Download Issue 16.1

Total Page:16

File Type:pdf, Size:1020Kb

Download Issue 16.1 .... Dreaming Humanity's Path.... Earth Changes My future self, wise from experiences of lifetimes I've yet to live, visits me in the dream. She begins to show me images -projected on a screen - of destruction on earth: images of cleansing and suffering. She then tells me that most of what we are now doing to save the earth - recycling and conserving - is like placing a band aid over a gushing wound. She says, "The forces of destruction are too ~ great and the changes most people are willing to ~ make, too small. All the patriarchal values, with :;-~ their technological wizardry, art and culture, will " be forgotten. All that will be remembered is that societythis committed the greatest crime of all: the near destruction of the earth." She is clear that the earth and some people would survive but that the future world would be unre- ·~· - cognizable to us today. She compares the changes ~~~ to a time traveler from the middle ages visiting our technological society today. Most of what we value will be destroyed and then forgotten. She speaks softly, telling me that I (like others) ahave choice: "Will you be a part if the forces of destruction or a part of the healing ! that will create the new world you will, · in future lives, cherish?" 3 . The picture you see here was 1 llmm:mmmmmmmmmrmmmm:~rm~mmmmmmmmmmmmm:! taken, unbeknownst t~ me, d~ring an event that was the marufestahon of a dream and was my initiation onto What excites and inspires me this path. You see here a woman is innocence, spontaneity, occupying sacred space..... synchronicity. Once genuinely Sometimes, then, Dancing the experienced, events embracing these Dream Awake, is a spontaneous Self­ characteristics become that which is directed event; a life changing gift desired; all else becomes a matter of given by the wise counsel we each waiting, and duty. I know you possess within; at other times, we agree. may intentionally incubate and/or Dreams possess these qualities in integrate dreams to enlighten and enliven our lives. For beginners, abundance,brilliantlybypassingthe Korea and the ways in which journaling, doing 'dreamwork' and/ ego, they arise of their own volition. dreams and mythology shape or sharing our dreams with others­ ... each a unique work of art. Each Korean culture (p. 20). In going to those deep levels within that desiring to be acted upon in some celebration and respect for the yield comprehension-are ways in way. masculine inherent in all, we bow which we bring forth our dreams into So it is with the dreams which to each of you for your reality. Carl Sandburg said: "Nothing commit me to this path. Innocently generosity.... and to Ben Schnirel happens unless first a dream." and spontaneously the imagery is for creating and allowing The With each turn of the page in this presented and sometimes, years Wizard to grace our cover. issue, you will discover dreamers later, events occur which manifest Our next issue, Volume 16 No. the dream, often without any exploring and sharing the ways in 2, focuses on Dreamsharing with conscious intention on my part. For which dreams influence and change Children and will be one of our example, after I had 'let go'-on their days (or.... is that daze?). Russell most important issues. Chil drenare Leap Year Day- of my 20 year Lockhart spends his early morning the manifestation of innocence and multifaceted 'career' as a public hoursincontemplativethought, spontaneity; by introducing them servant and launched onto my new penetrating ways in which his dream to the creativity, beauty and path as a lover and student of desires to be done and leads us on to a importance of dream imagery­ dreams-wondering all the while labyrynthical j ourneyexploring deep and encouraging them to do the what on Earth I would do to 'earn a roots and meaning (Hints & Inti­ dreams- we help them to maintain living'-I had a dream in which I mations, p. 13); Jaye C. Bel do, in his those qualities which our culture saw a bundle of papers (you could newcolumnNetworkNous (p.17) has had such an atrocious tendency say a publication) dangling from the will expose and remind us of the many wonders, sights, sounds and tostifle. branch of a tree, its pages blowing in If you do dreamsharing with the wind. A dream voice said, "If inventions we have come to take for your children at home, if you have you don't do it, somebody else will." granted that were born in the dream­ ever taught a course or done a I had no clue whatsoever what the time; Ginny Perthel shares her special presentation/project in the dream/voice meant at the time. process of incubating a dream to gain insight and direction in her quest for classroom withchildrenorif Just prior to having the dream, I childrenareincludedinyour had located the current publisher of a more rewarding career (p. 24). dream therapy/dreamwork the Dream Network and subscribed. A unique feature of this issue is practice, PLEASE share your weeks later, the first issue themajorityofsubmissionsfrom Several experiencesandtechniques.Most arrived in my mailbox. It had an men. Particularly poignant are the importantly, ask the children in unspectacular announcement inside articles and poetry in The Art of your life to share their dreams and the front cover: "We are seeking a Dreamsharing & Dream Education drawings! We hope to include a new editor/publisher for the Dream section. Heartfelt, painful, powerful, special section produced by the Network." I knew immediately, then, encouraging.... , all speaking to the workinvolvedinresolvingand children themselvesl what it meant! I made haste to phone May we all rediscover and Linda Magallon and began this making peace with our parents. (See nurture ourchild-likeinnocence extraordinary journey with you, pgs. 27-34). Fred Seligson gifts us and support one another in doing undoubtedly the mostsignificant with insight into the predominance of the dreams! v v Q Q HRO adventure of my life. shamanistic healing practices in 6 Dream Network/Vol.16 No.1 their meaning to the dreamer! long after "Spider'' took on this form During the latter part of my that I understood her message.... teenage years, I started having a "Spider" was an attention getter horrific dream about a spider. Not for me! I grew to understand that her an ordinary spider but one as big as threads were the "stuff'' from which a house! While asleep and dream­ dreams are spun. Her ultimate mess­ ing, I would see a bunch of threads age for me was to point out my need to be artistically creative. Spider as BIG as a House coming to me from off in the distance. As this mass of threads reached my bed Today "Spider" comes to me in One of the best lessons I learned and was directly averhead, it would dreams to give me many messages: when I first started doing dreamwork turn into a huge, black spider and fall She warns me about disease (for with others was the importance of down on me. I dreamed this dream at instance, showing up as cancer cells); knowing that the sym bois in any least three times a week. ... for years. she lets me know when things are given dream belong to the individual It gave me quite a bit of trouble murky or cloudy by hiding in var­ dreamer. Even if a symbol is univer­ when my husband and I were first ious types of webs, or webs that sal-or archetypal-the individual married and living in an old apart­ show me I am caught within a web; will (or may) interpretthis symbol in ment building with thin walls. Our she tells me to spin her threads of a personal way. landlord, who lived above us, creativity by keeping a dream jour­ My first dream partner, Mary, would manage to run into us the nal, doing dreamwork and painting and I met every Friday morning to morning after one of the spider and sculpting dream images. share dreams. One week I would dreams and ask if we heard screams Judith Picone, Edmonds, WA work on her dream and the next she during the night; he would look me would work on mine. During one over as best he could without being session, while Mary was relating a too obvious. My husband was a Can You Help dream regarding being at her grand­ foreigner and already suspect in the With These Dreams? parents' farm and telling of a bam landlord's eyes. Then, one nightthe housed on the property, I fell into my man from the apartment next to I would like to express to you own reverie about my uncle's farm. ours came knocking on our door, all how much I enjoy your journal. When my sister and I were growing still trying to get into his pants after I have had numerous dreams up, we loved to go to my uncle's one of my screaming episodes! that reveal many things to me. I have house. There was a stream running My husband decided we had to beenintohealingandspiritual work through the property, lots of animals do something about it. For instance, since the age of 21 .... and I am now and most of all, a wonderful barn. I would be very disoriented upon nearly 70 years of age. Many of my There was always hay in the bam to awakening, so he suggested we use dreams pertain to healings, to the j urn pinto, mother cats and kittens to a night light; this helped me tore­ Virgin of Guadalupe...
Recommended publications
  • The Same Old Story Chief Science Officers
    Fall 2 019 THE SAME OLD STORY A Short Story from the Sci-Fi World 8 CHIEF SCIENCE OFFICERS LOG SUBMITTED BY LT. BRAD JACOBS 23 LETTER FROM THE EDITOR Welcome, Greetings, Salutations and yI'el! Welcome to the Fall 2019 issue of the Ticonderoga newsletter. As difficult as it may seem to be, we are already moving into the final days of 2019. Like so many years that have come and gone, each has its own good and not so good events. This year, even with it's rough patches, has had an overtone that fits well with this issue. Super, and Super Heroes! We all have to admit sometimes, we would love to be able to be able to move that mountain of laundry with our minds, or see whats in the mystery collectibles boxes with X-Ray vision, or maybe just fly and buzz by our old high school bullies house and ding-dong-ditch em! Well, whatever your first activity might have been once you found out that super powers were yours, that moment may not ever happen. What will happen though, is super hero sized actions that have super sized results every day all across the country by “ordinary” crew who don't let their limits stop them. So that being said, even though we are going to have to move the laundry, buy the box without looking, and run like a mad man after ringing the bell, we still look to the skies, watch for that flash of lightning, and aspire to master our minds powers as we create our perfect hero in our books, films and comics.
    [Show full text]
  • UC San Diego Electronic Theses and Dissertations
    UC San Diego UC San Diego Electronic Theses and Dissertations Title Thin, white, and saved : fat stigma and the fear of the big black body Permalink https://escholarship.org/uc/item/55p6h2xt Author Strings, Sabrina A. Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Thin, White, and Saved: Fat Stigma and the Fear of the Big Black Body A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Sociology by Sabrina A. Strings Committee in charge: Professor Maria Charles, Co-Chair Professor Christena Turner, Co-Chair Professor Camille Forbes Professor Jeffrey Haydu Professor Lisa Park 2012 Copyright Sabrina A. Strings, 2012 All rights reserved The dissertation of Sabrina A. Strings is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2012 i i i DEDICATION This dissertation is dedicated to my grandmother, Alma Green, so that she might have an answer to her question. i v TABLE OF CONTENTS SIGNATURE PAGE …………………………………..…………………………….…. iii DEDICATION …...…....................................................................................................... iv TABLE OF CONTENTS ……………………………………………………....................v ACKNOWLEDGEMENTS …………………...…………………………………….…...vi VITA…………………………..…………………….……………………………….…..vii ABSTRACT OF THE DISSERTATION………………….……....................................viii
    [Show full text]
  • The Favorite Press Release
    !1 of !3 Wednesday, May 22, 2019 FOR IMMEDIATE RELEASE THE AVANTE GARAGE THEATRE COMPANY ANNOUNCES IT’S LOS ANGELES INAUGURAL PRODUCTION The Award-Winning Avante Garage Theatre Company, formerly of Nashville, and then NYC, will present it’s first production in Los Angeles this Summer at The Avery Schreiber Playhouse in the NOHO Arts District. First up for this talented bunch of professionals is the world premiere of a new play - “THE FAVORITE”, by Los Angeles Playwright Joe Correll. Mr. Correll is the Co-Artistic Director of The Avante Garage Theatre Company along with Avante Garage founder Michael Bouson.# “THE FAVORITE” is a dark comedy about the Holmes siblings who have just lost their mother and are cleaning out their parents' garage for the very last time. Shelby and Megan are competitive sisters with polar opposite world views; their adopted African American brother, Dylan is prone to having lively conversations with inanimate objects. They all have unresolved conflicts that get unpacked along with the mountains of boxes, bags and crates. As the family goes through the endless pile of their parents' accumulated treasures and junk, they relive childhood milestones and touchstones, both joyous and traumatic. Things take an unexpected turn when they uncover a painting that was painted by their mother. She has left a note saying that the painting should go to her favorite child, without specifying which one of them that is. Old wounds are exposed and generously doused in salt until the afternoon comes to a climax when Shelby's husband, Ethan makes a shocking discovery in a dusty old trunk.# Los Angeles Singer/Actress LAURA PHILBIN COYLE plays Shelby.
    [Show full text]
  • The Same Old Story
    The Same Old Story The Same Old Story Ivan Goncharov Translated by Stephen Pearl ALMA CLASSICS AlmA ClAssiCs ltd Hogarth House 32-34 Paradise Road Richmond Surrey TW9 1SE United Kingdom www.almaclassics.com The Same Old Story first published in Russian in 1847 This translation first published by Alma Classics Ltd in 2015 Cover design: nathanburtondesign.com Translation and Translator’s Ruminations © Stephen Pearl, 2015 Published with the support of the Institute for Literary Translation, Russia. Notes © Alma Classics, 2015 Printed in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY isbn: 978-1-84749-562-4 All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or other- wise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. Contents The Same Old Story 1 pArt i 3 Chapter 1 5 Chapter 2 31 Chapter 3 76 Chapter 4 101 Chapter 5 118 Chapter 6 151 pArt ii 173 Chapter 1 175 Chapter 2 204 Chapter 3 222 Chapter 4 261 Chapter 5 294 Chapter 6 313 Epilogue 347 Note on the Text 366 Notes 366 Translator’s Ruminations 375 Acknowledgements 387 To Brigitte always there to slap on the mortar at times when the bricks get dislodged – and this bricklayer is at his testiest S . P. The Same Old Story Part I Chapter 1 ne summer in the villAge of grachi, in the household O of Anna Pavlovna Aduyeva, a landowner of modest means, all its members, from the mistress herself down to Barbos, the watchdog, had risen with the dawn.
    [Show full text]
  • Anthropology and the Racial Politics of Culture
    ANTHROPOLOGY AND THE RACIAL POLITICS OF CULTURE Lee D. Baker Anthropology and the Racial Politics of Culture Duke University Press Durham and London ( 2010 ) © 2010 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ∞ Designed by C. H. Westmoreland Typeset in Warnock with Magma Compact display by Achorn International, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Dedicated to WILLIAM A. LITTLE AND SABRINA L. THOMAS Contents Preface: Questions ix Acknowledgments xiii Introduction 1 (1) Research, Reform, and Racial Uplift 33 (2) Fabricating the Authentic and the Politics of the Real 66 (3) Race, Relevance, and Daniel G. Brinton’s Ill-Fated Bid for Prominence 117 (4) The Cult of Franz Boas and His “Conspiracy” to Destroy the White Race 156 Notes 221 Works Cited 235 Index 265 Preface Questions “Are you a hegro? I a hegro too. Are you a hegro?” My mother loves to recount the story of how, as a three year old, I used this innocent, mis­ pronounced question to interrogate the garbagemen as I furiously raced my Big Wheel up and down the driveway of our rather large house on Park Avenue, a beautiful tree-lined street in an all-white neighborhood in Yakima, Washington. It was 1969. The Vietnam War was raging in South- east Asia, and the brutal murders of Malcolm X, Martin Luther King Jr., Medgar Evers, and Bobby and John F. Kennedy hung like a pall over a nation coming to grips with new formulations, relations, and understand- ings of race, culture, and power.
    [Show full text]
  • Race and Elections
    Runnymede Perspectives Race and Elections Edited by Omar Khan and Kjartan Sveinsson Runnymede: Disclaimer This publication is part of the Runnymede Perspectives Intelligence for a series, the aim of which is to foment free and exploratory thinking on race, ethnicity and equality. The facts presented Multi-ethnic Britain and views expressed in this publication are, however, those of the individual authors and not necessariliy those of the Runnymede Trust. Runnymede is the UK’s leading independent thinktank on race equality ISBN: 978-1-909546-08-0 and race relations. Through high-quality research and thought leadership, we: Published by Runnymede in April 2015, this document is copyright © Runnymede 2015. Some rights reserved. • Identify barriers to race equality and good race Open access. Some rights reserved. relations; The Runnymede Trust wants to encourage the circulation of • Provide evidence to its work as widely as possible while retaining the copyright. support action for social The trust has an open access policy which enables anyone change; to access its content online without charge. Anyone can • Influence policy at all download, save, perform or distribute this work in any levels. format, including translation, without written permission. This is subject to the terms of the Creative Commons Licence Deed: Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales. Its main conditions are: • You are free to copy, distribute, display and perform the work; • You must give the original author credit; • You may not use this work for commercial purposes; • You may not alter, transform, or build upon this work. You are welcome to ask Runnymede for permission to use this work for purposes other than those covered by the licence.
    [Show full text]
  • Evolving Representations of National Identity in Nineteenth-Century Genre Fiction
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE IMAGINING IRISHNESS: EVOLVING REPRESENTATIONS OF NATIONAL IDENTITY IN NINETEENTH-CENTURY GENRE FICTION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By R. MICHELLE LEE Norman, Oklahoma 2012 IMAGINING IRISHNESS: EVOLVING REPRESENTATIONS OF NATIONAL IDENTITY IN NINETEENTH-CENTURY GENRE FICTION A DISSERTATION APPROVED FOR THE ENGLISH DEPARTMENT BY ______________________________ Dr. Daniel Cottom, Chair ______________________________ Dr. Francesca Sawaya ______________________________ Dr. Timothy Murphy ______________________________ Dr. Daniela Garofalo ______________________________ Dr. Judith Lewis © Copyright by R. MICHELLE LEE 2012 All Rights Reserved. Acknowledgements I would like to begin by thanking Daniel Cottom for directing this dissertation and seeing me through nine years of graduate work. I knew I could always depend on his good advice and practical perspective, no matter the issue. His encouragement, guidance, patience, and sense of humor helped get me to this point, and I am a stronger writer and a better scholar because of him. I am also grateful to my committee members, Francesca Sawaya, Timothy Murphy, Daniela Garofalo, and Judith Lewis. Their kind words, valuable criticism—and, sometimes, their willingness to chat over a much-needed martini—have meant so much to me. This project would not be the same without the indispensable assistance of the many librarians and archivists in Ireland and America who helped me locate research materials. Their extensive knowledge and resourcefulness made sifting through countless of boxes, letters, and manuscripts a smooth and pleasant experience. I would like to thank Mr. Robin Adams and the other librarians in the Manuscripts and Archives Research Library at Trinity College Dublin for helping me with my research on Bram Stoker, and Tara Wenger and Elspeth Healey at the Kenneth Spencer Research Library in Lawrence, Kansas for access to the P.
    [Show full text]
  • Not the Same Old Story: Using Narrative Theory to Understand and Overcome the Plausibility Pleading Standard
    Articles Not the Same Old Story: Using Narrative Theory to Understand and Overcome the Plausibility Pleading Standard Anne E. Ralph* INTRODUCTION The Twombly' and Iqbal2 cases drastically changed the pleading standard for lawsuits governed by the Federal Rules of Civil Procedure, requiring a litigant to plead facts demonstrating that her right to relief goes beyond "sheer possibility" and is, in fact, "plausible."3 Prior to these cases, litigants and judges alike understood that Rule 8, which by its terms requires only a "short and plain * Assistant Clinical Professor, The Ohio State University Michael E. Moritz College of Law. I wish to thank LexisNexis and the joint LWI/ALWD Scholarship Grant Committee for the generous grant that supported this work. I am grateful to the following individuals for helpful discussion and comments: Mary Beth Beazley; Christopher M. Fairman; Elizabeth Fajans; Ian Gallacher; Arthur F. Greenbaum; J. Christopher Rideout; Robin Wellford Slocum; and Monte Smith. I also received useful reactions to this project from participants in the Fourth Biennial Applied Legal Storytelling Conference (July 2013), the Southeast Regional Legal Writing Conference (April 2013), and the ALWD Scholars' Forum at the Empire State Legal Writing Conference (June 2012). Finally, I thank my research assistants Justin Joyce and Sara Salari for their excellent work. This article is dedicated to my mother, Susan M.Ralph, with gratitude and admiration. 1. Bell Ad. Corp. v. Twombly, 550 U.S. 544 (2007). 2. Ashcroftv. lqbal, 556 U.S. 662 (2009). 3. Id at 678. Although the Court in Twombly and lqbal used various terms to describe what it was requiring of a complaint, it is the word "plausible" to which those who would characterize the decisions continually return.
    [Show full text]
  • The Complete Works of James Whitcomb Riley, V1
    The Complete Works of James Whitcomb Riley, V1 James Whitcomb Riley The Complete Works of James Whitcomb Riley, V1 Table of Contents The Complete Works of James Whitcomb Riley, V1............................................................................................1 James Whitcomb Riley..................................................................................................................................2 JAMES WHITCOMB RILEY—A SKETCH................................................................................................5 A BACKWARD LOOK..............................................................................................................................12 PHILIPER FLASH......................................................................................................................................14 THE SAME OLD STORY..........................................................................................................................17 TO A BOY WHISTLING............................................................................................................................18 AN OLD FRIEND.......................................................................................................................................19 WHAT SMITH KNEW ABOUT FARMING.............................................................................................20 A POET'S WOOING..................................................................................................................................24 MAN'S
    [Show full text]
  • Teacher Leader Stories
    Teacher Leader Stories VOLUME THREE Teacher Leader Stories VOLUME THREE James Boutin Alissa Farias Mark Gardner Claire Hallinan Samantha Huckabee Janet L. Kragen Mandy Manning Megan Megaard Linda Myrick Shannon Francisco-Papcun Danielle Puhl Carla Reynolds Mary Sharp Rachel Wiley Introduction CSTP’s Writers’ Retreat is a unique experience for Nasue Nishida teacher-writers to engage in a writing process that is all Executive Director, CSTP about them. It was started years ago by CSTP Founding Director Jeanne Harmon, who understood the importance of providing the time and space for teachers to write. She along with writing expert Sylvia Soholt perfected the design of the Writers’ Retreat with the teacher-writer at the forefront. The foundational premise of the Writers’ Retreat is that teacher voice matters, teacher voices should be heard and the voices of accomplished teachers can positively impact education from the classroom to the Capitol and beyond. Now the Writers’ Retreat is part of a larger professional learning opportunity over the summer that we affectionately call Camp CSTP. Camp CSTP provides the time, space and support for teachers to explore and develop their leadership knowledge and skills and discuss and reflect upon their leadership journey. In the summer of 2016, situated in a beautiful wooded setting coached by an expert writer and supported by a caring facilitator, a group of teacher-writers got to work. In this compilation of Teacher Stories Volume 3, their writing tells stories from the classroom and of students who changed their personal and professional lives. Their writing relays their worries, fears and hopes for education.
    [Show full text]
  • Preacher's Magazine Volume 36 Number 07 Lauriston J
    Olivet Nazarene University Digital Commons @ Olivet Preacher's Magazine Church of the Nazarene 7-1-1961 Preacher's Magazine Volume 36 Number 07 Lauriston J. Du Bois (Editor) Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_pm Part of the Biblical Studies Commons, Christian Denominations and Sects Commons, International and Intercultural Communication Commons, Liturgy and Worship Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Du Bois, Lauriston J. (Editor), "Preacher's Magazine Volume 36 Number 07" (1961). Preacher's Magazine. 361. https://digitalcommons.olivet.edu/cotn_pm/361 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Preacher's Magazine by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. JULY 1961 D L Pr,acU \ m Cl ( j Cl z i n c Volume 36 July, 1961 Number 7 CONTENTS C o v e r — N. B. Herrell (See p a g e 5) Doctrine Is Not Deadly, J. Kenneth Grider'............................................. 1 The Offering and Announcements in Worship (XIX), Editorial ... 2 The Preaching of N. B. Herrell, James McGraw .................................. 5 The Secret of Assurance and Freedom, Arthur Hedley ..................... 8 Appreciation, Pauline E. Spray ..................................................................11 The Sinner’s Next Move (III), Earl E. B arrett ...................................... 13 Sure Way to Succeed in Ministry, E. O. Chalfant...................................15 The Preacher’s Public Prayer, S. L. M organ, Sr..................................... 16 Tlie Criterion of Salvation, H. Ray Dunning ........................................ 18 Calling on the Sick, the Aged, and the Bereaved, E.
    [Show full text]
  • Magic, Medicine and Technology in Aronofsky's the Fountain, Gibson's
    Nebula6.4, December 2009 Angels with Nanotech Wings: Magic, Medicine and Technology in Aronofsky’s The Fountain, Gibson’s The Neuromancer and Slonczewski’s Brain Plague. By Catherine M. Lord Entry: Angels with Synapses How many angels can dance at the head of a pin? This question perplexed Medieval and Renaissance scholars. For them, the fantastic was not a matter of science fiction, but science fact. There was much debate as to whether angels were material entities or forms of energy. Curiously, angels and spiritual accomplices are re-appearing in the current zeitgeist. On the lecture site “Ted.Com,” the author of Eat, Pray, Love (2006), Elizabeth Gilbert makes a powerful plea for protecting our metaphors of creativity by re-adopting the Platonic models of the ‘diamonic.’ Cited in “The Myth of Er” (Book X of Plato’s Republic), this spiritual entity is acquired by human souls in their pre-lives before they arrive on the planet. The diamon then accompanies us on our human journey, helping us to deliver on our pre-ordained purpose. If we avoid our destiny, it can quite literally raise hell. The diamon is also the accompanying ‘genius,’ or ‘spirit.’ Gilbert takes on this concept to suggest that we will be saner as artists if we drop the idea that it is humans themselves who are the geniuses, considering instead that we are aided in our creativity by forces beyond us. As literary scholar and ecologist Harold Fromm reminds us, from the ancients referring to their Muses, Milton speaking of his “Creator Spiritus” and W.B.
    [Show full text]