The Beautiful; Decorative 1992 Medieval Calendar!
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Lauren Morgan Richard III's Bestial Masculinity and the Rhetoric Of
Morgan 1 Lauren Morgan Richard III’s Bestial Masculinity and the Rhetoric of Animality in Thomas More's The History of King Richard III and The True Tragedie of Richard the Third Due to more recent scholarship by feminist and queer theorists, the study of gender in the early modern period tends to shift its focus on the marginalized by allocating agency to those outside the apex of male-dominated power structures. Rather than analyzing those outside the center, I focus within the structure by exposing incongruities that existed inside male performances of masculinity in early modern patriarchy. More specifically, I aim to demonstrate how Richard III, through Tudor discourse, functions as a beast figure who disrupts order and traditional lines of succession due to his excessive masculine aggression and monstrous violence. The literary accounts which follow the death and history of Richard Duke of Gloucester offer rich complexity to the evolving discourse on his reign and character. During the Tudor Era, he was examined in “ballads and beast fables, riddles and prophecies, chronicles and histories, verse complaints, paradoxes and plays in both Latin and English” (Schwyzer 173), featured most prominently as a bestial character, a boar personified, akin to the beast he used as his badge. For Tudor writers, much of what is written surrounding Richard III’s reign colluded in the Tudor characterization of the fifteenth century monarch as the embodiment of war, bloodshed, and instability – a beast-fable figure who appears as a warning against masculine misrule. These characterizations feature most prominently in Thomas More’s History of King Richard III and the anonymous The True Tragedie of Richard the Third. -
Wars of the Roses Background Notes
Wars of the Roses Background Notes Source 1 – Portrait of Edward III This portrait of Edward III hangs in the South Quire Aisle of St George’s Chapel. It shows Edward as an old man, wearing the crown of England, holding the orb of state, and carrying his 6 foot sword, piercing the crowns of Scotland and France. In addition, he wears the George suspended from a blue ribbon, the insignia of his great establishment, the Order of the Garter. In the account book of Henry Beaumont, Canon Treasurer [SGC XV.59.32], we find the following entry in 1615: Maii 24 Ki. Ed. 3. oure founders picture 8li et ultra ijs ijd per billam mri Baker viijli ijs ijd [May 24: King Edward III our founder’s picture £8 and an additional 2s 2d by Mr Baker’s bill £8 2s 2d] 3 days later, on the 27th May, an entry records that a curtain was made by Daye and Berdill to hang over the painting, at a cost of 17s 8d. In 1347 following triumphs in France, Edward wanted a way to reward those who had stood by him and helped him achieve his successes. His new Order of the Garter would do this. As originally conceived by Edward, the Order of the Garter would consist of twenty-four knights including the Sovereign. By 1352, this number had increased to twenty-six. These knights would be bound together by the chivalric code and loyalty to their monarch. There are many mysteries surrounding the identity of St George, but the most commonly believed is that he was a soldier in the Roman Army, part of the imperial guard of Emperor Diocletian. -
Alaris Capture Pro Software
The Red Rose of Lancaster? JOHN ASHDOWN—HILL In the fifteenth century the rival houses of Lancaster and York fought the ‘Wars of the Roses’ for possession of the crown. When, in 1485, the new Tudor monarch, Henry VII, brought these wars to an end, he united, by his mam'age to Elizabeth of York, the red rose of Lancaster and the white rose of York, to create a new emblem and a new dynasty. Thus was born the Tudor rose. So might run a popular account, and botanists, searching through the lists of medieval rose cultivars, have even proposed identifications of the red rose of Lancaster with Rosa Gallica and the white rose of York with Rosa Alba, while the bi-coloured Tudor rose is linked to the naturally occurring variegated sport of Rosa Gallica known as ‘Rosa Mundi’ (Rosa Gallica versicolor), or alternatively, to the rather paler Rosa Damascena versicolor. It should, perhaps, be observed that Rosa Gallica, while somewhat variable in colour. is more likely to be a shade of pink than bright red, and Rosa Alba, while generally white in colour, also occurs in shades of pink, so that in nature the colour~distinction between the two roses is not always clear. ‘Rosa Mundi’ is also strictly speaking variegated in two shades of pink, rather than being literally red and white.‘ The label ‘Wars of the Roses’was a late invention, first employed only in 1829, by Sir Walter Scott, in his romantic novel Anne of Geierstein.2 The story of the rose emblems might appear on casual inspection to be well-founded, for we find ample evidence of Tudor roses bespattering Tudor coinage and royal architecture, for example, at Hampton Court, the Henry VII chapel at Westminster, and at Cambridge, on the gates of Christ’s and St John’s Colleges, and in King’s College chapel. -
The Livery Collar: Politics and Identity in Fifteenth-Century England
The Livery Collar: Politics and Identity in Fifteenth-Century England MATTHEW WARD, SA (Hons), MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy AUGUST 2013 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, lS23 7BQ www.bl.uk ANY MAPS, PAGES, TABLES, FIGURES, GRAPHS OR PHOTOGRAPHS, MISSING FROM THIS DIGITAL COPY, HAVE BEEN EXCLUDED AT THE REQUEST OF THE UNIVERSITY Abstract This study examines the social, cultural and political significance and utility of the livery collar during the fifteenth century, in particular 1450 to 1500, the period associated with the Wars of the Roses in England. References to the item abound in government records, in contemporary chronicles and gentry correspondence, in illuminated manuscripts and, not least, on church monuments. From the fifteenth century the collar was regarded as a potent symbol of royal power and dignity, the artefact associating the recipient with the king. The thesis argues that the collar was a significant aspect of late-medieval visual and material culture, and played a significant function in the construction and articulation of political and other group identities during the period. The thesis seeks to draw out the nuances involved in this process. It explores the not infrequently juxtaposed motives which lay behind the king distributing livery collars, and the motives behind recipients choosing to depict them on their church monuments, and proposes that its interpretation as a symbol of political or dynastic conviction should be re-appraised. After addressing the principal functions and meanings bestowed on the collar, the thesis moves on to examine the item in its various political contexts. -
Heraldic Badges, We
P/zoto . S ooner p . ) F 1 0 I . f f - A ee eater (Tower o London) in his full dre ss unifo rm s ho win the B , g o f “ e ancient method earing the badg . ARTH UR CH ARL ES FO " - DAVIES ’ O F L x N O L - - C N s IN N , BA R R IST ER AT LA W WIT H NUME ROUS I L L U S T R A T I O N S LO DO : OH LA THE BODL Y H AD N N J N NE , E E N EW YORK : OH LA CO PA Y C VI I J N NE M N . M M WI L I M L W L D L S . L A C O ES A N D SON S , LT D . , O N DON A N BECC E L IS T OF IL L US TR A TION S F IG . 1 A f T ower o f L f - s . Bee eater ( ondon) in his ull dre s uni f n o f orm , showing the a cient method wearing the badge Frontispie ce T O F AC E PAG E 2 o f E f 2 2 . The Badge ngland , rom the Royal Warrant o f f 3 . The Badge Scotland , rom the Royal Warrant e of f 4 . The Badg Ireland , rom the Royal Warrant o f f 5 The second Badge Ireland , rom the Royal War rant 6 fl o f U f . The ( oral) Badge the nited Kingdom , rom the Royal Warrant o f U n f t he 7 . -
2, Imported Cosmetics and Colonial Crucibles
Lynn M. Thomas [email protected] please do not cite or quote without author’s permission Chapter Two. Imported Cosmetics and Colonial Crucibles: Pre-histories to the Twentieth-century Use of Commercial Skin Lighteners This draft chapter is part of my current book project that examines the production, consumption, and opposition to skin lighteners in South Africa and tracks how these processes were intimately related to developments in Europe, Asia, East Africa, the broader southern Africa region, and particularly the United States. Although skin lighteners generated significant profits and controversy in all of these locales over the past century, they have garnered scarce historical attention. The overarching aim of this transregional and transnational history is to demonstrate how changing politics of gender, race, and consumption developed through the movement of people, ideas, and especially things between a range of locations. Much of my book is focused on the second half of the twentieth century. In the wake of the Second World War, the sale of skin lighteners took off as black South Africans became more engaged in capitalist consumer culture and the elaboration of apartheid further heightened the political and social salience of nuances in skin color. By the 1960s, skin lighteners were a mass produced and consumed commodity in South Africa; one marketing survey from 1969 found that among urban African women, skin lightening creams ranked as the fourth most commonly used household product after soap, tea, and tinned milk. Over the 1970s, two different forms of opposition to skin lighteners emerged: one rooted in the Black Consciousness movement and its political affirmation of “Black is Beautiful,” and the other, in medical professionals’ health concerns over the main active ingredients then found in skin lighteners, notably ammoniated 2 mercury and hydroquinone. -
People's Democratic Republic of Algeria Ministry of Higher Education
People’s Democratic Republic of Algeria Ministry of Higher Education and Scientific Research University Abd El Hamid Ibn Badis Faculty of Foreign Languages Department of English Master in Literature and Interdisciplinary Approaches The US Beauty Industry and the Other Face of Racism towards the 21st Century African -American Women Dissertation Submitted in Partial Fulfillment for the Degree of Master in Literature and Interdisciplinary Approaches Submitted By: Reguig Khadidja Board of Examiners: Chairperson: Ms. Bellel Hanane Supervisor: Mr. Teguia Cherif Examiner: Mrs. Adnani Rajaa 2018-2019 Dedication It is my genuine gratefulness and warmest regard that I dedicate this work to my beloved people who have meant and continue to mean so much to me. Although some of them are no longer in this world, their memories will always stay engraved in my heart. First and foremost, to my dear late grandmother Fatma who taught me kindness. To my family: my parents, my brothers and sisters for believing in me and for their unceasing encouragements and support. I would like to dedicate my work to my friends from secondary school days: Sarra and Omar. Unfortunately, I cannot mention everyone by name, it would take a lifetime. Just make sure you all count so much to me. Without your prayers, benedictions, sincere love and help, I would have never completed this dissertation. i Acknowledgements First and foremost, I would like to express my sincere gratitude to my supervisor Mr. Teguia Cherif for his continuous support, patience, motivation, and immense knowledge. His guidance helped me all the time of research and writing of this dissertation. -
The Richard Iii Society Mail Order Catalogue: Issue No 22 – January 2021 Books and Pamphlets
THE RICHARD III SOCIETY MAIL ORDER CATALOGUE: ISSUE NO 22 – JANUARY 2021 BOOKS AND PAMPHLETS PRICE M 1/ P&P STOCK REF TITLE/DESCRIPTION PRICE NON UK/EU/ROW M 2 215 A Year in the Life of Medieval England Toni Mount The medieval era is often associated with dynastic struggles, gruesome wars and £3.85 the formidable influence of the Church. But what about the everyday experience £9.50 £4.50 of the royal subjects and common people? Here can be found the fabric of £10.50 medieval life as it was really lived, in its folk songs, recipes and local gossip. £4.70 With a diverse range of entries – one for each day of the year – historian Toni Mount provides an almanac for lovers of all things medieval. Now in paperback 207 The Betrayal of Richard III VB Lamb & Peter Hammond. £2.50 In this classic work, Peter Hammond and the late VB Lamb survey the life and £7.50 times of Richard III and examine the contemporary evidence for the events of £3.97 £8.50 his reign. An ideal introduction to one of the greatest mysteries of English £4.98 history, this new edition is revised by Peter Hammond and includes an introduction and notes. Paperback 267 Brought Up of Nought: A History of the Woodvile Family NEW Lynda Pidgeon £4.55 £24.00 Brought Up of Nought investigates the family origins and explains the rise and £6.50 fall of the senior branch from 'baron' to gentry, and how, in the early fifteenth £28.00 £9.50 century, the wheel of fortune turned dramatically in favour of the junior branch in Northamptonshire, which rose to the highest level of society. -
Lead Poisoning from the Colonial Period to the Present
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1996 Lead Poisoning from the Colonial Period to the Present Elsie Irene Eubanks College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Biological and Physical Anthropology Commons, History of Science, Technology, and Medicine Commons, and the United States History Commons Recommended Citation Eubanks, Elsie Irene, "Lead Poisoning from the Colonial Period to the Present" (1996). Dissertations, Theses, and Masters Projects. Paper 1539626037. https://dx.doi.org/doi:10.21220/s2-3p5y-hz98 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. LEAD POISONING FROM THE COLONIAL PERIOD TO THE PRESENT A Thesis Presented to The Faculty of the Department of Anthropology The College of William and Mary In Partial Fulfillment of the Requirements for the Degree of Master of Arts by Elsie Irene Eubanks 1996 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Author Approved, May 1996 <yf/f ' Norman Barka Marley Brown J Theodore Reinhart TABLE OF CONTENTS Page LIST OF TABLES ABSTRACT INTRODUCTION ..................................................................................................... 2 CHAPTER I. ARCHAEOLOGY AND HUMAN LEAD BONE CONTENT ............................................................................ 8 CHAPTER II. A STUDY OF HISTORIC LEAD GLAZED CERAMICS ......................................................................... 16 CHAPTER III. JOSIAH WEDGWOOD - A STUDY OF LEAD AND THE P O T T E R ................................................................... -
Nooks and Corners of English Life, Past and Present by John Timbs
Nooks and Corners of English Life, Past and Present by John Timbs I. Early English Life. DWELLING-PLACES OF THE EARLY BRITONS. t has been well observed that the structure of a house reveals much of the mode of life adopted by its inhabitants. The representations of the dwellings of the people of the less cultivated parts of Europe, contrasted with those of the more cultivated countries, should afford us the means of comparing their different degrees of civilization. In the same manner we may measure the growth of improvement in any one country by an attentive consideration of the structure and arrangement of the homes of the people at different periods. The aboriginal Britons are described as dwelling in slight cabins of reeds and wattles, and in some instances in caverns of the earth, many sets of which, arranged with some degree of symmetry, antiquaries have recognised; but Cæsar tells us that the maritime tribes had buildings in[Pg 2] the fashion of the Gauls—that is, of wood, of a circular figure, and thatched. Such towns as they had were clusters of huts erected on a cleared portion of the forest, which covered the greater part of the island; and they were invariably surrounded by a rampart, constructed of felled trees strongly interlaced and wattled, and a deep fosse, which together formed a fortification. The site of the modern city of London, with the river Thames in front, the river Fleet on the west, and an almost inpenetrable forest in the rear, may be taken as a fair specimen of the locality usually selected for the residence of the British Chief.[1] That our ancestors lived in caves is attested by the existence of a group of these abodes near Penzance, the most remarkable of all ancient British Caves hitherto discovered in Cornwall, and thus described by Mr. -
2020-21 Course Descriptions
2020-21 Course Descriptions Students should consult their success adviser and faculty adviser each quarter prior to registering for courses to be sure they are meeting graduation requirements for their course of study and taking appropriate electives. ACCESSORY DESIGN UNDERGRADUATE ACCE 101 Accessory Design Immersion Students discover the world of fashion accessory design with an in-depth exploration of the evolution of accessory trends, brands and research methodologies. Students learn to sketch accessory concepts, make patterns and select finishing techniques to bring accessory ideas to fruition. Through operating sewing machines, cutting tables and skiving machines students learn how to craft accessories with skill and precision. Prerequisite(s): DRAW 100, DSGN 102, any major or minor except accessory design. ACCE 110 Sewing Technology for Accessory Design This course introduces students to the industry practices involved in producing accessories. Students also are introduced to decorative ornamentation techniques while applying these techniques to accessory design. Basic patternmaking skills are taught and provide the foundation for future courses in accessory design. Prerequisite(s): None. ACCE 120 Materials and Processes for Accessory Design This course introduces students to core materials used in the implementation of accessory design products. By exploring the qualities and properties of traditional materials, students learn the basics of traditional and nontraditional materials. Students explore a variety of techniques related to accessory design with leather, from tanning to production. This course also explores alternative materials used in accessory products such as rubber, synthetics, woods and metals, as well as cements. This course requires experimentation culminating in a final project which explores individualized processes and material manipulation. -
British Heraldry (1921)
BERKELEY / LIBRARY ^ UNIVERSITY OF CALIFORNIA J BRITISH HERALDRY BRITISH HERALDRY I, Arms of James I. 2, Great Seal of Scotland BRITISH HERALDRY CYRIL DAVENPORT V.D.. J.P., F.S.A. WITH 210 ILLUSTRATIONS BY TH^ AUTHOR NEW YORK E. P. DUTTON AND COMPANY PUBLISHERS Digitized by the Internet Arciiive in 2007 witii funding from IVIicrosoft Corporation littp://www.archive.org/details/britislilieraldryOOdavericli — CKicii CONTENTS CHAPTER I PAGE The Beginnings of Armory—The Bayeux Tapestry—Early Heraldic Manuscripts—The Heralds* College—Tourna- ments I CHAPTER n Shields and their Divisions— Colours a; d their Linear Repre- sentations as Designed by Silvestro Petra Sancta—Furs Charges on Shields— Heraldic Terms as to position and Arrangement of Charges—Marshalling—Cadency—How to Draw Up Genealogical Trees 13 CHAPTER HI Badges and Crests— List of Crests of Peers and Baronets, 191 2- 1920 53 CHAPTER IV Supporters—List of Supporters of Peers and Baronets, 1912- 1920 .143 CHAPTER V The Royal Heraldry of Great Britain and Ireland . 200 Index 217 166 — —— LIST OF ILLUSTRATIONS rms of James I. Great Seal of Scotland . Frontispiece PAGE late I. Ancient Heraldry 2 I. English Shield from the Bayeux Tapestry—2. North American Tent with Armorial Totem—3. Rhodian Warrior with Armorial Shield 4. Standardof Duke William of Normandy— 5. Greek figure of Athene with Armorial Shield— 6. Norse Chessman with Armorial Shield 7. Standard of King Harold— 8. Norman Shield from the Bayeux Tapestry—9. Dragon Standard of Wessex. ate II. Divisions of Shields of Arms, etc 14 I. Paly—2. Bendy Sinister—3. Lozengy—4, Barry—5.