Robotics in Germany and Japan
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M.A Thesis- Aaron Misener- 0759660- 2017.Pdf
“Constructing a New Femininity”: Popular Film and the Effects of Technological Gender Aaron Misener—MA Thesis—English—McMaster University “Constructing a New Femininity”: Popular Film and the Effects of Technological Gender Aaron Misener, B.A. (Hons.) A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master of Arts McMaster University ©Copyright by Aaron Misener, December 2016 ii Aaron Misener—MA Thesis—English—McMaster University MASTER OF ARTS (2016) McMaster University (English) Hamilton, Ontario TITLE: “Constructing a New Femininity”: Popular Film and the Effects of Technological Gender AUTHOR: Aaron Misener, B.A. Hons. (McMaster University) SUPERVISOR: Dr. Anne Savage NUMBER OF PAGES: i-v, 1-74 iii Aaron Misener—MA Thesis—English—McMaster University Abstract: This project applies critical media and gender theories to the relatively unexplored social space where technology and subjectivity meet. Taking popular film as a form of public pedagogy, the project implicates unquestioned structures of patriarchal control in shaping the development and depiction of robotic bodies. The project was spurred from a decline in critical discourse surrounding technology’s potential to upset binaried gender constructions, and the increasingly simplified depictions of female-shaped robots (gynoids) as proxies for actual women. By critically engaging assumptions of gender when applied to technology, the project recontextualizes fundamental theories in contemporary popular film. iv Aaron Misener—MA Thesis—English—McMaster University Acknowledgements: This project has seen the birth of my daughter, and the death of my mother. My most elated joys and the deepest sorrows that I have yet known. It has both anchored me, and left me hopelessly lost. -
THESIS ANXIETIES and ARTIFICIAL WOMEN: DISASSEMBLING the POP CULTURE GYNOID Submitted by Carly Fabian Department of Communicati
THESIS ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID Submitted by Carly Fabian Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Katie L. Gibson Kit Hughes Kristina Quynn Copyright by Carly Leilani Fabian 2018 All Rights Reserved ABSTRACT ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID This thesis analyzes the cultural meanings of the feminine-presenting robot, or gynoid, in three popular sci-fi texts: The Stepford Wives (1975), Ex Machina (2013), and Westworld (2017). Centralizing a critical feminist rhetorical approach, this thesis outlines the symbolic meaning of gynoids as representing cultural anxieties about women and technology historically and in each case study. This thesis draws from rhetorical analyses of media, sci-fi studies, and previously articulated meanings of the gynoid in order to discern how each text interacts with the gendered and technological concerns it presents. The author assesses how the text equips—or fails to equip—the public audience with motives for addressing those concerns. Prior to analysis, each chapter synthesizes popular and scholarly criticisms of the film or series and interacts with their temporal contexts. Each chapter unearths a unique interaction with the meanings of gynoid: The Stepford Wives performs necrophilic fetishism to alleviate anxieties about the Women’s Liberation Movement; Ex Machina redirects technological anxieties towards the surveilling practices of tech industries, simultaneously punishing exploitive masculine fantasies; Westworld utilizes fantasies and anxieties cyclically in order to maximize its serial potential and appeal to impulses of its viewership, ultimately prescribing a rhetorical placebo. -
Robot Operating System - the Complete Reference (Volume 4) Part of the Studies in Computational Intelligence Book Series (SCI, Volume 831)
Book Robot Operating System - The Complete Reference (Volume 4) Part of the Studies in Computational Intelligence book series (SCI, volume 831) Several authors CISTER-TR-190702 2019 Book CISTER-TR-190702 Robot Operating System - The Complete Reference (Volume 4) Robot Operating System - The Complete Reference (Volume 4) Several authors CISTER Research Centre Rua Dr. António Bernardino de Almeida, 431 4200-072 Porto Portugal Tel.: +351.22.8340509, Fax: +351.22.8321159 E-mail: https://www.cister-labs.pt Abstract This is the fourth volume of the successful series Robot Operating Systems: The Complete Reference, providing a comprehensive overview of robot operating systems (ROS), which is currently the main development framework for robotics applications, as well as the latest trends and contributed systems. The book is divided into four parts: Part 1 features two papers on navigation, discussing SLAM and path planning. Part 2 focuses on the integration of ROS into quadcopters and their control. Part 3 then discusses two emerging applications for robotics: cloud robotics, and video stabilization. Part 4 presents tools developed for ROS; the first is a practical alternative to the roslaunch system, and the second is related to penetration testing. This book is a valuable resource for ROS users and wanting to learn more about ROS capabilities and features. © 2019 CISTER Research Center 1 www.cister-labs.pt Studies in Computational Intelligence 831 Anis Koubaa Editor Robot Operating System (ROS) The Complete Reference (Volume 4) Studies in Computational Intelligence Volume 831 Series Editor Janusz Kacprzyk, Polish Academy of Sciences, Warsaw, Poland [email protected] The series “Studies in Computational Intelligence” (SCI) publishes new develop- ments and advances in the various areas of computational intelligence—quickly and with a high quality. -
Modelling User Preference for Embodied Artificial Intelligence and Appearance in Realistic Humanoid Robots
Article Modelling User Preference for Embodied Artificial Intelligence and Appearance in Realistic Humanoid Robots Carl Strathearn 1,* and Minhua Ma 2,* 1 School of Computing and Digital Technologies, Staffordshire University, Staffordshire ST4 2DE, UK 2 Falmouth University, Penryn Campus, Penryn TR10 9FE, UK * Correspondence: [email protected] (C.S.); [email protected] (M.M.) Received: 29 June 2020; Accepted: 29 July 2020; Published: 31 July 2020 Abstract: Realistic humanoid robots (RHRs) with embodied artificial intelligence (EAI) have numerous applications in society as the human face is the most natural interface for communication and the human body the most effective form for traversing the manmade areas of the planet. Thus, developing RHRs with high degrees of human-likeness provides a life-like vessel for humans to physically and naturally interact with technology in a manner insurmountable to any other form of non-biological human emulation. This study outlines a human–robot interaction (HRI) experiment employing two automated RHRs with a contrasting appearance and personality. The selective sample group employed in this study is composed of 20 individuals, categorised by age and gender for a diverse statistical analysis. Galvanic skin response, facial expression analysis, and AI analytics permitted cross-analysis of biometric and AI data with participant testimonies to reify the results. This study concludes that younger test subjects preferred HRI with a younger-looking RHR and the more senior age group with an older looking RHR. Moreover, the female test group preferred HRI with an RHR with a younger appearance and male subjects with an older looking RHR. -
Satisfaction Guaranteed™ the Pleasure Bot, the Gynoid, The
Satisfaction Guaranteed™ The Pleasure Bot, the Gynoid, the Electric-Gigolo, or my personal favorite the Romeo Droid are just some of Science Fiction's contributions to the development of the android as sex worker. Notably (and as any Sci-fi aficionado would remind us) such technological foresight is often a precursor to our own - not too distant future. It will therefore come as no surprise that the development of artificial intelligence and virtual reality are considered to be the missing link within the sex industry and the manufacture of technologically-enhanced products and experiences. Similarly, many esteemed futurologists are predicting that by 2050 (not 2049) artificial intelligence will have become so integrated within society that it will be commonplace for humans to have sex with robots… Now scrub that image out of your head and let’s remind ourselves that all technology (if we listen to Charlie Brooker) should come with a warning sign. Sexnology (that’s Sex + Technology) is probably pretty high up there on the cautionary list, but whether we like it or not people ‘The robots are coming’ – no pun intended! Actually the robots (those of a sexual nature) have already arrived, although calling them robots may be a little premature. Especially when considering how film has created expectations of human resemblance, levels of functionality and in this context modes of interaction. The pursuit of creating in our own image has historically unearthed many underlying questions in both fiction and reality about what it means to be human. During such times, moral implications may surface although history also tells us that human traits such as the desire for power and control often subsume any humane/humanoid considerations. -
Collective Memory and the Constructio
Liljedahl: Recalling the (Afro)Future: Collective Memory and the Constructio RECALLING THE (AFRO)FUTURE: COLLECTIVE MEMORY AND THE CONSTRUCTION OF SUBVERSIVE MEANINGS IN JANELLE MONÁE’S METROPOLIS-SUITES Everywhere, the “street” is considered the ground and guarantee of all reality, a compulsory logic explaining all Black Music, conveniently mishearing antisocial surrealism as social realism. Here sound is unglued from such obligations, until it eludes all social responsibility, thereby accentuating its unreality principle. (Eshun 1998: -41) When we listen to music in a non-live setting, we do so via some form of audio reproduction technology. To most listeners, the significant part about the technology is not the technology itself but the data (music) it stores and reverberates into our ears (Sofia 2000). Most of these listeners have memories tied to their favourite songs (DeNora 2000) but if the music is at the centre of the history of a people, can the songs themselves be seen as a form of recollection? In this paper, I suggest that sound reproduction technology can be read as a storage of memories in the context of Black American popular music. I will turn my attention to the critical potential of Afrofuturist narratives in the field of memory- technology in order to focus on how collective memory is performed as Afrofuturist technology in Black American popular music, specifically in the music of Janelle Monáe. At play in the theoretical backdrop of this article are two key concepts: Signifyin(g) and collective memory, the first of which I will describe in simplified terms, while the latter warrants a more thorough discussion. -
New Method for Robotic Systems Architecture
NEW METHOD FOR ROBOTIC SYSTEMS ARCHITECTURE ANALYSIS, MODELING, AND DESIGN By LU LI Submitted in partial fulfillment of the requirements For the degree of Master of Science Thesis Advisor: Dr. Roger Quinn Department of Mechanical and Aerospace Engineering CASE WESTERN RESERVE UNIVERSITY August 2019 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Lu Li candidate for the degree of Master of Science. Committee Chair Dr. Roger Quinn Committee Member Dr. Musa Audu Committee Member Dr. Richard Bachmann Date of Defense July 5, 2019 *We also certify that written approval has been obtained for any proprietary material contained therein. ii Table of Contents Table of Contents ................................................................................................................................................ i List of Tables ....................................................................................................................................................... ii List of Figures .................................................................................................................................................... iii Copyright page .................................................................................................................................................. iv Preface ..................................................................................................................................................................... v Acknowledgements -
Are You There, God? It's I, Robot: Examining The
ARE YOU THERE, GOD? IT’S I, ROBOT: EXAMINING THE HUMANITY OF ANDROIDS AND CYBORGS THROUGH YOUNG ADULT FICTION BY EMILY ANSUSINHA A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Bioethics May 2014 Winston-Salem, North Carolina Approved By: Nancy King, J.D., Advisor Michael Hyde, Ph.D., Chair Kevin Jung, Ph.D. ACKNOWLEDGMENTS I would like to give a very large thank you to my adviser, Nancy King, for her patience and encouragement during the writing process. Thanks also go to Michael Hyde and Kevin Jung for serving on my committee and to all the faculty and staff at the Wake Forest Center for Bioethics, Health, and Society. Being a part of the Bioethics program at Wake Forest has been a truly rewarding experience. A special thank you to Katherine Pinard and McIntyre’s Books; this thesis would not have been possible without her book recommendations and donations. I would also like to thank my family for their continued support in all my academic pursuits. Last but not least, thank you to Professor Mohammad Khalil for changing the course of my academic career by introducing me to the Bioethics field. ii TABLE OF CONTENTS List of Tables and Figures ................................................................................... iv List of Abbreviations ............................................................................................. iv Abstract ................................................................................................................ -
Robotic Paradigms and Control Architectures
Robotic Paradigms and Control Architectures Jan Faigl Department of Computer Science Faculty of Electrical Engineering Czech Technical University in Prague Lecture 02 B4M36UIR – Artificial Intelligence in Robotics Jan Faigl, 2020 B4M36UIR – Lecture 02: Robotic Paradigms 1 / 46 Overview of the Lecture Part 1 – Robotic Paradigms and Control Architectures Robotics Paradigms Hierarchical Paradigm Reactive Paradigm Hybrid Paradigm Example of Collision Avoidance Robot Control Jan Faigl, 2020 B4M36UIR – Lecture 02: Robotic Paradigms 2 / 46 Robotics Paradigms Hierarchical Paradigm Reactive Paradigm Hybrid Paradigm Example of Collision Avoidance Robot Control Part I Part 1 – Robotic Paradigms and Control Architectures Jan Faigl, 2020 B4M36UIR – Lecture 02: Robotic Paradigms 3 / 46 Robotics Paradigms Hierarchical Paradigm Reactive Paradigm Hybrid Paradigm Example of Collision Avoidance Robot Control Outline Robotics Paradigms Hierarchical Paradigm Reactive Paradigm Hybrid Paradigm Example of Collision Avoidance Robot Control Jan Faigl, 2020 B4M36UIR – Lecture 02: Robotic Paradigms 4 / 46 Robotics Paradigms Hierarchical Paradigm Reactive Paradigm Hybrid Paradigm Example of Collision Avoidance Robot Control Robot A robot perceives an environment using sensors to control its actuators. Sensor Controller Actuators The main parts of the robot correspond to the primitives of robotics: Sense, Plan, and Act. The primitives form a control architecture that is called robotic paradigm. Jan Faigl, 2020 B4M36UIR – Lecture 02: Robotic Paradigms 5 / 46 Robotics Paradigms Hierarchical Paradigm Reactive Paradigm Hybrid Paradigm Example of Collision Avoidance Robot Control Robotic Paradigms Robotic paradigms define relationship between the robotics primitives: Sense, Plan, and Act. Three fundamental paradigms have been propose. 1. Hierarchical paradigm is purely deliberative system. SENSEPLAN ACT 2. Reactive paradigm represents reactive control. SENSE ACT 3. -
Cyborg Art: an Explorative and Critical Inquiry Into Corporeal Human-Technology Convergence
http://waikato.researchgateway.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. Cyborg Art: An Explorative and Critical Inquiry into Corporeal Human-Technology Convergence A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of Waikato, by Elizabeth Margaretha Borst Faculty of Arts and Social Sciences © Elizabeth M. Borst, 2009 All rights reserved. This work may not be reproduced without permission of the author. University of Waikato, 2009 i ii Abstract This thesis introduces and examines the undervalued concept of corporeal human- technology interface art, or ‘cyborg art’, which describes literal, figural and metaphorical representations of increasing body and technology integration. The transforming (post)human being is therefore the focus; who we are today, and who or what we may become as humanity increasingly interfaces with technology. Theoretical analysis of cyborg imagery centres on the science fiction domain, in particular film and television, as opposed to art. -
Embodied Evolution in Collective Robotics: a Review Nicolas Bredeche, Evert Haasdijk, Abraham Prieto
Embodied Evolution in Collective Robotics: A Review Nicolas Bredeche, Evert Haasdijk, Abraham Prieto To cite this version: Nicolas Bredeche, Evert Haasdijk, Abraham Prieto. Embodied Evolution in Collective Robotics: A Review. Frontiers in Robotics and AI, Frontiers Media S.A., 2018, 5, pp.12. 10.3389/frobt.2018.00012. hal-03313845 HAL Id: hal-03313845 https://hal.sorbonne-universite.fr/hal-03313845 Submitted on 4 Aug 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. REVIEW published: 22 February 2018 doi: 10.3389/frobt.2018.00012 Embodied Evolution in Collective Robotics: A Review Nicolas Bredeche1*, Evert Haasdijk2 and Abraham Prieto3 1 Sorbonne Université, CNRS, Institute of Intelligent Systems and Robotics, ISIR, Paris, France, 2 Computational Intelligence Group, Department of Computer Science, Vrije Universiteit, Amsterdam, Netherlands, 3 Integrated Group for Engineering Research, Universidade da Coruna, Ferrol, Spain This article provides an overview of evolutionary robotics techniques applied to online distributed evolution for robot collectives, namely, embodied evolution. It provides a definition of embodied evolution as well as a thorough description of the underlying concepts and mechanisms. This article also presents a comprehensive summary of research published in the field since its inception around the year 2000, providing various perspectives to identify the major trends. -
Gynoids-Female Robots
Gynoids: The Impact of Female Robots in Real Life. ENG 2420 Science Fiction Prof. Jill Belli Joselin Campoverde Fall 2016 Overview of Project Do you remember any Discuss the science science fiction film where Explore how this term fiction term of “cyborg” or a robotic machine has a has emerged in real-live “fembot” and its origin. humanoid female look? robotic design. Investigate how female- Analyze the positive and appearing robots are a motive negative impact of these of debate and controversy in female robotic technologies in today’s society. the present day What is the term “fembot” or “gynoid” ? • Fembots are used to refer to robotic humanoids that resembles a female human form. • Gynoid is more modern term in science fiction to describe a fembot (robot/android in female form). Historical Background • Robotess is originally considered the oldest female-specific term (1921). • The term “fembot” was first introduced in the science fiction genre through the TV series The Bionic Woman(1976). • Fembot term was used in the movie “Austin Powers” where stereotypical women were robots designed to seduce the protagonist and kill him. Historical Background • The recent term introduced in the science fiction genre to describe a female robot is known as gynoid. • This term was introduced by Gwyneth Jones in her 1985 novel Divine Endurance to describe a robot slave character in a futuristic China, that is judged by her beauty. Gynoids or Fembots in Science Fiction • From science fiction literature to films and movies, these female humanoid have become existent the early ages. Some examples of famous fembots: • Metropolis (Fritz Lang, Germany, 1926) • The Bride of Frankenstein (James Whale, USA, 1935) • Cherry 2000 (1987), two version of Stepford Wives, Westworld (1973) and Logan’s Run (1976).