Nefertiti? Nile
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
6 King's Chamber
Revelation Research Foundation, Inc. Hamburg, NJ 07419, USA © 2015 Contents Author’s and Editor’s Notes . v Photo/Illustration Acknowledgments . vi Pyramid Chart . vii Chapter 1: God’s Stone Witness in Egypt . 1 Chapter 2: Chart of Interior Chambers and Passage System . 13 Chapter 3: The Entrance . 19 Chapter 4: Well Shaft and Grotto . 21 Chapter 5: Grand Gallery and Antechamber . 29 Chapter 6: King’s Chamber . 39 Chapter 7: Construction Chambers . 47 Chapter 8: Horizontal Passage and Queen’s Chamber . 53 Chapter 9: The Top Stone . 59 Chapter 10: Chronology of the Passage System . 63 Chapter 11: Three Pyramids of the Gizeh Plateau . 71 Chapter 12: The Sphinx . 75 Chapter 13: Ararat . 77 Chapter 14: Great Pyramid and Mount Ararat . 81 Song of Praise . 87 Appendix A: The Garden Tomb . 89 Appendix B: Queen Hatshepsut and Her Mortuary Temple . 93 Appendix C: The Solar Boat . 97 Appendix D: Location of Noah’s Ark . 101 Appendix E: Great Seal of the United States . 103 Appendix F: Pharaoh of the Exodus . 109 iii Appendix G: Twelfth Dynasty of Manetho . 115 Appendix H: The Abydos Tablets . 119 Appendix I: Planes of Perfection . 123 Appendix J: Granite Fragments in Great Pyramid . 125 Appendix K: Excavation at Top of Well Shaft . 127 Addendum: Origin of the Pyramid . 129 iv AUTHOR’S NOTE When properly understood, the title and subject matter of this work, A Rock of the Ages: The Great Pyramid, do no injustice to the theme of that grand old hymn “Rock of Ages,” for the Great Pyramid of Egypt clearly accentuates the centricity of Christ in abolishing death and bringing to light the two salvations—life and immortality (2 Tim. -
The Work of the Theban Mapping Project by Kent Weeks Saturday, January 30, 2021
Virtual Lecture Transcript: Does the Past Have a Future? The Work of the Theban Mapping Project By Kent Weeks Saturday, January 30, 2021 David A. Anderson: Well, hello, everyone, and welcome to the third of our January public lecture series. I'm Dr. David Anderson, the vice president of the board of governors of ARCE, and I want to welcome you to a very special lecture today with Dr. Kent Weeks titled, Does the Past Have a Future: The Work of the Theban Mapping Project. This lecture is celebrating the work of the Theban Mapping Project as well as the launch of the new Theban Mapping Project website, www.thebanmappingproject.com. Before we introduce Dr. Weeks, for those of you who are new to ARCE, we are a private nonprofit organization whose mission is to support the research on all aspects of Egyptian history and culture, foster a broader knowledge about Egypt among the general public and to support American- Egyptian cultural ties. As a nonprofit, we rely on ARCE members to support our work, so I want to first give a special welcome to our ARCE members who are joining us today. If you are not already a member and are interested in becoming one, I invite you to visit our website arce.org and join online to learn more about the organization and the important work that all of our members are doing. We provide a suite of benefits to our members including private members-only lecture series. Our next members-only lecture is on February 6th at 1 p.m. -
Print and Web Resources (PDF, 191KB)
Print and Web Resources GENERAL RESOuRCES PBS. The Time of the Lincolns. www.pbs.org/ wgbh/amex/lincolns/ J. Paul Getty Museum. “The Elements of Art.” www.getty.edu/education/for_teachers/ Wilson, Jackie Napolean. Hidden Witness: building_lessons/elements.html African-American Images from the Dawn of Photography to the Civil War. New York: J. Paul Getty Museum. “Explore Art.” St. Martin’s Press, 2000. www.getty.edu/art/gettyguide/ Metropolitan Museum of Art. “Timeline of Art Celebration and Satire History.” www.metmuseum.org/toah/ Berman, Patricia G. James Ensor: Christ’s Entry Teaching Tolerance. www.tolerance.org into Brussels in 1889. Getty Museum Studies on Art. Los Angeles: J. Paul Getty Museum, 2002. Breaking the Chains, Rising Out of Circumstances Center for History and New Media, George Mason University. Liberty, Equality, Fraternity: BBC. “Ancient History: Romans.” www.bbc.co.uk/ Exploring the French Revolution. chnm.gmu. history/ancient/romans edu/revolution/ Bolster, W. Jeffrey. Soldiers, Sailors, Slaves, and France in Australia. “Emblems and symbols of the Ships: The Civil War Photographs of Henry P. French Republic.” www.ambafrance-au.org/ Moore. Concord: New Hampshire Historical spip.php?article468 Society, 1999. PBS. Freedom: A History of US. www.pbs.org/ National Gallery of Art. “Marriage A-la-Mode: 4. wnet/historyofus/ The Toilette.” www.nationalgallery.org.uk/cgi- bin/WebObjects.dll/CollectionPublisher.woa/ PBS. Napoleon. www.pbs.org/empires/napoleon/ wa/work?workNumber=ng116 home.html National Gallery of Art. “Princess Rákóczi.” ReadWriteThink. “Satirical Techniques www.nationalgallery.org.uk/cgi-bin/ Definitions.” www.readwritethink.org/lesson_ WebObjects.dll/CollectionPublisher.woa/wa/ images/lesson936/SatiricalTechniques.pdf work?workNumber=ng3883 Waldron, Ann. -
The Functionality of the Mace When Associated with Women in the Dynastic Period
Women and Weapons in Ancient Egypt The functionality of the mace when associated with women in the Dynastic Period Rebecca Dean, The University of York, [email protected] Project Background The Experiment Continued Mace-head from female Upper part of east face of burial at Abydos, Hatshepsut’s Karnak North bottom left corner (Peet obelisk. The female pharaoh 1914, Pl. III). Hatshepsut is depicted holding a mace in the bottom right corner (Stevenson Smith 1942, 48). Harrogate mace-head displaying The visible cut made by the conical Damage to the conical mace- similar damage to that sustained mace-head on pig head number three. head from hitting the pig head. by the mace in the experimental Photo courtesy of Dr J. Fletcher. Photo courtesy of Dr J. Fletcher. work (Dean 2009, 92). The pig head struck with the with the globular mace-head appeared to sustain little damage, though it was possible to feel a slight crack in the skull through the skin. The pig head that The mace is a weapon that has endured throughout Egyptian history, from Predynastic times was struck with the conical mace-head again revealed damage. The part of the skull just through to the era of Roman rule (c.3500 BC to early centuries AD). The mace was a common above the eye-socket was definitely broken, with the skin split open over the same area. The and prominently depicted artefact in Pharaonic Egypt, as both a weapon and piece of regalia replica conical mace-head was also damaged during the striking of the pigs’ heads. -
The Theban Necropolis Preservation Initiative
THE THEBAN NECROPOLIS PRESERVATION INITIATIVE FACTUM FOUNDATION AND THE UNIVERSITY OF BASEL WORKING WITH THE MINISTRY OF TOURISM AND ANTIQUITIES A REPORT ON THE WORK COMPLETED IN THE TOMB OF SETI I UP TO SEPTEMBER 2020 2 1 THE THEBAN NECROPOLIS PRESERVATION INITIATIVE FACTUM FOUNDATION AND THE UNIVERSITY OF BASEL WORKING WITH THE MINISTRY OF TOURISM AND ANTIQUITIES A REPORT ON THE WORK COMPLETED IN THE TOMB OF SETI I UP TO SEPTEMBER 2020 Under the patronage of Detail from the ceiling of the Sarcophagus Room in the tomb of Seti I, recorded in 2019. TABLE OF CONTENTS This book is dedicated to the memory of Ayman THE THEBAN NECROPOLIS PRESERVATION INITIATIVE 5 Introduction 5 Mohamed Ibrahim, the former inspector of the Recording Progress: Lucida 3D Scanner 8 Valley of the Kings who understood the importance Recording Progress: Photogrammetry 10 of the work of the Theban Necropolis Preservation Recording Progress: Panoramic Colour Photography 12 Initiative and spoke about it with eloquence. Recording Progress: LiDAR 3D Scanning 14 Background: work in Luxor since 2001 19 Aims of the TNPI 22 The 3D Scanning, Training and Archiving Centre 25 Team Members: selected biographies 26 Training Program: September 2019 - September 2020 29 Scanning completed in the Tomb of Seti, September 2019- September 2020 31 Recording the fragments of the Tomb of Seti I 33 “The educational impact [of Factum’s digitisations and A new use for a facsimile in the Theban Necropolis: a collaboration with CSIC 37 facsimiles] for the general public is indisputible: now Summary of current position and future steps September 2019 - September 2020 39 scholars have to face the challenge of inserting these new SYSTEMS FOR DATA CAPTURE, PROCESSING AND STORAGE 43 tools into their research and exploiting their potential, LiDAR 45 before they are once more outwitted by commercial Lucida 3D Scanner 47 applications. -
Howard Carter and the Tomb of Tutankhamun
History International presents Howard Carter and The Tomb of Tutankhamun Classroom Premiere: April 11 at 6am ET/PT Classroom Encore: July 11 at 6am ET/PT EGYPT - 1922: Archaeologist Howard Carter removing oils from the coffin of Tutankhamun (lived around 1350 BC), ancient Egyptian pharoah, which he discovered in 1922. (Photo by Mansell/Mansell/Time & Life Pictures/Getty Images) n November 26, 1922, Howard Carter first peered into the treasure-filled tomb of OEgypt’s famous King Tutankhamun. What he found in Egypt’s Valley of the Kings would make headlines around the globe. In this nearly untouched tomb, Carter uncovered room upon room of stunning Egyptian artifacts – and meticulously recorded each object with the help of his fastidious team of excavators. HistoryInternational.com The Idea Book for Educators 5 This nearly intact tomb was a remarkable discovery; it had been nearly unscathed for over 3,000 years. Carter’s contribution to the world of archaeology is profound – the riches of Tutankhamun’s tomb are virtually priceless, offering tremendous insights into ancient Egyptian society and culture. Howard Carter and the Tomb of Tutankhamun narrates Carter’s tumultuous path to this archaeological breakthrough, from his boyhood in England and his penchant for drawing to his bitter conflicts with Egyptian officials and his friendship with the eccentric Lord Carnarvon. This short documentary would be a great addition to a lesson on Egyptian history and archaeology. Curriculum links Howard Carter and the Tomb of Tutankhamun fulfills several standards as outlined by the National Council for History Education including: (1) Patterns of Social and Political Interaction; and (2) Civilization, Cultural Diffusion, and Innovation. -
Catalog SCIROCCO
Главная Назад Каталог пирамид. Каталог ШИРОКО Дата публикации: 2013г. Версия 3 от 13.09.2013 [email protected] Кат. N: PYReg001.GIZ01.LpsIV Название: Пирамида фараона Хеопса (Cheops) Другие названия: Куфу(Khufu), Великая(Great); Лепсиуса IV(Lepsius IV), Kheops Координаты: 29°58'45.03''N 31°08'03.69''E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.89° Материал: , камень (известняк) Размеры,м: 230x230x146.5 Азимут, °: 0 Коментарий:Самая большая из рукотворных пирамид M01, M02 000, 001, 002, 003, 004, 005, 006, Кат. N: PYReg002.GIZ02.LpsVIII Название: Пирамида фараона Хафры (Khafre) Другие названия: Хефрена(Khephren); Урт-Хафра (Hurt-Khafre); Лепсиус VIII(Lepsius VIII) Координаты: 29°58'34"N 31°07'51"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 53.12° Материал: , камень (известняк) Размеры, м: 215.3x215.3x143.5 Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003 004, 005, Кат. N: PYReg003.GIZ03.LpsIX Название: Пирамида фараона Менкаура(Menkaure) Другие названия: Микерина (Menkaure), Лепсиус IX (Lepsius IX); Херу; Координаты: 29°58'21"N 31°07'42"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.72° Материал: , камень (известняк) Размеры, м: 102.2x104.6x65.5 Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003, 004, 005, 006, 007, 008, 009, 010, 011, 012, 013, 014, 015, 016, 017, 018, Кат. N: PYReg004.GIZ04.LpsV Название:Пирамида царицы Хетепхерес I (Hetepheres I) фараона Хеопса. Другие названия: Царица Хетепхерес I (Queen Hetepheres I) ; G I-a; Лепсиус V (Lepsius V); Координаты: 29°58'43.80"N, 31° 8'10.23"E Ориентир: Египет, Каир, Гиза (Egypt, Cairo, Giza) Форма: гладкая, наклон: 51.72° Материал: , камень Размеры, м: 47.5x47.5x30.1(?) Азимут, °: 0 Коментарий: M01, M02 000, 001, 002, 003, 004, 005, 006, 007, 008, 009, Кат. -
WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac until Dr. James E. Harris, Chairman of the Department of Orth ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre of Deir el-Bahri in western vious visual examination of the Thebes. -
Frances Anne Skoczylas Pownall
FRANCES POWNALL (March 2017) Department of History and Classics e-mail: [email protected] 2-28 H.M. Tory Building telephone: (780) 492-2630 University of Alberta (780) 492-9125 (fax) Edmonton, AB T6G 2H4 EDUCATION 1987–93 PhD in Classics, University of Toronto Major Field: The Greek Historiographical Tradition Before Alexander the Great Minor Field: Roman History Thesis: UnThucydidean Approaches: The Moral Use of the Past in Fourth-Century Prose Supervisor: Professor M. B. Wallace 1990 Vergilian Society, Summer Study Program Villa Vergiliana, Cuma, Italy 1989 American School of Classical Studies at Athens, Summer Archaeological Program 1985–87 MA in Classics, University of British Columbia Thesis: The Concept of Sacred War in Ancient Greece Supervisor: Professor Phillip Harding 1985 French Summer School, McGill University 1981–85 BA (Honours) in Classics, McGill University Thesis: The Cult of Artemis Tauropolos at Halae Araphenides and its Relationship with Artemis Brauronia Supervisor: Professor Albert Schachter SCHOLARLY AND RESEARCH INTERESTS • Greek historiography (Archaic through Hellenistic) • Greek history (especially Classical and Hellenistic) • Philip and Alexander of Macedon • Greek prose (history and oratory) ACADEMIC APPOINTMENTS 2008– University of Alberta (Professor) 1999–2008 University of Alberta (Associate Professor) 1993–99 University of Alberta (Assistant Professor) 1992–93 Memorial University of Newfoundland (Lecturer) 1991–92 Mount Allison University (Crake Doctoral Fellow/Instructor) NB: I took maternity -
The Decorated North Wall in the Tomb of Tutankhamun (Kv 62)
AMARNA ROYAL TOMBS PROJECT VALLEY OF THE KINGS Occasional Paper No. 3 THE DECORATED NORTH WALL IN THE TOMB OF TUTANKHAMUN (KV 62) (THE BURIAL OF NEFERTITI? II) By Nicholas Reeves, FSA With A Review of the Geophysical Data By George Ballard, FRICS THE DECORATED NORTH WALL IN THE TOMB OF TUTANKHAMUN (KV 62) (THE BURIAL OF NEFERTITI? II) ABSTRACT This paper revisits an earlier discussion, The Burial of Nefertiti? (ARTP Occasional Paper No. 1), to consider in greater detail the painted north wall in the Burial Chamber (room J) of Tutankhamun’s tomb (KV 62). The changes imposed upon this wall’s three separate scenes are here identified and analysed, and the conclusions found to support the view that KV 62 – architecturally the sepulchre of a queen – had been both intended and employed for the burial of Nefertiti in her capacity as Akhenaten’s heir, Smenkhkare-djeserkheperu. The manner in which this tomb’s outer chambers were adapted and pressed into service for Tutankhamun’s use a decade later – leaving its original occupant in place and undisturbed – is clearly established. In a supplement to this study, George Ballard – a leading authority on the use of radar and other remote-sensing technologies in the investigation of historic buildings and structures – provides an independent review of the principal geophysical investigations carried out within and around KV 62 since 2015. Contrary to earlier assessments, Ballard is able to conclude that the data collected is both broadly consistent and essentially in line with archaeological indicators and expectations. Nicholas Reeves, BA PhD FSA, is an archaeologist and Egyptologist, Director of the Amarna Royal Tombs Project, Valley of the Kings, and a senior associate of the University of Arizona Egyptian Expedition. -
In the Tomb of Nefertari: Conservation of the Wall Paintings
IN THE TOMB OF NEFERTAR1 IN THE TOMB OF NEFERTARI OF CONSERVATION THE WALL PAINTINGS THE J.PAUL GETTY MUSEUM AND THE GETTY CONSERVATION INSTITUTTE 1992 © 1992 The j. Paul Getty Trust Photo Credits: Guillermo Aldana, figs. I, 2, 4, 8-17, 30, 34-36, 38, cover, 401 Wilshire Boulevard, Suite 900 endsheets, title page, copyright page, table of contents; Archives of Late Egyp Santa Monica, California 90401 -1455 tian Art, Robert S. Bianchi, New York, figs. 18, 20, 22-27, 31-33,37; Cleveland Museum of Art, fig. 29; Image processing by Earthsat, fig. 7; Metropolitan Kurt Hauser, Designer Museum of Art, New York, figs. 6, 19, 28; Museo Egizio, Turin, figs. 5, 21 (Lovera Elizabeth Burke Kahn, Production Coordinator Giacomo, photographer), half-title page. Eileen Delson, Production Artist Beverly Lazor-Bahr, Illustrator Cover: Queen Nefertari. Chamber C, south wall (detail), before treatment was completed. Endsheets: Ceiling pattern, yellow five-pointed stars on dark blue Typography by Wilsted & Taylor, Oakland, California ground. Half-title page: Stereo view of tomb entrance taken by Don Michele Printing by Westland Graphics, Burbank, California Piccio/Francesco Ballerini, circa 1904. Title page: View of Chamber K, looking Library of Congress Catalogmg-in-Publication Data north. Copyright page: Chamber C, south wall, after final treatment-Table of In the tomb of Nefertari : conservation of the wall paintings, Contents page: Chamber C, south wall (detail), after final treatment. Tomb of p. cm. Nefertari, Western Thebes, Egypt. "Published on the occasion of an exhibition at the J. Paul Getty Published on the occasion of an exhibition atthej. -
February 17 Newsletter
ESSEX EGYPTOLOGY GROUP Newsletter 106 February/March 2017 DATES FOR YOUR DIARY 5th February Jewellery: Carol Andrews 5th March New texts from ancient Egypt: revisiting the Egyptian alabaster quarries at Hatnub: Dr Roland Enmarch 2nd April Mighty in Waking and Great in Sleeping: the history of beds in ancient Egypt: Manon Y Schutz 8th April Study Day “The Valley of the Kings: Mummies and Gods” – see below for more information 14th May Ancient craft: modern science and the evolution of mummification: Dr Robert Loynes Our February speaker, Carol Andrews, was Assistant Keeper/Senior Research Assistant at the British Museum for over 28 years and was closely involved in the Tutankhamun exhibition held there in 1972. Her particular fields of interest are mummification, jewellery and amulets, funerary artefacts and the ancient Egyptian language. She has been a member of excavation teams at Saqqara and Ashmunein and has advised film and opera productions. In this talk she will be discussing jewellery in ancient Egypt. Our speaker in March Dr Roland Enmarch graduated from Oxford with a BA in Oriental Studies (Ancient Egyptian with Akkadian), and a DPhil specialising in Middle Egyptian pessimistic poetry. As well as continuing to work on literary laments, he also studies quarrying and expeditionary inscriptions, particularly those from the alabaster quarries at Hatnub. In this talk he will be discussing new texts from ancient Egypt from those Hatnub quarries. ANNUAL STUDY DAY – SATURDAY 8th APRIL Our fourth annual study day takes place on Saturday 8th April, “The Valley of the Kings: Mummies and Gods”. The Valley of the Kings is endlessly fascinating and in this study day we are welcoming two experts in the field.