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CD-Neuauflage Der Ersteinspielung Von ›Schuberts Winterreise‹ Von Hans Zender
Presseinformation Frankfurt am Main, 8. August 2019 CD-Neuauflage der Ersteinspielung von ›Schuberts Winterreise‹ von Hans Zender Die lange vergriffene Ersteinspielung von Hans Zenders ›Schuberts Winterreise‹ (1993) unter Leitung des Komponisten mit Tenor Hans Peter Blochwitz und dem Ensemble Modern ist in einer Neuauflage bei Ensemble Modern Medien wieder auf CD erhältlich. Zenders ›komponierte Interpretation‹ leuchtet den bekannten Vokalzyklus von Franz Schubert instrumental-gedanklich aus und macht dessen kühne Vorgriffe auf die musikalische Zukunft hörbar. Die Gattung der ›komponierten Interpretation‹ hat Zender geradezu erfunden; Ensemble Modern Medien indem er die Musik weiterdenkt, Konturen schärft, Formen EMCD-043/44 EAN-Code: 426013164042 1 dekonstruiert oder neu schafft. Dabei ist die ›komponierte Interpretation‹ angesiedelt zwischen Bearbeitung Preis: 18 Euro (Instrumentierung) und Neufassung. Das Ensemble Modern spielte Hans Zender (*1936) die Uraufführung des Werks am 21. September 1993 in der Alten Schuberts Winterreise Eine komponierte Interpretation für Tenor Oper Frankfurt. Die nun wieder vorliegende Aufnahme entstand im und kleines Orchester (1993) August 1994 in Kooperation von BMG Classics und dem Hessischen Text: Wilhelm Müller Rundfunk und erscheint nun als Doppel-CD im Label Ensemble Hans Peter Blochwitz Tenor Modern Medien. Ensemble Modern Hans Zender Dirigent Mit Hans Zender als Komponist, Initiator und Denker verbindet das Ensemble Modern eine tiefe und langjährige Beziehung; er gab Impulse zur Gründung des Ensemble Modern im Jahr 1980, 1993 initiierte er die Gesprächskonzertreihe ›Happy New Ears‹. 2011 spielte das Ensemble Modern die Uraufführung von Hans Zenders ›33 Veränderungen über 33 Veränderungen‹, bei denen er sich ähnlich wie bei der ›Winterreise‹ überschreibend und Ensemble Modern GbR weiterdenkend Ludwig van Beethovens ›Diabelli-Variationen‹ Schwedlerstraße 2-4 D – 60314 Frankfurt am Main angenommen hat (erschienen 2013 bei EM Medien). -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Boston Symphony Orchestra Concert Programs, Season 107, 1987-1988
BOSTON SYMPHONY ORCHESTRA SEIJI OZAWA Music Director lOTtli Season 1987-88 g 1987 80 FYoof. Imported from France by Regal Brands, Inc., New York, N.Y TO SEND A GIFT OF B&B LIQUEUR ANYWHERE IN THE US CALL 1 -800-238-4373 VOID WHERE PROHIBITED ^^^ Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President Mrs. John M. Bradley, Vice-Chairman J. P. Barge r, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Roderick M. MacDougall David B. Arnold, Jr. Mrs. John H. Fitzpatrick Mrs. August R. Meyer Mrs. Norman L. Cahners Avram J. Goldberg David G. Mugar William M. Crozier, Jr. Mrs. John L. Grandin Mrs. George R. Rowland Mrs. Lewis S. Dabney Francis W Hatch, Jr. Richard A. Smith Mrs. Michael H. Davis Harvey Chet Krentzman Ray Stata Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Ir\ang W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 2 September 2000 – July 2001 ................................................................................................................................................................................ 23 September 2001 – July 2002 ................................................................................................................................................................................ 45 September 2002 – July 2003 ................................................................................................................................................................................ 73 September 2003 – July 2004 ................................................................................................................................................................................ 97 September 2004 – July 2005 ............................................................................................................................................................................. -
Building a Library
BUILDING A LIBRARY All selections were made from recordings available in the UK at the time of the broadcast and are full price unless otherwise stated. CD Review cannot guarantee that they have not subsequently been deleted. KEY: CD = compact disc c/w = coupled with SIS = a recording which is only available through EMI’s Special Import Service IMS = a recording which is only available through Universal Classics' Import Music Service CONTENTS September 1999 – July 2000 .................................................................................................................................................................................. 3 September 2000 – July 2001 ................................................................................................................................................................................ 24 September 2001 – July 2002 ................................................................................................................................................................................ 46 September 2002 – July 2003 ................................................................................................................................................................................ 74 September 2003 – July 2004 ................................................................................................................................................................................ 98 September 2004 – July 2005 ............................................................................................................................................................................. -
The Roaring Twenties
The Roaring Twenties FRIDAY OCTOBER 4, 2019 8:00 The Roaring Twenties Welcome to New England FRIDAY OCTOBER 4, 2018 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Conservatory’s Jordan Hall. Pre-concert talk at 7:00 New England Conservatory is home to acoustically superb Jordan Hall, where you’re seated now. Welcome, and enjoy the performance! JOHN ALDEN CARPENTER Krazy Kat (1922) NEC is also the oldest independent music school in the United States, home to musical innovators across our College, Preparatory School, JOSEPH SCHILLINGER First Airphonic Suite (1929) and School of Continuing Education. Carolina Eyck, theremin From chamber and orchestral music to jazz to Contemporary Improvisation, it’s all right here at NEC. DALIT WARSHAW Sirens: A Concerto for Theremin and Orchestra in Three Movements (2017) Join us for a concert, take I. Clara’s Violin lessons, or join an ensemble: II. Ulysses necmusic.edu III. Fugal Horn Carolina Eyck, theremin INTERMISSION KURT WEILL Little Threepenny Suite (1931) 1. Overture 2. The Moritat of Mack the Knife 3. The Instead-Of Song 4. The Ballad of the Easy Life 5. Polly’s Song and Tango-Ballad 6. Cannon Song 7. Threepenny Finale JOHN ALDEN CARPENTER Skyscrapers (1926) GIL ROSE, conductor PROGRAM NOTES 5 By Clifton Ingram THE ROARING TWENTIES The Twenties were a time of great social change. As 2019 comes to a close (during an election year, no less), we find ourselves immersed in palpable divisiveness. As in the Twenties, current American opinion still differs violently on the particulars of racial equal- ity, women’s rights, drug legality, and political integrity. -
Così Fan Tutte: a Review of the Discography by Ralph Moore The
Così fan tutte: A Review of the Discography by Ralph Moore The opera discography CLOR lists 116 recordings of Così fan tutte, ossia La scuola degli amanti (variously translated as “Thus do all women, or, the School for Lovers”, or even “All Women are Like That”) but does not include the latest studio recording. I know of twenty-four studio recordings in Italian of which I review below twenty-one below plus a limited selection of nine live - and live composite - recordings. I have not reviewed the two English versions as they are for a more limited market and this is surely an opera that must be heard in the original Italian libretto, so skilfully devised by Lorenzo Da Ponte. I have been unable to hear three studio recordings: two from the 50’s (Joseph Dünnwald 1951 and Rudolf Moralt 1955) and one made in Monte Carlo in 1974 conducted by Pierre Colombo but I think it unlikely that any of those is essential, as by all accounts they are all flawed in some way. The earliest under review is the classic 1935 Glyndebourne recording under Fritz Busch; the most recent is by Currentzis in 2015 – and the less said about that the better. Despite the claims of Don Giovanni and Le nozze di Figaro, Così remains my personal favourite of Mozart’s Big Three, for reason of its virtually uninterrupted stream of heavenly music and the subtle ironies of its plotline, which, as some modern productions have demonstrated, is by no means as clunkingly sexist as its detractors suggest, even allowing for the differences between late 18C and early 21C sensibilities and attitudes towards women. -
A Select Annotated Discography of the Choral Works of Wolfgang Amadeus Mozart
A Select Annotated Discography of the Choral Works of Wolfgang Amadeus Mozart by AllenL. Borton making your choice with a little guidance he following discography has of the kind of performance you will been compiled from several encounter in each case." sources; particularly helpful "Clarity is the watchword in this latest have been the journals version" ~Sadie). Period instruments, but Gramophone and Fanfare, with "modern-sounding, slowish tempos." andT the Index to CD and Record Uses Beyer edition. Recorded at a Reviews from 1987 to the present, performance in the Grand Auditorium de published in each issue of Notes, the la Maison de la Radio RTBF, Brussels, on quarterly journal of the Music Library October 6, 1986. Association. In order to limit the scope Reviewed in Gramophone, April, 1987: 1451 (Stanley Sadie). of this article, only recordings released or reviewed since 1986 have been 2. Teresa Zylis-Gara (s); Oralia included (with but few exceptions). Dominguez (m); Peter Schrier (t); Franz Beyond the individual listings of this Crass (b); South German Madrigal Choir; article, it should be noted that in Consortium Musicum; Wolfgang honor of the bicentenary of Mozart's Gonnenwein. Angel CD2-670l4. ADD. From Angers budget Laser series. death, several recording companies are DDD (digital session recording, engaged in large-scale releases of his mixing! editing, and mastering); ADD 3. Patrizia Pace (s); Waltraud Meier (m); music. One of the most ambitious and (analog session recording, digital Frank Lopardo (t); James Morris (b); notable is that of Philips, whose mixing! editing and mastering); and Swedish Radio Choir; Stockholm Chamber Compete Mozart Edition is projected AAD (analog session recording and Choir; Berlin Philharmonic Orchestra; as a 44-volume, 180-CD set. -
1423 Katalog.Pdf
2 INDEX This catalogue brings together two production companies known for the outstanding quality of their audio-visual productions: EuroArts Music in Germany and Idéale Audience in France. We are proud to offer over 400 DVDs and Blu-ray Discs on our labels EuroArts, Idéale Audience and Classic Archive and look forward to upwards of 50 new releases in 2011. In filmed recordings, which are also marked out by their cinematographic quality, we present performances by today’s leading classical artists such as Claudio Abbado, Martha Argerich, Daniel Barenboim, Alfred Brendel, Plá- cido Domingo, Renée Fleming, Gidon Kremer and Sir Simon Rattle. Alongside our close collaboration with the Berliner Philharmoniker – with over 30 DVD releases and several exciting new productions – we also enjoy part- nerships with the world’s foremost orchestras like the Lucerne Festival Orchestra, the Israel Philharmonic as well as with the renowned Verbier Festival, featuring such world-class musicians as Nikolai Lugansky, Yuri Temirkanov, Esa-Pekka Salonen, Mischa Maisky, Kurt Masur, Nelson Goerner, Yuja Wang and many more. Above and beyond that, we offer releases of top-notch operas and ballets in cooperation with St. Petersburg’s Mariinsky Theatre, the Bavarian State Opera, Ruhrtriennale, the Berlin State Opera and other leading opera houses. Impressive documentaries like El Sistema, A Surprise in Texas with Nobuyuki Tsujii and the jazz series Masters of American Music are complemented by engaging portraits of performers and composers like Glenn Gould, David Oistrakh, Martha Argerich, Piotr Anderszewski, Philip Glass, Brian Eno, Karlheinz Stockhausen, Vladimir Jurowski, Django Reinhardt and Pierre Boulez – filmed by such outstanding directors of the genre as Bruno Monsaingeon, Georges Gachot and Frank Scheffer. -
Transformation 19
TTRANSFORMARANSFORMAT IONT IONS ERIES SERIES 1917 COLLECTCOLLEIONct TRANSFORMAION TRANSFORMATTIONION NEW WORLDS of SOUND Electronics and the Evolution of Music in Canada KATHARINE WRIGHT Transformation Series Collection Transformation “Transformation,” an occasional series of scholarly papers La collection Transformation, publication en série paraissant published by the Collection and Research Division of the irrégulièrement de la Division de la collection et de la recherche Canada Science and Technology Museums Corporation, is de la Société des musées de sciences et technologies du intended to make current research available as quickly and Canada, a pour but de faire connaître, le plus vite possible et inexpensively as possible. The series presents original research au moindre coût, les recherches en cours dans certains secteurs. on science and technology history and issues in Canada Elle prend la forme de monographies ou de recueils de courtes through refereed monographs or collections of shorter études acceptés par un comité d’experts et s’alignant sur le studies, consistent with the corporate framework, “The thème central de la Société, « La transformation du Canada ». Transformation of Canada,” and curatorial subject priorities Elle présente les travaux de recherche originaux en histoire des in agriculture and forestry, communications and space, sciences et de la technologie au Canada et questions connexes transportation, industry, physical sciences and energy. réalisés en fonction des priorités du Musée, dans les secteurs de l’agriculture et des forêts, des communications et de l’espace, des transports, de l’industrie, des sciences physiques et de l’énergie. Disclaimer Responsabilité The publication format of the Transformation series La formule de la collection Transformation ne permet precludes extensive copy-editing.