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CD-Neuauflage Der Ersteinspielung Von ›Schuberts Winterreise‹ Von Hans Zender
Presseinformation Frankfurt am Main, 8. August 2019 CD-Neuauflage der Ersteinspielung von ›Schuberts Winterreise‹ von Hans Zender Die lange vergriffene Ersteinspielung von Hans Zenders ›Schuberts Winterreise‹ (1993) unter Leitung des Komponisten mit Tenor Hans Peter Blochwitz und dem Ensemble Modern ist in einer Neuauflage bei Ensemble Modern Medien wieder auf CD erhältlich. Zenders ›komponierte Interpretation‹ leuchtet den bekannten Vokalzyklus von Franz Schubert instrumental-gedanklich aus und macht dessen kühne Vorgriffe auf die musikalische Zukunft hörbar. Die Gattung der ›komponierten Interpretation‹ hat Zender geradezu erfunden; Ensemble Modern Medien indem er die Musik weiterdenkt, Konturen schärft, Formen EMCD-043/44 EAN-Code: 426013164042 1 dekonstruiert oder neu schafft. Dabei ist die ›komponierte Interpretation‹ angesiedelt zwischen Bearbeitung Preis: 18 Euro (Instrumentierung) und Neufassung. Das Ensemble Modern spielte Hans Zender (*1936) die Uraufführung des Werks am 21. September 1993 in der Alten Schuberts Winterreise Eine komponierte Interpretation für Tenor Oper Frankfurt. Die nun wieder vorliegende Aufnahme entstand im und kleines Orchester (1993) August 1994 in Kooperation von BMG Classics und dem Hessischen Text: Wilhelm Müller Rundfunk und erscheint nun als Doppel-CD im Label Ensemble Hans Peter Blochwitz Tenor Modern Medien. Ensemble Modern Hans Zender Dirigent Mit Hans Zender als Komponist, Initiator und Denker verbindet das Ensemble Modern eine tiefe und langjährige Beziehung; er gab Impulse zur Gründung des Ensemble Modern im Jahr 1980, 1993 initiierte er die Gesprächskonzertreihe ›Happy New Ears‹. 2011 spielte das Ensemble Modern die Uraufführung von Hans Zenders ›33 Veränderungen über 33 Veränderungen‹, bei denen er sich ähnlich wie bei der ›Winterreise‹ überschreibend und Ensemble Modern GbR weiterdenkend Ludwig van Beethovens ›Diabelli-Variationen‹ Schwedlerstraße 2-4 D – 60314 Frankfurt am Main angenommen hat (erschienen 2013 bei EM Medien). -
CANTA EL PIANO Char Ese Registro Neoyorkino De 1946 Dirigido Por El Propio Milhaud
AÑO XXI - Nº 203 - Diciembre 2005 - 6,30 € 2 OPINIÓN DOSIER CON NOMBRE Veinte años de música en PROPIO España 113 6 Introducción Elisabeth Schwarzkopf Javier Alfaya 114 Arturo Reverter Gestión Santiago Martín Bermúdez 116 8 AGENDA Auditorios José Luis Carles y Cristina Palmese 122 16 ACTUALIDAD Musicología Paulino Capdepón Verdú 126 NACIONAL Educación Pedro Sarmiento 130 42 ACTUALIDAD Composición INTERNACIONAL José Luis García del Busto 134 Ópera 58 ENTREVISTA Arturo Reverter 136 Interpretación Rinaldo Alessandrini Enrique Martínez Miura 140 “La música de Bach es absolutamente Discos perfecta” Juan Manuel Viana 144 María Sánchez-Archidona Jazz Pablo Sanz 148 64 Discos del mes ENCUENTROS SCHERZO DISCOS Ian Bostridge 65 Sumario Juan Antonio Llorente 152 LA GUÍA 156 CONTRAPUNTO Norman Lebrecht 160 Colaboran en este número Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Roberto Andrade Malde, Íñigo Arbiza, Rafael Banús Irusta, Alfredo Brotons Muñoz, José Antonio Cantón, Paulino Capdepón Verdú, José Luis Carles, Jacobo Cortines, Rafael Díaz Gómez, Patrick Dillon, Pedro Elías Mamou, Matthias Exner, José Luis Fernández García, Jorge Fernández Guerra, Fernando Fraga, Joaquín García, José Antonio García García. José Luis García del Busto, Mario Gerteis, José Guerrero Martín, Federico Hernández, Fernando Herrero, Bernd Hoppe, Paul Korenhof, Norman Lebrecht, Juan Antonio Llorente, Fiona Maddocks, Nadir Madriles, Bernardo Mariano, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Aurelio Martínez Seco, Blas Matamoro, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Cristina Palmese, Josep Pascual, Enrique Pérez Adrián, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Barbara Röder, Justo Romero, Stefano Russomanno, María Sánchez-Archidona, Ignacio Sánchez Quirós, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Franco Soda, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
V.I.E.W. Video & Arkadia Entertainment
EffectiveEFFECTIVE September AUGUST, 1, 20102011 PRICE SCHEDULE V.I.E.W. Video & Arkadia Entertainment Distributed by V.I.E.W., Inc. (Distribution) 11 Reservoir Road, Saugerties, NY 12477 • phone 845-246-9955 • fax 845-246-9966 E-mail: [email protected] • www.view.com TOLL-FREE ORDER DESK 800-843-9843 BILL TO SHIP TO (if different) (no P.O. boxes) NAME NAME ADDRESS ADDRESS CITY STATE ZIP CITY STATE ZIP PHONE COUNTRY PHONE COUNTRY EMAIL OVERSEAS: TOTAL NUMBER ITEMS AMOUNT $ WE CHARGE ACTUAL SHIPPING; How did you hear of us? LESS APPLICABLE DISCOUNT PLEASE INDICATE ❑ AIR SUB-TOTAL METHOD OF PAYMENT ❍ CHECK ❍ MONEY ORDER AMOUNT $ ❑ GROUND ❑ OTHER ❍ VISA ❍ MASTER CARD ❍ AMEX NYS RESIDENTS ADD 8.625% SHIPPING & HANDLING ACCOUNT NUMBER EXP. DATE SECURITY CODE $3.95 FIRST ITEM, $1 EACH ADDITIONAL CARDHOLDER’S NAME (PLEASE PRINT) OVERNIGHT & 2ND DAY AT COST TOTAL CARDHOLDER’S SIGNATURE FOR LIFETIME PUBLIC PERFORMANCE RIGHTS ADD $30 PER TITLE TO THE LIST PRICE. NOTE: Items in bold indicate our most recent releases. ARKADIAARKADIA PROMOTIONAL PROMOTIONAL MATERIAL MATERIAL Visit our Business-To-Business Resource Center at ___ 79001 602267900125602267900125 ArkadiaArkadia Cap BLACKBLACK $10$10 Visit our Business-To-Businesswww.viewb2bonline.com Resource Center at ___ 79002 602267900224 Arkadia Cap WHITE $10 www.viewb2b.com ___ 79002 602267900224 Arkadia Cap WHITE $10 • High & Low Resolution Photos of all front and back covers ___ 79003 602267900323 Arkadia T-shirt BLACK LG $12 • Over 25 Genre Specific Sell-Sheets with a box to insert your name ___ -
Strauss Elektra Solti SC
Richard Strauss Elektra Elektra: Birgit Nilsson; Klytemnestra: Regina Resnik; Chrysothemis: Marie Collier; Oreste: Tom Krause; Aegistheus: Gerhard Stolze Vienna State Opera Chorus and Vienna Philharmonic Orchestra Georg Solti Recorded June, September and November 1966 at the Sofiensaal, Vienna Recording Engineers: Gordon Parry and James Brown Producers: John Culshaw and Christopher Raeburn Remastered at Air Studios London by Tony Hawkins and Ray Staff Speakers Corner 2LPs Decca SET 354/5 Performance: 5 Strauss's Elektra was premièred in 1909 and marks the highpoint of the composers operatic career. Never again would he compose such searingly dramatic, concise music, replete with startlingly vivid orchestration, and a wealth of highly chromatic (and often atonal) thematic material, centred around decidedly Wagnerian sounding leitmotifs. It is isn't easy to cast. The title role needs a true dramatic soprano who is happy above the stave, and that of Klytemnestra a big-voiced mezzo- soprano. Chrysothemis is written for a lyric soprano, and Oreste for an heroic baritone. Elektra's don't come any better than Birgit Nilsson. She was 48 when the recording was made, and even the most exposed leaps and murderously high tessitura don't bother her. As the greatest Wagnerian soprano since Frieda Leider, she can effortlessly ride the orchestra, while still using a wide dynamic range in quieter passages. There are occasions when her intonation falters in the Recognition Scene, but this is a classic, thrillingly savage performance. Regina Resnik scales the same dramatic heights as Nilsson in her confrontation with Elektra, and her laughter at the end of the scene is gloriously OTT. -
Tomaschek Goethe Lieder
tomaschek goethe lieder ildikó raimondi leopold hager johann wenzel tomaschek goethe lieder 3 Johann Wenzel Tomaschek (1774–1850) Johann Wolfgang von Goethe (1749–1832) 1 2:06 An Linna 2 2:02 Wanderers Nachtlied 3 3:27 An den Mond 4 1:35 Auf dem See 5 3:05 Erlkönig 6 2:51 Der König von Thule 7 2:54 Der Fischer 8 2:29 Heidenröslein 9 1:31 An die Entfernte 10 2:57 Nähe des Geliebten 11 1:54 Die Spröde 12 2:12 Die Bekehrte 13 1:31 Vorschlag zur Güte 14 2:52 Die Spinnerin 15 2:31 Das Veilchen 16 2:11 Erster Verlust 17 4:08 Schäfers Klagelied 18 1:12 Sorge 19 2:23 Frühzeitiger Frühling 20 4:00 Mignons Sehnsucht 21 2:18 Das Geheimnis 22 0:53 Rastlose Liebe 4 Ildikó Raimondi, soprano Leopold Hager, piano 5 “You have understood the poem […] in gratitude Because there was no piano at the „Goldene Sonne“, and to remember enjoyable hours” (Johann Wolfgang where Goethe was residing, a time was arranged to von Goethe to Johann Wenzel Tomaschek in Cheb, meet at the flat of the advocate Frank. Goethe’s and on 6 August 1822) Tomaschek’s notes now do not match, as Tomaschek says 41 of Tomaschek’s 63 Lieder are based on poems by that this concert took place on the following day, whereas Johann Wolfgang von Goethe (1749–1832), the rest are Goethe claims that everything took place on one day. poems by Heinrich Heine, Friedrich von Schiller and some However, the composer accompanied himself from mem- Bohemian poets. -
A Culture of Recording: Christopher Raeburn and the Decca Record Company
A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon. -
Diszkográfia Az Első Kötethez
© Typotex Kiadó Diszkográfia az első kötethez Janet Baker: Full Circle Her last year in Opera Gluck: Alceste. The Royal Opera Covent Garden Donizetti: Stuart Maria. English National Opera Gluck: Orfeo ed Euridice. Glyndebourne Festival Opera Felvétel: 1992 Warner, NVC ARTS, 2006, DVD 50-51011-4855-2-7 Beethoven: Fidelio Waltraud Meier, Plácido Domingo, Falk Stuckmann, René Pape, Soile Isokoski, Werner Güra, Kwangchul Youn Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin Vezényel: Daniel Barenboim Felvétel: Groβer Sendesaal, Berlin, May/June 1999 Teldec, 1999, 2 CD 3984-25249-2 Beethoven: Fidelio Dietrich Fischer-Dieskau, Hans Sotin, René Kollo, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Adolf Dallapozza, Karl Terkal, Alfred Sramek Wiener Staatsoperchor, Wiener Philharmoniker Vezényel: Leonard Bernstein Felvétel: Wien, Musikverein, Groβer Saal, 2/1978 Deutsche Grammophon, 1978, 2 CD 419 438-2 Beethoven: Fidelio Leonie Rysanek, Judith Blegen, Jon Vickers, Walter Berry, Giorgio Tozzi, Murray Dickie, John Macurdy, Leo Goeke, Robert Goodloe Orchestra e coro dell’Opera di San Francisco Vezényel: Karl Böhm Élő felvétel: 29. 11. 1968, San Francisco Melodram, 1990, 2 CD 27086 Beethoven: Fidelio Michael Schade, Elizabeth Norberg-Schulz, Matthias Hölle, Deborah Voigt, www.interkonyv.hu © Fodor Géza jogutóda © Typotex Kiadó 248 • Mi szól a lemezen? Günter von Kannen, Andreas Schulist, Wielfried Vorwol, Ben Heppner, Thomas Quasthoff Symphonieorchester und Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra and Chorus -
Leopold Hager Director Duración Total Aproximada: 80´
VALLADOLID ABONO OSCYL 3 JUEVES 13 Y VIERNES 14 DE NOVIEMBRE DE 2014 20.00 H · SALA SINFÓNICA CENTRO CULTURAL MIGUEL DELIBES LEOPOLD HAGER DIRECTOR DuraciÓN total AProXimada: 80´ LA OSCYL Y loS INTÉRPRETES Leopold Hager es la primera vez que dirige a la OSCyL Editado por Junta de Castilla y León · Consejería de Cultura y Turismo CENTRO CULTURAL MIGUEL DELIBES / ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN Av. Monasterio Ntra. Sra. de Prado, 2 · 47015 Valladolid · T 983 385 604 www.auditoriomigueldelibes.com www.facebook.com/auditoriomigueldelibes www.twitter.com/AMDValladolid EDITA © Junta de Castilla y León. Consejería de Cultura y Turismo Fundación Siglo para el Turismo y las Artes de Castilla y León © De los textos: sus autores © Foto de Portada Josep Molina La Orquesta Sinfónica de Castilla y León es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS) La Orquesta Sinfónica de Castilla y León y el Centro Cultural Miguel Delibes son miembros de la Red de Organizadores de Conciertos Educativos (ROCE) Todos los datos de salas, programas, fechas e intérpretes que aparecen, son susceptibles de modificaciones. Imprime: Gráficas Angelma D.L.: VA 722-2014 Valladolid, España 2014 leoPold HAGer DIRECTOR VALLADOLID ABONO OSCYL 3 — JUeves 13 Y vierNes 14 de NoviemBre de 2014 20.00 H · sala siNFÓNica CENTRO CUltURAL MIGUEL DELIBES PROGRAMA AntOn BruCkner (1824–1896) Sinfonía nº 8 en Do menor* Allegro moderato Scherzo (Allegro moderato) – Trio (Langsam) – Scherzo da capo Adagio (Feierlich langsam; doch nicht schleppend) Finale (Feierlich, nicht schnell) * Primera vez por esta orquesta BELLEZA NUEVA, MOLDES VIEJOS AntOn BruCkner (Ansfelden, Austria, 9-ix-1824 – Viena, 11-x-1896) Sinfonía nº 8 en Do menor La Sinfonía nº 8 en Do menor de Anton Bruckner, compuesta entre 1884 y 1892, constituye la cima absoluta y liminal de este género y, en consecuencia un giro decisivo en la historia de su desarrollo durante el romanticismo germano tardío. -
Biography - Paul Armin Edelmann
Biography - Paul Armin Edelmann Paul Armin Edelmann's association with music began at an early age as the second son of the internationally renowned singer Otto Edelmann. As a child, he was a member and soloist of the famous Vienna Boys’ Choir. Later on he reinforced his musical studies by studying voice with his father at the University of Music and Performing Arts in Vienna. Shortly after completing his studies he became a member of the Opera Theatre in Koblenz in Germany, where he sang over 30 roles. In 1998, Mr.Edelmann went freelance and moved back to Vienna. Since then he has sung at: the Vienna State Opera, Vienna Volksoper, Theater an der Wien, Teatro Real Madrid, Komische Oper Berlin, Théâtre Royal de la Monnaie Brussels, San Diego Opera, New National Theatre in Tokyo, Opéra de Rouen, Lincoln Center Festival New York, the state theatres in Darmstadt and Wiesbaden, the opera houses in Cologne, Frankfurt, Leipzig and Düsseldorf, Opera Ireland Dublin and the Israeli Opera in Tel Aviv, as well as the Palau de les Arts Valencia, the San Sebastian Festival, Hongkong Opera, Center of the Performing Arts Beijing, Opera National de Montpellier, Czech National Theatre Prague, Prinzregentheater Munich, Staatsoper Stuttgart, Teatro de la Maestranza Sevilla, Teatro Massimo Catania, Opera National du Rhin Strasbourg, Palacio de Bellas Artes Mexico City, the Bregenz Festival, Theatro Municipal Rio de Janeiro and the Opera National de Paris. 2014 – 2016 Edelmann´s albums “ Schumann- Selected Songs” and “ Die schöne Magelone” with pianist Charles Spencer, the album “Max Reger- Orchestral Songs” with the Deutsche Staatsphilharmonie Rheinland Pfalz and his “Schubert Album”(2018) has been released on the label Naxos/Capriccio. -
Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
(De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification. -
Gala Unter Den Linden (Ddr 1977)
Berlin.Dokument Berlin in den Sechziger Jahren (26) – Sonderprogramm – GALA UNTER DEN LINDEN (DDR 1977) 5. Oktober 2017, 20.00 Uhr Einführung: Jeanpaul Goergen in Zusammenarbeit mit dem Bundesarchiv-Filmarchiv GALA UNTER DEN LINDEN (DDR 1977) Produktion: DEFA Studio für Spielfilme / Verleih: Progress Film-Verleih / Regie: Georg F. Mielke / Regieassistenz: Renate-Maria Gahlbeck / Kamera: Peter Brand / Kameraassistenz: Dietram Kleist, Günther Sahr / Komplexbrigade: Peter Meister / Schnitt: Thea Richter / Filmszenenbild: Wilfried Werz / Bauausführung: Jochen Hamann / Requisite: Adolf Kilian / Maske: Detlef Schulze / Musikaufnahmen: Claus Strüben / Mischton: Gerhard Ribbeck / Ton: Joachim Binsau / Aufnahmeleitung: Werner Pfeifer / Produktionsleitung: Dietmar Richter Mitwirkende: Kammersänger Theo Adam, Kammersänger Eberhard Büchner, Kammersängerin Celestina Casapietra, Kammersängerin Renate Hoff, Kammersänger Fritz Hübner, Kammersängerin Isabella Nawe, Kammersänger Harald Neukirch, Kammersänger Ruggiero Orofino, Kammersänger Martin Ritzmann, Kammersänger Peter Schreier, Kammersängerin Gisela Schröter, Kammersängerin Ingeborg Springer, Kammersänger Reiner Süß, Kammersängerin Anna Tomowa-Sintow, Kammersängerin Ute Trekel- Burkhardt, Kammersänger Siegfried Vogel Chor und Ballett der Deutschen Staatsoper Berlin, Staatskapelle Berlin (Leitung: Heinz Fricke), Rundfunk-Sinfonie-Orchester Leipzig, Großes Rundfunk-Orchester Berlin, Berliner Rundfunk-Sinfonieorchester, Staatskapelle Dresden Dirigenten: Otmar Suitner, Kurt Masur, Robert Hanell, Rolf -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity.