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Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
The Lost Book of Enki.Pdf
L0ST BOOK °f6NK1 ZECHARIA SITCHIN author of The 12th Planet • . FICTION/MYTHOLOGY $24.00 TH6 LOST BOOK OF 6NK! Will the past become our future? Is humankind destined to repeat the events that occurred on another planet, far away from Earth? Zecharia Sitchin’s bestselling series, The Earth Chronicles, provided humanity’s side of the story—as recorded on ancient clay tablets and other Sumerian artifacts—concerning our origins at the hands of the Anunnaki, “those who from heaven to earth came.” In The Lost Book of Enki, we can view this saga from a dif- ferent perspective through this richly con- ceived autobiographical account of Lord Enki, an Anunnaki god, who tells the story of these extraterrestrials’ arrival on Earth from the 12th planet, Nibiru. The object of their colonization: gold to replenish the dying atmosphere of their home planet. Finding this precious metal results in the Anunnaki creation of homo sapiens—the human race—to mine this important resource. In his previous works, Sitchin com- piled the complete story of the Anunnaki ’s impact on human civilization in peacetime and in war from the frag- ments scattered throughout Sumerian, Akkadian, Babylonian, Assyrian, Hittite, Egyptian, Canaanite, and Hebrew sources- —the “myths” of all ancient peoples in the old world as well as the new. Missing from these accounts, however, was the perspective of the Anunnaki themselves What was life like on their own planet? What motives propelled them to settle on Earth—and what drove them from their new home? Convinced of the existence of a now lost book that formed the basis of THE lost book of ENKI MFMOHCS XND PKjOPHeCieS OF XN eXTfCXUfCWJTWXL COD 2.6CHXPJA SITCHIN Bear & Company Rochester, Vermont — Bear & Company One Park Street Rochester, Vermont 05767 www.InnerTraditions.com Copyright © 2002 by Zecharia Sitchin All rights reserved. -
Mesopotamian Mythology
MESOPOTAMIAN MYTHOLOGY The myths, epics, hymns, lamentations, penitential psalms, incantations, wisdom literature, and handbooks dealing with rituals and omens of ancient Mesopotamian. The literature that has survived from Mesopotamian was written primarily on stone or clay tablets. The production and preservation of written documents were the responsibility of scribes who were associated with the temples and the palace. A sharp distinction cannot be made between religious and secular writings. The function of the temple as a food redistribution center meant that even seemingly secular shipping receipts had a religious aspect. In a similar manner, laws were perceived as given by the gods. Accounts of the victories of the kings often were associated with the favor of the gods and written in praise of the gods. The gods were also involved in the established and enforcement of treaties between political powers of the day. A large group of texts related to the interpretations of omens has survived. Because it was felt that the will of the gods could be known through the signs that the gods revealed, care was taken to collect ominous signs and the events which they preached. If the signs were carefully observed, negative future events could be prevented by the performance of appropriate apotropaic rituals. Among the more prominent of the Texts are the shumma izbu texts (“if a fetus…”) which observe the birth of malformed young of both animals and humans. Later a similar series of texts observed the physical characteristics of any person. There are also omen observations to guide the physician in the diagnosis and treatment of patients. -
Lambert Walcot Kadmos 4 Dunnu
WARNING OF COPYRIGHT RESTRICTIONS1 The copyright law of the United States (Title 17, U.S. Code) governs the maKing of photocopies or other reproductions of the copyright materials. Under certain conditions specified in the law, library and archives are authorized to furnish a photocopy or reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than in private study, scholarship, or research.” If a user maKes a reQuest for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement. The Yale University Library reserves the right to refuse to accept a copying order, if, in its judgement fulfillment of the order would involve violation of copyright law. 137 C.F.R. §201.14 2018 KADMOS ZEITSCHRIFT FOR VOR- UND FRÜHGRIECHISCIIE EPIGRAPHIK IN VERBINDUNG MIT: EMMETT L. BENNETT-MADISON • WILLIAM C. BRICE-MANCHESTER PORPHYRIOS DIKAIOS-WALTHAM • KONSTANTINOS D. KTISTOPOULOS ATHENN. OLIVIER MASSON-PARIS • PIERO MERIGGI-PAVIA • FRITZ SCHACHE RMEYR-WIEN - JOHANNES SUNDWALL-HELSINGFORS HERAUSGEGEBEN VON ERNST GRUMACH BAND IV / HEFT 1 WA LTER DE G R U Y T E R & CO. / BERLIN LUNG - J. G. VERLAG 1TAhCOMP. ~ U CHHANDLUUNG -EORGG REIMER SK IKARL J.TRUBNER TTVE 1965 WILFRED G. LAMBERT and PETER WALCOT1 A NEW BABYLONIAN THEOGONY AND HESIOD A volume of cuneiform texts just published by the British Museum2 contains a short theogony, which is of interest to Classical scholars since it is closer to Hesiod's opening list of gods than any other cuneiform material of this category. -
Sr No. Village Name Consumer Name VSQ- 4466 (Village Wise Consumer Report)
VSQ- 4466 (Village wise Consumer Report) - PMUY Sr No. Village Name Consumer Name 1 ABHAYGARH KANAKU DEVI 2 ABHAYGARH RATAN KANWAR 3 ABHAYGARH BHANWAR KANWAR 4 ABHAYGARH BHAWANI KANWAR 5 ABHYGARH BHIKHU KANWAR 6 ABHYGARH BHANVRI KANWAR 7 ACHALAWATA SUNDARI DEVI 8 ACHALAWATA SHOBHA DEVI 9 ACHALAWATA DAKHU DEVI 10 ACHALAWATA MRS SAMUDRA 11 ACHALAWATA ANOPI DEVI 12 ACHALAWATA MRS GUDDI 13 ACHALAWATA KAMLA DEVI 14 ACHALAWATAN MOOLI DEVI 15 ACHALAWATAN PAPPU DEVI 16 ACHALAWATAN MRS BHANVARI 17 ACHALAWATAN MRS PUSHPA 18 AGOLAI HIRO DEVI 19 AGOLAI KAMALA KANWAR 20 AGOLAI HAVA KANWAR 21 AGOLAI LALITA 22 AGOLAI KANCHAN KANWAR 23 AGOLAI RASAL KANWAR 24 AGOLAI RUKAMO KANWAR 25 AGOLAI guddi kanwar 26 AGOLAI RAJO DEVI 27 AJABASAR MS. KAMLA KANWAR 28 AJBAR MS. BABLU KANVAR 29 AJEET GARH DHAPU DEVI 30 AJEET NAGAR KANWARU KANWAR 31 AJEET NAGAR GUDIYA CHOUDHARY 32 AJEET NAGAR SANTU DEVI 33 AJEET NAGAR GAVARI DEVI 34 AJEET NAGAR DHAI DEVI 35 AJEET NAGAR SHANTU DEVI 36 AJEET NAGAR KAMLA . 37 AJEET NAGAR PUSHPA . 38 AJEETGARH VEER KANWAR 39 AJEETGARH REKHA KANWAR 40 AJEETGARH ANACHI DEVI 41 AJEETGARH RUKHAMO DEVI 42 AJEETGARH MRS BABITA 43 AJEETGARH ANTAR KOR 44 AJEETGARH PUSHPA KANWAR 45 AJEETGARH PAPU KANWAR 46 AJEETGARH TARO KANWAR 47 AJEETGARH KANWARU KANWAR 48 AJEETGARH RASAL KANWAR 49 AJEETGARH MEERA DEVI 50 AJEETGARH SAYAR KANWAR 51 AJEETGARH BADAL KANWAR 52 AJEETGARH SHANTI KANWAR 53 AJEETGARH LALITA CHOUDHARY Sr No. Village Name Consumer Name 54 AJEETGARH PEP KANWAR 55 AJEETGARH RASAL KANWAR 56 AJEETGARH JASU KANWAR 57 AJEETGARH LILA KANWAR 58 AJEETGARH KHAMMA DEVI 59 AJIT GADH SUGAN KANWAR 60 AJITGARH CHIMU DEVI 61 AJITGARH KANWARU KANWAR 62 AJJETGADH SOHNI DEVI 63 AKADEEYAWALA MAGEJ KANWAR 64 ALIDAS NAGAR PAPPU KANWAR 65 ALIDAS NAGAR PARVATI DEVI 66 ALIDAS NAGAR NAINU KANWAR 67 ALIDAS NAGAR MOHANI DEVI 68 ALIDAS NAGAR PISTA DEVI 69 ALIDAS NAGAR PRAKASH KANWAR 70 ALIDAS NAGAR NAKHTU DEVI 71 ALIDAS NAGAR DHAPU . -
Mesopotamian Culture
MESOPOTAMIAN CULTURE WORK DONE BY MANUEL D. N. 1ºA MESOPOTAMIAN GODS The Sumerians practiced a polytheistic religion , with anthropomorphic monotheistic and some gods representing forces or presences in the world , as he would later Greek civilization. In their beliefs state that the gods originally created humans so that they serve them servants , but when they were released too , because they thought they could become dominated by their large number . Many stories in Sumerian religion appear homologous to stories in other religions of the Middle East. For example , the biblical account of the creation of man , the culture of The Elamites , and the narrative of the flood and Noah's ark closely resembles the Assyrian stories. The Sumerian gods have distinctly similar representations in Akkadian , Canaanite religions and other cultures . Some of the stories and deities have their Greek parallels , such as the descent of Inanna to the underworld ( Irkalla ) resembles the story of Persephone. COSMOGONY Cosmogony Cosmology sumeria. The universe first appeared when Nammu , formless abyss was opened itself and in an act of self- procreation gave birth to An ( Anu ) ( sky god ) and Ki ( goddess of the Earth ), commonly referred to as Ninhursag . Binding of Anu (An) and Ki produced Enlil , Mr. Wind , who eventually became the leader of the gods. Then Enlil was banished from Dilmun (the home of the gods) because of the violation of Ninlil , of which he had a son , Sin ( moon god ) , also known as Nanna . No Ningal and gave birth to Inanna ( goddess of love and war ) and Utu or Shamash ( the sun god ) . -
The Twelfth Planet
The Twelfth Planet The Earth Chronicles, #1 by Zecharia Sitchin, 1920-2010 Published: 1976 J J J J J I I I I I Table of Contents Author‘s Note Prologue Genesis. & Chapter 1 … The Endless Beginning. Chapter 2 … The Sudden Civilization. Chapter 3 … Gods of Heaven and Earth. Chapter 4 … Sumer: Land of the Gods. Chapter 5 … The Nefilim: People of the Fiery Rockets. Chapter 6 … The Twelfth Planet. Chapter 7 … The Epic of Creation. Chapter 8 … Kingship of Heaven. Chapter 9 … Landing on Planet Earth. Chapter 10 … Cities of the Gods. Chapter 11 … Mutiny of the Anunnaki. Chapter 12 … The Creation of Man. Chapter 13 … The End of All Flesh. Chapter 14 … When the Gods Fled from Earth. Chapter 15 … Kingship on Earth. Sources About the Series Acknowledgements * * * * * Illustrations 1-1 Flintstones 1-2 Man has been preserved [attached] 1-3 Wearing some kind of goggles 2-4 Alphabets 2-5 Winged Globe 2-6 Layout of City 2-7 Cuneiform 2-8 Storage of Grains 2-9 Measuring rod and rolled string 2-10 Tablet of Temple [attached] 2-11 Ziggurat (Stairway to Heaven) 2-12 Cylinder Seal 2-13 Mathematical System 2-14 Surgical Thongs 2-15 Medical Radiation Treatment 2-16 Toga-style Clothing 2-17 Headdress 2-18 Head Jewelry 2-19 Horse Power 2-20 Harp Playing 2 Ancient Cities [attached] 3-21 Battle between Zeus and Typhon 3-22 Aphrodite 3-23 Jupiter 3-24 Taurus, Celestial Bull 3-25 Hittite Warriors 3-26 Hittite Warriors and Deities 3-27 Hittite Male and Female Deities 3-28 Meeting of Great Gods 3-29 Deities Meeting, Beit-Zehir 3-30 Eye Goggles of Gods 3-31 Goggles -
Sibel Özbudun
Sibel Özbudun SİYASAL İKTİDARIN KURULMA VE KURUMSALLAŞMA SURECİNDE TÖRENLERİN İŞLEVLERİ 7H17IRC7IR K O P L 7 IR ARAŞTIRMA - İNCELEME DİZİSİ ANAHTAR KİTAPLAR YAYINEVİ Kloüfarer Cad. İletişim Han No:7 Kat:2 34400 Cağaloğlu-İstanbul Tel.: (0.212) 518 54 42 Fax: (0.212)638 11 12 SİBEL ÖZBUDUN AYİNDEN TÖRENE SİYASAL İKTİDARIN KURULMA VE KURUMSALLAŞMA SÜRECİNDE TÖRENLERİN İŞLEVLERİ AYİNDEN TÖRENE SİBEL ÖZBUDUN Kitabın Özgün Adı: Ayinden Törene Yayın Hakları: © Sibel Özbudun / Anahtar Kitaplar - 1997 Kapak Grafik: İrfan Ertel Kapak Resmi Tasarımlı Mustafa Deniz Arun Kapak Filmi: Ebru Grafik Baskı: Ceylan Matbaacılık Birinci Basım: Mart 1997 ISBN 975-7787-52-3 SİBEL ÖZBUDUN AYİNDEN • • TÖRENE SİYASAL İKTİDARIN KURULMA VE KURUMSALLAŞMA SÜRECİNDE TÖRENLERİN İŞLEVLERİ Geleceğin ‘töremiz’ toplumu için... S.Ö. İÇİNDEKİLER Önsöz........................................... .............................. 9 1. Bölüm: Kuramsal Çerçeve, Yöntem, Tanımlar, Yaklaşımlar........................................................ 11 1.1. Kuramsal Çerçeve.............................................................. 11 1.2. Yöntem................................................ *........ .................. 13 1.3. Tanımlar........................................................................... 16 1.4. Yaklaşımlar....................................................................... 21 1.4.1. Antropolojide Başlıca Yaklaşımlar............................. 21 1.4.2. Mitos ve Ayin Hareketi............................................. 24 1.4.3. Son Dönem Yaklaşımları......................................... -
The Mesopotamians Hungered for What? Literature, Material Culture, and Other Histories
Recebido: December 28, 2017│ Accepted: January 12, 2018 THE MESOPOTAMIANS HUNGERED FOR WHAT? LITERATURE, MATERIAL CULTURE, AND OTHER HISTORIES Kátia Maria Paim Pozzer1 Abstract The analyzes of the symbolic meaning of food, the culinary habits and the behavior at the table were stimulated by the New Cultural History and favored the studies on the relations between food, culture and social structure. Thus, in this article we intend to discuss the Mesopotamian banquet, its sacred roots, the myths of food creation, the material culture and the rich iconography on the subject. Keywords Mesopotamia; food; material culture; literature. Resumo As análises sobre a significação simbólica dos alimentos, os hábitos culinários e o comportamento à mesa foram impulsionadas pela Nova História Cultural e favoreceram os estudos sobre as relações entre alimentação, cultura e estrutura social. Assim, neste artigo pretendemos discutir o banquete mesopotâmico, suas raízes sagradas, os mitos de criação dos alimentos, a cultura material e a rica iconografia existente sobre o tema. Palavras-chave Mesopotâmia; alimentação; cultura material; literatura. 1 Assistant Professor, Federal University of Rio Grande do Sul, Porto Alegre, Brazil. E- mail: [email protected] Heródoto, Unifesp, Guarulhos, v. 2, n. 2, Dezembro, 2017. p. 153-167 - 153 - Participate in an academic homage to Prof. Pedro Paulo de Abreu Funari is a privilege because it means that at some point in my professional life I met Pedro Paulo (as he is affectionately called) and I was able to share his wisdom and generosity. Undoubtedly, Prof. Funari is one of the Brazilian exponents of History and Archeology, with greater insertion and international recognition. -
Sumerian Religion
1 אנשר אנשר (באכדית: Anshar או Anshur, מילולית:"ציר השמיים") הוא אל שמים מסופוטמי קדום. הוא מתואר כבן זוגה של אחותו קישאר. הזוג יחדיו מציינים את השמים (ההברה אן) והארץ (ההברה קי) במיתוס הבריאה אנומה אליש והם נמנים עם הדור השני לבריאה, ילדיהם של המפלצות לחמו (Lahmu) ולחאמו (Lahamu) ונכדיהם של תיאמת (Tiamat) ואפסו (Apsu), המסמנים את המים המלוחים והמתוקים בהתאמה. בתורם, הם בעצמם הוריו של אל שמים אחר בשם אנו (Anu). החל מימי סרגון השני, החלו האשורים לזהות את אנשר עם אשור בגירסתם למיתוס הבריאה, בגרסה זו בת זוגו היא נינ-ליל (NinLil). ערך זה הוא קצרמר בנושא מיתולוגיה. אתם מוזמנים לתרום לוויקיפדיה ו להרחיב אותו [1]. האל אנשר עומד על פר, נתגלה בחפירות העיר אשור הפניות editintro=%D7%AA%D7%91%D7%A0%D7%99%D7%AA%3A%D7%A7%D7%A6%D7%A8%D7%9E%D7%A8%2F%D7%94%D7%A8%D7%97%D7%91%D7%94&action=edit&http://he.wikipedia.org/w/index.php?title=%D7%90%D7%A0%D7%A9%D7%A8 [1] המקורות והתורמים לערך 2 המקורות והתורמים לערך אנשר מקור: https://he.wikipedia.org/w/index.php?oldid=13750401 תורמים: GuySh, Ori, רועים המקורות, הרישיונות והתורמים לתמונה קובץ:Asur-Stier.PNG מקור: https://he.wikipedia.org/w/index.php?title=קובץ:Asur-Stier.PNG רישיון: Public Domain תורמים: Evil berry, Foroa, Gryffindor תמונה:Perseus-slays-medusa.jpg מקור: https://he.wikipedia.org/w/index.php?title=קובץ:Perseus-slays-medusa.jpg רישיון: GNU Free Documentation License תורמים: Bibi Saint-Pol, Editor at Large, Funfood, G.dallorto, Jastrow, Lokal Profil, Peter Andersen, Sreejithk2000 AWB, 4 עריכות אלמוניות רישיון Creative Commons Attribution-Share Alike 3.0 /creativecommons.org/licenses/by-sa/3.0// Anu 1 Anu This article is about a myth. -
Mythsandlegends 11
하얀파도의 神話想像世界 11 - 메소포타미아 2010 신화ㆍ상상세계 사전 (神話ㆍ想像世界 辭典) 제11권 메소포타미아 일러두기 이 글을 제가 여기저기의 글을 편집해서 만든 신화ㆍ상상세계 사전의 열한 번째 부분이다. 티그리스와 유프라테스 강 사이에 있는 메소포타미아의 신화와 전설을 모 았다. 아직까지 Encyclopedia Mythica와 조철수의 『수메스 신화』에서 발췌한 내 용이 대부분이다. 하지만 조철수 교수는 세계에서 수메르어를 전공한 몇 안되는 분 중 한 분이기 때문에 앞으로 영어로 표기된 발음이 아니고 수메르어에 가까운 표기 로 수메르 신화를 접할 수 있을 것 같다. [ ] 안에 지역을 집어넣어 구별할 수 있도록 하였습니다. 책이름은 『 』에 넣 고, 잡지나 신문 등 기타는 「 」에 넣었다. (2008.8) 수메르 사람들은 기원전 4천경에 물건을 상징하는 물표를 만들어 그 표면에 물건 의 특색을 그려 넣어서 사용했다. 기원전 3300년경에 상형문자와 숫자를 쓰기 시작 했다. 그들은 중국 사람들처럼 많은 상형문자를 만들지 않았다. 기원전 2600년경에 는 사용하는 문자가 줄어들어 약 700개의 문자만 썼다. 수메르 사람들은 기존의 문 자를 조합해서 새로운 낱말로 만들어 썼다. 중국 사람들도 기존의 글자를 이용해서 새로운 뜻을 표현했지만, 그들은 새로운 글자를 만들어 냄으로써 글자 수가 기하급 수적으로 늘어나게 만들었다. 수메르 사람들은 “루(lu2, 사람)”와 “갈(gal, 큰)”을 합쳐서 갈루(GAL.LU2)로 표기 하고 루갈로 읽었다. 그 뜻은 “왕”이 되었다. 하지만 “큰 사람”을 말하는 경우에는 루-갈(lu2-gal)로 표기했다. 한편 한 문자를 여러 음으로 발음하고 그 뜻도 각기 다 른 경우가 있다. “입”은 카(ka)인데, “말하다”라는 뜻인 “둑(dug4)”으로 읽거나 “말 씀”이라는 뜻인 “이님(inim)”, “이빨”이라는 뜻인 “주(zu)”로 읽기도 했다. 수메르 사람들은 모든 단어를 표의문자로 만들지 않았다. “꿈”이라는 단어는 “마 무드(mamud)”라고 하는데, “꿈”이라는 표의문자를 만들지 않고 2개 음절로 “마-무 드(ma-mud)”로 표기했다. -
BABYLONIAN CREATION from the Enuma Elish, 2050-1750 BC
BABYLONIAN CREATION From the Enuma Elish, 2050-1750 BC Before anything had a name, before there was firm ground or sky or the sun and moon there was Apsu, the sweet water sea and Tiamat, the salt water sea. When these two seas mingled, they created the gods Lahmu and Lahamu, who rose from the silt at the edge of the water. When Lahmu and Lahamu joined, they created the great gods Anshar, Kishar and Anu. From this generation of gods there arose mighty Ea and his many brothers. Ea and his brothers were restless - they surged over the waters day and night. Neither Apsu nor Tiamat could get any rest. They tried to plead with the gods to tread softly, but powerful Ea didn’t hear them. Apsu decided the only way to have some peace was to destroy Ea and his brothers. He began to plot their demise with some of the first generation gods. But Ea heard of their plans and struck him down first. This began a war among the gods. Tiamat was furious that her mate was killed, and she began producing great and ferocious monsters to slay Ea and his brothers. She created poisonous dragons and demons and serpents. She created the Viper, the Sphinx, the Lion, the Mad Dog and Scorpion Man. The chief of them all was called Kingu. He led the army of Tiamat’s monsters into heaven against Ea and his brothers to avenge Apsu’s death. While Tiamat fashioned her army, Ea and the goddess Damkina created the great god Marduk.