely discussed in literature concerned with the history of archaeology, which tends to take photography as given if it considers it at all. This paper uses photographs from the first two seasons of work at the tomb of Tutankhamun (1922-4) to show that photography contributed to discursive strategies that positioned archaeology as a scientific practice – both in the public presentation of well-known sites and in the self-presentation of archaeologists to themselves and each other. Since the subjects of such photographs are often indigenous laborers working together or with foreign excavators, I argue that the representation of fieldwork through photography allows us to theorize colonial archaeology as a collective activity, albeit one inherently based on asymmetrical power relationships. Through photographs, we can access the affective and embodied experiences that collective effort in a colonial context involved, bringing into question standard narratives of the history and epistemology of archaeology. Keywords Archaeological labour, Egyptian archaeology, history of archaeology, history of photography, Tutankhamun 1 The tomb of Tutankhamun is an archaeological discovery more commonly associated with the glint of gold than the gleam of perspiration. -
Illuminating the Path of Darkness
ILLUMINATING THE PATH OF DARKNESS: Social and sacred power of artificial light in Pharaonic Period Egypt This thesis is submitted for the degree of Doctor of Philosophy Meghan E. Strong Girton College University of Cambridge January 2018 Illuminating the path of darkness: social and sacred power of artificial light in Pharaonic Period Egypt Meghan E. Strong ABSTRACT Light is seldom addressed in archaeological research, despite the fact that, at least in ancient Egypt, it would have impacted upon all aspects of life. When discussing light in Egyptology, the vast majority of scholarly attention is placed on the sun, the primary source of illumination. In comparison, artificial light receives very little attention, primarily due to a lack of archaeological evidence for lighting equipment prior to the 7th century BC. However, 19th and 20th century lychnological studies have exaggerated this point by placing an overwhelming emphasis on decorated lamps from the Greco-Roman Period. In an attempt to move beyond these antiquarian roots, recent scholarship has turned towards examining the role that light, both natural and artificial, played in aspects of ancient societies’ architecture, ideology and religion. The extensive body of archaeological, textual and iconographic evidence that remains from ancient Egypt is well suited to this type of study and forms three core data sets in this thesis. Combining a materials- based examination of artificial light with a contextualized, theoretical analysis contributes to a richer understanding of ancient Egyptian culture from the 3rd to 1st millennium BC. The first three chapters of this study establish a typology of known artificial lighting equipment, as well as a lexicon of lighting terminology.