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Exhibit Overview
Exhibit Overview Exhibit Summary All aboard to explore! Shrill whistles and the unmistakable clatter of wheels rolling over rails float across the pastoral landscape. Friendly chatter fills the air. It is a unique land that has held a special place in the hearts and imaginations of children for generations. Welcome to the Island of Sodor! In Thomas & Friends: Explore the Rails children explore and interact with the familiar faces and sights from HIT Entertainment’s popular series. Designed for children 2 through 7 (and their adult caregivers) the exhibit combines exciting play opportunities with important concepts in Science, Technology, Engineering, and Math (STEM), and an emphasis on developing 21st century skills. These ideas are woven and layered throughout the exhibit, creating an experience that speaks to a diversity of interests, age groups, and learning styles. As they travel through the space, children help Thomas and his friends solve a variety of challenges. These interactive opportunities range from simple sorting and shape identification to more complicated engineering obstacles. As children confront new challenges and test their skills, the smiling faces of Thomas, Percy, and others are there to offer encouragement and remind children of how “useful” we all are. 6 Rationale “Lying in bed as a child I would hear a heavy goods train coming in and stopping at Box Station…There was no doubt in my mind that steam engines all had definite personalities. I would hear them snorting up the grade and little imagination was needed to hear in the puffings and pantings of the two engines the conversations they were having with one another: "I can't do it! I can't do it!" "Yes you can! Yes you can!" -Rev. -
Yorkshire Painted and Described
Yorkshire Painted And Described Gordon Home Project Gutenberg's Yorkshire Painted And Described, by Gordon Home This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Yorkshire Painted And Described Author: Gordon Home Release Date: August 13, 2004 [EBook #9973] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK YORKSHIRE PAINTED AND DESCRIBED *** Produced by Ted Garvin, Michael Lockey and PG Distributed Proofreaders. Illustrated HTML file produced by David Widger YORKSHIRE PAINTED AND DESCRIBED BY GORDON HOME Contents CHAPTER I ACROSS THE MOORS FROM PICKERING TO WHITBY CHAPTER II ALONG THE ESK VALLEY CHAPTER III THE COAST FROM WHITBY TO REDCAR CHAPTER IV THE COAST FROM WHITBY TO SCARBOROUGH CHAPTER V Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. SCARBOROUGH CHAPTER VI WHITBY CHAPTER VII THE CLEVELAND HILLS CHAPTER VIII GUISBOROUGH AND THE SKELTON VALLEY CHAPTER IX FROM PICKERING TO RIEVAULX ABBEY CHAPTER X DESCRIBES THE DALE COUNTRY AS A WHOLE CHAPTER XI RICHMOND CHAPTER XII SWALEDALE CHAPTER XIII WENSLEYDALE CHAPTER XIV RIPON AND FOUNTAINS ABBEY CHAPTER XV KNARESBOROUGH AND HARROGATE CHAPTER XVI WHARFEDALE CHAPTER XVII SKIPTON, MALHAM AND GORDALE CHAPTER XVIII SETTLE AND THE INGLETON FELLS CHAPTER XIX CONCERNING THE WOLDS CHAPTER XX FROM FILEY TO SPURN HEAD CHAPTER XXI BEVERLEY CHAPTER XXII ALONG THE HUMBER CHAPTER XXIII THE DERWENT AND THE HOWARDIAN HILLS CHAPTER XXIV A BRIEF DESCRIPTION OF THE CITY OF YORK CHAPTER XXV THE MANUFACTURING DISTRICT INDEX List of Illustrations 1. -
The Elsworth Chronicle
The Elsworth Chronicle Issue No. 11 December 1997 SPOTLIGHT ON REV. DR. MICHAEL REISS PRIEST IN CHARGE AT HOLY TRINITY CHURCH, ELSWORTH The Rev. Dr. Michael Reiss has been appointed to Elsworth to serve the church and people following the retirement of Rev. Hugh Mosedale. Many readers will have met Michael and, no doubt, been curious about his background in the warm inquiring manner which marks our village. Michael is a scientist and a Christian, being one of many who contrary to seeing conflict between the two, finds they are complementary. He studied biology at Trinity College here in Cambridge both as an undergraduate and post graduate student, being awarded his doctorate in 1982. Subsequently he pursued post-doctoral research, and following studies for the Post Graduate Certificate in Education - also in Cambridge - he taught for 5 years at Hills Road 6th Form College before being appointed to the Department of Education in the University. In 1994 he took up his present post as senior lecturer in biology at Homerton College, Cambridge. Michael's formal preparation to serve God through the church ran in parallel with his scientific research and teaching, studying as a student of theology from 1987-90 under the East Anglian Ministerial Training Course. As such, studies had to be fitted in alongside his everyday work. Since ordination he has helped during the interregnum at Bourn and Kingston from 1993-4 and at Toft in 1995. Again his endeavours had to be fitted in with his full-time work. Now at Elsworth, Knapwell and Boxworth until a full-time minister is in office, Michael has deliberately chosen to integrate his work in the church with his at academic interests rather than pursue a full-time ministry within the church. -
Thomas the Tank Engine Complete Collection PDF Book
THOMAS THE TANK ENGINE COMPLETE COLLECTION PDF, EPUB, EBOOK Rev. Wilbert Vere Awdry | 416 pages | 09 Oct 2014 | Egmont UK Ltd | 9781405275576 | English | London, United Kingdom Thomas the Tank Engine Complete Collection PDF Book Random House Children's Books. Want to Read saving…. View Product. The Very Quiet Cricket. Reginald Payne being the unknown, to many, second artist of the series, after the first had an unlikable style, Payne created the original iconic look of Thomas and his friends. And have! We've got you covered with the buzziest new releases of the day. Very good in a very good moderate shelf wear and creasing dust jacket. Awdry, made up to accompany this wonderful toy were first published in Thomas and his friends are trains on the island of Sodor. I loved this so much. A timeless classic that has influenced many, ever since the first book, 'The Three Railway Engines', was published in , with the second book in entitled 'Thomas The Tank Engine', the 'Railway Series', or the 'Thomas the Tank Engine stories', as they are now called, has had an impact on the lives of many a child or adult, culminating in the Reverend's son, Christopher, continuing the range with sixteen more books, the beginning of the hit series in , and a devoted fanbase. ISBN Reprint. I'll confess that I a The author of the Thomas books was a clergyman, and I'm torn between two thoughts. Hardcover —. Please try again later. Still in plastic packaging. We spent a month or two reading through this book. -
Parish of Skipton*
294 HISTORY OF CRAVEN. PARISH OF SKIPTON* HAVE reserved for this parish, the most interesting part of my subject, a place in Wharfdale, in order to deduce the honour and fee of Skipton from Bolton, to which it originally belonged. In the later Saxon times Bodeltone, or Botltunef (the town of the principal mansion), was the property of Earl Edwin, whose large possessions in the North were among the last estates in the kingdom which, after the Conquest, were permitted to remain in the hands of their former owners. This nobleman was son of Leofwine, and brother of Leofric, Earls of Mercia.J It is somewhat remarkable that after the forfeiture the posterity of this family, in the second generation, became possessed of these estates again by the marriage of William de Meschines with Cecilia de Romille. This will be proved by the following table:— •——————————;——————————iLeofwine Earl of Mercia§=j=......... Leofric §=Godiva Norman. Edwin, the Edwinus Comes of Ermenilda=Ricardus de Abrineis cognom. Domesday. Goz. I———— Matilda=.. —————— I Ranulph de Meschines, Earl of Chester, William de Meschines=Cecilia, daughter and heir of Robert Romille, ob. 1129. Lord of Skipton. But it was before the Domesday Survey that this nobleman had incurred the forfeiture; and his lands in Craven are accordingly surveyed under the head of TERRA REGIS. All these, consisting of LXXVII carucates, lay waste, having never recovered from the Danish ravages. Of these-— [* The parish is situated partly in the wapontake of Staincliffe and partly in Claro, and comprises the townships of Skipton, Barden, Beamsley, Bolton Abbey, Draughton, Embsay-with-Eastby, Haltoneast-with-Bolton, and Hazlewood- with-Storithes ; and contains an area of 24,7893. -
Upper Wharfedale
UPPER WHARFEDALE. BEING A COMPLETE ACCOUNT OF THE HISTORY, ANTIQUITIES AND SCENERY OF THE PICTURESQUE VALLEY OF THE WHARFE, FROM OTLEY TO LANGSTROTHDALE. BY HARRY SPEIGHT, AUTHOR OF " ROMANTIC RICHMONDSHIRE " " NIDDERDALE AND THE GARDEN OF THE NIDD " , " CRAVEN AND NORTH-WEST YORKSHIRE HIGHLANDS, " ETC. ILLUSTRATED. LONDON: ELLIOT STOCK, 62, PATERNOSTER ROW, E.C. 1900. Entered at Stationers' Hall. PREFACE. HE present treatise on Upper Wharfedale is offered in continuation of the series of my published volumes on the history, antiquities and scenery of the Yorkshire Dales . The work, I must own, makes no pretence to literary excellence, nor is absolute accuracy in all details guaranteed, yet I humbly claim it to be the fullest and I hope the most reliable survey of the district embraced now extant. While much of a general and descriptive character has been written on this exceedingly popular and picturesque valley, it must be noted that with the exception of such records as are contained in the History of Craven by Dr. Whitaker, first published in 18o5, no attempt has hitherto been made to deal succinctly and adequately with the varied concerns of its extensive parishes in what may be considered the spirit of modern topographical enquiry. Dr. Whitaker, followed by his able editor, Mr. A. W. Morant, F.S.A ., will always be honored for the great value of his original researches, which however principally concern manorial history and the titles and lineage of the great lords who had either by inheritance or purchase a possessory right in the soil . His work, moreover, embracing the whole of the ancient and extensive Deanery of Craven is a bulky and costly volume. -
Download Tales from the Emporium for FREE
Tales from the Emporium The life and times of the Whittlecreek and Eaton St Torpid Heritage Railway and Sal T. Marsh's Emporium Bob Trubshaw Welcome to more tales from an imaginary heritage railway in the top left-hand corner of Norfolk with rolling stock inspired by Rowland Emett’s cartoons of the 1940s and 50s. Truth to tell the author doesn’t get overly excited by locomotives or station buildings, although wagons and carriages occasionally arouse curiosity. His real interest is in the bigger picture of railways: why they were created, how they dealt with the local terrain, what influence they had on local farming, industry and settlements, and so forth. And that extends to 'heritage' railways: how they acquire funding, how they promote themselves as places of interest, and how they interact with other tourist attractions in the vicinity. The Whittlecreek and Eaton St Torpid Heritage Railway employs a General Manager (who does not like being called ‘The General’), a formidable Property Manager (who does like to be referred to as ‘The PM’), a witticism-infested Operations Manager who socialises each week with the neophobic Workshop Manager, and a Gift Shop Manager (deemed ‘nice but useless’). The railway staff interact with the somewhat overbearing curator of the nearby Arts Centre and two young sisters who create and sell pots at the Wonky Pot Emporium – when not chatting to customers or learning about some arcane aspects of Daoism. Paranormal vigils in the ruins of a twelfth century castle, the creation of a heritage museum focused on the former sand mining in the area, sightings of inexplicable big cats – or are they phantom black dogs? – in the fields nearby, and the preparations for a Viking festival all unknowingly converge on the dodgy dealings of the proprietor of the local canoe hire facility (named after a one-time local lass called Pocahontas). -
The Railway Series Books by the Rev'd Wilbert V Awdry
The Awdry Connection with the Talyllyn Railway. The Rev. Wilbert Awdry inherited an interest in railways from his father, the Rev. Vere Awdry, and together with his brother George, became a keen railway modeller. His first book in what was to become “The Railway Series” had been published in 1945, and by 1951 he had written four more. In February that year, someone knowing his interests, sent him an article which had appeared in the Birmingham Mail entitled “EIGHT MILES OF RAILWAY TO PLAY WITH – AND REAL TRAINS - FOR £1 A YEAR”. That railway was the Talyllyn Railway, and Wilbert’s interest was aroused sufficiently to apply for membership of the newly formed Preservation Society: his receipt was numbered 79. Coincidentally, Wilbert had a distant cousin Frank who lived in Tywyn. They had never met, but Wilbert and George had visited Frank’s sisters in Clevedon, Somerset, and had heard stories about the ‘somewhat wayward little railway’ in Tywyn. In August 1952 Wilbert, together with his wife Margaret, son Christopher and daughters Veronica and Hilary, visited the Talyllyn Railway for the first time. On arrival, Wilbert and Christopher went straight to Wharf Station to introduce themselves to Tom Rolt, the General Manager. Wilbert volunteered to do duty as a Guard during the second week of his holiday. The most memorable incident of the week was when he left the Refreshment Lady behind in the Booking Office at Abergynolwyn – the first of many events that Wilbert was to enshrine in future books. It was almost inevitable that, having become a regular visitor and volunteer on the Talyllyn Railway, Wilbert should find a way to write about it in his books. -
Lauren Morgan Richard III's Bestial Masculinity and the Rhetoric Of
Morgan 1 Lauren Morgan Richard III’s Bestial Masculinity and the Rhetoric of Animality in Thomas More's The History of King Richard III and The True Tragedie of Richard the Third Due to more recent scholarship by feminist and queer theorists, the study of gender in the early modern period tends to shift its focus on the marginalized by allocating agency to those outside the apex of male-dominated power structures. Rather than analyzing those outside the center, I focus within the structure by exposing incongruities that existed inside male performances of masculinity in early modern patriarchy. More specifically, I aim to demonstrate how Richard III, through Tudor discourse, functions as a beast figure who disrupts order and traditional lines of succession due to his excessive masculine aggression and monstrous violence. The literary accounts which follow the death and history of Richard Duke of Gloucester offer rich complexity to the evolving discourse on his reign and character. During the Tudor Era, he was examined in “ballads and beast fables, riddles and prophecies, chronicles and histories, verse complaints, paradoxes and plays in both Latin and English” (Schwyzer 173), featured most prominently as a bestial character, a boar personified, akin to the beast he used as his badge. For Tudor writers, much of what is written surrounding Richard III’s reign colluded in the Tudor characterization of the fifteenth century monarch as the embodiment of war, bloodshed, and instability – a beast-fable figure who appears as a warning against masculine misrule. These characterizations feature most prominently in Thomas More’s History of King Richard III and the anonymous The True Tragedie of Richard the Third. -
Wars of the Roses Background Notes
Wars of the Roses Background Notes Source 1 – Portrait of Edward III This portrait of Edward III hangs in the South Quire Aisle of St George’s Chapel. It shows Edward as an old man, wearing the crown of England, holding the orb of state, and carrying his 6 foot sword, piercing the crowns of Scotland and France. In addition, he wears the George suspended from a blue ribbon, the insignia of his great establishment, the Order of the Garter. In the account book of Henry Beaumont, Canon Treasurer [SGC XV.59.32], we find the following entry in 1615: Maii 24 Ki. Ed. 3. oure founders picture 8li et ultra ijs ijd per billam mri Baker viijli ijs ijd [May 24: King Edward III our founder’s picture £8 and an additional 2s 2d by Mr Baker’s bill £8 2s 2d] 3 days later, on the 27th May, an entry records that a curtain was made by Daye and Berdill to hang over the painting, at a cost of 17s 8d. In 1347 following triumphs in France, Edward wanted a way to reward those who had stood by him and helped him achieve his successes. His new Order of the Garter would do this. As originally conceived by Edward, the Order of the Garter would consist of twenty-four knights including the Sovereign. By 1352, this number had increased to twenty-six. These knights would be bound together by the chivalric code and loyalty to their monarch. There are many mysteries surrounding the identity of St George, but the most commonly believed is that he was a soldier in the Roman Army, part of the imperial guard of Emperor Diocletian. -
Alaris Capture Pro Software
The Red Rose of Lancaster? JOHN ASHDOWN—HILL In the fifteenth century the rival houses of Lancaster and York fought the ‘Wars of the Roses’ for possession of the crown. When, in 1485, the new Tudor monarch, Henry VII, brought these wars to an end, he united, by his mam'age to Elizabeth of York, the red rose of Lancaster and the white rose of York, to create a new emblem and a new dynasty. Thus was born the Tudor rose. So might run a popular account, and botanists, searching through the lists of medieval rose cultivars, have even proposed identifications of the red rose of Lancaster with Rosa Gallica and the white rose of York with Rosa Alba, while the bi-coloured Tudor rose is linked to the naturally occurring variegated sport of Rosa Gallica known as ‘Rosa Mundi’ (Rosa Gallica versicolor), or alternatively, to the rather paler Rosa Damascena versicolor. It should, perhaps, be observed that Rosa Gallica, while somewhat variable in colour. is more likely to be a shade of pink than bright red, and Rosa Alba, while generally white in colour, also occurs in shades of pink, so that in nature the colour~distinction between the two roses is not always clear. ‘Rosa Mundi’ is also strictly speaking variegated in two shades of pink, rather than being literally red and white.‘ The label ‘Wars of the Roses’was a late invention, first employed only in 1829, by Sir Walter Scott, in his romantic novel Anne of Geierstein.2 The story of the rose emblems might appear on casual inspection to be well-founded, for we find ample evidence of Tudor roses bespattering Tudor coinage and royal architecture, for example, at Hampton Court, the Henry VII chapel at Westminster, and at Cambridge, on the gates of Christ’s and St John’s Colleges, and in King’s College chapel. -
The Livery Collar: Politics and Identity in Fifteenth-Century England
The Livery Collar: Politics and Identity in Fifteenth-Century England MATTHEW WARD, SA (Hons), MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy AUGUST 2013 IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, lS23 7BQ www.bl.uk ANY MAPS, PAGES, TABLES, FIGURES, GRAPHS OR PHOTOGRAPHS, MISSING FROM THIS DIGITAL COPY, HAVE BEEN EXCLUDED AT THE REQUEST OF THE UNIVERSITY Abstract This study examines the social, cultural and political significance and utility of the livery collar during the fifteenth century, in particular 1450 to 1500, the period associated with the Wars of the Roses in England. References to the item abound in government records, in contemporary chronicles and gentry correspondence, in illuminated manuscripts and, not least, on church monuments. From the fifteenth century the collar was regarded as a potent symbol of royal power and dignity, the artefact associating the recipient with the king. The thesis argues that the collar was a significant aspect of late-medieval visual and material culture, and played a significant function in the construction and articulation of political and other group identities during the period. The thesis seeks to draw out the nuances involved in this process. It explores the not infrequently juxtaposed motives which lay behind the king distributing livery collars, and the motives behind recipients choosing to depict them on their church monuments, and proposes that its interpretation as a symbol of political or dynastic conviction should be re-appraised. After addressing the principal functions and meanings bestowed on the collar, the thesis moves on to examine the item in its various political contexts.