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In Concert AUGUST–SEPTEMBER 2012
ABOUT THE MUSIC GRIEG CONCERTO /IN CONCERT AUGUST–SEPTEMBER 2012 GRIEG CONCERTO 30 AUGUST–1 SEPTEMBER STEPHEN HOUGH PLAYS TCHAIKOVSKY 14, 15 AND 17 SEPTEMBER TCHAIKOVSKY’S PATHÉTIQUE 20–22 SEPTEMBER ENIGMA VARIATIONS 28 SEPTEMBER MEET YOUR MSO MUSICIANS: SYLVIA HOSKING AND MICHAEL PISANI PIERS LANE VISITS GRIEG’S BIRTHPLACE STEPHEN HOUGH ON TCHAIKOVSKY’S PIANO CONCERTO NO.2 SIR ANDREW DAVIS HAILS THE NEW HAMER HALL twitter.com/melbsymphony facebook.com/melbournesymphony IMAGE: SIR ANDREW Davis CONDUCTING THE MELBOURNE SYMPHONY ORCHESTRA Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WELCOME Ashton Raggatt McDougall, has (I urge you to read his reflections been reported all over the world. on Grieg’s Concerto on page 16) and Stephen Hough, and The program of music by Grieg conductors Andrew Litton and and his friend and champion HY Christopher Seaman, the last of Percy Grainger that I have the whom will be joined by two of the privilege to conduct from August finest brass soloists in the world, otograp 29 to September 1 will be a H P Radovan Vlatkovic (horn) and wonderful opportunity for you to ta S Øystein Baadsvik (tuba), for our O experience all the richness our C special Town Hall concert at the A “new” hall has to offer. -
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Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
Percy Grainger, Frederick Delius and the 1914–1934 American ‘Delius Campaign’
‘The Art-Twins of Our Timestretch’: Percy Grainger, Frederick Delius and the 1914–1934 American ‘Delius Campaign’ Catherine Sarah Kirby Submitted in total fulfilment of the requirements of the degree of Master of Music (Musicology) April 2015 Melbourne Conservatorium of Music The University of Melbourne Produced on archival quality paper Abstract This thesis explores Percy Grainger’s promotion of the music of Frederick Delius in the United States of America between his arrival in New York in 1914 and Delius’s death in 1934. Grainger’s ‘Delius campaign’—the title he gave to his work on behalf of Delius— involved lectures, articles, interviews and performances as both a pianist and conductor. Through this, Grainger was responsible for a number of noteworthy American Delius premieres. He also helped to disseminate Delius’s music by his work as a teacher, and through contact with publishers, conductors and the press. In this thesis I will examine this campaign and the critical reception of its resulting performances, and question the extent to which Grainger’s tireless promotion affected the reception of Delius’s music in the USA. To give context to this campaign, Chapter One outlines the relationship, both personal and compositional, between Delius and Grainger. This is done through analysis of their correspondence, as well as much of Grainger’s broader and autobiographical writings. This chapter also considers the relationship between Grainger, Delius and others musicians within their circle, and explores the extent of their influence upon each other. Chapter Two examines in detail the many elements that made up the ‘Delius campaign’. -
DELIUS BOOKLET:Bob.Qxd 14/4/08 16:09 Page 1
DELIUS BOOKLET:bob.qxd 14/4/08 16:09 Page 1 second piece, Summer Night on the River, is equally evocative, this time suggested by the river Loing that lay at the the story of a voodoo prince sold into slavery, based on an episode in the novel The Grandissimes by the American bottom of Delius’s garden near Fontainebleau, the kind of scene that might have been painted by some of the French writer George Washington Cable. The wedding dance La Calinda was originally a dance of some violence, leading to painters that were his contemporaries. hysteria and therefore banned. In the Florida Suite and again in Koanga it lacks anything of its original character. The opera Irmelin, written between 1890 and 1892, and the first attempt by Delius at the form, had no staged Koanga, a lyric drama in a prologue and three acts, was first heard in an incomplete concert performance at St performance until 1953, when Beecham arranged its production in Oxford. The libretto, by Delius himself, deals with James’s Hall in 1899. It was first staged at Elberfeld in 1904. With a libretto by Delius and Charles F. Keary, the plot The Best of two elements, Princess Irmelin and her suitors, none of whom please her, and the swine-herd who eventually wins is set on an eighteenth century Louisiana plantation, where the slave-girl Palmyra is the object of the attentions of her heart. The Prelude, designed as an entr’acte for the later opera Koanga, makes use of four themes from Irmelin. -
Download PDF Booklet
T HE COMPLETE volume 2 S ONGBOOK M ARK STONE M ARK STONE S TEPHEN BAS TRELPOHEW N BARLOW THE COMPLETE SONGBOOK volume 2 ROGER QUILTER (1877-1953) FIVE JACOBEAN LYRICS Op.28 1 i The jealous lover (John Wilmot, Earl of Rochester) 2’34 2 ii Why so pale and wan? (Sir John Suckling) 1’05 3 iii I dare not ask a kiss (Robert Herrick) 1’17 4 iv To Althea, from prison (Richard Lovelace) 2’04 5 v The constant lover (Sir John Suckling) 1’56 TWO SONGS , 1903 (Roger Quilter) 6 i Come back! 1’36 7 ii A secret 1’08 8 FAIRY LULLABY (Roger Quilter) 2’43 THREE SONGS OF WILLIAM BLAKE Op.20 (William Blake) 9 i Dream valley 2’27 10 ii The wild flower’s song 2’14 11 iii Daybreak 1’59 12 ISLAND OF DREAMS (Roger Quilter) 3’14 13 AT CLOSE OF DAY (Laurence Binyon) 2’39 14 THE ANSWER (Laurence Binyon) 1’52 FIVE ENGLISH LOVE LYRICS Op.24 15 i There be none of beauty’s daughters (George Gordon Lord Byron) 2’10 16 ii Morning song (Thomas Heywood) 2’07 17 iii Go, lovely rose (Edmund Waller) 3’11 18 iv O, the month of May (Thomas Dekker) 1’55 19 v The time of roses (Thomas Hood) 2’03 20 MY HEART ADORNED WITH THEE (Roger Quilter) 1’47 THHREEREE S SONGSONGS F FOROR B BARITONEARITONE O ORR T TENORENOR OOp.18p.18 NNo.1-3o.1-3 2211 ii TToo wwineine aandnd bbeautyeauty ((JohnJohn WWilmot,ilmot, EEarlarl ooff RRochester)ochester) 11’49’49 2222 iiii WWherehere bbee yyouou ggoing?oing? ((JohnJohn KKeats)eats) 11’34’34 2233 iiiiii TThehe jjocundocund ddanceance ((WilliamWilliam BBlake)lake) 11’55’55 2244 APPRILRIL L LOVEOVE ((RogerRoger QQuilter)uilter) 11’60’60 -
The Delius Society Journal Spring 2001, Number 129
The Delius Society Journal Spring 2001, Number 129 The Delius Society (Registered Charity No. 298662) Full Membership and Institutions £20 per year UK students £10 per year US/\ and Canada US$38 per year Africa, Aust1alasia and far East £23 per year President Felix Aprahamian Vice Presidents Lionel Carley 131\, PhD Meredith Davies CBE Sir Andrew Davis CBE Vernon l Iandley MA, FRCM, D Univ (Surrey) Richard I Iickox FRCO (CHM) Lyndon Jenkins Tasmin Little f CSM, ARCM (I Ions), I Jon D. Lilt, DipCSM Si1 Charles Mackerras CBE Rodney Meadows Robc1 t Threlfall Chain11a11 Roge1 J. Buckley Trcaswc1 a11d M11111/Jrrship Src!l'taiy Stewart Winstanley Windmill Ridge, 82 Jlighgate Road, Walsall, WSl 3JA Tel: 01922 633115 Email: delius(alukonlinc.co.uk Serirta1y Squadron Lcade1 Anthony Lindsey l The Pound, Aldwick Village, West Sussex P021 3SR 'fol: 01243 824964 Editor Jane Armour-Chclu 17 Forest Close, Shawbirch, 'IC!ford, Shropshire TFS OLA Tel: 01952 408726 Email: [email protected] Website: http://www.dclius.org.uk Emnil: [email protected]. uk ISSN-0306-0373 Ch<lit man's Message............................................................................... 5 Edilot ial....................... .... .. .. .. .. .. .. .. .. .. .. .. ... 6 ARTICLES BJigg Fair, by Robert Matthew Walker................................................ 7 Frede1ick Delius and Alf1cd Sisley, by Ray Inkslcr........... .................. 30 Limpsficld Revisited, by Stewart Winstanley....................................... 35 A Forgotten Ballet ?, by Jane Armour-Chclu -
23 Main Street Saxby All Saints | North Lincolnshire | DN20 0QJ
23 Main Street Saxby all Saints | North Lincolnshire | DN20 0QJ 23 Main Street.indd 1 24/05/2016 14:54 23 Main Street.indd 2 24/05/2016 14:54 23 Main Street.indd 3 24/05/2016 14:54 Step inside 23 Main Street A quiet country walk resulted in a chance encounter RECEPTION HALL 19’4 x 17’10 with this delightful four bedroom detached family Spindle balustraded staircase to the first floor, radiator, home overlooking both the Ancholme valley and the telephone point. Lincolnshire Wolds. This traditionally styled modern home immediately impressed with its elegant CLOAKROOM 7’10 x 6’6 sociability and peaceful ambience and became home Modern suite to include wash hand basin, close to the current vendors without hesitation. coupled wc, tiled floor, extractor fan and sash window. Filled with welcome and light the broad reception hall LOUNGE 26’6 x 14’3 with its spindle balustraded staircase leads to a triple A striking bay fronted lounge overlooking the aspect 26’6 contemporary styled lounge with modern Ancholme valley with light oak flooring, contemporary gas fired stove and the crisp elegance of the bay styled gas stove, two radiators, TV aerial point and fronted dining room is ideal for relaxed yet refined telephone point. entertaining. A further reception room, overlooking the rear gardens towards the Wolds, is currently used DINING ROOM 16’6 x 11’11 as a study but could easily make a quiet, separate Ideal for relaxed entertaining with twin doors opening private retreat. The ground floor is completed by a from the hallway and a square walk in bay window to well appointed breakfast kitchen filled with a range of the front. -
Beethoven, Bagels & Banter
Beethoven, Bagels & Banter SUN / FEB 17 / 11:00 AM Kevin Fitz-Gerald PIANO Robert Davidovici VIOLIN Andrew Shulman CELLO There will be no intermission. Please join us after the performance for refreshments and a conversation with the performers. PROGRAM Joseph Haydn (1732-1809) Piano Trio in G major, “Gypsy”, Hob.XV:25 i. Andante ii. Poco adagio iii. Finale. Rondo all'Ongarese, Presto Zoltán Kodály (1882-1967) Duo for Violin and Cello, Op.7 (1914) i. Allegro serioso, non troppo ii. Adagio – Andante iii. Maestoso e largamente, ma non troppo lento – Presto Johannes Brahms (1833-1897) Piano Trio No. 3, Op.101 i. Allegro energico ii. Presto non assai iii. Andante grazioso iv. Allegro molto This series made possible by a generous gift from Barbara Herman. PERFORMANCES MAGAZINE 18 ABOUT THE ARTISTS KEVIN FITZ-GERALD (PIANO), enjoys spectacular technique, wide-ranging full-blooded tone being just what a versatile performing career as repertoire and magnificent artistry the work deserves” (TheArtsDesk. recitalist, orchestra soloist and with an exciting, compelling stage com). He returned to London in chamber musician. His performances presence. Born in Transylvania, February 2015 to perform the have garnered international acclaim, Romania, he began his studies as a Tchaikovsky and Brahms Violin and he has been recognized for student of David Oistrakh. He went Concerti, again with the RPO his “hypnotically powerful and on to study with Ivan Galamian at under Maestro Nowak. In February precise” pianism and “dynamic and the Juilliard School, where, upon 2007, he was soloist at Lincoln distinguished” interpretations. graduating, he became a teaching Center’s Avery Fisher Hall in the His concert tours and performances assistant to the Juilliard String American premiere of the Kletzki have taken place in major concert Quartet. -
Discography Percy Grainger Compiled by Barry Peter Ould Mainly Piano
Discography Percy Grainger compiled by Barry Peter Ould mainly piano Percy Grainger (Percy Grainger, piano) – includes: PRELUDE AND FUGUE IN A MINOR (Bach); TOCCATA AND FUGUE IN D MINOR (Bach); FANTASY AND FUGUE IN G MINOR (Bach); SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); ETUDE IN B MINOR op. 25/10 (Chopin); SONATA NO.3 IN B MINOR op. 58 (Chopin). Biddulph Recordings LHW 010 (12 tracks – Total Time: 76:08) Percy Grainger (Percy Grainger, piano) – includes: SONATA NO.2 IN G MINOR op.22 (Schumann); ROMANCE IN F-SHARP op. 28/2 (Schumann); WARUM? (from op. 12) (Schumann); ETUDES SYMPHONIQUES (op. 13) (Schumann); WALTZ IN A-FLAT op. 39/15 (Brahms); SONATA NO.3 IN F MINOR op. 5 (Brahms). Biddulph Recordings LHW 008 (25 tracks – Total Time: 69:27) Percy Grainger plays (Percy Grainger, piano) – includes: TOCCATA & FUGUE IN D MINOR (Bach); PRELUDE & FUGUE IN A MINOR (Bach); FANTASIA & FUGUE IN G MINOR (Bach); ICH RUF ZU DIR (Bach arr. Busoni); SONATA NO.2 IN G MINOR op. 22 (Schumann); ETUDE IN B MINOR op. 25/10 (Chopin); ETUDE IN C MINOR op. 25/12 (Chopin); WEDDING DAY AT TROLDHAUGEN (Grieg); POUR LE PIANO [Toccata only](Debussy) (Grainger talks on Pagodes, Estampes [Pagodes only]); GOLLIWOG'S CAKEWALK (Debussy); MOLLY ON THE SHORE. Pavilion Records PEARL GEMM CD 9957 (19 tracks – Total Time: 78:30) Percy Grainger plays – Volume II (Percy Grainger, piano) – includes: PIANO SONATA NO.2 IN B-FLAT MINOR op. 35 (Chopin); PIANO SONATA NO.1 IN B MINOR op. 58 (Chopin); ETUDES SYMPHONIQUES op. -
The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat
Fri, May 07, 2021 - 00 The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 30:47 Haydn Symphony No. 042 in D Apollo Ensemble/Hsu 02698 Dorian 90191 053479019127 00:33:1710:38 Vivaldi Cello Concerto in B minor, RV Brown/Scottish 03080 Virgo 7873 724356110328 424 Ensemble/Rees 00:44:5514:31 Vaughan The Lark Ascending Meyers/Philharmonia/L 03876 RCA Victor 23041 743212304121 Williams itton 01:00:5621:29 Nielsen Suite from Aladdin Gothenburg 06392 BIS 247 731859000247 Symphony/Chung 6 01:23:2501:14 Schubert The Youth at the Spring, D. Otter/Forsberg 05373 DG 453 481 028945348124 300 01:25:3933:03 Brahms Double Concerto for Violin & Bell/Isserlis/Academy 13113 Sony 88985321 889853217922 Cello in A minor, Op. 102 of St. Classical 792 Martin-in-the-Fields 02:00:1209:50 Respighi Three Dances from Ancient L.A. Chamber 00561 EMI 47116 07777471162 Airs & Dances, Suite No. 1 Orch/Marriner 02:11:02 14:30 Haydn, M. Symphony No. 12 in G Slovak Chamber 02578 CPO 999 154 761203915422 Orchestra/Warchal 02:26:3232:29 Tchaikovsky Piano Concerto No. 1 in B flat Gavrilov/Berlin 02074 EMI 49632 077774963220 minor, Op. 23 Philharmonic/Ashkena zy 03:00:3111:46 Ravel Daphnis et Chloe: Suite No. 1 Vienna 04578 RCA 68600 090266860029 Philharmonic/Maazel 03:13:1720:37 Mozart Divertimento for Trio in B flat, Beaux Arts Trio 12824 Philips 422 700 028942251427 K. 254 03:34:5424:03 Gade Symphony No. 6 in G minor, Stockholm 01002 BIS 355 731859000356 Op. -
Open Farrand - Under Wagner S Shadow.Pdf
The Pennsylvania State University The Graduate School UNDER WAGNER’S SHADOW: DELIUS’S USE OF WAGNERIAN MODELS IN THE MAGIC FOUNTAIN A Thesis in Music Theory and History by Timothy M. Farrand © 2020 Timothy M. Farrand Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts December 2020 ii The thesis of Timothy M. Farrand was reviewed and approved by the following: Charles Youmans Professor of Music Thesis Advisor Eric McKee Professor of Music David Frego Director of the School of Music iii ABSTRACT After 1900, Frederick Delius’s unique compositional style bears little resemblance to any singular influence. In the thirty-eight year apprentice period that led to the development of this style, Delius drew upon a wide range of references from the Norwegian mountains, to the “Negro” spirituals sung by former slaves in Florida, to the dramatic style of Richard Wagner. Studies have been written detailing the impact that his two years spent in Florida had on Delius as well as the twenty visits that he made to Norway throughout his life, ten of which occurred during his apprentice period. Several scholars have pointed out the similarities between Delius’s early harmonic language and that of Richard Wagner but there has not been a study showing the importance of Wagner’s influence upon the development of Delius’s dramatic style. In the creation of his second opera The Magic Fountain (1894-95), Delius used the operatic works of Richard Wagner, specifically Tristan und Isolde and Parsifal, as musical, dramatic, and philosophical models. The use of Wagner’s works as a model for The Magic Fountain allowed Delius to discover his own artistic voice, which he continued to refine until it was fully formed in 1900. -
Saxby All Saints Conservation Area Appraisal
SAXBY ALL SAINTS CONSERVATION AREA APPRAISAL North Lincolnshire Council. nd Adopted 22 January 2004 Tony Lyman Head of Planning and Regeneration Saxby All Saints Conservation Area Appraisal: Adopted Document January 2004. 2 Contents 1 Introduction 2 Legislative background 3 Location and landscape setting 3.1 Location and population 3.2 Landscape setting 3.3 Geology and building materials 4 History and Development 4.1 History 4.2 Archaeology 5 Character and Appearance 5.1 Plan form 5.2 Activity and uses 5.3 Open spaces, trees and vistas 5.4 Architectural styles and building materials 5.5 Listed Buildings and Buildings of Townscape Merit 5.6 Other features of interest 5.7 Summary of the special character of Saxby 6 Problems and Pressure 6.1 General 6.2 Buildings or structures which have a negative impact on conservation area 6.3 Sites which have a negative impact on conservation area 6.4 New development 6.5 Buildings at Risk 6.6 Alterations to existing historic buildings 6.7 Street audit 6.8 Trees 6.9 Summary 7 Recommendations 7.1 General 7.2 Preservation, enhancement and re-instatement of architectural quality 7.3 Environmental and street improvements 7.4 Boundary Review 7.5 Article 4 Direction 7.6 Trees Saxby All Saints Conservation Area Appraisal: Adopted Document January 2004. 3 Useful names and addresses Bibliography Maps Figure 1 Extract from 1907 Ordnance Survey map Figure 2 Map showing Conservation Area Pre Adoption (22nd January 2004) boundary and Listed Buildings Figure 3 Townscape Analysis Map: showing Buildings of Townscape Merit; buildings which make a neutral or negative contribution to the character of the conservation area; important views; important public open space; important trees or tree groups and sites which have a negative effect on the character of the conservation area.