VANDOLIERS FOREVER LANZAMIENTO: 22 De Febrero, 2019
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Episode 2 - Agenda Made 20140822
Episode 2 - Agenda Made 20140822 Intro Welcome to Point Radio Cast. Contact Info [email protected] Links to music on pointradiocast.com Click through the site to buy it, and support us and the bands. Show intro - Theme Best CDs I currently own, part one. If on a deserted island with a CD player and a solar power source, which CDs would I want to have? 2 songs from each disc. This will be a 2 part episode. Chronological order. The Misfits - Static Age Recorded 1978. Loved by millions. Classic and great. Some Kinda Hate Last Caress Minor Threat - Complete Discography. Recorded between 1981-1983. Godfathers of straight edge hardcore. Odd for me, but awesome and raw. Filler Out of Step The Pogues - The Best of the Pogues Recorded between 1984-1991. Dog through painting on cover. Godfathers of punk edge irish. Many bands spring from them, like the Tossers, Flogging Molly, anything of that ilk. Fairytale of New York Streams of Whiskey Guns N Roses - Appetite for Destruction Release 1987. A bit mainstream, but awesome. Nuff said. It's So Easy My Michelle Sloppy Seconds - Destroyed Released 1989. Classic bad attitude obnoxious midwest punk rock. Black Mail Steal your Beer Mid-show Interruption Can we fuck off with the ice bucket shit? Remember when people did their share without needing recognition for it from the world? Fuck ALS, it sucks. All the toolbox ice bucket bullshit sucks too. Try and do your part without needing a pat on the back from all your FB friends. Bad Religion - Against the Grain Released 1990. -
Ben E. King Ben E. King Social Distortion
JAN/FEB 2011 ISSUE MMUSICMAG.COM SPOTLIGHT SOCIAL DISTORTION An all-American band explores its rock ’n’ roll David Hidalgo Jr., Mike Ness, roots and its own checkered past Brent Harding, Jonny Wickersham IF WELL-INKED SOCIAL DISTORTION later. Although Ness had grown up listening and all-around troublemaker—challenged frontman Mike Ness doesn’t already have to the Rolling Stones and Johnny Cash, he himself to break from previous albums a “Lucky Seven” tattoo somewhere on his waited until 1988’s Prison Bound to begin and write about topics other than his body, now’s the time to get one. On Hard incorporating those and other classic sounds own checkered past, he couldn’t help but Times and Nursery Rhymes, the California into his songwriting. “When I was starting incorporate a few autobiographical elements. band’s seventh album, Ness continues his the band at 17, there was a period where I “‘Writing on the Wall’ is actually about my streak of building fresh songs from familiar put that stuff aside and couldn’t sit through elder son, who unfortunately has chosen ingredients. By now, the singer and guitarist a fi ve-minute blues song,” Ness says. “It had to go down a similar path I did at his age,” should have exhausted every possible blues- to be fast and loud and hard. But by the Ness says. “It’s been a rough couple years. country-punk permutation—but against all mid-’80s that stuff got really old and punk He’s been crazy, and without being literal, I odds, he’s still fi nding new ways to blend started to stereotype itself. -
December 25 1991 Vol 1 No 24OCR.Pdf
t h e h o t t e s t C A L E N D A R i n t o w n I FREEi Step1: Hold overthis your head: ' .., . 1· ...... TheStory Step 2: Kiss somebody! ofSanta t's a wonderful myth: A fairy is thunder, "Blitzen" is flash), all of M le Kalikimakafrom all of us at theHonolulu Weekly. land inhabited by a flamboyantly whom combine to drop treasures dressed, compulsively merry down the chimneys of preschoolers fatherfigure in a red suit, his few, who haven't been unduly rebellious vaguely referenced assistants and during the 12 months past. Nothing some implausible English and in childhood equals the Santa Claus German reindeer with motiva myth, and nothing ever will. tional names (in German, "Donner" Continued on Page 3 HONOLULU oticed anything dif der. "Have extremists ferent about the commandeered the Honolulu airwaves airwaves?" lately? Say you're You got it. Last cruising down H-1 summer, the FM side in your finemachine of KDEO radio, for and you flip on the years a country and radio. George Bush gibbering. western bulwark, was Flip the dial. Paula Abdul. Flip leased by a visionary, again. Muzak. Again. Hall and if chaotic, outfit that Oates. Agai ... whoa, wait a has transformedthe sta minute. Was that really the tion into something Red Hot Chili Peppersyou just unique in the annals of American broadcast ing: totally listener programmedradio - heard? You leave the dial where it is- 102.7 FM- and wonder if this is forreal. Is someone really playing the Dead Kennedys' Let's Lynch the Landlord on commercial Honolulu radio? And The Melodians doing Rivers of Babylon? Next, unbelievably, comes the Village People, fol lowed by Nirvana, Modern English, Bob Marley, Public Enemy, Social Distortion and a lot of strange but funky tion now transmits JULIA STEELE a phenomenal col lection of music, sounding stuff you've never concocted in an heard before.Interspersed with environment of the music is the omnipresent barely-controlled phrase, "the radio revolution," anarchy. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
O'connor Steps out on Her Own from Festival, 5 Underground Right Now, He Says That This Is a Good by Joey Hood Work, Til the Dawn
page 9 MARCH 17, 2005 Music O'Connor steps out on her own From Festival, 5 underground right now, he says that this is a good By Joey Hood work, Til the Dawn. It's a documented stand-out track on 7/7 the Dawn, a record of scrappy tooth-and-nail life proud declaration of O'Connor's musi- thing because it provides loyal fan bases at shows, With her austere, simply stated tim- lessons, evocative of the campfire cal strengths. and there's a lot of vari- bre and wistfully nuanced ruminations story songs from O'Connor's cult-coun- "I feel like this album represents ety in what a ska band on the painful ebbs of Midwestern life, try heroes. who I am and where I come from," can do. Bloodshot Records' Nora O'Connor is Since the summer 2004 release of O'Connor said. "I would like to see finally gaining attention on her own Til the Dawn, O'Connor's star has con- Truthfully speaking, 7/7 the Dawn is ska exposed to wider terms. tinued to rise from in-demand session O'Connor's second album. In 1996, audiences through the O'Connor spent the past decade player to legitimate artist. Her hardy O'Connor debuted in the underground mainstream media, but languishing in indie-rock side projects alto and nasally growl has music crit- Chicago scene with Cerulean Blue, an only if the right people by providing crestfallen harmonies for ics falling over themselves, circling admittedly shaky album that under- get their hands on it," the glam-country outfit, The Blacks, O'Connor's name next to prolific label- scored O'Connor's naivete. -
Bloodshot Records Announces 20Th Anniversary Compilation, While No One Was Looking
BLOODSHOT RECORDS ANNOUNCES 20TH ANNIVERSARY COMPILATION, WHILE NO ONE WAS LOOKING RELEASE DATE: NOVEMBER 18, 2014 ROLLING STONE COUNTRY PREMIERES BLITZEN TRAPPER’S COVER OF RYAN ADAMS’ “TO BE YOUNG (IS TO BE SAD, IS TO BE HIGH)” (album artwork, designed by Markus Greiner. Download for use HERE) While No One Was Looking: Toasting 20 Years of Bloodshot Records, a collection of 38 musical acts covering songs from the label’s catalog, will be released on November 18. The limited-edition double CD/triple LP/digital release (including a pre-order only blood- red vinyl) celebrates the 20th anniversary of the venerable independent Chicago alt- country/roots/punk label. The genre-spanning collection features artists such as Blitzen Trapper, Andrew Bird and Nora O’Connor, Ben Kweller, Mike Watt, Nicki Bluhm and the Gramblers, Shakey Graves, Chuck Ragan, Superchunk, and many others covering Bloodshot current and former roster acts such as Justin Townes Earle, Ryan Adams, Neko Case, Scott H. Biram, Ha Ha Tonka, Lydia Loveless, Old 97’s, Murder By Death, Robbie Fulks, Cory Branan, and more. The entire track listing – including original album titles – is included below. PRE-ORDER LINK: https://www.bloodshotrecords.com/album/while-no-one-was- looking-toasting-20-years-bloodshot-records On Wednesday, Rolling Stone Country announced the album details, artwork and pre- order link, and launched the album’s first track Blitzen Trapper’s take on Ryan Adams’ original “To Be Young (Is to be Sad, Is to be High)” from his seminal solo debut Heartbreaker. LINK: -
Cathy Grier & the Troublemakers I'm All Burn CG
ad - funky biscuit … Frank Bang | Crazy Uncle Mikes Photo: Chris Schmitt 4 | www.SFLMusic.com 6 | www.SFLMusic.com Turnstiles | The Funky Biscuit Photo: Jay Skolnick Oct/Nov 2020 4. FRANK BANG 8. MONDAY JAM Issue #97 10. KEVIN BURT PUBLISHERS Jay Skolnick 12. DAYRIDE RITUAL [email protected] 18. VANESSA COLLIER Gary Skolnick [email protected] 22. SAMANTHA RUSSELL BAND EDITOR IN CHIEF Sean McCloskey 24. RED VOODOO [email protected] 28. CATHY GRIER SENIOR EDITOR Todd McFliker 30. LISA MANN [email protected] DISTRIBUTION MANAGER 32. LAURA GREEN Gary Skolnick [email protected] 34. MUSIC & COVID OPERATIONS MAGAGER 48. MONTE MELNICK Jessica Delgadillo [email protected] 56. TYLER BRYANT & THE SHAKEDOWN ADVERTISING [email protected] 60. SOCIALLY RESPONSIBLE FUN CONTRIBUTORS 62. THE REIS BROTHERS Brad Stevens Ray Anton • Debbie Brautman Message to our readers and advertisers Lori Smerilson Carson • Tom Craig Jessie Finkelstein As SFL Music Magazine adjusts to the events transpiring over the last several Peter “Blewzzman” Lauro weeks we have decided to put out the April issue, online only. We believe that Alex Liscio • Janine Mangini there is a need to continue to communicate what is happening in the music Audrey Michelle • Larry Marano community we love so dearly and want to be here for all of you, our readers Romy Santos • David Shaw and fellow concert goers and live music attendees, musicians, venues, clubs, Darla Skolnick and all the people who make the music industry what it is. SFL is dependent on its advertisers to bring you our “in print” all music maga- COVER PHOTO zine here in South Florida every month. -
THE BONES Are Back in the Ring with Another Swing! Is It Really Already
THE BONES are back in the ring with another swing! Is it really already five years ago since Sweden’s finest Punk’n’Roll outfit took over our stereos with „Burnout Boulevard“? Apparently it is, but the good news is: the wait is over. On „Monkeys With Guns“, the fifth studio album in their enduring career, THE BONES are back blazing with 15 (17 on the Limited Edition and LP) blistering, hard hitting new tracks of perfect Punk’n’Roll marriage material made in hell. In our case, hell is a lovely little harbour-town called Karlskrona in the Southwest of Sweden. That’s where it all started out for THE BONES back in 1993. Back then singer/guitarist Beef Bonanza, along with his brother Spooky Fred and bassist Dollar Ace, were working on their first demos, which already included soon-to-be-classics like ‘I Met Elvis At The Nudybar’ and ‘Monsters Prefer Blondes’. When singer/guitar-slinger Marcus „Boner“ Petersson entered the picture in 1996 things began to speed up. Sharing a mutual love for high energetic punk and rock music in the vein of The Ramones and Motörhead and 50s and 60s rock’n’roll, THE BONES were always influenced by the melodic qualities of bands such as The Bay City Rollers and The Barracudas as well. After self-releasing „The Horrorway EP“ in 1997 german punk rock label I Used To Fuck People Like You In Prison Records caught an eye on the ear-catching qualities of THE BONES. Following two more EPs, „Rock n' Roll Race“ and „Six Feet Down, Two Fingers Up“ the swedes finally released their adeptly titled debut album „Screwed, Blued & Tattooed“ in 2000 to critical acclaim. -
KUCI 88.9 FM [Spring 1991]
· ..... ~ , ·I ••• · . ....... ~,,\, . ) - . \ -' (X) ~ I, (X) ,N • -0/--- co • • • • • - ~ . 1'" ~ I . .,I/:..~ . a:: . .", • •· ·, ·• I ·t'· . .• ·· . ·· . .. •••• i ,,".' . .. /' • Day of Decency has come and' gone. It has been months since a couple of heads got together on the 3rd floor of gateway commons and decided what part they would play in a battle for what they thought was right. And nearly a month (perhaps two as you read this) since the dreams and the plan came together. OUtcome? Well. for one, I'm not really sure. I'dreallylike tothink that maybesome part of Meye opening" or MreactionaryseDiment" ocurred on account ofsomeone standingup and screaming MMy rights as a citizen are in danger." Jlut how can something like that be measured? To tell you the truth, I don't know, either. I wish I had played my part out. AJJ the decision to ban Minde~ency", "profanity", and "obcenity" from public radio stations 24 hours a day is being appealed. we must watch, not wait, and act. How? You can call 866-6868 and find out. Anyone of the folks on staff has' access to the information. any day of the week, at any time. Provided, of course, there is someone here (ahem!). We can give you names and addre~ses. fax and phone numb,..rs of organizations and individuals who need the assistance of people like yourself, or in some cases, would, and do, defy ~our opposition. AJJ someone who values creativity and its limitless bounds, and wonders at the different kinds of reactions it provi-ies. from rage to confusion to recognition, it Is important for me to posess the ability to think freely. -
Songs Always Something There to Remind
Flashback Heart Attack - Songs Always Something There to Remind Me - Naked Eyes Anything Anything – Dramarama Any Way You Want It – Journey Bad Luck - Social Distortion Bizarre Love Triangle - New Order Blister in Sun/Add it Up/Gone Daddy Gone (Medley) - Violent Femmes Blitzkrieg Bop –Ramones Blue Monday - New Order Boys Don’t Cry – The Cure Centerfold - J Giles Band Come on Eileen – Dexies Midnight Runner Dancing w Myself - Billy Idol Destination Unknown – Missing Persons Don’t Change - INXS Don’t Stop Belivin – Journey Don’t You Forget About Me - Simple Minds Don’t You Want Me – Human League Dream Police - Cheap Trick Erotic City - Prince Everybody Wants to Rule the World - Tears for Fears Eyes without a Face – Billy Idol Fascination - Human League Fight for Your Right to Party – Beastie Boys Girls Just Wanna Have Fun – Cyndi Lauper Hungry Like the Wolf – Duran Duran I Love Rock n Roll - Joan Jett I Ran - A Flock of Seagulls In Cars - Gary Newman Jenny Jenny (867-5309) - Tommy Tutone Jesses Girl - Rick Springfield Just Can’t Get Enough - Depeche Mode Just Like Heaven - The Cure Just What I Needed - The Cars Land Down Under – Men at Work Let’s Go Crazy – Prince Live and Let Die – Wings Living on a Prayer – Bon Jovi Mexican Radio – Wall of VooDoo Melt With You - Modern English Metro - Berlin Million Miles Away – The Plimsouls Mirror in the Bathroom – English Beat Modern Love - David Bowie Need You Tonight - INXS Only the Lonely – The Motels Personal Jesus - Depeche Mode Pretty In Pink – Psychedelic Furs Promises Promises – Naked Eyes -
Bellowing Sun MIND OVER MIRRORS Wide Lights Low Apr 6–7, 2018 Fri–Sat, Notes Program
Eyes Sun Bellowing MIRRORS MIND OVER Wide Lights Low Apr 6–7, 2018 Apr 6–7, Fri–Sat, Notes Program at MCA Stage Theater Neeson Edlis STAGE MCA Winter/Spring Bellowing Sun running 2018 time is ninety minutes with no intermission. SUPPORT FOR THIS Created and performed by Mind Over Mirrors in Sun Bellowing MIRRORS MIND OVER MCA STAGE PROJECT collaboration with Timothy Breen, Eliot Irwin, ABOUT THE WORK Lead support for the MCA Stage New Works and Keith Parham. Initiative is provided by Elizabeth A. Liebman. –––––––––––––––––––––––––––––––––––––––––––––– “For a moment of night we have a glimpse of Bellowing Sun is a PERFORMERS National Performance ourselves and of our world islanded in its Network/Visual Artists Network (NPN/VAN) Oberheim SEMs, Jaime Fennelly stream of stars—pilgrims of mortality, voyaging Creation and Development Fund OB-6 synthesizer, and between horizons across eternal seas of space Project co-commissioned Indian harmonium by the Museum of and time.” Contemporary Art Chicago in partnership Lead vocals, zither, Janet Beveridge Bean —Henry Beston, The Outermost House (1928) with Alverno Presents and NPN. Additional and percussion support comes from the NPN Forth Fund and from the NPN Fiddle and vocals Jim Becker Performance Residency In 1925, a thirty-seven-year-old American writer and WWI Program. Major contributors of NPN Drums and vocals Jon Mueller vet named Henry Beston bought fifty acres of desolate include the Doris Duke Charitable Foundation, dune land on Coast Guard Beach on Cape Cod—the the Andrew W. Mellon –––––––––––––––––––––––––––––––––––––––––––––– Foundation, the Ford PRODUCTION peninsula’s furthest fingers reaching into the gray Atlantic— Foundation, and the National Endowment and designed and built a small cottage overlooking the for the Arts (a federal Artistic Director Jaime Fennelly agency). -
30 BRANN DAILOR Mastodon Hasn’T Risen to the Top 48 JAMISON ROSS of the Rock Heap by Following the by Jeff Potter Heavy Metal Handbook
BECOME A BETTER DRUMMER, FASTER When you’re serious about drumming, you need a kit to match your ambition. The V-Drums TD-17 series lets your technique shine through, backed up with training tools to push you further. Combining a TD-50-class sound engine with newly developed pads results in an affordable electronic drum kit that’s authentically close to playing acoustic drums – accurately mirroring the physical movement, stick coordination and hand/foot control that every drummer needs. Meanwhile, an array of built-in coaching functions will track your technique, measure your progress and increase your motivation. Becoming a better drummer is still hard work, but the TD-17 can help you get there. TD-17 Series V-Drums www.roland.com BASS HEADS ARE ONE-SIZE-FITS-ALL.* * IF WE BELIEVED THIS, WHY WOULD WE MAKE THREE BRAND NEW CUTTING-EDGE BASS HEADS? This series brings you the same UV-coating that made drummers switch to UV1 tom and snare heads, featuring the UV1 for a wide open sound, the UV EQ4 for balance and sustain, and the UV EMAD for a more focused attack. Because we know not all drummers agree on their bass drum sound. Now you can have your bass and kick it too. FIND YOUR FIT AT UV1.EVANSDRUMHEADS.COM HEAR THE ENTIRE TRUE-SONIC™ SNARE COLLECTION PLAYED BY STANLEY RANDOLPH AT DWDRUMS.COM. WHY SO SENSITIVE? Because all-new Collector’s Series® True-Sonic™ wood snare drums employ a pre-tensioned SnareBridge™ system with a complementary snare bed to provide dry, sensitive articulation.