God Bless Us, Every One! Opera in One Act, Libretto by Michael Capasso and Bill Van Horn, Based on the Writings of Charles Dickens

Total Page:16

File Type:pdf, Size:1020Kb

God Bless Us, Every One! Opera in One Act, Libretto by Michael Capasso and Bill Van Horn, Based on the Writings of Charles Dickens Thomas Pasatieri God Bless Us, Every One! Opera in one act, libretto by Michael Capasso and Bill Van Horn, based on the writings of Charles Dickens. Co-Production by University of Kentucky Opera Theatre and Dicapo Opera Theatre John Nardolillo, Conductor WORLD PREMIERE RECORDING God Bless Us, Every One! Opera in One Act PROGRAM NOTES............Michael Capasso, Bill Van Horn Music..............................Thomas Pasatieri In the 1990s, Dicapo produced an adaptation of Libretto....Michael Capasso, Bill Van Horn Charles Dickens A Christmas Carol. That experience (Based on the writings of Charles Dickens) left us deeply impressed with the honest sentiments of Conductor.........................John Nardolillo brotherhood and generosity expressed in this little Stage Director..................Michael Capasso story of Ebenezer Scrooge, Tiny Tim, and the Spirits of Premiere Recording, co-produced by University Christmas. We wanted to further explore Dickens’ of Kentucky Opera Theatre, Everett McCorvey, themes, to bring these characters to life in an operatic Executive Producer and Dicapo Opera Theatre, NYC, form. To accomplish this task, we turned to Thomas Michael Capasso, General Director, and Pasatieri to transform these famed literary characters Diane Martindale, Artistic Director CAST: into musical ones. Maestro Pasatieri had long wanted Scrooge...............................Marc Embree to set Dickens’ tale into an opera, but we brought him a Tim Cratchit........................Jonathan Hare challenge: what about a sequel to Dickens’ original tale, a Elizabeth...........Catherine Clarke Nardolillo story that would bring Scrooge, his nephew Fred, and Tim Fred........................................... Willy Falk Cratchit to the shores of America? God Bless Us, Every Fan...................................Julie LaDouceur One! suggests what might have happened twenty years Beau Braxton..............Nicholas Provenzale after the famous final line of Dickens’ original tale. Bob Cratchit...................Duncan Hartman We have used another Dickens short story as our Mr. Braxton/Elizabeth’s Father..Gary Ramsey source material for this new saga of Scrooge and the Governess...........................Selena Moretz Cratchits. The Story of Richard Doubledick is a tale of Sergeant/Businessman.....Stephen Lavonier Soldier I........................Mitchell Hutchings Soldier II..........................George Kasarjian Mrs. Cratchit.........................Kristen Lamb ENSEMBLE: Amanda Balltrip, Brian DuBois, Jenny Greene, Jonathan Harris, Duncan Hartman, Mitchell Hutchings, George Kasarjian, Kristen Lamb, Selena Moretz, Laura Parker, Rebecca Warren. Executive Director Everett McCorvey, UK Opera Theatre and General Director Michael Capasso, Dicapo Opera Theatre ■ 2 ■ loyalty and friendship during the Napoleonic Wars. It is partner in the firm and he and Ebenezer have en- a story that shares many of the themes Dickens ex- deavored to help the poor people of their London presses in A Christmas Carol. Our opera takes the plot district. The firm has become known far and wide of Doubledick, the characters of A Christmas Carol, as traders rich in generosity and kindness as much as and mixes them all into the turbulent years during the in business acumen. Scrooge did, indeed, become a American Civil War. second “father” to Tim Cratchit. He paid for the best After A Christmas Carol—the characters have medical treatment available at the time and Tim grown older, but Dickens’ lesson remains the same: we has become a healthy young man—only a trace of all stumble along the road of life, we all lose our way… a limp reminds his family that he had ever been but everyone deserves a second chance, deserves the sickly. At age 18 he joins the firm of Scrooge, Crat- blessing of redemption. Every one deserves a Merry chit and Marley. Meanwhile, Scrooge’s nephew Fred Christmas! has lost his wife and, after a period of mourning, left In our opera, much has changed since the night England with his young daughter Fan for America. Scrooge was visited by the ghost of Jacob Marley and His letters have inspired Tim with a longing for the Spirits of Christmas. Bob Cratchit has become a adventure in the New World... GOD BLESS US, EVERY ONE: A SYNOPSIS London. Christmas 1862. The counting house of the financial firm of Scrooge, they will imitate. They raise a glass to his memory Cratchit & Marley. Ebenezer Scrooge, the company’s and the Spirits of Christmas. founder, has died. Friends and relations have gathered to In the now-empty office, the ghost of Scrooge drink to his life and to remember that it was at Christ- appears. He is jovial, amused that now he is a mastime when he was reborn many years ago. Bob wandering spirit like his predecessor, Jacob Marley. Cratchit and Scrooge’s nephew, Fred Taunton, have Scrooge resolves to help Tim Cratchit achieve his decided to close the business rather than carry on with- dreams in America. out its founder. The company funds will be dispersed The action switches to the London flat of Eliz- among the variety of charities that have come to de- abeth, Tim’s fiancée. In a letter to her father, she pend on the firm’s generous donations. writes that any money Tim might have received Young Timothy Cratchit, now 28, contemplates a from Scrooge’s will is gone, given to the poor. With trip to America with his fiancée Elizabeth. Fred endorses no prospects, Elizabeth’s father instructs her to the idea, paints a wondrous picture of life in New York return to the family home to look for a new match. City. Tim vows to join Fred . Once there, the two will Brokenhearted, she consents. start a business using Ebenezer Scrooge as the model The docks on the banks of the Thames. Scrooge, ■ 3 ■ in the guise of a ship’s officer, calls out the hours in Scrooge laments the horrors of war as Tim is carried bells. He watches as Tim waits for Elizabeth. She off the battlefield by Union survivors. arrives, but tells Tim her place is in England with her Months later. Fan escorts a woman to Tim’s hos- family. She will not be going with him to America. He is pital bed. It is Elizabeth. She has spent the last three devastated. But the Scrooge comforts him, bolsters his years deeply regretting her decision. Fan has written resolve, sets him aboard the ship bound for America. to her in London, telling her of Tim’s serious illness, Tim arrives on the streets of New York, alone, asking her to come and help him recover. Elizabeth, penniless and heartbroken. America is in the throes of still in love, has defied her father and sailed to Amer- a Civil War that has divided the country. Tim finds ica to be by Tim’s side. She begs Tim’s forgiveness Fred’s house and is greeted by his daughter Fan and and pledges to remain with him forever. her Governess. He learns that Fred has enlisted in the The war has ended. Fan meets and falls in love Army of the Potomac. Fan invites Tim inside to share with a young Southerner, Beau Braxton. They travel Christmas dinner with them. But Tim soon sinks into a to New York, Beau to ask Tim for Fan’s hand. Tim is deep melancholy. Scrooge describes his plight—“It’s reluctant at first, but with Scrooge’s urging, he grants a story we all know.” them permission to marry. The following Christmas Tim, now an alcoholic, is drafted by the Union Tim and Elizabeth are invited by Beau’s father to their Army where is a poor solider—insubordinate and Virginia plantation to celebrate Christmas and the usually drunk. Fred, now Major Taunton, finds Tim, sees engagement. But Tim is haunted by his Southern his pathetic state and resolves to help him. He feels surroundings. When he is introduced to Beau’s father, responsible for Tim’s welfare: it was he who urged him he is horrified to recognize him as the very Rebel to come to America. He challenges Tim to reclaim his officer who killed Fred Taunton. life and reject the path he has so far traveled in the Left alone Tim is consumed with feelings of New World. Tim is moved by Fred’s words and vows to hatred and revenge and draws his pistol. The ghosts return to his former ways with Fred’s assistance. of Scrooge and Fred intervene, imploring Tim to stay Time passes. The Civil War is in full swing; Major his hand. This man was only doing his duty, says Fred. Fred Taunton leads his men south. Tim has transformed Forgive him… as I have forgiven him… as all soldiers himself into a model soldier: brave, selfless, and dis- must forgive each other when war is over. Tim is ciplined—a natural leader. In a series of battles, Tim transformed— redeemed—once again. He is able to and Fred become celebrated throughout the ranks for raise a glass to the young couple, to their happy their valor. In an ambush by Rebel forces, Fred is shot marriage, and to his own wonderful life in his new and killed. Tim sees the man who fires the fatal shot. country. He offers the words he has spoken every He vows vengeance. But a blast of a Confederate Christmas for the last twenty years, “God bless us, mortar shell throws Tim’s broken body to the ground. every one!” ■ 4 ■ God bless us, every one! Scene TRACK 1 Tim The offices of the financial firm of Scrooge, A frightening thought now comes to Cratchit and Marley, London. December mind: that my life story leaves me behind. 1862. The Cratchit family is returning from The whirly gig... Ebenezer Scrooge’s funeral. Tim Cratchit is Fred now in his twenties, still walks with a slight Scrooge is dead, died last night... limp. His father, Bob Cratchit, now a man Elizabeth of 60, sits in the corner, his face a blank.
Recommended publications
  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
    [Show full text]
  • Audition Packet
    Westerville Parks and Recreation Civic Theatre presents AUDITION PACKET AUDITIONS: Saturday, May 7 9 a.m. to 4 p.m. Battelle Fine Arts Center, Otterbein University 170 W. Park Street Westerville, Ohio 43081 CALLBACKS: Tuesday, May 10 7 p.m. Battelle Fine Arts Center, Otterbein University PERFORMANCE DATES: July 28 – July 31 To schedule an audition, please visit http://www.westerville.org/arts to fill out an audition registration form. Contact Program Leader at 614-901-6575 or email at [email protected] for more information. AUDITION INFORMATION WHEN: Saturday, May 7, 9 a.m. - 4 p.m.; Auditions are made by appointment WHERE: Battelle Fine Arts Center, Otterbein University, 170 W Park Street, Westerville, OH 43081. HOW TO REGISTER: Please visit and click on the audition registration link. This will take you to a form where you may enter your information and preferred time of audition. You will receive a confirmation email/phone call of your audition within two business days. WHO: We welcome auditions for people of all ages! Children must be 7 years old at the time of audition. COST: For actors, singers, and dancers: $125 for children ages 7-12, $75 for adults and youth 13+. Scholarships and payment plans are available for those in need of financial assistance. HOW TO AUDITION: Groups of 10-15 performers will sing, dance, and read if needed in one hour blocks. You may audition for a specific role or for the ensemble. The dance audition will be movement based. No formal dance training is necessary. Please prepare 16 -32 bars of any musical theatre song (enough to cover one verse and one chorus).
    [Show full text]
  • Concert: Thirty-Eighth Annual Ithaca College Choral Composition Contest Ithaca College Choir
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Ithaca College Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-12-2016 Concert: Thirty-eighth Annual Ithaca College Choral Composition Contest Ithaca College Choir Janet Galván Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Choir and Galván, Janet, "Concert: Thirty-eighth Annual Ithaca College Choral Composition Contest" (2016). All Concert & Recital Programs. 1399. http://digitalcommons.ithaca.edu/music_programs/1399 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. THE THIRTY-EIGHTH ANNUAL ITHACA COLLEGE CHORAL COMPOSITION CONTEST Sponsored jointly by Ithaca College and Mark Foster Foster Publishing (a division of Hal Leonard) Saturday, November 12th, 2016 7:00 pm ITHACA COLLEGE THIRTY-EIGHTH ANNUAL CHORAL COMPOSITION CONTEST AND FESTIVAL Sponsored jointly by Ithaca College and Mark Foster (a division of Hal Leonard) The Choral Composition Festival was founded in 1979 to encourage the creation and performance of new choral music and to establish the Ithaca College Choral Series. Six scores were chosen for performance this evening from the entries submitted from around the world. The festival was founded by Professor Lawrence Doebler. The composition The Voice You Hear by Francisco Núñez was commissioned by Ithaca College and will be premiered by the Ithaca College Choir this evening.
    [Show full text]
  • Ich Ican Op Ra Th Ea Re 76-7
    Copyright 2010, Michigan Opera Theatre ICH ICAN OP RA TH EA RE 76-7 . " " ". ", .. Compliments.of .... INTERNATIONAL "" . "TELEPHONE ·· . " . .. and . .. " "TELEGRAPH · "" " .. CORPORATION Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre 2 Del ail f ro m on Assyria n r elief cou rt es y o f Delr oit In sti tute o f A rts tt A trustee is held to something stricter than the morals of the market place. Not honesty alone, but the punctilio of an honor-the most sensitive-is then the standard of behavior." "" Benjamin Nathan Cardozo "" TRU ST DEPARTMENTCopyright 2010, Michigan Opera Theatre 3 ew . Cnevrolet The handwriting was on the wall. makes it easi~r to climb intoan.d out of. It clearly said that the time had More trunk room come for a new kind of 6-passenger . Thetrunkistrulyenormous,morethan. car. One that would use fuel and space a cubic foot bigger than last year. with more sparingly, yet still provide the a nice flat floor that makes it easy to . kind of room and ride you've found so arrange things. comfortable and comforting in our Irs one of many pleasant surprises popular full-size Chevys of the past. awaiting you in The NewCheVrolet. The car is here. Irs called The New Chevrolet. More efficient . The New Chevrolet is, by design, a More head room very lean but very strong automobile. The New Chevrolet stands a We eliminated excess inches and little taller than last year's full-size ounces everywhere we coul<;j. Chevy, which perhaps explains why it And it pays off at the gas pump.
    [Show full text]
  • A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's the Seagull and Aaron Posner's Stupid Fucking
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 3-23-2018 A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's The eS agull and Aaron Posner's Stupid Fucking Bird Running in Repertory at Swine Palace Theatre Chelsea G. Touchet Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Touchet, Chelsea G., "A Tale of Two Birds: Lighting Design and Implementation of Anton Chekhov's The eS agull and Aaron Posner's Stupid Fucking Bird Running in Repertory at Swine Palace Theatre" (2018). LSU Master's Theses. 4632. https://digitalcommons.lsu.edu/gradschool_theses/4632 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A TALE OF TWO BIRDS: LIGHTING DESIGN AND IMPLEMENTATION OF ANTON CHEKHOV’S THE SEAGULL AND AARON POSNER’S STUPID FUCKING BIRD RUNNING IN REPERTORY AT SWINE PALACE THEATRE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and College of Music and Dramatic Arts in partial fulfillment of the requirements for the degree of Master of Fine Arts in The School of Theatre by Chelsea Gabrielle Touchet B.S., University of Evansville, 2011 May 2018 ACKNOWLEDGMENTS Many people contributed to the success and completion of these two productions.
    [Show full text]
  • Ballet Notes the Seagull March 21 – 25, 2012
    Ballet Notes The SeagUll March 21 – 25, 2012 Aleksandar Antonijevic and Sonia Rodriguez as Trigorin and Nina. Photo by Cylla von Tiedemann. Orchestra Violins Trumpets Benjamin Bowman Richard Sandals, Principal Concertmaster Mark Dharmaratnam Lynn KUo, Robert WeymoUth Assistant Concertmaster Trombones DominiqUe Laplante, David Archer, Principal Principal Second Violin Robert FergUson James Aylesworth David Pell, Bass Trombone Jennie Baccante Csaba Ko czó Tuba Sheldon Grabke Sasha Johnson, Principal Xiao Grabke • Nancy Kershaw Harp Sonia Klimasko-LeheniUk LUcie Parent, Principal Celia Franca, C.C., FoUnder Yakov Lerner Timpany George Crum, MUsic Director EmeritUs Jayne Maddison Michael Perry, Principal Ron Mah Karen Kain, C.C. Kevin Garland Aya Miyagawa Percussion Mark MazUr, Acting Artistic Director ExecUtive Director Wendy Rogers Filip Tomov Principal David Briskin Rex Harrington, O.C. Joanna Zabrowarna Kristofer Maddigan MUsic Director and Artist-in-Residence PaUl ZevenhUizen Orchestra Personnel Principal CondUctor Violas Manager and Music Magdalena Popa Lindsay Fischer Angela RUdden, Principal Administrator Principal Artistic Coach Artistic Director, • Theresa RUdolph Koczó, Jean Verch YOU dance / Ballet Master Assistant Principal Assistant Orchestra Valerie KUinka Peter Ottmann Mandy-Jayne Personnel Manager Johann Lotter Raymond Tizzard Senior Ballet Master Richardson Beverley Spotton Senior Ballet Mistress • Larry Toman Librarian LUcie Parent Aleksandar Antonijevic, GUillaUme Côté, Cellos Greta Hodgkinson, Jiˇrí Jelinek, Zdenek Konvalina*,
    [Show full text]
  • The Seagull Reader: Literature Literature 1St Edition Pdf, Epub, Ebook
    THE SEAGULL READER: LITERATURE LITERATURE 1ST EDITION PDF, EPUB, EBOOK Joseph Kelly | 9780393926774 | | | | | The Seagull Reader: Literature Literature 1st edition PDF Book This comprehensive Seagull Reader: Literature reader includes the full contents of the three separate Seagull Reader: Plays, Poems, and Stories readers, in one portable volume. Available online at Project Gutenberg. Wikimedia Commons. To see what your friends thought of this book, please sign up. The play was also adapted as the Russian film The Seagull in Act I also sets up the play's various romantic triangles. Between acts Konstantin attempted suicide by shooting himself in the head, but the bullet only grazed his skull. Despondent, Konstantin spends two minutes silently tearing up his manuscripts before leaving the study. Anton Chekhov 's The Seagull Trigorin leaves to continue packing. He returns and takes Trigorin aside. Brooks rated it really liked it Jul 06, It also featured Chiwetel Ejiofor and Art Malik. Untamed by Glennon Doyle. After she has left the room, Nina comes to say her final goodbye to Trigorin and to inform him that she is running away to become an actress, against her parents' wishes. For teachers who wants to have a solid collection at their disposal, I would recommend looking into this book. Alexandrinsky Theatre , St. I am writing it not without pleasure, though I swear fearfully at the conventions of the stage. Chekhov's unwillingness to explain or expand on the script forced Stanislavski to dig beneath the surface of the text in ways that were new in theatre. The Independent. Readers also enjoyed.
    [Show full text]
  • Philip Stoddard [email protected]
    Philip Stoddard [email protected] THE JUILLIARD SCHOOL FATHER COMES HOME FROM THE WARS Colonel LA Williams P.Y.G. Dorian Belle Tearrance Chisholm THE TRIUMPH OF LOVE Agis Stephen Wadsworth TROJAN WOMEN Poseidon Ellen Lauren CYMBELINE Cloten Jenny Lord GETTING OUT Carl/Guard Evans Oliver Butler WOYZECK Woyzeck Stephanie Mareen KING LEAR King Lear Richard Feldman A MUSICAL EVENING OF CABARET Soloist Deborah Lapidus HENRY V Canterbury/ Rebecca Guy French King/Bates THE ADDING MACHINE Ensemble Moni Yakim THE SEAGULL Dr. Dorn Brian McManamon BALM IN GILEAD Franny/Stranger Rebecca Guy THE SAMUEL BECKETT PROJECT Tommy/Fox Jesse J. Perez DARK OF THE MOON Marvin Hudgens Trazana Beverley ALL MY SONS Dr. Jim Bayliss Jenny Lord ALL’S WELL THAT ENDS WELL Bertram/Lafew/ Sarah Grace Wilson 2nd Lord A LITTLE NIGHT MUSIC Mr. Lindquist Claire Karpen OTHER THEATER THE ROMEO+JULIET PROJECT Prince Escalus Vivienne Benesch Chautauqua Theater Company BRIGADOON Tommy Albright John Giampietro Chautauqua Music Festival DON GIOVANNI Don Giovanni John Giampietro RELATED EXPERIENCE NARCISSUS (upcoming) Director/Co-Creator Satellite Collective @ BAM OPERA-COMP Co-Artistic Director/ The Juilliard School Producer OPERATION SUPERPOWER! Co-Creator/Performer Tri-State Area Public Schools SKILLS Award winning singer (classically trained baritone/musical theater bari-tenor), Teaching Artist, Italian (conversational), Beginner Piano and Accordion, Three-ball juggling, Yoga EDUCATION The Juilliard School Drama Division The Juilliard School Marcus Institute for Vocal Arts .
    [Show full text]
  • The Sea Gull Is Set in Russia in 1893
    The School of Theatre’s production of The Sea Gull is set in Russia in 1893. Growing up Chekhov Anton Pavlovich Chekhov was born on Find out what was happening around the world at the time! January 17, 1860 in Taganrog, a small town in the Sea of Azov in southern Russia. His April 8 - The first recorded college basketball game occurs father led a strict household, with the in Beaver Falls, Pennsylvania between the Geneva College children’s time divided among school, Covenanters and the New Brighton YMCA. working in his grocery store, and strict daily observance of Russian Orthodox Church May 5 - Panic of 1893: The New York Stock Exchange worship. crashed, leading to an economic depression in America. The Chekhov attended school at the local Depression of 1893 was one of the worst in American history with the gymnazija (which is a government middle and high school). When his father’s unemployment rate exceeding ten percent for half a decade. grocery store business failed, his family moved to Moscow, leaving Anton behind to finish school. He supported himself for July 1 - U.S. President Grover Cleveland is secretly oper- several years by tutoring other students. ated on to avoid further panic that might worsen the financial In 1879 Anton joined his family in Russia depression. Under the guise of a vacation cruise, Dr. Joseph Did you know? and enrolled in Medical School at Moscow Bryant removed parts of his upper left jaw and hard palate. The The Russian name of the play actually translates into State University.
    [Show full text]
  • Program for the Production
    BORISA world premiere production by Princeton University students and faculty of Alexander Pushkin’s 1825 play featuring incidental music of Sergei Prokofiev and directorial concepts of Vsevolod Meyerhold Thursday April 12 8 p.m. Friday April 13 8 p.m. Saturday April 14 2 p.m. † 8 p.m. Berlind Theatre Princeton University GODUNOV Sponsored by funding from Peter B. Lewis ’55 for the University Center for the Creative and Performing Arts with the Department of Music † Council of the Humanities † Edward T. Cone ’39 *43 Fund in the Humanities † Edward T. Cone ’39 *43 Fund in the Arts † Office of the Dean of the Faculty † Department of Slavic Languages and Literatures † School of Architecture † Program in Theater and Dance † Friends of the Princeton University Library and the Department of Rare Books and Special Collections † Alumni Council † Program in Russian and Eurasian Studies BORIS Simon Morrison † Caryl Emerson project managers Tim Vasen stage director Rebecca Lazier choreographer Michael Pratt † Richard Tang Yuk conductors Jesse Reiser † Students of the School of Architecture set designers Catherine Cann costume designer Matthew Frey lighting designer Michael Cadden dramaturg Peter Westergaard additional music Antony Wood translator Darryl Waskow technical coordinator Rory Kress Weisbord ’07 assistant director William Ellerbe ’08 assistant dramaturg Ilana Lucas ’07 assistant dramaturg Students of the Princeton University Program in Theater and Dance, Glee Club, and Orchestra GODUNOV Foreword I’m delighted to have the opportunity to welcome you to this performance of what has been, until now, a lost work of art, one now made manifest through a series of remarkable collaborations.
    [Show full text]
  • Boris Godunov
    Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide.
    [Show full text]
  • David Dichiera
    DAVID DICHIERA 2013 Kresge Eminent Artist THE KRESGE EMINENT ARTIST AWARD HONORS AN EXCEPTIONAL ARTIST IN THE VISUAL, PEFORMING OR LITERARY ARTS FOR LIFELONG PROFESSIONAL ACHIEVEMENTS AND CONTRIBUTIONS TO METROPOLITAN DETROIT’S CULTURAL COMMUNITY. DAVID DICHIERA IS THE 2013 KRESGE EMINENT ARTIST. THIS MONOGRAPH COMMEMORATES HIS LIFE AND WORK. CONTENTS 3 Foreword 59 The Creation of “Margaret Garner” By Rip Rapson By Sue Levytsky President and CEO The Kresge Foundation 63 Other Voices: Tributes and Reflections 4 Artist’s Statement Betty Brooks Joanne Danto Heidi Ewing The Impresario Herman Frankel Denyce Graves 8 The Grand Vision of Bill Harris David DiChiera Kenny Leon By Sue Levytsky Naomi Long Madgett Nora Moroun 16 Timeline of a Lifetime Vivian R. Pickard Marc Scorca 18 History of Michigan Opera Theatre Bernard Uzan James G. Vella Overture to Opera Years: 1961-1971 Music Hall Years: 1972-1983 R. Jamison Williams, Jr. Fisher/Masonic Years: 1985-1995 Mayor Dave Bing Establishing a New Home: 1990-1995 Governor Rick Snyder The Detroit Opera House:1996 Senator Debbie Stabenow “Cyrano”: 2007 Senator Carol Levin Securing the Future By Timothy Paul Lentz, Ph.D. 75 Biography 24 Setting stories to song in MOTown 80 Musical Works 29 Michigan Opera Theatre Premieres Kresge Arts in Detroit 81 Our Congratulations 37 from Michelle Perron A Constellation of Stars Director, Kresge Arts in Detroit 38 The House Comes to Life: 82 A Note from Richard L. Rogers Facts and Figures President, College for Creative Studies 82 Kresge Arts in Detroit Advisory Council The Composer 41 On “Four Sonnets” 83 About the Award 47 Finding My Timing… 83 Past Eminent Artist Award Winners Opera is an extension of something that By David DiChiera is everywhere in the world – that is, 84 About The Kresge Foundation 51 Philadelphia’s “Cyranoˮ: A Review 84 The Kresge Foundation Board the combination of music and story.
    [Show full text]