Biodiversity in Kanazawa: Through the Four Seasons
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Molecular Systematics of the Firefly Genus Luciola
animals Article Molecular Systematics of the Firefly Genus Luciola (Coleoptera: Lampyridae: Luciolinae) with the Description of a New Species from Singapore Wan F. A. Jusoh 1,* , Lesley Ballantyne 2, Su Hooi Chan 3, Tuan Wah Wong 4, Darren Yeo 5, B. Nada 6 and Kin Onn Chan 1,* 1 Lee Kong Chian Natural History Museum, National University of Singapore, Singapore 117377, Singapore 2 School of Agricultural and Wine Sciences, Charles Sturt University, Wagga Wagga 2678, Australia; [email protected] 3 Central Nature Reserve, National Parks Board, Singapore 573858, Singapore; [email protected] 4 National Parks Board HQ (Raffles Building), Singapore Botanic Gardens, Singapore 259569, Singapore; [email protected] 5 Department of Biological Sciences, National University of Singapore, Singapore 117543, Singapore; [email protected] 6 Forest Biodiversity Division, Forest Research Institute Malaysia, Kepong 52109, Malaysia; [email protected] * Correspondence: [email protected] (W.F.A.J.); [email protected] (K.O.C.) Simple Summary: Fireflies have a scattered distribution in Singapore but are not as uncommon as many would generally assume. A nationwide survey of fireflies in 2009 across Singapore documented 11 species, including “Luciola sp. 2”, which is particularly noteworthy because the specimens were collected from a freshwater swamp forest in the central catchment area of Singapore and did not fit Citation: Jusoh, W.F.A.; Ballantyne, the descriptions of any known Luciola species. Ten years later, we revisited the same locality to collect L.; Chan, S.H.; Wong, T.W.; Yeo, D.; new specimens and genetic material of Luciola sp. 2. Subsequently, the mitochondrial genome of that Nada, B.; Chan, K.O. -
The AUSS Firefly: a Distributed Sensing and Coordination Platform for First-Year Engineering Education
The AUSS FIREfly: A Distributed Sensing and Coordination Platform for First-Year Engineering Education Derrick Yeo1 , Derek A. Paley2 Department of Aerospace Engineering, University of Maryland, College Park, Maryland , 20742, U.S.A This paper describes an embedded computing and sensing system developed to serve the needs of the Autonomous Unmanned Systems Stream (AUSS), a two-semester sequence at the University of Maryland that provides first-year students with an inquiry-based introduction to concepts in engineering and autonomy. AUSS is part of the UMD First-year Innovation and Research Experience program (FIRE), a campus-wide initiative that provides course-based undergraduate research experiences for first-year students. FIRE aims to propel students towards planning, conducting and reporting research that is relevant to the scientific community. To serve its educational mission, the AUSS needs to equip incoming freshmen with the necessary technical capabilities to pursue engineering research in autonomous systems. The AUSS FIREfly is a robotics kit designed to be a training tool and a research platform. Each device is assembled and programmed by an individual student, exposing the builder to topics such as circuit design, information theory, and computer science. Once completed, the FIREfly uses onboard infrared transceivers to emulate the photic system of a firefly, supporting group-led experiments in multi-agent synchronization. The devices are also designed to serve as nodes in a distributed sensor network when equipped with additional measurement modules such as airspeed probes. This paper presents the design features of the AUSS FIREfly system within the context of the challenges faced by a first-year research education experience. -
The Moon Bear As a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan
Catherine Knight Independent Scholar The Moon Bear as a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan The Asiatic black bear, or “moon bear,” has inhabited Japan since pre- historic times, and is the largest animal to have roamed Honshū, Shikoku, and Kyūshū since mega-fauna became extinct on the Japanese archipelago after the last glacial period. Even so, it features only rarely in the folklore, literature, and arts of Japan’s mainstream culture. Its relative invisibility in the dominant lowland agrarian-based culture of Japan contrasts markedly with its cultural significance in many upland regions where subsistence lifestyles based on hunting, gathering, and beliefs centered on the mountain deity (yama no kami) have persisted until recently. This article explores the significance of the bear in the upland regions of Japan, particularly as it is manifested in the folklore of communities centered on hunting, such as those of the matagi, and attempts to explain why the bear, and folklore focused on the bear, is largely ignored in mainstream Japanese culture. keywords: Tsukinowaguma—moon bear—matagi hunters—yama no kami—upland communities—folklore Asian Ethnology Volume 67, Number 1 • 2008, 79–101 © Nanzan Institute for Religion and Culture nimals are common motifs in Japanese folklore and folk religion. Of the Amammals, there is a wealth of folklore concerning the fox, raccoon dog (tanuki), and wolf, for example. The fox is regarded as sacred, and is inextricably associated with inari, originally one of the deities of cereals and a central deity in Japanese folk religion. It has therefore become closely connected with rice agri- culture and thus is an animal symbol central to Japan’s agrarian culture. -
Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
Mountains and Their Importance for the Idea of the Other World in Japanese Folk Religion Author(S): Ichiro Hori Source: History of Religions, Vol
Mountains and Their Importance for the Idea of the Other World in Japanese Folk Religion Author(s): Ichiro Hori Source: History of Religions, Vol. 6, No. 1 (Aug., 1966), pp. 1-23 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1062094 Accessed: 10-10-2017 22:28 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to History of Religions This content downloaded from 206.224.223.250 on Tue, 10 Oct 2017 22:28:36 UTC All use subject to http://about.jstor.org/terms Ichiro Hori MOUNTAINS AND THEIR IMPORTANCE FOR THE IDEA OF THE OTHER WORLD IN JAPANESE FOLK RELIGION INTRODUCTION-MOUNTAINS AND MOUNTAIN ASCETICS Japan presents to the observer a very complicated mountain worship which has developed along diverse lines and become quite widespread. Edward Morse, a pioneer of Japanese archeology and natural history, wrote that he was much impressed upon observ- ing that almost every high mountain top has its own shrine and that some of them are piously worshiped by thousands of people who climb there in summer after many miles of arduous travel.l Mountain worship is intricately involved with Japanese history. -
Of the Most Beautiful Motorcycle Roads on Earth!
OF THE MOST10 BEAUTIFUL MOTORCYCLE ROADS ON EARTH! There are many great roads for motorcycling on lead tours for many years now and they explored our planet. When planning your next trip you have almost every corner of this world on a motorcycle. the agony of choice! To make this choice a little So if there is someone who is truly able to judge easier for you, we picked 10 roads that we believe which roads belong to the best out there - our are among the most beautiful ones on earth. This guides are definitely among them! might sound like a bold statement to you – who I hope you will enjoy these inspirations and they are are we to judge? a great motivation to continue exploring the world Well, our tour guides who picked these roads have on two wheels! ENJOY THESE INSPIRATIONS AND HOPEFULLY YOU‘LL GET TO EXPLORE ONE OR MORE OF THESE ROADS SOON! Tobias Wachter // Owner & Managing Director Edelweiss Bike Travel Rainer Buck // Managing Director Edelweiss Bike Travel www.edelweissbike.com THE MOST BEAUTIFUL MOTORCYCLE ROADS ON EARTH Mount Fuji MOUNT FUJI JAPAN SOUTH SIDE: MT. FUJI SKYLINE (8 MI, 23 HAIRPIN TURNS) EAST SIDE: FUJI AZAMI LINE (7.8 MI, 37 HAIRPIN TURNS) Mount Fuji, at 3.776m (12,388ft), is the highest mountain in The windy road in the South, the Fujisan Skyline, used to Japan and located in the central area of the Honshu island. be a toll road, but it is now toll-free. A flowing ride of 23 Along with Mount Tate and Mount Haku, it ranks among hairpin turns on a distance of 8 miles takes you up to the Japan’s „Three Holy Mountains“. -
山の日a New Holiday for Japan
Mountain Day—山の日a new holiday for Japan In summertime many Japanese enjoying hiking particularly in the mountains, although there are keen hikers who enjoy setting off up a mountain track at any time of year. This summer Japan will observe a new public holiday —11 August will now be known as Yama no Hi or Mountain Day. The public holiday will be a chance for people to celebrate mountains and all they have to offer. Certainly Japan has no shortage of mountains. Three quarters of the country is considered mountainous and there are tall and imposing mountain ranges that have long influenced the lives of Japanese people. Japan’s best known mountain is of course Mount Fuji, a there are many mountains which are taller than 3,000 dormant volcano which towers over the surrounding metres, dwarfing Australia’s highest peak (2,228m). This landscape at a lofty 3,776 metres. Since 2013 it has been is also where you will find Mount Tate (Tateyama) and a UNESCO designated World Heritage Site, not for its Mount Haku (Hakusan), which together with Mount Fuji undeniable natural beauty but for its cultural significance. are generally considered Japan’s three holy mountains. Mt Fuji was inscribed on Apart from being a the World Heritage List as hiker’s delight, all those a cultural site and is mountains in a country described by UNESCO as with significant snow and a “sacred place and source rainfall result in many of inspiration.” In Japan, fast flowing rivers which mountains were long spill out into the sea thought to be the home of soon after leaving the gods (kami) and ancestral mountain valleys and spirits. -
Insects in the World of Fiction
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations and Student Research in Entomology Entomology, Department of 6-2013 Insectography: Insects in the World of Fiction Erin Bauer University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/entomologydiss Bauer, Erin, "Insectography: Insects in the World of Fiction" (2013). Dissertations and Student Research in Entomology. 24. https://digitalcommons.unl.edu/entomologydiss/24 This Article is brought to you for free and open access by the Entomology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations and Student Research in Entomology by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Master’s Project Proposal Insectography: Insects in the World of Fiction By Erin Bauer My proposed Master’s Project is to develop a comprehensive list of fictional works (films/TV episodes, video games, children’s books, and novels) originally published or produced in the United States between 1950 and 2012 about or including insects, spiders, related arthropods (many times anthropomorphized or mutated) and/or entomologists as main characters and playing a major role in the plot. Although the list will encompass both entertaining and educational works, it will not include textbooks or other non-fictional works. It will also not include “fictionalized” accounts of real processes. For example, a book such as Hope for the Flowers, where the story is told from the perspective of the main character, a caterpillar discovering its true nature through metamorphosis, or a book where an insect character learns the importance of friendship, would be included in this list. -
FRINGE (September 2008 – January 2013) 5 Seasons, 100 Episodes
FRINGE (September 2008 – January 2013) 5 Seasons, 100 Episodes 1. 1-1 09 Sep 08 Pilot 2. 1-2 16 Sep 08 The Same Old Story 3. 1-3 23 Sep 08 The Ghost Network 4. 1-4 30 Sep 08 The Arrival 5. 1-5 14 Oct 08 Power Hungry 6. 1-6 21 Oct 08 The Cure 7. 1-7 11 Nov 08 In Which We Meet Mr. Jones 8. 1-8 18 Nov 08 The Equation 9. 1-9 25 Nov 08 The Dreamscape 10. 1-10 02 Dec 08 Safe 11. 1-11 20 Jan 09 Bound 12. 1-12 27 Jan 09 The No-Brainer 13. 1-13 03 Feb 09 The Transformation 14. 1-14 10 Feb 09 Ability 15. 1-15 07 Apr 09 Inner Child 16. 1-16 14 Apr 09 Unleashed 17. 1-17 21 Apr 09 Bad Dreams 18. 1-18 28 Apr 09 Midnight 19. 1-19 05 May 09 The Road Not Taken There's More than One of 20. 1-20 12 May 09 Everything 21. 2-1 17 Sep 09 A New Day in the Old Town 22. 2-2 24 Sep 09 Night of Desirable Objects 23. 2-3 01 Oct 09 Fracture 24. 2-4 08 Oct 09 Momentum Deferred 25. 2-5 15 Oct 09 Dream Logic 26. 2-6 05 Nov 09 Earthling 27. 2-7 12 Nov 09 Of Human Action 28. 2-8 19 Nov 09 August 29. 2-9 03 Dec 09 Snakehead 30. 2-10 10 Dec 09 Grey Matters 31. -
Mount Fuji Key Facts & Information
Mount Fuji Key Facts & Information: • Mount Fuji is located on Honshu Island, Japan, near the Pacific Coast. • It is one of Japan’s ‘Three Holy Mountains’, alongside Mount Haku and Mount Tate. • In Japan, Mount Fuji is called ‘Fujisan’. • Mount Fuji is 3,766.24 meters high (12,389.2 feet). • It is the highest mountain in Japan. • The summit of Mount Fuji has a tundra climate and is usually covered in snow. In winter it can be as cold as -21°C, and in summer it reaches around 7°C. • At the summit where the volcano’s crater is, there are eight peaks. • The crater of Mount Fuji is around 500 meters (1,600 feet) wide. Location, History & Geography: • There are three cities that surround Mount Fuji: Gotemba, Fujiyoshida and Fujinomiya. • There are five lakes around Mount Fuji: Lake Kawaguchi, Lake Motosu, Lake Sai, Lake Yamanaka and Lake Shoji. • Mount Fuji is an active composite volcano that last erupted in 1707. It has been classified as being at ‘low risk’ of erupting again, despite recent nearby earthquakes which often signal that an eruption is imminent. • Mount Fuji is 100km southwest of Japan’s capital, Tokyo, and can be seen from the city on a clear day. • Mount Fuji has been classified as a Special Place of Scenic Beauty because of how symmetrical the mountain looks. • Mount Fuji is also on the UNESCO World Heritage List. • The summit of Mount Fuji has always been regarded as sacred. • The first person to climb Mount Fuji was a Buddhist monk in 663 AD. -
Contributions to the Knowledge of Lichenicolous Fungi on Thamnolia
Opuscula Philolichenum, 17: 368-373. 2018. *pdf effectively published online 12November2018 via (http://sweetgum.nybg.org/philolichenum/) Contributions to the knowledge of lichenicolous fungi on Thamnolia MIKHAIL P. ZHURBENKO1 AND YOSHIHITO OHMURA2 ABSTRACT. – Capronia thamnoliae, Cercidospora thamnoliae and Cercidospora thamnoliicola are reported new to Japan; Endococcus thamnoliae new to Papua New Guinea; Merismatium thamnoliicola new to Norway; Polycoccum vermicularium new to Argentina, Australia, Colombia, Japan, Nepal and Papua New Guinea; Sphaerellothecium thamnoliae var. taimyricum new to Nepal; S. thamnoliae var. thamnoliae new to Australia, Falkland Islands, Japan and Papua New Guinea; Sphaeropezia santessonii new to Japan; Stigmidium frigidum new to Japan; Thamnogalla crombiei new to Australia, Bhutan, India, Japan, Nepal, North Korea and Papua New Guinea. Cornutispora ciliata is newly reported from Thamnolia. Material of Polycoccum vermicularium is shown to be morphologically heterogeneous. KEYWORDS. – Biodiversity, biogeography, lichenicolous mycobiota. INTRODUCTION Thamnolia Ach. ex Shaer. (Icmadophilaceae) is among the host lichen genera with the highest diversity of known lichenicolous fungi (Diederich et al. 2018b). At least 26 species of these fungi have been documented from Thamnolia (Diederich et al. 2018a; Zhurbenko 2012, 2017; also herein). Although thamnoliicolous fungi have been specifically treated by Ihlen (1995) and Zhurbenko (2012), including an identification key presented in the latter, their distribution and frequency is still poorly known. Here we provide new distributional records, range extensions and taxonomic notes on thamnoliicolous fungi that were found in conjunction with examining material at several major herbaria. MATERIALS AND METHODS This study is based on 81 specimens of lichenicolous fungi found on Thamnolia deposited in H (33 specimens) and TNS (48 specimens). -
TV Finales and the Meaning of Endings Casey J. Mccormick
TV Finales and the Meaning of Endings Casey J. McCormick Department of English McGill University, Montréal A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Casey J. McCormick Table of Contents Abstract ………………………………………………………………………….…………. iii Résumé …………………………………………………………………..………..………… v Acknowledgements ………………………………………………………….……...…. vii Chapter One: Introducing Finales ………………………………………….……... 1 Chapter Two: Anticipating Closure in the Planned Finale ……….……… 36 Chapter Three: Binge-Viewing and Netflix Poetics …………………….….. 72 Chapter Four: Resisting Finality through Active Fandom ……………... 116 Chapter Five: Many Worlds, Many Endings ……………………….………… 152 Epilogue: The Dying Leader and the Harbinger of Death ……...………. 195 Bibliography ……………………………………………………………………………... 199 Primary Media Sources ………………………………………………………………. 211 iii Abstract What do we want to feel when we reach the end of a television series? Whether we spend years of our lives tuning in every week, or a few days bingeing through a storyworld, TV finales act as sites of negotiation between the forces of media production and consumption. By tracing a history of finales from the first Golden Age of American television to our contemporary era of complex TV, my project provides the first book- length study of TV finales as a distinct category of narrative media. This dissertation uses finales to understand how tensions between the emotional and economic imperatives of participatory culture complicate our experiences of television. The opening chapter contextualizes TV finales in relation to existing ideas about narrative closure, examines historically significant finales, and describes the ways that TV endings create meaning in popular culture. Chapter two looks at how narrative anticipation motivates audiences to engage communally in paratextual spaces and share processes of closure.