Connecticut College News Vol. 30 No. 21
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The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Copyrighted Material
335 Index a “After You Get What You Want, You “Aba Daba Honeymoon” 151 Don’t Want It” 167 ABBA 313 Against All Odds (1984) 300 Abbott and Costello Meet Frankenstein “Age of Not Believing, The” 257 (1948) 155 Aguilera, Christina 323, 326 Abbott, Bud 98–101, 105, 109, 115 “Ah Still Suits Me” 87 ABC 229–230 “Ah, Sweet Mystery of Life” 78 Abdul, Paula 291 AIDS 317–318 About Face (1953) 151 “Ain’t There Anyone Here for “Abraham” 110–111 Love?” 170 Absolute Beginners (1986) 299 Aladdin (1958) 181 Academy Awards 46, 59, 73–74, 78, 82, Aladdin (1992) 309–310, 312, 318, 330 89, 101, 103, 107, 126, 128, 136, 140, Aladdin II, The Return of Jafar 142, 148–149, 151, 159, 166, 170, 189, (1994) 309 194, 200, 230, 232–233, 238, 242, 263, Alamo, The (1960) 187 267, 271, 282, 284, 286, 299, 308–309, Alexander’s Ragtime Band (1938) 83, 319, 320–321 85–88 Ackroyd, Dan 289 Alice in Wonderland (1951) 148 Adler, Richard 148 Alice in Wonderland: An X‐Rated Admiral Broadway Revue (1949) 180 Musical Fantasy (1976) 269 Adorable (1933) 69 All‐Colored Vaudeville Show, An Adventures of Priscilla, Queen of the (1935) 88 Desert, The (1994) 319 “All God’s Chillun Got Rhythm” 88–89 African AmericansCOPYRIGHTED 13–17, 21, 24, 28, 40, All New MATERIAL Mickey Mouse Club, The 43, 54–55, 78, 87–89, 109–111, 132, (1989–94) 326 163–164, 193–194, 202–203, 205–209, “All Out for Freedom” 102 213–216, 219, 226, 229, 235, 237, All‐Star Revue (1951–53) 179 242–243, 258, 261, 284, 286–287, 289, All That Jazz (1979) 271–272, 292, 309, 293–295, 314–315, 317–319 320, 322 “After the Ball” 22 “All You Need Is Love” 244 Free and Easy? A Defining History of the American Film Musical Genre, First Edition. -
Messages of American Popular Song to Women During World War II
“I’m Doin’ It for Defense”: Messages of American Popular Song to Women during World War II A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements of the degree of MASTER OF MUSIC in the Division of Composition, Musicology, and Theory of the College-Conservatory of Music 2013 by Amy Brooks BM, Bob Jones University, 2008 Committee Chair: bruce d. mcclung, PhD Abstract World War II presented many new opportunities for American women. In this time of need, they were called upon to take an active part in the war effort, whether by means of working in a factory, growing a victory garden, or serving as a volunteer for wartime organizations. Women made great strides forward in areas such as the workforce and the military. The American popular song industry promoted these new roles for women. I have compiled over 150 songs from 1940 to1945 that relate to women’s roles during the World War II era. Of these songs, I have chosen a select number of songs that best demonstrate popular culture’s attitudes and actions towards women during the war. These songs can be divided into five categories: women in the military, women in the workforce, women’s war effort, women’s responsibilities to men in uniform, and women in the immediate post-war period. I have studied the representative songs by considering their lyrics to identify the objectives supported by the popular song industry. I took into consideration the venues in which they were presented and how these performances influenced their reception. -
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Бинг КроÑÐ ±Ð¸ Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) The Emperor Waltz https://bg.listvote.com/lists/film/movies/the-emperor-waltz-1656298/actors Just an Echo https://bg.listvote.com/lists/film/movies/just-an-echo-23035848/actors Sing, Bing, Sing https://bg.listvote.com/lists/film/movies/sing%2C-bing%2C-sing-23035621/actors Road to Morocco https://bg.listvote.com/lists/film/movies/road-to-morocco-2542242/actors I Surrender Dear https://bg.listvote.com/lists/film/movies/i-surrender-dear-23035377/actors That's Entertainment! https://bg.listvote.com/lists/film/movies/that%27s-entertainment%21-3046393/actors Out of This World https://bg.listvote.com/lists/film/movies/out-of-this-world-19363738/actors Road to Bali https://bg.listvote.com/lists/film/movies/road-to-bali-928126/actors Rhythm on the River https://bg.listvote.com/lists/film/movies/rhythm-on-the-river-2268255/actors Blue of the Night https://bg.listvote.com/lists/film/movies/blue-of-the-night-23035570/actors Dixie https://bg.listvote.com/lists/film/movies/dixie-2748981/actors Variety Girl https://bg.listvote.com/lists/film/movies/variety-girl-3283547/actors Welcome Stranger https://bg.listvote.com/lists/film/movies/welcome-stranger-17035236/actors Road to Singapore https://bg.listvote.com/lists/film/movies/road-to-singapore-325538/actors One More Chance https://bg.listvote.com/lists/film/movies/one-more-chance-7092941/actors Billboard Girl https://bg.listvote.com/lists/film/movies/billboard-girl-23035334/actors The Princess and the Pirate https://bg.listvote.com/lists/film/movies/the-princess-and-the-pirate-432567/actors -
Transcription Records
TRANSCRIPTION RECORDS located in Center for Danish Jazz History, Aalborg Universitet This catalogue has been compiled by Niels Sjølin Frederiksen for the jazzcentre between and 2010 and 2015. The records were originally part of the Jazz Medie Collection from Karl Emil Knudsen, Storyville Records, Copenhagen which CDJ took over in 2008. This catalogue is organized after publishing companies , listed in alphabetical order. 1955 MARCH OF DIMES AN ALL STAR RADIO PROGRAM NATIONAL FOUNDATION FOR INFANTILE PARALYSIS, INC. 120 BROADWAY, NEW YORK 5, N. Y. *PLEASE DESTROY TRANSCRIPTION AFTER CAMPAIGN* BROADCAST BETWEEN JAN. 3-31 ONLY – HOWARD J. LONDON, Radio Director Code No. Artist E4-KM-8761 Nat “King” Cole and Orchestra under the direction of Nelson Riddle E4-KM-8762 Liberace, Orchestra under the direction of George Liberace ♥ 1957 HEART FUND February 1-28 AMERICAN HEART ASSOCIATION Transcription rights granted by James E. Petrillo, President AFM Recorded by Gotham Recording Corp. Program “Calling All Hearts” starring ET-II Program Three Gordon MacRae and Shirley Jones GRC-4288A ET-II Program Four Jimmy Durante and Helen Traubel GRC-4288B WAR DEPARTMENT THE ARMED FORCES RADIO SERVICE Presents SERIES ALBUM No. Artists #102 OFFICE OF ARMED FORCES INFORMATION & EDUCATION DEPARTMENT OF DEFENSE Armed Forces Radio & Television Service PROPERTY OF UNITED STATES GOVERNMENT Micro-Groove - Play with .001 pickup stylus Disc Series Artists C-57-END-476 STATION LIBRARY (Track#1) Stars of Jazz, Christmas Eve Program (handwriting on sleeve: Bobby C-57-END-317 Troup, Chico Hamilton, Georgia Carr)//TX #1 Portraits in Music Pt. 2, (Track #2) TX #2 Eddie Fisher (Christmas Day Program) (handwriting on 10-11-57 = Oct. -
AND ORAL HISTORY for WORLD WAR II FEMALE VETERANS By
"WHEN FLAGS FLEW HIGH": PROPAGANDA, MEMORY; AND ORAL HISTORY FOR WORLD WAR II FEMALE VETERANS by KATHLEEN M. RYAN A DISSERTATION Presented to the School ofJournalism and Communication and the Graduate School ofthe University ofOregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy June 2008 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Kathleen Ryan Title: ""When Flags Flew High": Propaganda, Memory and Oral History for World War II Female Veterans" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor of Philosophy degree in the Department of Journalism and Communication by: Lauren Kessler, Chairperson, Journalism and Communication Biswarup Sen, Member, Journalism and Communication Julianne Newton, Member, Journalism and Communication Daniel Pope, Outside Member, History and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. June 14,2008 Original approval signatures are on file with the Graduate School and the University of Oregon Libraries. iii © 2008 Kathleen M. Ryan IV An Abstract ofthe Dissertation of Kathleen M. Ryan for the degree of Doctor ofPhilosophy in the School ofJournalism and Communication to be taken June 2008 Title: "WHEN FLAGS FLEW HIGH": PROPAGANDA, MEMORY, AND ORAL HISTORY FOR WORLD WAR II FEMALE VETERANS Approved: Dr. Lauren Kessler During World War II, U.S. women responded to a call: "Free a man to fight." It was the first time women were officially welcomed as members ofthe military reserves, serving for the duration ofthe war plus six months before returning to their civilian lives. -
Musical, Cultural, and Personal Contexts of Jazz in the Compositions of Harold Arlen
ABSTRACT Title of Dissertation: A BLUE TIN PAN: MUSICAL, CULTURAL, AND PERSONAL CONTEXTS OF JAZZ IN THE COMPOSITIONS OF HAROLD ARLEN Sarah Jean England Doctor of Philosophy Musicology, 2020 Dissertation directed by: Dr. Patrick R. Warfield, Professor, Musicology This dissertation explores the compositions of songwriter Harold Arlen, viewing them as musical portraits of the immigrant experience and the racial politics of the United States in the early part of the twentieth century. This approach reveals how Arlen’s upbringing in a racially diverse neighborhood in Buffalo, New York, where Jewish American immigrants and African Americans formed the core of the community, as well as his early years playing in jazz bands and his tenure at the Cotton Club, left a permanent and indelible mark on his compositional style. I trace the influence of African American popular music on his compositional approach, structure, and style. In doing so, this dissertation adds a more nuanced view to narratives about Jewish American songwriters’ use of jazz and blues in Tin Pan Alley song by demonstrating their specific application in the works of one composer. In addition to musical function, the personal and cultural implication of jazz elements in Arlen’s music are also explored. A BLUE TIN PAN: MUSICAL, CULTURAL, AND PERSONAL CONTEXTS OF JAZZ IN THE COMPOSITIONS OF HAROLD ARLEN by Sarah Jean England, B.M., M.A. Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2020 Advisory Committee: Dr. Patrick Warfield, Chair Dr. -
To Academy Oral Histories Henry Bumstead
Index to Academy Oral Histories Henry Bumstead Henry Bumstead (Art Director) Call number: OH155 Aaris, H. Barkely, 802, 816 AARON SLICK FROM PUNKIN CRICK, 278–281 AARON SLICK FROM PUNKIN CRICK (play), 281 ABSOLUTE POWER, 738–748, 752 Academy Awards, 29, 37–38, 67, 84, 89, 114, 124, 168, 178, 254, 287, 318, 379–381, 384, 407, 426, 432, 439–441, 450, 466, 502, 530, 532, 559, 565–566, 584–587, 620, 687, 703, 707-709, 736, 747, 769–770, 810, 812, 815-817, 827 Academy Center for Motion Picture Study see Margaret Herrick Library Academy of Motion Picture Arts and Sciences, 29, 37–38, 47, 62–63, 132–133, 159– 162, 172, 271, 466, 596, 598, 671, 797 Academy Samuel Goldwyn Theater see Samuel Goldwyn Theater “Ac-cent-tchu-ate the Positive" (song), 214 accounting departments, 688 acting, 57–58, 127–128, 132, 141, 156–157, 203, 222, 265, 284, 334, 357–361, 404, 413–414, 430, 434–435, 525, 551, 561, 564, 575, 577, 604, 608, 622, 635, 649–653, 659–660, 666–667, 671, 675, 680, 685–686, 702, 708, 723, 735–736, 762, 780–781, 787–788, 803, 809–810, 824–825, 827–828 Adams, Terry, 730 Adee, Richard, 698 ADVENTURE ISLAND, 118 THE ADVENTURES OF NICK CARTER (television), 546–548 advertising, 432, 633, 764 aerial cinematography, 160–162, 209, 322–323, 443, 631 African-Americans, depiction of, 265, 440 African-Americans in the film industry, 685, 778, 782 THE AGE OF INNOCENCE, 21 ageism, 344, 736–737, 750–752, 787, 829–830, 833 agents, 452–453, 500–501, 522–523, 566, 569, 582–584, 690, 736, 753 Aherne, Brian, 167 Aiona, Edward, 710, 721, 747 Air France (airline), -
Adobe PDF Version of All the Lyrics
Ella Fitzgerald -Lyrics- Dedicado a Vickita 2 Ella Fitzgerald Ella Fitzgerald 3 - A - Ac-cent-tchu-ate the Positive.................................................................................................. 13 Ace In The Hole...................................................................................................................... 14 Alexander's Ragtime Band...................................................................................................... 15 All By Myself.......................................................................................................................... 16 All My Life ............................................................................................................................. 17 All Of You .............................................................................................................................. 18 All The Things You Are ......................................................................................................... 19 All Through The Night ........................................................................................................... 20 All Too Soon........................................................................................................................... 21 Always .................................................................................................................................... 22 Angel Eyes ............................................................................................................................. -
Web Paramount Historical Calendar 6-12-2016.Xlsx
Paramount Historical Calendar Last Update 612-2016 Paramount Historical Calendar 1928 - Present Performance Genre Event Title Performance Performan Start Date ce End Date Instrumental - Group Selections from Faust 3/1/1928 3/7/1928 Movie Memories 3/1/1928 3/7/1928 Movie News of the Day 3/1/1928 3/7/1928 Instrumental - Group Organs We Have Played 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Musical Play A Merry Widow Revue 3/1/1928 3/7/1928 Dance Accent & Jenesko 3/1/1928 3/7/1928 Dance Felicia Sorel Girls 3/1/1928 3/7/1928 Vocal - Group The Royal Quartette 3/1/1928 3/7/1928 Comedian Over the Laughter Hurdles 3/1/1928 3/7/1928 Vocal - Group The Merry Widow Ensemble 3/1/1928 3/7/1928 Movie Feel My Pulse 3/1/1928 3/7/1928 Instrumental - Individual Don & Ron at the grand organ 3/1/1928 3/7/1928 Movie The Big City 3/8/1928 3/14/1928 Instrumental - Individual Don & Ron at the grand organ 3/8/1928 3/14/1928 Variety Highlights 3/8/1928 3/14/1928 Comedian A Comedy Highlight 3/8/1928 3/14/1928 Vocal - Individual An Operatic Highllight 3/8/1928 3/14/1928 Variety Novelty (The Living Marionette) 3/8/1928 3/14/1928 Dance Syncopated 3/8/1928 3/14/1928 Dance Slow Motion 3/8/1928 3/14/1928 Dance Millitary Gun Drill 3/8/1928 3/14/1928 Comedian Traffic 3/8/1928 3/14/1928 Instrumental - Group novelty arrangement 3/8/1928 3/14/1928 Comedian Highlights 3/8/1928 3/14/1928 Movie West Point 3/15/1928 3/21/1928 Instrumental - Individual Don & Ron at the grand organ 3/15/1928 3/21/1928 Variety -
Soldiers' Stories: Military Women in Cinema and Television Since World
SoldierS’ StorieS Yvonne Tasker SoldierS’ StorieS Military WoMen in CineMa and television sinCe World War ii Duke University Press Durham and London 2011 © 2011 Duke University Press All rights reserved. Printed in the United States of America on acid- free paper ♾ Designed by Heather Hensley Typeset in Warnock Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. In memory of Elspeth Snodgrass, 1964–2003 Contents List of Figures ix Acknowledgments xiii A Provocative Presence: Military Women in Visual Culture 1 Part one 19 1. Auxiliary Military Women 23 2. Invisible Soldiers: Representing Military Nursing 71 Part two 111 3. Musical Military Women 115 4. Women on Top: Comedy, Hierarchy, and the Military Woman 139 5. Military Women and Service Comedy: M*A*S*H and Private Benjamin 173 Part three 201 6. Controversy, Celebration, and Scandal: Military Women in the News Media 205 7. Conflict over Combat: Training and Testing Military Women 235 8. Scandalous Stories: Military Women as Victims, Avengers, and Investigators 255 Afterword 277 Notes 281 Bibliography 301 Index 309 Figures 1. Recruitment ad for the WRAF (1953) 2 2. Life magazine (August 1941) circulates the image of British military women for American audiences. 7 3. In Marine Raiders (1944) military women are pictured disrupting the frame and the expectations of male Marines. 8 4. A recruitment ad for the British Army 11 5. Both patriotic endeavor and gender inclusion are central to this recruitment poster (1943). 14 6. Beverley Pick’s ATS poster emphasizes women in a vital and modern military role. -
The Alphabet Song) (1948) 1-1 Each Night He Would Find Her There Swinging in the Coconut Tree
Aquellos Ojos Verdes 2-21 Aba Daba Honeymoon, The (1914) 1-1 See Green Eyes on page 46. (wm) Arthur Fields, Walter Donovan (RR) in the 1951 film: Two Weeks With Love by Debbie Reynolds & Carlton Carpenter 42nd Street Verse: See Forty-Second Street on page 42. ‘Way down in the Congo land lived a happy chimpanzee. She loved a monkey with a long tail. Lordy, how she loved him! A, You’re Adorable (The Alphabet Song) (1948) 1-1 Each night he would find her there swinging in the coconut tree. (wm) Buddy Kaye, Fred Wise, Sid Lippman (P) Perry Como. And the monkey gay, at the break of day, Loved to hear his Chimpie say: When Johnny Jones was serenading Mary He sure could quote a lot of poetry Chorus: “Aba, daba, daba, daba, daba,daba, dab,” But he’d much rather tell her Said the Chimpie to the Monk What he learned in his speller “Baba, daba, daba, daba, daba, daba, dab,” When they both attended PS 33 Said the Monkey to the Chimp All night long they’d chatter away, “A” you’re adorable All day long they’re happy and gay, “B” you’re so beautiful Swinging and singing in their honky, tonky way. “C” you’re a cutie full of charm “D” you’re a darling “Aba, daba, daba, daba, daba, daba, dab,” “E” you’re exciting Means “Monk, I love but you.” “F” you’re a feather in my arm “Baba, daba, dab,” in monkey talk “G” you look good to me Means “Chimp, I love you too.” “H” you’re so heavenly Then the big baboon, one night in June “I” you’re the one I idolize He married them and very soon “J” we’re like Jack and Jill They went upon their Aba Daba Honeymoon.