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Wilbert Ubbens Kommunikationshistorische Wilbert Ubbens Kommunikationshistorische Aufsätze in Zeitschriften des Jahres 2011 (mit Nachträgen und Korrekturen für die Jahre 1998 – 2010) (Unvollständig veröffentlicht in JbKG 14 (2012) S. 243-337) 10.2 Einzelne Personen Abrosimov, Kirill: Wissensordnungen der Aufklärung. Diderots Kommunikationsstrategien zwischen der ›Encyclopédie‹ und der ›Correspondance littéraire‹ von Friedrich Melchior Grimm. In: Francia: Forschungen zur westeuropäischen Geschichte 38 (2011) S. 93-126. [Über Denis Diderot (1713 – 1784) als Mitarbeiter der Zeitschrift von Grimm (1723 – 1807) 1753 – 1773] Ackermann, Gregor u. Momme Brodersen: Der Filmkritiker Hans Sahl und sein Artikel »Das Dritte Reich des Films«. In: Exil: Forschung, Erkenntnisse, Ergebnisse 31 (2011) 1, S. 31-33. [Sahl (1902 – 1993) nebst Abdruck des Artikels aus ›Die neue Weltbühne‹ 2 (1933) 28 vom 13.7.1933, S. 26-30] Agde, Günter: Achim Freyers Filme. Ein Kino-Nachtrag zum 65. Geburtstag des Künstlers. In: Filmblatt 4 (1999) 12, S. 12-16. [Freyer (geb. 1934)] Agde, Günter: Kameramann deutscher Wochenschauen: Albert Ammer. In: Filmblatt 16 (2011) 46/47, S. 31-40. [Ammer (1916 – 1991)] Agde, Günter: Stalin meets Piscator. In: Filmblatt 5 (2000) 13, S. 39-45. [Erwin Piscator (1893 – 1966) 1934] Agde, Günter: Schöpferischer Urlaub, ahnungsloser Abschied. Unveröffentlichte Briefe von Joris Ivens 1935/36. Nebst: Texte. In: Filmblatt 4 (1999) 11, S. 34-48. [Über den Dokumentarfilmer Ivens (1898 – 1989] Albera, François: L’Assassinat du duc de Guise, produit »semi-fini«? In: 1895: Revue de l’Association Française de Recherche sur l’Histoire du Cinéma (2008) 56, S. 94-122. [Über den Film von Charles Le Bargy (1858 – 1936), André Calmette (1861 – 1942) und Henri Lavedan (1859 – 1940) 1908] Allen, Julie K.: Denmark’s ugly ducklings. Georg Brandes and Asta Nielsen’s metacultural contributions to constructions of Danish national identity. In: Scandinavian studies 83 (2011) 1, S. 63-90. [Über den Literaturkritiker Brandes (1842 – 1927) und die Filmschauspielerin Nielsen (1881 – 1972) seit 1914] Allen, Michael: Deserted histories: The Lumiere Brothers, the pyramids and early film form. In: Early popular visual culture 6 (2008) 2, S. 159-170. [Über den Filmstreifen ›Les Pyramids (vue générale)‹ von Alexandre Promio (1868 – 1927) 1897] Anyinefo, Koffi: Du roman au film: ›L’Enfant noir‹. In: Cahiers d’etudes africaines 45 (2005) 177, S. 239-255. [Über den Film von Laurent Chevallier (geb. 1955) 1995 nach dem gleichnamigen Roman von Camara Laye 1953] Aparicio Nevado, Felipe: »La Caza del Hombre«, recreación de un motive legendario, novelesco e historico en ›La Caza‹ de Carlos Saura. In: Arbor: Ciencia, pensiamento y cultura 187 (2011) 748, S. 269-277. [Über den Film von Saura (geb. 1932) 1966] Arnulf, Albert: Henri Chrétien (1879 – 1956). In: Film history 15 (2003) 1, S. 5-10. [Über den Filmtechniker] Asper, Helmut G.: Exilanten, Kollaborateure und Nazis: Fritz Kortners antifaschistische Theaterarbeit im Exil und in Nachkriegsdeutschland 1937 – 1950. In: Exil: Forschung, Erkenntnisse, Ergebnisse 31 (2011) 1, S. 5-25. [Über Film- und Theaterarbeit von Kortner (1892 – 1970)] Asper, Helmut G.: »Für Ihre files will ich Ihnen ein paar Facts geben.« Richard Oswald and Siegfried Kracauer über seine Filmarbeiten in der Weimarer Republik und im amerikanischen Exil. In: Filmblatt 5 (2000) 14, S. 22-27. [Oswald (1880 - 1963)] Auer, Michael E.: Inter-titles and calendar-time: Godard’s history of manners. In: Quarterly review of film and video 28 (2011) 1, S. 1-12. [Über den Film ›Le Week-End‹ von Jean-Luc Godard (geb. 1930) 1967] Backe, Hans-Joachim: Von der Superhelden-Fiktion zur Meta-Helden-Fiktion. ›Watchmen‹ und die Dekonstruktion des Heldentums. In: Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften 39 (2011) 1, S. 5-19. [Über die Comicserie von Alan Moore (geb. 1953) und Dave Gibbons (geb. 1949) 1985] Barnes, John: ›Mary Jane’s Mishap‹: An early British film re-examined. In: Film history 16 (2004) 1, S. 54-59. [Über den Film von George Albert Smith (1864 – 1959) 1903] Barra, Sebastian Sierra: X-Men. Evolutionstheoretische Spekulationen. In: Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften 39 (2011) 1, S. 71-81. [Über die Comic-Serie von Stan Lee (geb. 1922) und Jack Kirby (1917 – 1994) 1963] Barron, Lee: What if Zarathustra had not spoken? Alex North’s counterfactual soundtrack to ›2001: A Space Odyssey‹. In: New review of film and television studies 9 (2011) 1, S. 84-94. [Über die nicht verwendete Filmmusik von North (1910 – 1991) zum Film von Stanley Kubrick (1928 – 1999) 1968] Barten, Egbert: Dutch Anti-Semitic colour animation in World War II: Robert van Genechten’s ›Van den Vos Reynaerde‹ (1943). In: Historical journal of film, radio and television 31 (2011) 1, S. 1-42. [Über den Film von Egbert van Putten nach dem Roman von Genechten (1895 – 1945) 1943] Baumbach, Sibylle: Totgesagte streiten länger. Das Elysium als Austragungsort gelehrter Polemik in George Lytteltons ›Dialogues of the Dead‹ (1760 – 1765). In: Zeitsprünge: Forschungen zur Frühen Neuzeit 15 (2011) 2/3, S. 404-426. [Über Lyttelton (1709 – 1773) und das publizistische Genre der »Gespräche aus dem Reich der Toten«] Becerra Suárez, Carmen: El Mito de Don Juan en el cine: De Molière a Jacques Weber. In: Arbor: Ciencia, pensiamento y cultura 187 (2011) 748, S. 259-267. [Über den Film ›Don Juan‹ von Weber (geb. 1949) 1998] Beckmann, Christopher: Lambert Lensing (1889 – 1965), Zeitungsverleger, Mitbegründer der CDU, Landesvorsitzender der CDU Westfalen-Lippe. In: Historisch-politische Mitteilungen: Archiv für Christlich-Demokratische Politik 14 (2007) S. 153-186. Beilenhoff, Wolfgang: Montage 1929, Montage 1939. In: Montage/AV 20 (2011) 1, S. 213- 222. [Über den Filmregisseur Sergej Michailovic Ejženstejn (1898 – 1948)] Ben-Zvi, Linda: Beckett and television: In a different context. In: Modern drama 44 (2006) 4, S. 469-490. [Über die Arbeiten von Beckett (1906 – 1989) für das Fernsehen] Benson-Allott, Caetlin: Undoing violence: Politics, genre, and duration in Kathryn Bigelow’s cinema. In: Film quarterly 64 (2010/2011) 2, S. 33-43. [Bigelow (geb. 1951) seit 1982] Benthien, Claudia: Albertines Traum. Paradoxien des Handlungsbegriffs in Schnitzlers »Traumnovelle« und Kubricks ›Eyes Wide Shut‹. In: Paragrana: Internationale Zeitschrift für Historische Anthropologie 18 (2009) 2, S. 230-241. [Über den Film von Stanley Kubrick (1928 – 1999) 1999] Bergen-Aurand, Brian: The Skin of the other. Documentary, ethics, embodiment. In: Journal of information ethics 19 (2010) 2, S. 100-113. [Über den Dokumentarfilmer Jay Rosenthal (geb. 1955)] Bergstrom, Janet: Généalogie du ›Carosse d’or‹ de Jean Renoir. In: 1895: Revue de l’Association Française de Recherche sur l’Histoire du Cinéma (2010) 62, S. 76-103. [Über den Film von Renoir (1894 – 1979) 1952] Bergstrom, Janet: Murnau in America: Chronicle of lost films. In: Film history 14 (2002) 3/4, S. 430-460. [Friedrich Wilhelm Murnau (1888 – 1930) nach 1926] Bernard, Birgit: Herr P. und die Rote Rosa. In: Info 7: Medien, Archive, Information 26 (2011) 3, S. 50-54. [Über die Hörerpost von Waldemar Pabst und Franz von Papen an den Intendanten des WDR Klaus von Bismarck zu einem Kommentar von Helmut Lindemann (1912 – 1998) im Bayerischen Rundfunk vom 1.9.1966 resp. im WDR vom 4.9.1966 zum Fernsehspiel von Walter Jens »Die rote Rosa« über Rosa Luxemburg] Bernard, Birgit: »Wem gehört der Osten?« Jürgen Rühle und die Ost-West-Redaktion Fernsehen des Westdeutschen Rundfunks (1963 – 1985). In: Rundfunk und Geschichte 37 (2011) 3/4, S. 96-101. [Über den Redakteur Rühle (1924 - 1986)] Berthomé, Jean-Pierre: Saul Bass et Alfred Hitchcock: Trois marriages et un enterrement. In: 1895: Revue de l’Association Française de Recherche sur l’Histoire du Cinéma (2009) 57, S. 74-97. [Über die Zusammenarbeit von Bass (1920 – 1996) und Hitchcock (1899 – 1980) an 3 Filmen 1958, 1959, 1960] Betzwieser, Thomas: Filmmusik vs. Kunstlied: Ravel, Ibert, Schaljapin und G. W. Pabsts ›Don Quichotte‹ (1933). In: Archiv für Musikwissenschaft 64 (2007) 2, S. 156-177. [Über die Musik im Film von Georg Wilhelm Pabst (1885 - 1967)] Beutin, Wolfgang: »Beide Nationen kenne ich genau, beide Länder sind gewissermaßen meine Vaterland, beide Völker meine Landsleute.« Ein Deutscher als napoleonischer Offizier, als Schriftsteller sowie als »Auswanderer« in Frankreich: Johann Konrad Friederich (1789 – 1858). In: Forum Vormärz Forschung FVF: Jahrbuch 10 (2004) S. 209-266. [Über den Journalisten und Schriftsteller] Bickenbach, Matthias: Terror nicht Horror. Die Technologie der Angst und ihre Mediengeschichte in ›Ring‹. In: Zeitschrift für Medien- und Kulturforschung ZMK (2009) 0, Inaugural issue, S. 167-183. [Über den Film von Hideo Nakata (geb. 1961) 1998] Bieniasz, Lukasz: Ferdinand Hirt und das Verlagswesen im Vormärz. In: Berichte und Forschungen: Jahrbuch des Bundesinstituts für Kultur und Geschichte der Deutschen im östlichen Europa 18 (2010) S. 204-212. [Über den Buchhändler und Verleger Hirt (1810 – 1879)] Biltereyst, Daniël u. Thunnis van Oort: Censuurmodaliteiten, disciplineringspraktijken en film. Een comparatieve analyse van de historische receptie van Sergej Eisensteins ›Pantserkruiser Potemkin‹ (1925) in België en Nederland. In: Tijdschrift voor sociale en economische geschiedenis 8 (2011) 1, S. 53-82. [Vergleich der Zensurpraktiken am Fall des Films von Eisenstein (1898 – 1948)] Binder, Anne-Berenike: Playing with gender. Repräsentationscodierungen von »Männlichkeit« und »Weiblichkeit« in ›Shakespeare
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