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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Booklet-Gobs.Pdf
I like to ute, ute, ute puppurunu Nah,And nah, hope n-n-n-n-nah we’ll meet again(8x) each other. We can create the fun Stomping in the puddles on a 1. Imaginationpuzzu . tomorrow by using our imagnations to move us rainy day “Your attention please. The fun Verse - Make fists and alternate tapping them on Dancing to my favorite song takes the begins now!” Gobs of fun and gobs of goo topWords of each & Music other, then point to your brain, Children'sblues away Vocals Activity Suggestions “This just in. Kids can have fun by simply Words & Music by Stephen Fite Abigail Inyang, Jackie McCarthy Nah, nah, n-n-n-n-nah Here’s the wish I wish for you and then extend one fist and arm into the Makin‚ a milk mustache on my lip using their imaginations.” Additional words to Pepperoni Pizza DJ Argenziano, Addi Berry Nah,This isnah, a variation n-n-n-n-nah on the tune, Apples & That you might rise above the stars air. Encourage the children to join the kids Travelin’ with my family on a great written Stephen Fite Emily Berry, Annabeth Berry Nah,Bananas. nah, n-n-n-n-nahAs a class project, see Nah,And nah, be who n-n-n-n-nah you are (8x) on the CD in asking When, Where, Who, vacation trip Arranged & Produced by Nah,how manynah, nah, other n-n-n-n-nah, foods will work nah with the What & Why. These are just a few of the things I like Verse Nah,melody nah, and n-n-n-n-nah rhythm of this song. -
The Christmas Jug Band
GLOBE RECORDS [email protected] www.globerecords.com P O Box 5523 The Christmas Jug Band Mill Valley CA 94942 707-765-6597 he Christmas Jug Band Story - A momentary lapse of sanity that became an annual holiday tradition spanning 25 years. TT A small group of pals living in Mill Valley, California, in the mid 70s with a penchant for Kentucky bourbon formed The Monday Night Wild Turkey Jug Band. From Yellow Springs, Ohio, Gregory Leroy "Duke Dagreeze" Dewey (Mad River, County Joe & the Fish, Marty Balin), his brother - Nicholas Q (Not Joe) Dewey, and their partner in "The Reptile Brothers Band," Tim Eschliman (Commander Cody, Etta James) started the weekly Appalachian-style jug jams with the Deweys' roommate, Paul Wenninger (from Chicago, road manager for Van Morrison, Dan Hicks). Spur-of-the-moment street corner appearances, instigated by CJB circa 1997 Dan Hicks (Dan Hicks and the Hot Licks) around the same time also had a jug band instrumentation and included many of the same musicians.The Monday Night Wild Turkey sessions lasted only 10 weeks, but had many guests stopping by, including Hicks; L. D.Armstrong (Rowdy and the Rivets), Austin de Lone (Eggs Over Easy, Commander Cody), and other local musicians mostly from the Old Mill Tavern music scene. The jug-jam sessions were about creating new tunes, new lyrics, or just new grooves with an acoustic, backwoods, jug sound. A harmonica, old arch top f-hole type guitars, a jaw harp, a washboard, a washtub bass and even coat-hangers banged on the edge of the old wooden kitchen table became the desired sounds of the group.To preserve the creative spontaneity, cover songs were generally forbidden and to maintain the funky, down-in-the-holler home-made instrument kind of sound, pianos, professional-sounding dread-naught sized guitars and any other instruments deemed "too-good- sounding" were discouraged. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Sound Recording in the British Folk Revival: Ideology, Discourse and Practice, 1950–1975
Sound recording in the British folk revival: ideology, discourse and practice, 1950–1975 Matthew Ord Submitted in fulfilment of the degree of PhD International Centre for Music Studies Newcastle University March 2017 Abstract Although recent work in record production studies has advanced scholarly understandings of the contribution of sound recording to musical and social meaning, folk revival scholarship in Britain has yet to benefit from these insights. The revival’s recording practice took in a range of approaches and contexts including radio documentary, commercial studio productions and amateur field recordings. This thesis considers how these practices were mediated by revivalist beliefs and values, how recording was represented in revivalist discourse, and how its semiotic resources were incorporated into multimodal discourses about music, technology and traditional culture. Chapters 1 and 2 consider the role of recording in revivalist constructions of traditional culture and working class communities, contrasting the documentary realism of Topic’s single-mic field recordings with the consciously avant-garde style of the BBC’s Radio Ballads. The remaining three chapters explore how the sound of recorded folk was shaped by a mutually constitutive dialogue with popular music, with recordings constructing traditional performance as an authentic social practice in opposition to an Americanised studio sound equated with commercial/technological mediation. As the discourse of progressive rock elevated recording to an art practice associated with the global counterculture, however, opportunities arose for the incorporation of rock studio techniques in the interpretation of traditional song in the hybrid genre of folk-rock. Changes in studio practice and technical experiments with the semiotics of recorded sound experiments form the subject of the final two chapters. -
Now We Are 126! Highlights of Our 3 125Th Anniversary
Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information). -
2018 Available in Carbon Fibre
NFAc_Obsession_18_Ad_1.pdf 1 6/4/18 3:56 PM Brannen & LaFIn Come see how fast your obsession can begin. C M Y CM MY CY CMY K Booth 301 · brannenutes.com Brannen Brothers Flutemakers, Inc. HANDMADE CUSTOM 18K ROSE GOLD TRY ONE TODAY AT BOOTH #515 #WEAREVQPOWELL POWELLFLUTES.COM Wiseman Flute Cases Compact. Strong. Comfortable. Stylish. And Guaranteed for life. All Wiseman cases are hand- crafted in England from the Visit us at finest materials. booth 408 in All instrument combinations the exhibit hall, supplied – choose from a range of lining colours. Now also NFA 2018 available in Carbon Fibre. Orlando! 00 44 (0)20 8778 0752 [email protected] www.wisemanlondon.com MAKE YOUR MUSIC MATTER Longy has created one of the most outstanding flute departments in the country! Seize the opportunity to study with our world-class faculty including: Cobus du Toit, Antero Winds Clint Foreman, Boston Symphony Orchestra Vanessa Breault Mulvey, Body Mapping Expert Sergio Pallottelli, Flute Faculty at the Zodiac Music Festival Continue your journey towards a meaningful life in music at Longy.edu/apply TABLE OF CONTENTS Letter from the President ................................................................... 11 Officers, Directors, Staff, Convention Volunteers, and Competition Committees ................................................................ 14 From the Convention Program Chair ................................................. 21 2018 Lifetime Achievement and Distinguished Service Awards ........ 22 Previous Lifetime Achievement and Distinguished -
Adjective Adjective Noun Verb Adverb Prepositional Phrase
!"##$%&dd+d)*dr/*&d012)3,*4&*45*)65#5+$78)9::;))r54$d)9:>>?))))))))))))))))))))Volume 1) FRAME SAMPLE (page #) “Here, There” (McCrackens.1980s; M. Brechtel) Salmon Here, Salmon There (54) Colonies Here, Colonies There (54) Pigs Here, Pigs There (54) HERE, THERE (Blank Frame) (54) “Yes, Ma‛am” (Ella Jenkins. Call-Response. 1968) Trophic Levels Yes, Ma‛am (55) Yes, Ma‛am (Blank Frame) (55) Parts of Speech Yes, Ma‛am (56) “I Know A…” I Know A Seahorse (57) I Know An Unusual Ecosystem (57) (Adapted from Peter, Paul & Mary lyrics, 1960‛s) I Know A Meteorologist (57) I Know An Unusual Fish (57) I Know an Unusual Number (57) Marine Cadence (Jodys/ Sound Off. 1944.) California Gold Rush (58) Geography Alive! (59) Starch And Protein Sound-Off (58) American Civilization Cadence (59) Canoe Sound-Off (58) Washington State (60) “Twelve Days of Christmas” (Epiphany: 14-16th C) 12 Days in Gold Rush (61) 12 Days in Medieval Times (61) 12 Days in Arkansas (61) Constitutional Amendments (62-63) “Bugaloo” (Boogaloo. 1966. R.Ray/B.Cruz; A. Brechtel)) Crustacean Bugaloo (64) Egyptian Mummy Bugaloo (65) Aboriginal Life Bugaloo (64) I‛m a Greek God Bugaloo(66) “Johnny Comes Marching Home” (P.S. Gilmore (Civil War), 1863) Solid Shapes Are Everywhere (66) Greeks Go Marching (67) “Nah, Nah, Nah, Nah…” (Steam. 1969.) Scientific Investigation (68) Dolphins In Captivity (69) Others: Pharaoh Song (70) I‛m A Greek 2-3-4 (70) Prepositions (71) Polygon Chant (69) Florist Chant (67) Verbs of Being (71) Plumber Chant (63) Little Insect Egg (71) Ant/ Insect (71) Access the Core-Level 1 Workbook/AMF.2008 (Revised 4-11) 53 HERE, THERE SALMON HERE, SALMON THERE COLONIES HERE, COLONIES THERE PIGS HERE, PIGS THERE By Ana Filipek. -
Rhaglen Programme
THE ENTERTAINMENT VENUE Y LLEOLIAD AR GYFER ADLONIANT RHAGLEN PROGRAMME GWANWYN 2016 SPRING 2016 SWYDDFA DOCYNNAU BOX OFFICE - 01686 614 555 Tickets £3 | #HafrenSpyMovie ARCHEBWCH AR-LEIN BOOK ONLINE - THEHAFREN.CO.UK CROESO WELCOME Cyflwynwn ddau lawnsiad newydd yn y flwyddyn newydd sef! Acoustica: gan cyflwyno i’r llwyfan thalentau lleol i’ch diddanu. Cyflwynir y noson gan y cerddor poblogaidd Dai Robs, dewch i ymuno yn yr awyrgylch yn ein bar galeri a chyfle i fwynhau thalentau lleol. Cewch fwy o fanylion ar dudalen 5. Yn dilyn llwyddiant y peilot yn 2015 bwriadwn gynnig lle parhaol iddo yn ein rhaglen. Prynhawn o ffilmiau: Yn ystod y flwyddyn ddiwethaf rydym wedi bod yn dangos ffilmiau clasurol a ffilmiau plant poblogaidd yn ein theatr, bydd rhain yn ymddangos yn fisol o hyn allan yn ein rhaglen newydd. Ewch i dudalen 6 am fwy o fanylion. Dewch draw am y prynhawn i fwynhau ffilm, paned a chacen am £4. Rydym wedi cynnwys mwy o fanylion am ein gwaith addysgiadol y buon ni yn ymgymryd â dros y dair blynedd ddiwethaf. Y llynedd buon ni’n gweithio gyda dros 2000 o blant a phobl ifanc gan ddarparu profiadau o ansawdd uchel iddyn nhw. Os hoffech fod yn rhan o’r rhaglen newydd yma ac eich bod rhwng 0 a 100+ hoffem glywed ganddoch chi. Edrychwch ar y manylion ar dudalen 34. Edrychwn ymlaen i’ch croesawu yn 2016. Two major launches this year! Acoustica: bringing the talent of our musicians to your ears – hosted by popular musician Dai Robs in our gallery bar, come and enjoy our local talent in a relaxed atmosphere. -
JIMI HENDRIX Archivmaterial
inHard_inMusic_S1_S16 18.03.2013 3:40 Uhr Seite 1 Nr. 80 März/April 2013 16. Jahrgang Gratis im Fachhandel WWW.INHARD.DE JIMI HENDRIX Archivmaterial inHard_inMusic_S1_S16 18.03.2013 3:41 Uhr Seite 2 MONATS DES CD JIMI HENDRIX BREATHLESS JEFF HEALEY BLINDSTONE THE FABULOUS People, Hell And Angels Green To Blue As The Years Go Greetings From The Karma THUNDERBIRDS Legacy/Sony Music Tenor Vossa/Broken Silence Passing By Factory On The Verge ###### ###### INAK/in-akustik Grooveyard Records Severn/in-akustik ##### ##### ##### Und wieder kriecht neues Eine klangliche Großtat Hendrix-Material aus den haben Breathless auf ihrem Posthume Ehrung des legen- Dänen lügen nicht! Und so Erdiger Bluesrock mit souli- Archiven hervor. Die 12 siebten Album vollbracht, dären Bluesgitarristen und ist auch der Sound des 5. ger Bluesstimme, wogenden Songs auf „People, Hell And das als opulenter Doppel- Sängers mit einer edel auf- Albums von Blindstone eine Hammonds und feinem Angels“ stammen aus der decker erscheint. Herausra- gemachten 3 CD-Box. Dar- grundehrliche Angelegen- Groovegefühl - dafür bürgt Zeit zwischen 1968-1969. gend und unverkennbar ist auf zu finden sind drei bis heit. Hier treffen straighte das Quintett The Fabulous Empfehlenswert zum Rein- nach wie vor Sänger & Key- dato unveröffentlichte Gitarrenriffs auf schwere Thunderbirds auf seiner hören ist das flammende, boarder Dominic Appleton, Liveauftritte, die im Abstand Drumfahrten und tiefer neuen CD „On The Verge“. mit Wah Wah-Gitarre der mit seiner melancholi- von jeweils 5 Jahren ent- gelegten Blues-Rock, der Der Opener „I Want To Belie- bestückte „Somewhere“. schen und leicht elegischen standen. CD 1 präsentiert auch im guten alten Texas ve“ gefällt durch seine Diese Nummer wurde erst Stimme den Hörer in die Jeff Healey zusammen mit nicht besser aus den Ver- straight rockige Gangart, kürzlich im Hendrix-Nach- weitläufigen Klangland- seinen beiden Mitstreitern stärkern kommen dürfte. -
Transatlanticana PR
RED HOUSE RECORDS Red House Records: Angie Carlson • [email protected] • (651) 644-4161 BILL KIRCHEN & AUSTIN DE LONE Transatlanticana New Studio Album Unites the Titan of the Telecaster with the Godfather of Pub Rock Recorded in Austin, TX and London, UK with an all star cast Tour and festival dates announced including Hardly Strictly Bluegrass 2016 (August 26, 2016; Red House Records) Bill Kirchen and Austin de Lone team up for a hands-across-the-Atlantic collection with their new studio album, Transatlanticana, out on August 26, 2016 on Red House Records. This long- overdue release unites the pioneers of two major musical movements: Kirchen co-founded the original “Americana” band, Commander Cody and his Lost Planet Airmen, and his trademark Telecaster licks drove their hit “Hot Rod Lincoln” into the Top 10 in 1972. De Lone dropped out of Harvard to start Eggs Over Easy, moving to London and recording with Jimi Hendrix’s producer/manager and The Animals’ bass player Chas Chandler in 1970. The Eggs are the progenitors of British pub rock, the first link in the chain to punk rock, new wave and beyond. Backed by both their all-star British and American bands, Transatlanticana finds Kirchen and de Lone trading songwriting credits and lead vocals on this soulful and rocking collection. They kick it off with the timely “Hounds of the Bakersfield,” a tribute to the late Merle Haggard and the Bakersfield, CA sound. Kirchen and de Lone cut the album in Austin and London, capturing on disc the best of their 30-year collaboration. -
Palp-Programme-2017-Web.Pdf
Valais du 19 juillet au 19 août www.palpfestival.ch SOMMAIRE 2 – 3 AGENDA 37 – 47 4 – 5 ROCKLETTE PLAN TRUCKFIGHTERS, BOMBINO, MY SLEEPING KARMA, 6 – 9 THE LAST MOAN 40 ÖFFNET NICK WATERHOUSE, THE MOONLIGHT GANG 42 ALL THEM WITCHES, BRANT BJORK, KIKAGAKU MOYO, THE KOMPRESSOR EXPERIMENT 7 MYSTIC SONS 44 THE Z-BROS 8 ALLAH-LAS, BLUES PILLS 46 W.A.R. WORSHIP HIM AND BLOOD RITUAL PLAYED BY SAMAEL 9 ELECTRO GROOVY NIGHT 10 49 – 57 12 – 17 ELECTROCLETTE SCHLÖSSER GRAND BAZAR DU FROMAGE A RACLETTE 52 PIERRE OMER’S SWING REVUE, PLEASUREKRAFT, KAISERDISCO, BUFFET DU TERROIR 12 ALEC TRONIQ, LA MAIN MISE, EXPOSITION CHEZ L’HABITANT VOUIPE, FRANCO MENTO 54 BEAUTY AND ROOM 14 ATELIERS 56 OY, AURELIE EMERY 16 CONFERENCES 57 19 – 35 58 PLACE CENTRALE AMIS DU PALP MARTA REN & THE GROOVELVETS 20 61 ALICE TORRENT 22 TOURNOI DE JASS, L’EQUIPE JOURNEE PIANO 24 BALLOON SILENT DISCO 26 62 - 63 FETE NATIONALE 29 REMERCIEMENTS CHARLOTTE PEUT-ETRE, MEIMUNA 30 MANU DIBANGO 32 JOURNEE DES ENFANTS, GAETAN 34 II AGENDA Me 19 juillet Ma 1er août HARMONIE, ÖFFNET ALL THEM WITCHES, PLACE CENTRALE FETE NATIONALE, THE KOMPRESSOR EXPERIMENT ALLOCUTION, WAVE 10, FEUX D’ARTIFICE Martigny Martigny Ve 21 juillet , Je 3 août SCHLÖSSER PIERRE OMER’S SWING REVUE PLACE CENTRALE CHARLOTTE PEUT-ETRE, Sion MONNEY B, EXPOSITION, BUFFET DU TERROIR Martigny MEIMUNA SA 22 juillet Ve 4 août RAS MALI, SCHLÖSSER OY, AURELIE EMERY, PLACE CENTRALE MANU DIBANGO, EXPOSITION CHEZ L’HABITANT BEAUTY AND ROOM LES SONS DU VOISIN VS JACKSON BLOOMBERG Sion Martigny Je 27 juillet Sa 5 août ÖFFNET BLUES@DIAGONAL PLACE CENTRALE JOURNEE DES ENFANTS, THE Z-BROS GAETAN, THE SWINGING LADIES, ELASTIC Martigny Martigny Ve 28 juillet AND Sa 5 août THE , PLACE CENTRALE MARTA REN GROOVELVETS ÖFFNET ELECTRO GROOVY NIGHT DJ MITCH ET RADIO COOL, DJ LEE, BLIND TEST BOWMORE, SUNDAY MORNING BALLET CLASS Martigny Martigny Ve 28 juillet Sa 12 août (WORSHIP HIM AND BLOOD RITUAL) ÖFFNET W.A.R.