Concert: Thirty-Eighth Annual Ithaca College Choral Composition Contest Ithaca College Choir
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Ich Ican Op Ra Th Ea Re 76-7
Copyright 2010, Michigan Opera Theatre ICH ICAN OP RA TH EA RE 76-7 . " " ". ", .. Compliments.of .... INTERNATIONAL "" . "TELEPHONE ·· . " . .. and . .. " "TELEGRAPH · "" " .. CORPORATION Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre 2 Del ail f ro m on Assyria n r elief cou rt es y o f Delr oit In sti tute o f A rts tt A trustee is held to something stricter than the morals of the market place. Not honesty alone, but the punctilio of an honor-the most sensitive-is then the standard of behavior." "" Benjamin Nathan Cardozo "" TRU ST DEPARTMENTCopyright 2010, Michigan Opera Theatre 3 ew . Cnevrolet The handwriting was on the wall. makes it easi~r to climb intoan.d out of. It clearly said that the time had More trunk room come for a new kind of 6-passenger . Thetrunkistrulyenormous,morethan. car. One that would use fuel and space a cubic foot bigger than last year. with more sparingly, yet still provide the a nice flat floor that makes it easy to . kind of room and ride you've found so arrange things. comfortable and comforting in our Irs one of many pleasant surprises popular full-size Chevys of the past. awaiting you in The NewCheVrolet. The car is here. Irs called The New Chevrolet. More efficient . The New Chevrolet is, by design, a More head room very lean but very strong automobile. The New Chevrolet stands a We eliminated excess inches and little taller than last year's full-size ounces everywhere we coul<;j. Chevy, which perhaps explains why it And it pays off at the gas pump. -
Class, Respectability and the D'oyly Carte Opera Company 1877-1909
THE UNIVERSITY OF WINCHESTER Faculty of Arts ‘Respectable Capers’ – Class, Respectability and the D’Oyly Carte Opera Company 1877-1909 Michael Stephen Goron Doctor of Philosophy June 2014 The Thesis has been completed as a requirement for a postgraduate research Degree of the University of Winchester The word count is: 98,856 (including abstract and declarations.) THE UNIVERSITY OF WINCHESTER ABSTRACT FOR THESIS ‘Respectable Capers’: Class, Respectability and the D’Oyly Carte Opera Company 1877-1909 Michael Stephen Goron This thesis will demonstrate ways in which late Victorian social and cultural attitudes influenced the development and work of the D’Oyly Carte Opera Company, and the early professional production and performance of the Gilbert and Sullivan operas. The underlying enquiry concerns the extent to which the D’Oyly Carte Opera organisation and its work relate to an ideology, or collective mentalité, maintained and advocated by the Victorian middle- classes. The thesis will argue that a need to reflect bourgeois notions of respectability, status and gender influenced the practices of a theatrical organisation whose success depended on making large-scale musical theatre palatable to ‘respectable’ Victorians. It will examine ways in which managerial regulation of employees was imposed to contribute to both a brand image and a commercial product which matched the ethical values and tastes of the target audience. The establishment of a company performance style will be shown to have evolved from behavioural practices derived from the absorption and representation of shared cultural outlooks. The working lives and professional preoccupations of authors, managers and performers will be investigated to demonstrate how the attitudes and working lives of Savoy personnel exemplified concerns typical to many West End theatre practitioners of the period, such as the drive towards social acceptability and the recognition of theatre work as a valid professional pursuit, particularly for women. -
David Dichiera
DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story. -
The Music of Sir Alexander Campbell Mackenzie (1847-1935): a Critical Study
The copyright of this thesis rests with the author. No quotation from it should be published without the written consent of the author and infomation derived from it should be acknowledged. The Music of Sir Alexander Campbell Mackenzie (1847-1935): A Critical Study Duncan James Barker A thesis submitted for the degree of Doctor of Philosophy (Ph.D.) Music Department University of Durham 1999 Volume 2 of 2 23 AUG 1999 Contents Volume 2 Appendix 1: Biographical Timeline 246 Appendix 2: The Mackenzie Family Tree 257 Appendix 3: A Catalogue of Works 260 by Alexander Campbell Mackenzie List of Manuscript Sources 396 Bibliography 399 Appendix 1: Biographical Timeline Appendix 1: Biographical Timeline NOTE: The following timeline, detailing the main biographical events of Mackenzie's life, has been constructed from the composer's autobiography, A Musician's Narrative, and various interviews published during his lifetime. It has been verified with reference to information found in The Musical Times and other similar sources. Although not fully comprehensive, the timeline should provide the reader with a useful chronological survey of Mackenzie's career as a musician and composer. ABBREVIATIONS: ACM Alexander Campbell Mackenzie MT The Musical Times RAM Royal Academy of Music 1847 Born 22 August, 22 Nelson Street, Edinburgh. 1856 ACM travels to London with his father and the orchestra of the Theatre Royal, Edinburgh, and visits the Crystal Palace and the Thames Tunnel. 1857 Alexander Mackenzie admits to ill health and plans for ACM's education (July). ACM and his father travel to Germany in August: Edinburgh to Hamburg (by boat), then to Hildesheim (by rail) and Schwarzburg-Sondershausen (by Schnellpost). -
Download Booklet
559219 bk Pasatieri 15/03/2004 10:44am Page 12 AMERICAN CLASSICS Also available on American Classics: THOMAS PASATIERI Letter to Warsaw Jane Eaglen, Soprano Music of Remembrance • Gerard Schwarz 8.559177 8.559153 8.559219 12 559219 bk Pasatieri 15/03/2004 10:44am Page 2 Thomas Pasatieri (b. 1945) Letter to Warsaw World première: 10th May, 2004, Benaroya Hall, approximately 350,000 Jews found themselves Seattle, WA at Music of Remembrance’s Holocaust imprisoned. Jews from elsewhere in Poland and from Also available on American Classics: Remembrance concert. Letter to Warsaw was composed other parts of the Reich were resettled into the ghetto. By for soprano Jane Eaglen and conductor Gerard Schwarz. early 1941 the ghetto held over 440,000 souls. Over thirty It is dedicated to Music of Remembrance’s founder and percent of Warsaw’s population was crammed into less artistic director, Mina Miller. than three percent of the city’s total area. The Warsaw ghetto contained three sectors. The In January 2003, MOR Artistic Director Mina Miller “little ghetto” had some modern apartment houses along approached me about writing a song-cycle based on six wide streets where one could find the occasional shop, unpublished texts by the Polish cabaret artist Pola Braun. and for a time even cafés, restaurants and cinemas. Its These texts were composed while Braun was incarcerated population included an intelligentsia and some in the Warsaw ghetto and in the concentration camp comparatively affluent families. In contrast, the “big Majdanek. They were originally set to music that no ghetto” further north was a “jungle of oppressed longer exists. -
“LET AMERICA BE AMERICA AGAIN” a Sung Tribute to Langston Hughes & Friends
Sunday, April 18, 2021 | 8 PM “LET AMERICA BE AMERICA AGAIN” A Sung Tribute to Langston Hughes & Friends Catherine Malfitano, Artistic and Video Conception and Direction Chun-Wei Kang, Music Direction and Pianist Simon Yu, Director of Photography and Video Editor Tazewell Thompson, Recitation of “Let America Be America Again” by Langston Hughes Director of Opera Studies Catherine Malfitano Welcome and Introduction Part One: Prologue RICKY IAN GORDON/ “To Be Somebody” LANGSTON HUGHES “Harlem Night Song” Kevin Lee, tenor “Demand” Elizabeth Anderson, soprano “Border Line” Nikkole Dittler, soprano “In Time of Silver Rain” Lexi Brown, soprano ROBERT OWENS/ “Genius Child” LANGSTON HUGHES Benjamin Sokol, bass-baritone FLORENCE PRICE/ “Bewilderment” LANGSTON HUGHES Abigail Dutler, soprano ROBERT OWENS/ “Faithful One” LANGSTON HUGHES Simon Staples, baritone RICKY IAN GORDON/ “Strange Hurt” LANGSTON HUGHES Alexandra Cirile, mezzo soprano H. LESLIE ADAMS/ “The Heart of a Woman” GEORGIA DOUGLAS Ricardo Javier Rodriguez, tenor JOHNSON JOHN MUSTO/ “Could Be” LANGSTON HUGHES Mathieu Levan, tenor RICKY IAN GORDON/ “Late Last Night” LANGSTON HUGHES Sarah Marguerite Lassiter, soprano RICKY IAN GORDON/ “Troubled Woman” LANGSTON HUGHES Seolbin Oh, soprano RICKY IAN GORDON/ “Daybreak in Alabama” LANGSTON HUGHES Rose Iannuzzi, soprano H. LESLIE ADAMS/ “Prayer” LANGSTON HUGHES Anna Maria Vacca, mezzo soprano Entr’acte/Five Minute Pause MAURICE RAVEL Berceuse sur le nom de Gabriel Fauré Joseph Malfitano, violin Paul Kueter, piano Part Two: The Movie JOHN MUSTO/ “Island” LANGSTON HUGHES Hina Zhang, mezzo soprano MARGARET BONDS/ “The Negro Speaks of Rivers” LANGSTON HUGHES Adja Thomas, mezzo soprano FLORENCE B. PRICE/ “We Have Tomorrow” LANGSTON HUGHES Ariel Wei, mezzo soprano RICKY IAN GORDON/ “Dream” LANGSTON HUGHES Georgina Wu, mezzo soprano FLORENCE B. -
Guide to the Helen Walker Hill Collection
Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Helen Walker Hill Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COL L EGE CHICAG, 0 CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Helen Walker-Hill Collection, 1887-2012 EXTENT Papers: 41 boxes, 25.1 linear feet COLLECTION SUMMARY The Helen Walker-Hill Collection is composed of musical compositions by black women composers throughout the United States and England. This collection was compiled by pianist and musicologist, Dr. Helen Walker-Hill. PROCESSING INFORMATION The Helen Walker-Hill Collection was processed with funding provided through a Preservation and Access Grant from the National Endowment for the Humanities. The collection was processed by and this finding aid was created by Margaret Gonsalves in 2006. Additional acquisitions donated in 2008 and 2012 were processed by Laurie Lee Moses in 2014. BIOGRAPHICAL NOTE Helen Siemens Walker-Hill was born in Winnipeg, Manitoba, Canada, on May 26, 1936 to George and Margaret (Toews) Siemens. Walker-Hill received her early musical training from her mother, Margaret Siemens, and continued piano studies with Emma Endres Kountz in Toledo, Ohio. In 1957 she received a Bachelor of Art degree in Spanish, German, and French languages and literature from the University of Toledo, Ohio. Walker-Hill was a certified secondary teacher in the state of Ohio. From 1957–1958 she was a Fulbright fellow, studied with Nadia Boulanger, and received a Diplome from École Normale de Musique in Paris in 1958. -
ANNUAL SEMINAR on CONTEMPORARY MUSIC for the YOUNG April 9 – 11, 2021 Keeril Makan, Commissioned Composer
42nd ANNUAL SEMINAR ON CONTEMPORARY MUSIC FOR THE YOUNG April 9 – 11, 2021 Keeril Makan, Commissioned Composer THE RIVERS SCHOOL CONSERVATORY Gabriella Sanna, Director Lindsey Robb, Assistant Director Ethel Farny, Seminar Chair A. Ramón Rivera, Director Emeritus 333 WINTER STREET, WESTON, MA 02493 WWW.RIVERSSCHOOLCONSERVATORY.ORG | 781-235-6840 i T became clear t H at i should stay in E urope not kill M yself by going back and forth across the ocean b U t I couldn't get out of that engagement in we S ton Massachusetts "three hundred ch I ldren devoted to modern musi C " I couldn't believe it S o instead of going from rome to C ologne i H ad t O cr O ss the ocean two extra times and here I am seventy years o L d but I don't regret it the children pl A yed beau T ifully and the pa R ents were w I de awake the day remains V ividly in my mind the school n E eds suppo R t here' S hoping they get it! John Cage Seminar Guest 1983 THE RIVERS SCHOOL CONSERVATORY The 42nd Annual Seminar on Contemporary Music for the Young April 9, 10, & 11, 2021 Gabriella Sanna, Director, The Rivers School Conservatory Chair, Rivers Performing Arts Department A. Ramón Rivera, Director Emeritus Lindsey Robb, Assistant Director Ethel Farny, Seminar Chair The Rivers School Conservatory 333 Winter Street, Weston, Massachusetts 781-235-6840 www.riversschoolconservatory.org THE SEMINAR ON CONTEMPORARY MUSIC FOR THE YOUNG This year Seminar concerts will be presented in two forms: live-streamed and virtual. -
Catherine Malfitano Singer, Actor, Director and Teacher, Was Born in New York City to a Dancer/Actress Mother, and Violinist Father
Catherine Malfitano singer, actor, director and teacher, was born in New York City to a dancer/actress mother, and violinist father. Throughout her singing career she has been celebrated as a unique theatre performer, acclaimed for her commanding vocalism, elegant stage presence, and riveting dramatic abilities. She has worked with the most prestigious conductors and stage directors in over 70 roles and 1,400 performances on all of the world’s leading opera house stages. Equally devoted to the traditional and contemporary repertoire alike, she has starred in nine world premieres by Conrad Susa (Transformations), Carlisle Floyd (Bilby's Doll), Thomas Pasatieri (The Black Widow, The Seagull, Washington Square), and William Bolcom (McTeague, View from the Bridge, A Wedding, Medusa). She has also sung in the great classic contemporary operas of Berg, Shostakovich, Janacek, Menotti, Schreker, Blitzstein, Poulenc, Argento, Weill, Barber, Strauss, Ward, and Henze. Her Emmy-award winning portrayal of Tosca, broadcast live from the actual Roman settings of the opera, was seen by more than one billion viewers worldwide. Since 2005 Malfitano has embarked on a directing career. Next season she will be directing new productions for the Lyric Opera of Chicago (Lucia), English National Opera (Tosca), and Canadian Opera Company (Double Bill of Zemlinsky's Forentine Tragedy and Puccini's Gianni Schicchi). Since 1998 Ms. Malfitano has been teaching privately, giving masterclasses world wide as well as her own special course entitled Revealing the ActorSinger Within. She joined the Voice Faculty at the Manhattan School of Music in the Fall of 2008. Two links to be included: www.catherinemalfitanodirector.com www.imgartists.com . -
9962969.PDF (3.873Mb)
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are In typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or Indistinct print, colored or poor quality Illustrations and photographs, print bleedthrough. substandard margins, and Improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also. If unauthorized copyright material had to be removed, a note will Indicate the deletion. Oversize materials (e.g.. maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right In equal sections with small overlaps. Pfiotographs Included In ttie original manuscript have been reproduced xerographlcally In this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or Illustrations appearing In this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 800-521-0600 UMT UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE SIEBEN LEHMANNLIEDER BY THOMAS PASATIERI: A PERFORMER’S PREPRATION GUIDE A Document SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Musical Arts By SUSANNE MARIE (PUGH) REID Norman. Oklahoma 2000 UMI Number 9962969 UMI UMI Microform9962969 Copyright 2000 by Bell & Howell Information and Leaming Company. -
André Messager. Repères Biographiques
andré messager : les p’tites michu André Messager. Repères biographiques Christophe Mirambeau André Messager est né le 30 décembre 1853 à Montluçon, dans l’Allier, au sein d’une famille bourgeoise dont aucun des membres n’est musicien. Soucieux de la bonne éducation de l’enfant, les parents Messager confient leur fils aux pères Maristes – un parcours scolaire dans lequel s’inscri - vent des leçons de musique. Les Messager se retrouvent brutalement ruinés à l’aube de la guerre franco-prussienne. Le jeune André montrant quelques dispositions pour la musique et le piano, ils obtiennent une bourse qui leur permet de l’en - voyer à la fameuse école Niedermeyer. Il y fera ses classes – y compris pendant la guerre, au cours de laquelle l’école est déplacée en Suisse – de 1869 jusqu’en 1874, sous la houlette d’Eugène Gigout (contrepoint), Adam Lausel (piano) et Clément Lauret (orgue), puis Gabriel Fauré et Camille Saint-Saëns : deux personnalités majeures de la musique française dont André Messager demeurera toujours très proche. Le jeune homme n’a que 21 ans quand Fauré lui confie le poste d’organiste du chœur de Saint- Sulpice afin de remplacer Saint-Saëns, souvent absent, à la Madeleine. Messager demeure à Saint-Sulpice jusqu’en 1880, avant de tenir l’orgue de Saint-Paul-Saint-Louis (1881) et de Sainte-Marie-des-Batignolles (188 2- 1884). Tout en remplissant ses devoirs liturgiques, l’artiste entame une carrière de compositeur. Sa Première Symphonie , primée au Concours de la Société des Auteurs et Compositeurs Dramatiques de 1876, est créée 28 par les Concerts Colonne le 20 janvier 1878 ; sa cantate Prométhée enchaî - né est couronnée du second prix au Concours musical de la Ville de Paris de 1877. -
2014-15 Season Preview Issue
OPERAVolume 55 Number 01 | Summer 2014 CUES 2014–15 SEASON PREVIEW ISSUE TV and Internet together like never before. The X1 Entertainment Operating System® brings the best of TV and Internet together for the simplest, fastest and most complete way to access all your entertainment on all your screens. Call 1-800-XFINITY today. Call or go to comcast.com/servicecenters to visit your local XFINITY Store. COMPANY NEWS SEASON PREVIEW ISSUE 2014–15 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR Managing Director MARGARET ALKEK WILLIAMS CHAIR ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Mena Mark Hanna Perryn Leech Michelle Mariano Patrick Summers For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera Readers of Houston Grand Opera’s Mobile: HGO.org Opera Cues magazine are the most desirable prospects for an advertiser’s message. LOYAL: 51 percent of readers have been reading Opera Cues for more than three years. DEDICATED: 42 percent of readers read the magazine from cover to cover. EDUCATED: More than 90 percent are college-educated, and 57 percent hold graduate degrees. SOCIAL: 44 percent patronize downtown restaurants when they go to a performance at Houston Grand Opera.