DOCSLIB.ORG

Social Distortion Released Their First Album, Mommy's

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Social Distortion Released Their First Album, Mommy's ETHAN MEYERS SOCIAL DISTORTION 9/7/17 [STILL ALIVE INTRO] SOCIAL DISTORTION RELEASED THEIR FIRST ALBUM, MOMMY’S LITTLE MONSTER, ALMOST 35 YEARS AGO, AND SINCE ITS RELEASE THEY HAVE CONTINUED TO DEVELOP AND GROW AS THEY MADE MORE AND MORE MUSIC WITH THEIR MOST RECENT ALBUM, HARD TIMES AND NURSERY RHYMES, BEING RELEASED IN 2011. THE BAND HAS EXPERIENCED MANY SETBACKS AND GONE THROUGH 21 MEMBERS IN THE 39 YEARS SINCE THE BAND WAS FORMED WITH FRONT MAN MIKE NESS AS THE ONLY REMAINING MEMBER FROM THE ORIGINAL LINEUP. IN THE BEGINNING THE BAND WAS MORE PUNK BASED AND AGGRESSIVE. [MORAL THREAT] THEIR FIRST ALBUM MOMMY’S LITTLE MONSTER DID NOT RECEIVE A LOT OF PRESS AND WAS NOT VERY POPULAR, AND THE SAME CAN BE SAID FOR THEIR SECOND ALBUM PRISON BOUND. THESE ALBUMS WERE VERY SIMILAR IN THEIR PRODUCTION AND STYLE WITH A MIX OF PUNK, COUNTRY, AND ROCK. [MOMMY’S LITTLE MONSTER] THIS IS A COMBINATION THAT SOCIAL DISTORTION CONTINUES TO USE IN SOME FORM TO THIS DAY. IN THE BEGINNING THIS MIX WAS ROUGH AND WAS MORE PUNK INFLUENCED. [ANTI-FASHION] IT WASN’T UNTIL THEIR SELF-TITLED THIRD ALBUM THAT THEY STARTED TO EXPERIENCE MAINSTREAM SUCCESS. THIS ALBUM CONTAINS SOME OF THE BAND'S MOST POPULAR SONGS INCLUDING STORY OF MY LIFE [STORY OF MY LIFE] AND BALL AND CHAIN. [BALL AND CHAIN] THESE SONGS WERE VERY POPULAR AT THE TIME OF THE ALBUM'S RELEASE AND SPENT A LONG TIME IN THE TOP CHARTS. THIS ALBUM ALSO INCLUDED A PUNKED OUT COVER OF RING OF FIRE BY JOHNNY CASH. [RING OF FIRE] SOCIAL DISTORTION IS CONSIDERED ONE OF THE BEST ROCK ALBUMS OF 1990 BECAUSE OF THE WAY IT COMBINED WESTERN ROCK WITH PUNK. [IT COULDA BEEN ME] THEY CONTINUED THEIR UPWARD TREND WITH THEIR 1992 ALBUM SOMEWHERE BETWEEN HEAVEN AND HELL. THIS ALBUM SURPASSED ALL OF SOCIAL DISTORTION’S PREVIOUS ALBUMS IN SALES, AND IT CONTAINED THEIR HIT SINGLE BAD LUCK. [BAD LUCK] THE BAND'S FIFTH ALBUM, WHITE LIGHT, WHITE HEAT, WHITE TRASH, RELEASED IN 1996 TOOK A DIFFERENT APPROACH THAN THEIR PREVIOUS ALBUMS WITH A LESS WESTERN AND MORE ALTERNATIVE STYLE. [DOWN ON THE WORLD AGAIN] THIS ALBUM CAME OFF AS MORE AGGRESSIVE WITH ONLY ONE SONG TITLED I WAS WRONG RECEIVING THE SAME AMOUNT OF POPULARITY AS THEIR TWO PREVIOUS ALBUMS. [I WAS WRONG] SOCIAL DISTORTION RETURNED TO A MORE LAID BACK VERSION OF ITS TRADITIONAL STYLE IN THEIR 2004 ALBUM SEX, LOVE AND ROCK ‘N’ ROLL. THIS ALBUM WAS MUCH LESS HEAVY THAN SOME OF THE BAND'S PREVIOUS WORK WITH A FOCUS ON BLUES AND ROCK. [WINNERS AND LOSERS] WHILE THIS ALBUM WAS NOT AS POPULAR AS SOME OF THE BAND’S PREVIOUS WORK, IT RECEIVED GOOD REVIEWS, AND SHOWED THAT THE BAND WAS STILL WORKING HARD AND IMPROVING. THE OPENING TRACK REACH FOR THE SKY WAS THE MOST POPULAR SONG ON THE ALBUM. [REACH FOR THE SKY] THEIR NEWEST ALBUM, HARD TIMES AND NURSERY RHYMES, WAS RELEASED IN 2011. IT IS DIFFERENT FROM THE BAND'S OLDER MUSIC IN THAT IT IS MUCH SLOWER AND MORE CALM. MOST OF THE SONGS ARE FOCUSED ON THEMES OF HEARTBREAK AND PAIN. [BAKERSFIELD] THE ALBUM IS MUCH LESS HEAVY AND HARSH. SOCIAL DISTORTION SEEMS TO HAVE CALMED WITH AGE WITHOUT COMPLETELY ABANDONING THEIR ORIGINAL STYLE AND MESSAGE. [ALONE AND FORSAKEN] MANY CRITICS BELIEVE THAT THIS ALBUM IS THE BAND'S BEST BECAUSE OF ITS LYRICS AND OVERALL LAYOUT AND FLOW. [DIAMOND IN THE ROUGH] SOCIAL DISTORTION IS RUMORED TO BE WORKING ON A NEW ALBUM SET TO BE RELEASED IN 2018. THEY CONTINUE TO TOUR AND PLAY LIVE SHOWS. IN THE BAND’S 39-YEAR CAREER THEY HAVE MADE A LOT OF MUSIC AND CONTINUE TO GET BETTER WITH AGE. [MACHINE GUN BLUES OUTRO?] .
Load more

Recommended publications
  • Episode 2 - Agenda Made 20140822
    Episode 2 - Agenda Made 20140822 Intro Welcome to Point Radio Cast. Contact Info [email protected] Links to music on pointradiocast.com Click through the site to buy it, and support us and the bands. Show intro - Theme Best CDs I currently own, part one. If on a deserted island with a CD player and a solar power source, which CDs would I want to have? 2 songs from each disc. This will be a 2 part episode. Chronological order. The Misfits - Static Age Recorded 1978. Loved by millions. Classic and great. Some Kinda Hate Last Caress Minor Threat - Complete Discography. Recorded between 1981-1983. Godfathers of straight edge hardcore. Odd for me, but awesome and raw. Filler Out of Step The Pogues - The Best of the Pogues Recorded between 1984-1991. Dog through painting on cover. Godfathers of punk edge irish. Many bands spring from them, like the Tossers, Flogging Molly, anything of that ilk. Fairytale of New York Streams of Whiskey Guns N Roses - Appetite for Destruction Release 1987. A bit mainstream, but awesome. Nuff said. It's So Easy My Michelle Sloppy Seconds - Destroyed Released 1989. Classic bad attitude obnoxious midwest punk rock. Black Mail Steal your Beer Mid-show Interruption Can we fuck off with the ice bucket shit? Remember when people did their share without needing recognition for it from the world? Fuck ALS, it sucks. All the toolbox ice bucket bullshit sucks too. Try and do your part without needing a pat on the back from all your FB friends. Bad Religion - Against the Grain Released 1990.
    [Show full text]
  • Ben E. King Ben E. King Social Distortion
    JAN/FEB 2011 ISSUE MMUSICMAG.COM SPOTLIGHT SOCIAL DISTORTION An all-American band explores its rock ’n’ roll David Hidalgo Jr., Mike Ness, roots and its own checkered past Brent Harding, Jonny Wickersham IF WELL-INKED SOCIAL DISTORTION later. Although Ness had grown up listening and all-around troublemaker—challenged frontman Mike Ness doesn’t already have to the Rolling Stones and Johnny Cash, he himself to break from previous albums a “Lucky Seven” tattoo somewhere on his waited until 1988’s Prison Bound to begin and write about topics other than his body, now’s the time to get one. On Hard incorporating those and other classic sounds own checkered past, he couldn’t help but Times and Nursery Rhymes, the California into his songwriting. “When I was starting incorporate a few autobiographical elements. band’s seventh album, Ness continues his the band at 17, there was a period where I “‘Writing on the Wall’ is actually about my streak of building fresh songs from familiar put that stuff aside and couldn’t sit through elder son, who unfortunately has chosen ingredients. By now, the singer and guitarist a fi ve-minute blues song,” Ness says. “It had to go down a similar path I did at his age,” should have exhausted every possible blues- to be fast and loud and hard. But by the Ness says. “It’s been a rough couple years. country-punk permutation—but against all mid-’80s that stuff got really old and punk He’s been crazy, and without being literal, I odds, he’s still fi nding new ways to blend started to stereotype itself.
    [Show full text]
  • December 25 1991 Vol 1 No 24OCR.Pdf
    t h e h o t t e s t C A L E N D A R i n t o w n I FREEi Step1: Hold overthis your head: ' .., . 1· ...... TheStory Step 2: Kiss somebody! ofSanta t's a wonderful myth: A fairy­ is thunder, "Blitzen" is flash), all of M le Kalikimakafrom all of us at theHonolulu Weekly. land inhabited by a flamboyantly whom combine to drop treasures dressed, compulsively merry down the chimneys of preschoolers fatherfigure in a red suit, his few, who haven't been unduly rebellious vaguely referenced assistants and during the 12 months past. Nothing some implausible English and in childhood equals the Santa Claus German reindeer with motiva­ myth, and nothing ever will. tional names (in German, "Donner" Continued on Page 3 HONOLULU oticed anything dif­ der. "Have extremists ferent about the commandeered the Honolulu airwaves airwaves?" lately? Say you're You got it. Last cruising down H-1 summer, the FM side in your finemachine of KDEO radio, for and you flip on the years a country and radio. George Bush gibbering. western bulwark, was Flip the dial. Paula Abdul. Flip leased by a visionary, again. Muzak. Again. Hall and if chaotic, outfit that Oates. Agai ... whoa, wait a has transformedthe sta­ minute. Was that really the tion into something Red Hot Chili Peppersyou just unique in the annals of American broadcast­ ing: totally listener­ programmedradio - heard? You leave the dial where it is- 102.7 FM- and wonder if this is forreal. Is someone really playing the Dead Kennedys' Let's Lynch the Landlord on commercial Honolulu radio? And The Melodians doing Rivers of Babylon? Next, unbelievably, comes the Village People, fol­ lowed by Nirvana, Modern English, Bob Marley, Public Enemy, Social Distortion and a lot of strange but funky tion now transmits JULIA STEELE a phenomenal col­ lection of music, sounding stuff you've never concocted in an heard before.Interspersed with environment of the music is the omnipresent barely-controlled phrase, "the radio revolution," anarchy.
    [Show full text]
  • Razorcake Issue
    PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing.
    [Show full text]
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • THE BONES Are Back in the Ring with Another Swing! Is It Really Already
    THE BONES are back in the ring with another swing! Is it really already five years ago since Sweden’s finest Punk’n’Roll outfit took over our stereos with „Burnout Boulevard“? Apparently it is, but the good news is: the wait is over. On „Monkeys With Guns“, the fifth studio album in their enduring career, THE BONES are back blazing with 15 (17 on the Limited Edition and LP) blistering, hard hitting new tracks of perfect Punk’n’Roll marriage material made in hell. In our case, hell is a lovely little harbour-town called Karlskrona in the Southwest of Sweden. That’s where it all started out for THE BONES back in 1993. Back then singer/guitarist Beef Bonanza, along with his brother Spooky Fred and bassist Dollar Ace, were working on their first demos, which already included soon-to-be-classics like ‘I Met Elvis At The Nudybar’ and ‘Monsters Prefer Blondes’. When singer/guitar-slinger Marcus „Boner“ Petersson entered the picture in 1996 things began to speed up. Sharing a mutual love for high energetic punk and rock music in the vein of The Ramones and Motörhead and 50s and 60s rock’n’roll, THE BONES were always influenced by the melodic qualities of bands such as The Bay City Rollers and The Barracudas as well. After self-releasing „The Horrorway EP“ in 1997 german punk rock label I Used To Fuck People Like You In Prison Records caught an eye on the ear-catching qualities of THE BONES. Following two more EPs, „Rock n' Roll Race“ and „Six Feet Down, Two Fingers Up“ the swedes finally released their adeptly titled debut album „Screwed, Blued & Tattooed“ in 2000 to critical acclaim.
    [Show full text]
  • KUCI 88.9 FM [Spring 1991]
    · ..... ~ , ·I ••• · . ....... ~,,\, . ) - . \ -' (X) ~ I, (X) ,N • -0/---­ co • • • • • - ~ . 1'" ~ I . .,I/:..~ . a:: . .", • •· ·, ·• I ·t'· . .• ·· . ·· . .. •••• i ,,".' . .. /' • Day of Decency has come and' gone. It has been months since a couple of heads got together on the 3rd floor of gateway commons and decided what part they would play in a battle for what they thought was right. And nearly a month (perhaps two as you read this) since the dreams and the plan came together. OUtcome? Well. for one, I'm not really sure. I'dreallylike tothink that maybesome part of Meye opening" or MreactionaryseDiment" ocurred on account ofsomeone standingup and screaming MMy rights as a citizen are in danger." Jlut how can something like that be measured? To tell you the truth, I don't know, either. I wish I had played my part out. AJJ the decision to ban Minde~ency", "profanity", and "obcenity" from public radio stations 24 hours a day is being appealed. we must watch, not wait, and act. How? You can call 866-6868 and find out. Anyone of the folks on staff has' access to the information. any day of the week, at any time. Provided, of course, there is someone here (ahem!). We can give you names and addre~ses. fax and phone numb,..rs of organizations and individuals who need the assistance of people like yourself, or in some cases, would, and do, defy ~our opposition. AJJ someone who values creativity and its limitless bounds, and wonders at the different kinds of reactions it provi-ies. from rage to confusion to recognition, it Is important for me to posess the ability to think freely.
    [Show full text]
  • The Genre Formerly Known As Punk: a Queer Person of Color's Perspective on the Scene Shane M
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2014 The Genre Formerly Known As Punk: A Queer Person of Color's Perspective on the Scene Shane M. Zackery Scripps College Recommended Citation Zackery, Shane M., "The Genre Formerly Known As Punk: A Queer Person of Color's Perspective on the Scene" (2014). Scripps Senior Theses. 334. http://scholarship.claremont.edu/scripps_theses/334 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. THE GENRE FORMERLY KNOWN AS “PUNK”: A QPOC’S PERSPECTIVE ON THE SCENE Shane Zackery Scripps College Claremont CA, 91711 1 THE GENRE FORMERLY KNOWN AS “PUNK”: A QPOC’S PERSPECTIVE ON THE SCENE Abstract This video is a visual representation of the frustrations that I suffered from when I, a queer, gender non-conforming, person of color, went to “pasty normals” (a term defined by Jose Esteban Munoz to describe normative, non-exotic individuals) to get a definition of what Punk meant and where I fit into it. In this video, I personify the Punk music movement. Through my actions, I depart from the grainy, low-quality, amateur aesthetics of the Punk film and music genres and create a new world where the Queer Person of Color defines Punk. In the piece, Punk definitively says, “Don’t try to define me. Shut up and leave me to rest.” 2 1 Conceptualization My project will be an experimental performance video that incorporates monologues, performances, visual sound elements, and still and moving images.
    [Show full text]
  • MUSIC TRADE MAGAZINE KAY KNIGHT Nashville Editor Editorial KAREN WOODS, Assoc
    MAGAZINE TRADE MUSIC THE 9 STAFF BOX GEORGE ALBERT President and Polisher ROBERT LONG VOL Ull, NO. #6, JUNE 23, 1990 Vice PresidentAJrban Marketing KEITH ALBERT Vice President/General Manager JIM SHARP Director, Nashville Operations PASIG CAMILLE COM j Director, Coin Machine Operations Marketing JIM WARSINSKE (LA.) MIKE GORDON (LA ) KEITH GORMAN Editor LEEJESKE BOX New York Editor THE MUSIC TRADE MAGAZINE KAY KNIGHT Nashville Editor Editorial KAREN WOODS, Assoc. Ed. (N. Y.j 8 KIMMY WIX, Assoc. Ed. (Nash.) ERNEST HARDY, Assoc. Ed. (LA) TONYSABOURNIN, Assoc. Ed., Latin (N. Y.) SHELLY WEISS, Assoc. Ed., Publishing (LA.) BERNETTA GREEN (NX) CONTENTS WILMA MELTON (Nash.) ALEX HENDERSON (LA.) 8 MUSIC PUBLISHING 1990 SPECIAL ISSUE Chart Research Interviews with26the movers and shakers of the publishing industry, and more, so much more. SCOTT M. SALISBURY 27 BY SHELLY WEISS Coordinator (LA.) 28 JOHN DECKER (Nash.) 30 C J. (War Flower)(LAJ 31 TERESA CHANCE (Nash.) 32 COLUMNS JEFF KARP (LA.) NATHAN W.(DXF) HOLSEY (LA.) 4 East Coasting / To long-box or not to long-box, that is the question, and Karen Woods has the answer. Production 4 London Calling / Chrissy Iley, Dusty Springfield and a whole shirtload of cats, plus a catty comment about the JIM GONZALEZ Beach Ball. Art Director 5 Faces On Top, by Ernest Hardy; Child's Play, by Alex Henderson; Doug Stone, by Kay Knight. Circulation New / NINATREGUB, Manager 6 Retail News / Retail for the visually impaired, by C.J. and Jeff Karp. CYNTHIA BANTA ; 7 Indie Focus / Hey, chief, that's indie, not in die, with Alex Henderson.
    [Show full text]
  • The Legendary Stooges Axeman, 1948-2009: He Didn't Just Play the Guitar
    The legendary Stooges axeman, 1948-2009: he didn't just play the guitar. BY TIM "NAPALM" STEGALL The first thing you noticed, after seeing the perfect picture of teenage delinquency in quartet form on the cover (and how much the band depicted resembles a prehistoric Ramones, if you're of a certain age), was the sound: Corrosive, brittle, brassy, seemingly untamed. It was the sound of an electric guitar being punished more than played. And the noise got particularly nasty once Mr. Guitar Flogger stepped on his wah-wah pedal. Because unlike whenever Jimi Hendrix stepped on a wah, this guitar didn't talk. It snarled and spat and attacked like a cobra. As the six string engine that drove The Stooges, Ron Asheton didn't play guitar. He played the amp. And the fuzztone. And the wah-wah pedal. In the process, he didn't just give singer Iggy Pop a sonic playground in which he could run riot and push the boundaries of then-acceptable rock stagecraft. ("Ron provided the ammo," says Rolling Stone Senior Writer David Fricke. "Iggy pulled the trigger.") Ron Asheton also changed the way rock 'n' roll was played and energized a few generations to pick up guitars themselves, creating several subgenres in the process. Ron Asheton was found dead in the wee hours of January 6, 2009, in the Ann Arbor home he and brother Scott (The Stooges' drummer) and sister Kathy (muse to a few late Sixties Detroit rockers and lyrical inspiration for The Stooges' classic "TV Eye") grew up in after the family relocated from the guitarist's native Washington, DC.
    [Show full text]
  • Order Form Full
    PUNK ARTIST TITLE LABEL RETAIL 100 DEMONS 100 DEMONS DEATHWISH INC RM90.00 4-SKINS A FISTFUL OF 4-SKINS RADIATION RM125.00 4-SKINS LOW LIFE RADIATION RM114.00 400 BLOWS SICKNESS & HEALTH ORIGINAL RECORD RM117.00 45 GRAVE SLEEP IN SAFETY (GREEN VINYL) REAL GONE RM142.00 999 DEATH IN SOHO PH RECORDS RM125.00 999 THE BIGGEST PRIZE IN SPORT (200 GR) DRASTIC PLASTIC RM121.00 999 THE BIGGEST PRIZE IN SPORT (GREEN) DRASTIC PLASTIC RM121.00 999 YOU US IT! COMBAT ROCK RM120.00 A WILHELM SCREAM PARTYCRASHER NO IDEA RM96.00 A.F.I. ANSWER THAT AND STAY FASHIONABLE NITRO RM119.00 A.F.I. BLACK SAILS IN THE SUNSET NITRO RM119.00 A.F.I. SHUT YOUR MOUTH AND OPEN YOUR EYES NITRO RM119.00 A.F.I. VERY PROUD OF YA NITRO RM119.00 ABEST ASYLUM (WHITE VINYL) THIS CHARMING MAN RM98.00 ACCUSED, THE ARCHIVE TAPES UNREST RECORDS RM108.00 ACCUSED, THE BAKED TAPES UNREST RECORDS RM98.00 ACCUSED, THE NASTY CUTS (1991-1993) UNREST RM98.00 ACCUSED, THE OH MARTHA! UNREST RECORDS RM93.00 ACCUSED, THE RETURN OF MARTHA SPLATTERHEAD (EARA UNREST RECORDS RM98.00 ACCUSED, THE RETURN OF MARTHA SPLATTERHEAD (SUBC UNREST RECORDS RM98.00 ACHTUNGS, THE WELCOME TO HELL GOING UNDEGROUND RM96.00 ACID BABY JESUS ACID BABY JESUS SLOVENLY RM94.00 ACIDEZ BEER DRINKERS SURVIVORS UNREST RM98.00 ACIDEZ DON'T ASK FOR PERMISSION UNREST RM98.00 ADICTS, THE AND IT WAS SO! (WHITE VINYL) NUCLEAR BLAST RM127.00 ADICTS, THE TWENTY SEVEN DAILY RECORDS RM120.00 ADOLESCENTS ADOLESCENTS FRONTIER RM97.00 ADOLESCENTS BRATS IN BATTALIONS NICKEL & DIME RM96.00 ADOLESCENTS LA VENDETTA FRONTIER RM95.00 ADOLESCENTS
    [Show full text]
  • Karaoke Catalog Updated On: 09/04/2018 Sing Online on Entire Catalog
    Karaoke catalog Updated on: 09/04/2018 Sing online on www.karafun.com Entire catalog TOP 50 Tennessee Whiskey - Chris Stapleton My Way - Frank Sinatra Wannabe - Spice Girls Perfect - Ed Sheeran Take Me Home, Country Roads - John Denver Broken Halos - Chris Stapleton Sweet Caroline - Neil Diamond All Of Me - John Legend Sweet Child O'Mine - Guns N' Roses Don't Stop Believing - Journey Jackson - Johnny Cash Thinking Out Loud - Ed Sheeran Uptown Funk - Bruno Mars Wagon Wheel - Darius Rucker Neon Moon - Brooks & Dunn Friends In Low Places - Garth Brooks Fly Me To The Moon - Frank Sinatra Always On My Mind - Willie Nelson Girl Crush - Little Big Town Zombie - The Cranberries Ice Ice Baby - Vanilla Ice Folsom Prison Blues - Johnny Cash Piano Man - Billy Joel (Sittin' On) The Dock Of The Bay - Otis Redding Bohemian Rhapsody - Queen Turn The Page - Bob Seger Total Eclipse Of The Heart - Bonnie Tyler Ring Of Fire - Johnny Cash Me And Bobby McGee - Janis Joplin Man! I Feel Like A Woman! - Shania Twain Summer Nights - Grease House Of The Rising Sun - The Animals Strawberry Wine - Deana Carter Can't Help Falling In Love - Elvis Presley At Last - Etta James I Will Survive - Gloria Gaynor My Girl - The Temptations Killing Me Softly - The Fugees Jolene - Dolly Parton Before He Cheats - Carrie Underwood Amarillo By Morning - George Strait Love Shack - The B-52's Crazy - Patsy Cline I Want It That Way - Backstreet Boys In Case You Didn't Know - Brett Young Let It Go - Idina Menzel These Boots Are Made For Walkin' - Nancy Sinatra Livin' On A Prayer - Bon
    [Show full text]