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Hologram Curaçao, 2018 First Edition
Hologram Curaçao, 2018 First edition This book is written by; John H Baselmans-Oracle Cover design are from the hand of; John H Baselmans-Oracle Illustrations Different artists With thanks to all those people who are supporting me. Copyrights All rights on text and drawings reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopy, recording or otherwise, without prior written permission from LoBa productions, except for brief quotes with an acknowledgement. Bulk copies of this book can be obtained by contacting LoBa Productions at http://www.world-of-positive-energy.com. No part of this work is intended to be a substitute for professional medical, pastoral or psychological guidance or treatment. Production/Design: LoBa Productions ISBN 978-1-387-72155-9 Hologram Is de wereld een hologram? John H Baselmans - Oracle 4 HOLOGRAM Is de wereld een hologram? 5 Inhoud Voorwoord 8 Hoofdstuk 1 1-1 In den beginnen 11 1-2 Om gewoon eens over na te denken 14 1-3 Wat is het geheim rond en om de Anunnaki? 16 1-4 De tabletten 26 1-5 Tablet van Lord Enki 31 1-6 Even nog wat verder denken 53 1-7 Parallel Universum / Parallel Wereld 55 1-8 Even het woordje “onderwereld” 57 1-9 Wat de geleerden zeggen over Goden 59 1-10 Enkele goden vernoemd 76 1-11 Het Heelal / Universum en haar goden 87 1-12 Licht 108 Hoofdstuk 2 2-1 Inleiding 117 2-2 De onder- en de bovenwereld, bestaan deze? 117 2-3 Waarom zijn het vaticaan en de joodse gemeenschap zo bang? 124 -
1 Inanna Research Script
INANNA RESEARCH SCRIPT (to be cut and shaped for performance) By Peggy Firestone Based on Translations of Clay Tablets from Sumer By Samuel Noah Kramer 1 [email protected] (773) 384-5802 © 2008 CAST OF CHARACTERS In order of appearance Narrators ………………………………… Storytellers & Timekeepers Inanna …………………………………… Queen of Heaven and Earth, Goddess, Immortal Enki ……………………………………… Creator & Organizer of Earth’s Living Things, Manager of the Gods & Goddesses, Trickster God, Inanna’s Grandfather An ………………………………………. The Sky God Ki ………………………………………. The Earth Goddess (also known as Ninhursag) Enlil …………………………………….. The Air God, inventor of all things useful in the Universe Nanna-Sin ………………………………. The Moon God, Immortal, Father of Inanna Ningal …………………………………... The Moon Goddess, Immortal, Mother of Inanna Lilith ……………………………………. Demon of Desolation, Protector of Freedom Anzu Bird ………………………………. An Unholy (Holy) Trinity … Demon bird, Protector of Cattle Snake that has no Grace ………………. Tyrant Protector Snake Gilgamesh ……………………………….. Hero, Mortal, Inanna’s first cousin, Demi-God of Uruk Isimud ………………………………….. Enki’s Janus-faced messenger Ninshubur ……………………………… Inanna’s lieutenant, Goddess of the Rising Sun, Queen of the East Lahamma Enkums ………………………………… Monster Guardians of Enki’s Shrine House Giants of Eridu Utu ……………………………………… Sun God, Inanna’s Brother Dumuzi …………………………………. Shepherd King of Uruk, Inanna’s husband, Enki’s son by Situr, the Sheep Goddess Neti ……………………………………… Gatekeeper to the Nether World Ereshkigal ……………………………. Queen of the -
Cuneiform Monographs
VANSTIPHOUT/F1_i-vi 4/26/06 8:08 PM Page ii Cuneiform Monographs Editors t. abusch ‒ m.j. geller s.m. maul ‒ f.a.m. wiggerman VOLUME 35 frontispiece 4/26/06 8:09 PM Page ii Stip (Dr. H. L. J. Vanstiphout) VANSTIPHOUT/F1_i-vi 4/26/06 8:08 PM Page iii Approaches to Sumerian Literature Studies in Honour of Stip (H. L. J. Vanstiphout) Edited by Piotr Michalowski and Niek Veldhuis BRILL LEIDEN • BOSTON 2006 VANSTIPHOUT/F1_i-vi 4/26/06 8:08 PM Page iv This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data is available on http: // catalog.loc.gov ISSN 0929-0052 ISBN-10 90 04 15325 X ISBN-13 978 90 04 15325 7 © Copyright 2006 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill Academic Publishers, Martinus Nijhoff Publishers, and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands VANSTIPHOUT/F1_i-vi 4/26/06 8:08 PM Page v CONTENTS Piotr Michalowski and Niek Veldhuis H. L. J. Vanstiphout: An Appreciation .............................. 1 Publications of H. -
Burn Your Way to Success Studies in the Mesopotamian Ritual And
Burn your way to success Studies in the Mesopotamian Ritual and Incantation Series Šurpu by Francis James Michael Simons A thesis submitted to the University of Birmingham for the degree of Doctor of Philosophy Department of Classics, Ancient History and Archaeology School of History and Cultures College of Arts and Law University of Birmingham March 2017 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract The ritual and incantation series Šurpu ‘Burning’ is one of the most important sources for understanding religious and magical practice in the ancient Near East. The purpose of the ritual was to rid a sufferer of a divine curse which had been inflicted due to personal misconduct. The series is composed chiefly of the text of the incantations recited during the ceremony. These are supplemented by brief ritual instructions as well as a ritual tablet which details the ceremony in full. This thesis offers a comprehensive and radical reconstruction of the entire text, demonstrating the existence of a large, and previously unsuspected, lacuna in the published version. In addition, a single tablet, tablet IX, from the ten which comprise the series is fully edited, with partitur transliteration, eclectic and normalised text, translation, and a detailed line by line commentary. -
Eski Anadolu Ve Eski Mezopotamya'da Tanrıça Kültleri
T.C. NECMETTİN ERBAKAN ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİM DALI ESKİÇAĞ TARİHİ BİLİM DALI ESKİ ANADOLU VE ESKİ MEZOPOTAMYA’DA TANRIÇA KÜLTLERİ KADER BAĞDERE YÜKSEK LİSANS TEZİ DANIŞMAN: DOÇ. DR. MUAMMER ULUTÜRK KONYA-2021 T.C. NECMETTİN ERBAKAN ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ TARİH ANABİLİM DALI ESKİÇAĞ TARİHİ BİLİM DALI ESKİ ANADOLU VE ESKİ MEZOPOTAMYA’DA TANRIÇA KÜLTLERİ KADER BAĞDERE YÜKSEK LİSANS TEZİ DANIŞMAN: DOÇ. DR. MUAMMER ULUTÜRK KONYA-2021 T.C. NECMETTİN ERBAKAN ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü BİLİMSEL ETİK SAYFASI Adı Soyadı Kader Bağdere Numarası 18810501035 Ana Bilim / Bilim Dalı Tarih/Eskiçağ Programı Tezli Yüksek Lisans X Doktora Öğrencinin Tezin Adı Eski Anadolu ve Eski Mezopotamya’da Tanrıça Kültleri Bu tezin hazırlanmasında bilimsel etiğe ve akademik kurallara özenle riayet edildiğini, tez içindeki bütün bilgilerin etik davranış ve akademik kurallar çerçevesinde elde edilerek sunulduğunu, ayrıca tez yazım kurallarına uygun olarak hazırlanan bu çalışmada başkalarının eserlerinden yararlanılması durumunda bilimsel kurallara uygun olarak atıf yapıldığını bildiririm. Öğrencinin Adı Soyadı İmzası i T.C. NECMETTİN ERBAKAN ÜNİVERSİTESİ Sosyal Bilimler Enstitüsü Müdürlüğü ÖZET Adı Soyadı Kader Bağdere Numarası 18810501035 Tarih/Eskiçağ Tarihi Ana Bilim / Bilim Dalı Tezli Yüksek Lisans X Programı Doktora Öğrencinin Tez Danışmanı Doç. Dr. Muammer Ulutürk Eski Anadolu ve Eski Mezopotamya’da Tanrıça Kültleri Tezin Adı Anadolu ve Mezopotamya yüzyıllar boyunca pek çok medeniyete ev sahipliği yapmıştır. Bu topraklar üzerinde birçok kavim doğmuş, varlığını sürdürmüş ve yok olmuştur. Bu bölgeler çok uluslu bir yapıya sahiptir. Çok uluslu olması, dinin de çok tanrılı olmasına neden olmuştur. Hem Anadolu’da hem Mezopotamya’da birçok tanrıça inanışı oluşmuştur. Anadolu’nun en mühim tanrıçası Kibele’dir. -
ANIMAL SACRIFICE in ANCIENT MESOPOTAMIAN RELIGION The
CHAPTER FOURTEEN ANIMAL SACRIFICE IN ANCIENT MESOPOTAMIAN RELIGION JOANN SCURLOCK The relationship between men and gods in ancient Mesopotamia was cemented by regular offerings and occasional sacrifices of ani mals. In addition, there were divinatory sacrifices, treaty sacrifices, and even "covenant" sacrifices. The dead, too, were entitled to a form of sacrifice. What follows is intended as a broad survey of ancient Mesopotamian practices across the spectrum, not as an essay on the developments that must have occurred over the course of several millennia of history, nor as a comparative study of regional differences. REGULAR OFFERINGS I Ancient Mesopotamian deities expected to be fed twice a day with out fail by their human worshipers.2 As befitted divine rulers, they also expected a steady diet of meat. Nebuchadnezzar II boasts that he increased the offerings for his gods to new levels of conspicuous consumption. Under his new scheme, Marduk and $arpanitum were to receive on their table "every day" one fattened ungelded bull, fine long fleeced sheep (which they shared with the other gods of Baby1on),3 fish, birds,4 bandicoot rats (Englund 1995: 37-55; cf. I On sacrifices in general, see especially Dhorme (1910: 264-77) and Saggs (1962: 335-38). 2 So too the god of the Israelites (Anderson 1992: 878). For specific biblical refer ences to offerings as "food" for God, see Blome (1934: 13). To the term tamid, used of this daily offering in Rabbinic sources, compare the ancient Mesopotamian offering term gimi "continual." 3 Note that, in the case of gods living in the same temple, this sharing could be literal. -
Miscellaneous Babylonian Inscriptions
MISCELLANEOUS BABYLONIAN INSCRIPTIONS BY GEORGE A. BARTON PROFESSOR IN BRYN MAWR COLLEGE ttCI.f~ -VIb NEW HAVEN YALE UNIVERSITY PRESS LONDON HUMPHREY MILFORD OXFORD UNIVERSITY PRESS MDCCCCXVIII COPYRIGHT 1918 BY YALE UNIVERSITY PRESS First published, August, 191 8. TO HAROLD PEIRCE GENEROUS AND EFFICIENT HELPER IN GOOD WORKS PART I SUMERIAN RELIGIOUS TEXTS INTRODUCTORY NOTE The texts in this volume have been copied from tablets in the University Museum, Philadelphia, and edited in moments snatched from many other exacting duties. They present considerable variety. No. i is an incantation copied from a foundation cylinder of the time of the dynasty of Agade. It is the oldest known religious text from Babylonia, and perhaps the oldest in the world. No. 8 contains a new account of the creation of man and the development of agriculture and city life. No. 9 is an oracle of Ishbiurra, founder of the dynasty of Nisin, and throws an interesting light upon his career. It need hardly be added that the first interpretation of any unilingual Sumerian text is necessarily, in the present state of our knowledge, largely tentative. Every one familiar with the language knows that every text presents many possi- bilities of translation and interpretation. The first interpreter cannot hope to have thought of all of these, or to have decided every delicate point in a way that will commend itself to all his colleagues. The writer is indebted to Professor Albert T. Clay, to Professor Morris Jastrow, Jr., and to Dr. Stephen Langdon for many helpful criticisms and suggestions. Their wide knowl- edge of the religious texts of Babylonia, generously placed at the writer's service, has been most helpful. -
Humbaba Research Packet.Pdf
HUMBABA Research Packet Compiled by Cassi Schiano and Christine Scarfuto CONTENTS: History of the Epic of Gilgamesh Summary of the Epic (and the Twelve Tablets) Character Info on Gilgamesh, Enkidu, and Humbaba Brief Historical Info: Babylon Ancient Rome The Samurai Colonial England War in Afghanistan 1 History of The Epic of Gilgamesh The Epic of Gilgamesh is epic poetry from Mesopotamia and is among the earliest known works of literature. The story revolves around a relationship between Gilgamesh (probably a real ruler in the late Early Dynastic II period ca. 27th century BC) and his close male companion, Enkidu. Enkidu is a wild man created by the gods as Gilgamesh's equal to distract him from oppressing the citizens of Uruk. Together they undertake dangerous quests that incur the displeasure of the gods. Firstly, they journey to the Cedar Mountain to defeat Humbaba, its monstrous guardian. Later they kill the Bull of Heaven that the goddess Ishtar has sent to punish Gilgamesh for spurning her advances. The latter part of the epic focuses on Gilgamesh's distressed reaction to Enkidu's death, which takes the form of a quest for immortality. Gilgamesh attempts to learn the secret of eternal life by undertaking a long and perilous journey to meet the immortal flood hero, Utnapishtim. Ultimately the poignant words addressed to Gilgamesh in the midst of his quest foreshadow the end result: "The life that you are seeking you will never find. When the gods created man they allotted to him death, but life they retained in their own keeping." Gilgamesh, however, was celebrated by posterity for his building achievements, and for bringing back long-lost cultic knowledge to Uruk as a result of his meeting with Utnapishtim. -
Lambert Walcot Kadmos 4 Dunnu
WARNING OF COPYRIGHT RESTRICTIONS1 The copyright law of the United States (Title 17, U.S. Code) governs the maKing of photocopies or other reproductions of the copyright materials. Under certain conditions specified in the law, library and archives are authorized to furnish a photocopy or reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than in private study, scholarship, or research.” If a user maKes a reQuest for, or later uses, a photocopy or reproduction for purposes in excess of “fair use,” that user may be liable for copyright infringement. The Yale University Library reserves the right to refuse to accept a copying order, if, in its judgement fulfillment of the order would involve violation of copyright law. 137 C.F.R. §201.14 2018 KADMOS ZEITSCHRIFT FOR VOR- UND FRÜHGRIECHISCIIE EPIGRAPHIK IN VERBINDUNG MIT: EMMETT L. BENNETT-MADISON • WILLIAM C. BRICE-MANCHESTER PORPHYRIOS DIKAIOS-WALTHAM • KONSTANTINOS D. KTISTOPOULOS ATHENN. OLIVIER MASSON-PARIS • PIERO MERIGGI-PAVIA • FRITZ SCHACHE RMEYR-WIEN - JOHANNES SUNDWALL-HELSINGFORS HERAUSGEGEBEN VON ERNST GRUMACH BAND IV / HEFT 1 WA LTER DE G R U Y T E R & CO. / BERLIN LUNG - J. G. VERLAG 1TAhCOMP. ~ U CHHANDLUUNG -EORGG REIMER SK IKARL J.TRUBNER TTVE 1965 WILFRED G. LAMBERT and PETER WALCOT1 A NEW BABYLONIAN THEOGONY AND HESIOD A volume of cuneiform texts just published by the British Museum2 contains a short theogony, which is of interest to Classical scholars since it is closer to Hesiod's opening list of gods than any other cuneiform material of this category. -
Sr No. Village Name Consumer Name VSQ- 4466 (Village Wise Consumer Report)
VSQ- 4466 (Village wise Consumer Report) - PMUY Sr No. Village Name Consumer Name 1 ABHAYGARH KANAKU DEVI 2 ABHAYGARH RATAN KANWAR 3 ABHAYGARH BHANWAR KANWAR 4 ABHAYGARH BHAWANI KANWAR 5 ABHYGARH BHIKHU KANWAR 6 ABHYGARH BHANVRI KANWAR 7 ACHALAWATA SUNDARI DEVI 8 ACHALAWATA SHOBHA DEVI 9 ACHALAWATA DAKHU DEVI 10 ACHALAWATA MRS SAMUDRA 11 ACHALAWATA ANOPI DEVI 12 ACHALAWATA MRS GUDDI 13 ACHALAWATA KAMLA DEVI 14 ACHALAWATAN MOOLI DEVI 15 ACHALAWATAN PAPPU DEVI 16 ACHALAWATAN MRS BHANVARI 17 ACHALAWATAN MRS PUSHPA 18 AGOLAI HIRO DEVI 19 AGOLAI KAMALA KANWAR 20 AGOLAI HAVA KANWAR 21 AGOLAI LALITA 22 AGOLAI KANCHAN KANWAR 23 AGOLAI RASAL KANWAR 24 AGOLAI RUKAMO KANWAR 25 AGOLAI guddi kanwar 26 AGOLAI RAJO DEVI 27 AJABASAR MS. KAMLA KANWAR 28 AJBAR MS. BABLU KANVAR 29 AJEET GARH DHAPU DEVI 30 AJEET NAGAR KANWARU KANWAR 31 AJEET NAGAR GUDIYA CHOUDHARY 32 AJEET NAGAR SANTU DEVI 33 AJEET NAGAR GAVARI DEVI 34 AJEET NAGAR DHAI DEVI 35 AJEET NAGAR SHANTU DEVI 36 AJEET NAGAR KAMLA . 37 AJEET NAGAR PUSHPA . 38 AJEETGARH VEER KANWAR 39 AJEETGARH REKHA KANWAR 40 AJEETGARH ANACHI DEVI 41 AJEETGARH RUKHAMO DEVI 42 AJEETGARH MRS BABITA 43 AJEETGARH ANTAR KOR 44 AJEETGARH PUSHPA KANWAR 45 AJEETGARH PAPU KANWAR 46 AJEETGARH TARO KANWAR 47 AJEETGARH KANWARU KANWAR 48 AJEETGARH RASAL KANWAR 49 AJEETGARH MEERA DEVI 50 AJEETGARH SAYAR KANWAR 51 AJEETGARH BADAL KANWAR 52 AJEETGARH SHANTI KANWAR 53 AJEETGARH LALITA CHOUDHARY Sr No. Village Name Consumer Name 54 AJEETGARH PEP KANWAR 55 AJEETGARH RASAL KANWAR 56 AJEETGARH JASU KANWAR 57 AJEETGARH LILA KANWAR 58 AJEETGARH KHAMMA DEVI 59 AJIT GADH SUGAN KANWAR 60 AJITGARH CHIMU DEVI 61 AJITGARH KANWARU KANWAR 62 AJJETGADH SOHNI DEVI 63 AKADEEYAWALA MAGEJ KANWAR 64 ALIDAS NAGAR PAPPU KANWAR 65 ALIDAS NAGAR PARVATI DEVI 66 ALIDAS NAGAR NAINU KANWAR 67 ALIDAS NAGAR MOHANI DEVI 68 ALIDAS NAGAR PISTA DEVI 69 ALIDAS NAGAR PRAKASH KANWAR 70 ALIDAS NAGAR NAKHTU DEVI 71 ALIDAS NAGAR DHAPU . -
Mesopotamian Culture
MESOPOTAMIAN CULTURE WORK DONE BY MANUEL D. N. 1ºA MESOPOTAMIAN GODS The Sumerians practiced a polytheistic religion , with anthropomorphic monotheistic and some gods representing forces or presences in the world , as he would later Greek civilization. In their beliefs state that the gods originally created humans so that they serve them servants , but when they were released too , because they thought they could become dominated by their large number . Many stories in Sumerian religion appear homologous to stories in other religions of the Middle East. For example , the biblical account of the creation of man , the culture of The Elamites , and the narrative of the flood and Noah's ark closely resembles the Assyrian stories. The Sumerian gods have distinctly similar representations in Akkadian , Canaanite religions and other cultures . Some of the stories and deities have their Greek parallels , such as the descent of Inanna to the underworld ( Irkalla ) resembles the story of Persephone. COSMOGONY Cosmogony Cosmology sumeria. The universe first appeared when Nammu , formless abyss was opened itself and in an act of self- procreation gave birth to An ( Anu ) ( sky god ) and Ki ( goddess of the Earth ), commonly referred to as Ninhursag . Binding of Anu (An) and Ki produced Enlil , Mr. Wind , who eventually became the leader of the gods. Then Enlil was banished from Dilmun (the home of the gods) because of the violation of Ninlil , of which he had a son , Sin ( moon god ) , also known as Nanna . No Ningal and gave birth to Inanna ( goddess of love and war ) and Utu or Shamash ( the sun god ) . -
Asher-Greve / Westenholz Goddesses in Context ORBIS BIBLICUS ET ORIENTALIS
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2013 Goddesses in Context: On Divine Powers, Roles, Relationships and Gender in Mesopotamian Textual and Visual Sources Asher-Greve, Julia M ; Westenholz, Joan Goodnick Abstract: Goddesses in Context examines from different perspectives some of the most challenging themes in Mesopotamian religion such as gender switch of deities and changes of the status, roles and functions of goddesses. The authors incorporate recent scholarship from various disciplines into their analysis of textual and visual sources, representations in diverse media, theological strategies, typologies, and the place of image in religion and cult over a span of three millennia. Different types of syncretism (fusion, fission, mutation) resulted in transformation and homogenization of goddesses’ roles and functions. The processes of syncretism (a useful heuristic tool for studying the evolution of religions and the attendant political and social changes) and gender switch were facilitated by the fluidity of personality due to multiple or similar divine roles and functions. Few goddesses kept their identity throughout the millennia. Individuality is rare in the iconography of goddesses while visual emphasis is on repetition of generic divine figures (hieros typos) in order to retain recognizability of divinity, where femininity is of secondary significance. The book demonstrates that goddesses were never marginalized or extrinsic and thattheir continuous presence in texts, cult images, rituals, and worship throughout Mesopotamian history is testimony to their powerful numinous impact. This richly illustrated book is the first in-depth analysis of goddesses and the changes they underwent from the earliest visual and textual evidence around 3000 BCE to the end of ancient Mesopotamian civilization in the Seleucid period.