Towards a Basque State.Citizenship and Culture
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Who's Who in Basque Music Today
Who’s Who in Basque music today AKATZ.- Ska and reggae folk group Ganbara. recorded in 2000 at the circles. In 1998 the band DJ AXULAR.- Gipuzkoa- Epelde), accomplished big band from Bizkaia with Accompanies performers Azkoitia slaughterhouse, began spreading power pop born Axular Arizmendi accordionist associated a decade of Jamaican like Benito Lertxundi, includes six of their own fever throughout Euskadi adapts the txalaparta to invariably with local inspiration. Amaia Zubiría and Kepa songs performed live with its gifted musicians, techno music. In his second processions, and Angel Junkera, in live between 1998 and 2000. solid imaginative guitar and most recent CD he also Larrañaga, old-school ALBOKA.-Folk group that performances and on playing and elegant adds voices from the bertsolari and singer who has taken its music beyond record. In 2003 he recorded melodies. Mutriku children's choir so brilliantly combines our borders, participating a CD called "Melodías de into the mix, with traditional sensibilities and in festivals across Europe. piel." CAMPING GAZ & DIGI contributions by Mikel humor, are up to their ears Instruments include RANDOM.- Comprised of Laboa. in a beautiful, solid and alboka, accordion and the ANJE DUHALDE.- Singer- Javi Pez and Txarly Brown enriching project. Their txisu. songwriter who composes from Catalonia, the two DOCTOR DESEO.- Pop rock fresh style sets them apart. in Euskara. Former member joined forces in 1995, and band from Bilbao. They are believable, simple, ALEX UBAGO.-Donostia- of late 70s folk-rock group, have since played on and Ringleader Francis Díez authentic and, most born pop singer and Errobi, and of Akelarre. -
Hernaniko Txalaparta Eskolaren 11 Ikasurte (11 Courses in the Hernani Txalaparta School)
Hernaniko txalaparta eskolaren 11 ikasurte (11 courses in the Hernani Txalaparta School) Beltran Argiñena, Juan Mari Herri Musikaren Txokoa. Tornola kalea, 6. 20180 Oiartzun Jaso: 05.11.18 BIBLID [1137-859X (2007), 9; 151--172] Onartu: 07.03.21 Txalapartak azkeneko garaian emandako bilakaeran eta gaur egun bizi duen egoeran Herna- niko Txalaparta Eskolak eragin nabarmena izan duela uste dugu. Ikasle asko pasa dira eskolatik, batzuk hastapeneko mailarekin nahiko izan dute, beste batzuk ikasten jarraitu dute eta batzuk bes- te eskoletan txalaparta irakasleak dira. Guztiek eta bereziki azken hauek parte zuzena hartu dute Hernaniko Eskolan txalaparta jotzeko osatu den erritmo eta joko errepertorioan edo ikasteko egita- rau orokorrean. Giltza-Hitzak: Txalaparta. Txalaparta festa. Herri musika. Musika eskola. Soinu-tresna. Euskal musika. En nuestra opinión, la Escuela de Txalaparta de Hernani ha tenido una influencia notable en la transformación que ha vivido la txalaparta en los últimos tiempos y en su situación actual. Por la escuela han pasado muchos alumnos, algunos de ellos han tenido suficiente con el nivel inicial, otros han continuado aprendiendo y algunos son profesores de txalaparta en otras escuelas. Todos ellos y de una manera especial esots últimos han tenido una participación directa en el repertorio de ritmos y técnicas de txalaparta desarrollado en la Escuela de Txalaparta de Hernani o en su pro- grama general de estudios. Palabras Clave: Txalaparta. Fiesta de txalaparta. Música popular. Escuela de música. Instru- mento musical. Música vasca. Onze cours de l’Ecole de txalaparta de Hernani ont eu une influence notable sur la transfor- mation vécue par la txalaparta ces derniers temps et sur sa situation actuelle. -
Human Rights for Musicians Freemuse
HUMAN RIGHTS FOR MUSICIANS FREEMUSE – The World Forum on Music and Censorship Freemuse is an international organisation advocating freedom of expression for musicians and composers worldwide. OUR MAIN OBJECTIVES ARE TO: • Document violations • Inform media and the public • Describe the mechanisms of censorship • Support censored musicians and composers • Develop a global support network FREEMUSE Freemuse Tel: +45 33 32 10 27 Nytorv 17, 3rd floor Fax: +45 33 32 10 45 DK-1450 Copenhagen K Denmark [email protected] www.freemuse.org HUMAN RIGHTS FOR MUSICIANS HUMAN RIGHTS FOR MUSICIANS Ten Years with Freemuse Human Rights for Musicians: Ten Years with Freemuse Edited by Krister Malm ISBN 978-87-988163-2-4 Published by Freemuse, Nytorv 17, 1450 Copenhagen, Denmark www.freemuse.org Printed by Handy-Print, Denmark © Freemuse, 2008 Layout by Kristina Funkeson Photos courtesy of Anna Schori (p. 26), Ole Reitov (p. 28 & p. 64), Andy Rice (p. 32), Marie Korpe (p. 40) & Mik Aidt (p. 66). The remaining photos are artist press photos. Proofreading by Julian Isherwood Supervision of production by Marie Korpe All rights reserved CONTENTS INTRODUCTION Human rights for musicians – The Freemuse story Marie Korpe 9 Ten years of Freemuse – A view from the chair Martin Cloonan 13 PART I Impressions & Descriptions Deeyah 21 Marcel Khalife 25 Roger Lucey 27 Ferhat Tunç 29 Farhad Darya 31 Gorki Aguila 33 Mahsa Vahdat 35 Stephan Said 37 Salman Ahmad 41 PART II Interactions & Reactions Introducing Freemuse Krister Malm 45 The organisation that was missing Morten -
Urtarrila-Otsaila Herria Kultura Hizkuntza
herria kultura hizkuntza urtarrila-otsaila 2014 © JAKINeko idazlanez inon baliatzerakoan aipa bedi, mesedez, iturria aldizkari irekia da eta ez dator nahitaez idazleen iritziekin bat ZUZENDARIA Joan Mari Torrealdai ERREDAKZIO-ARDURADUNA Xabier Eizagirre KONTSEILU EDITORIALA Paulo Agirrebaltzategi, Joxe Azurmendi, Joseba Intxausti IDAZKARITZA ETA ADMINISTRAZIOA Tolosa Hiribidea, 103-1.C / 20018 Donostia Tel. 943 21 80 92 [email protected] www.jakingunea.com Aldizkari honek Gipuzkoako Foru Aldundiko Euskararen Normalkuntzako Zuzendaritza Nagusiaren laguntza jaso du Eusko Jaurlaritzako Kultura Sailak diruz lagundutako aldizkaria Aurkibidea SUMMARY 5 ZUZENDARIAREN HITZAK 7 200 zenbaki. Etorkizuna iragana baino handiagoa Joan Mari Torrealdai HISTORIA BIZIA ELEZ ELE 13 Luis Iriondori elkarrizketa Imanol Murua Uria Luis Iriondo kultur eragile polifazetikoaren bizitzan eta jardu- nean sakontzeko aukera eskaintzen digu elkarrizketak: gerra garaiko oroitzapenak; ikasketak; musika eta zinema; kazetari- tza lanak; marketing, harreman publiko eta publizitatea; Ga- raikoetxearen eta Ardanzaren gobernuetan aholkulari; ETBko lehenengo zuzendaria... ALEZ ALE 77 Euskal musika giroa 1960ko hamarkadan Joxemari Iriondo 60ko hamarkadako euskal musika berriaren hastapenak azter- tzen dira: Nemesio Etxanizen lana eta ekarpena, Robles-Aran- giztarrak eta 50eko hamarkada amaierako euskal kantugintza berria, Mixel Labegerie, Lourdes Iriondo, Mikel Laboa, irra- tietako grabaketak, dantzalekuetako taldeak... 3 Jakin 200 95 Ikuska saila: ostarte bat laino itsasoan -
2878 EHAA - 2008Ko Otsailak 12, Asteartea N.º 30 ZK
2878 EHAA - 2008ko otsailak 12, asteartea N.º 30 ZK. BOPV - martes 12 de febrero de 2008 EBATZI DUT: RESUELVO: 1. artikulua.– Lazkaoko (Gipuzkoa) «Lazkaotxiki» Artículo 1.– Se autoriza a la Escuela de Música Pri- Musika Eskola Pribatuari 2007-2008 ikasturtetik au- vada «Lazkaotxiki» Musika Eskola Pribatua, n.º de có- rrera bateria irakasteko baimena ematen zaio. Eskola- digo: 20013734, sita en Euskadi enparantza s/n, del ren kode-zenbakia 20013734 da; helbidea, Euskadi en- municipio de Lazkao (Gipuzkoa), y cuyo titular es Ne- parantza z.g.; eta titularra, berriz, Nerea Barandiaran rea Barandiaran Baztarrica a impartir a partir del cur- Baztarrica andrea. so escolar 2007-2008 la especialidad de Batería. Ikastetxe horretan irakaskuntza hauek emango dira: Se impartirán en este centro las siguientes enseñan- 1., 2., 3. eta 4. mailak. zas: niveles 1, 2, 3 y 4. Adarra: Rama: – Instrumentu sinfonikoak: biolina, txirula eta sa- – Instrumental sinfónica: Violín, Flauta y Saxofón. xofoia. – Instrumentu polifonikoak: pianoa eta akordeoia. – Instrumental polifónica: Piano y Acordeón. – Bertakoak: txistua, alboka, txalaparta eta trikiti- – Autóctona: Txistu, Alboka, Txalaparta y Trikiti- xa. xa. – Zenbait joera: gitarra eta bateria. – Tendencias Diversas: Guitarra y Batería. AZKEN XEDAPENA DISPOSICIÓN FINAL Agindu honen aurka aukerako berraztertzeko erre- Contra la presente Orden podrá interponerse recur- kurtsoa aurkez dakioke Hezkuntza, Unibertsitate eta so potestativo de reposición ante el Consejero de Edu- Ikerketa sailburuari, hilabeteko epean, -
Tijera Contra Papel. Vetos Y Obstaculizaciones a La Música Underground: El Caso Vasco Tijera Contra Papel
INGURUAK [65] | 2018 | 62-89 62 ISSN: 0214-7912 Tijera contra papel. Vetos y obstaculizaciones a la música underground: el caso vasco Tijera contra papel. Vetoes and Barriers to Underground Music: the Basque Case David Mota Zurdo · [email protected] UNIVERSIDAD ISABEL I Recibido: 15/10/2018 Aceptado: 17/11/2018 Resumen En el presente artículo se analiza la trayectoria del grupo musical vasco Berri Txarrak en el contexto under- ground español. Se cruza con las opiniones vertidas por los medios de comunicación generalistas y se presta especial atención a los medios coercitivos que ha utilizado el aparato punitivo del Estado para desde enton- ces sancionar ciertas expresiones culturales en detrimento de otras durante la etapa democrática. Todo ello, se aborda desde una perspectiva metodológica descriptiva del contexto y analítica del discurso y busca problema- tizar la cuestión de los límites de la libertad de expresión, estableciendo nexos pasado-presente, que tanto es- tán afectando a día de hoy al medio cultural español. Palabras clave: Música underground, España, Berri Txarrak, Libertad de expresión, Censura. Abstract This article analizes the trajectory of Berri Txarrak —the Basque Musical Group— in the Spanish under- ground’s framework. It intersects with the opinions expressed by the generalist Media and special attention is paid to the coercive means that the State’s punitive apparatus has used since then to penalise certain cultural expressions to the detriment of others during the democratic period. All this is approached from the method- ological descriptive perspective and analytical of the discourse, and seeks to problematize the question of the limits of freedom of expression, establishing past-present links, which are affecting the Spanish cultural envi- ronment to this day. -
Listado Obras Sin Ejecutantes 1-2010R
Código Titulo Principal 1938 DETEN LA NOCHE 007 LOS 1942 EL ULTIMO BESO 007 LOS 1933 ELLA ES UN AMOR 007 LOS 120481 la ultima noche 007 LOS 1936 MI PRINCESA 007 LOS 167004 OJITOS PARDOS 007 LOS 1932 RENACERA 007 LOS 1943 SOPLANDO EL VIENTO 007 LOS 1941 TUS OJITOS PARDOS 007 LOS 179846 UN RAYO DE SOL 007 LOS 176632 EL PUM PUM 10 DE LA GAITA LOS 179062 LA PEGAJOSA 13 GRUPO 8851 EL CHULO 2 EN PUNTO 8854 NOCHE DE DISCOTEQUE 2 EN PUNTO 148660 PASILLANEANDO 4 Y PICO 147093 ALMA LLANERA 5 ASES DE VENEZUELA LOS 171596 BARLOVENTO 5 ASES DE VENEZUELA LOS 157446 EL FRUTERO 5 ASES DE VENEZUELA LOS 126303 A BAILAR 50 DE JOSELITO LOS 113071 CALLATE CORAZON 50 DE JOSELITO LOS 179657 CAMARON QUE SE DUERME 50 DE JOSELITO LOS 110218 COMPAE HELIODORO 50 DE JOSELITO LOS 80279 DAME TU MUJER JOSE 50 DE JOSELITO LOS 174774 DOS ROSAS 50 DE JOSELITO LOS 80282 el aguacero 50 DE JOSELITO LOS 110220 EL AMOR DE CLAUDIA 50 DE JOSELITO LOS 54023 EL BAILADOR 50 DE JOSELITO LOS 163053 El Guayabo 50 DE JOSELITO LOS 80281 el marinero 50 DE JOSELITO LOS 80280 el pajaro amarillo 50 DE JOSELITO LOS 81150 el pajaro macua 50 DE JOSELITO LOS 179658 EL RESBALON 50 DE JOSELITO LOS 110213 EL RON DE VINOLA 50 DE JOSELITO LOS 163056 Festival En Guarare1 50 DE JOSELITO LOS 163057 Fiesta En Corraleja 50 DE JOSELITO LOS 139087 JOSELITO GUARACHERO 50 DE JOSELITO LOS 80289 LA ARAÑA PICUA 50 DE JOSELITO LOS 163060 La Burrita 50 DE JOSELITO LOS 110219 LA CAPUCHONA 50 DE JOSELITO LOS 80284 LA CASA EN EL AIRE 50 DE JOSELITO LOS 174775 LA CIENAGUERA 50 DE JOSELITO LOS 129085 LA COQUETA 50 DE -
Basque Club Aldizkaria
Basque Club Aldizkaria Udaberri 2014 Spring San Francisco Basque Picnic Basque Club Mus Txapeldunak Jesus Arriada (left) and Angel Arriada won this year’s Basque June 1st - Petaluma Fairgrounds Club mus tournament and will represented the Basque Club at the NABO Mus Championships coming up this May 31st in San Ra- 9:00am Gates Open fael. Also representing the Basque Club at the NABO mus finals 9:45am Basque Mass celebrated by Aita Jean-Michel will be the runner up team of Franxoa Bidaurreta and Javier Lastiri with Elgarrekin Choir, Klika and danc- Urroz . Zorionak! ers ( inside Herzog Hall ). 12:00pm Barbecue rack of lamb lunch with beans, piperade, cheese, bread and wine. Adults $25, children under 12 $10. 2:30pm Entertainment Program featuring the Zazpiak Bat Klika and Dancers, Los Banos Dancers and San Francisco Gazteak Dancers. 4:30pm Lehengo Dantzaldi featuring Mutxikoak, Soka Dan- tza, Zazpi Jauziak, Lantzeko Ihauterria, and Fandango / Arin Arin. All participation welcome . 5:00pm Lukainka/Txorizo Sale Directions: From San Francisco, take 101 North, Exit Washington St., Left on Washington, Left on Payran Street. Zazpiak Bat Dancers Basque Country Bound During the past few years the Zazpi- ak Bat Dancers have stayed in con- tact with friends in the province of Xiberoa, which stemmed from the 2008/2009 exchange, where Zazpiak Esku Pilota at The Bat dancers visited Xiberoa in 08’ and then in 2009 students from the Basque Cultural Center Lycee du Pays de Soule, located in Sohuta, Xiberoa, came to San Fran- cisco and performed their Fabienne Andere (left) and Mirentxu Euskamerikan Artzain Pastorala at Auzqui worked with the Zazpiak Bat the Basque Cultural Center. -
What Follows Is a Discussion of the Popular Music Genre of Death Metal
Basque Pagan Metal: View to a primordial past Author Weston, Donna Published 2011 Journal Title European Journal of Cultural Studies DOI https://doi.org/10.1177/1367549410368898 Copyright Statement © 2011 SAGE Publications. This is the author-manuscript version of the paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal's website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/42446 Griffith Research Online https://research-repository.griffith.edu.au Title: Basque Pagan Metal: View to a Primordial Past Name: Dr Donna Weston Address: Queensland Conservatorium, Griffith University, Gold Coast Campus PMB 50, Gold Coast Mail Centre QLD, Australia, 4222 Phone: (617) 5552 9007 Email: [email protected] 1 Pagan Metal Pagan Metal and Basque Identity Pagan Metal, a genre within the Extreme Metal scene, blends local traditional ethnic instrumentation and melodic material with Black Metal musical elements, the lyrics focusing on localised pagan themes. While generally expressing an extreme anti-Christian sentiment embedded in themes of oppression and a glorified pagan past, it tends to distance itself from the neo-Nazi and Satanist elements that have come to be associated with its predecessor - Black Metal. While there are sometimes significant discrepancies across various websites as to whether such bands are Pagan, Folk, Black or otherwise, the constants are Black Metal musical style combined with local folk-style music and instrumentation, with lyrics referencing local Pagan legends and communicating a strong sense of local identity. This article explores Pagan Metal from the Basque Country, with the aim of defining what kind of identity it represents, and where that identity is situated within the context of a continuum of Basque identities. -
Interview with Luis Iriondo Basque Music in the 60S Choirs... Joxemari
Summary Interview with Luis Iriondo he journalist Imanol Murua Uria conducts an extensive interview with the cultural enabler and multi-faceted Luis Iriondo, in a new issue of the series Historia bizia (Living History). he interview takes a major look back over Iriondo’s life: his childhood in Azkoitia; his recollections of war and the post-war period; his studies with nuns and Salesians; his irst job at the age of 13 at the Banco de Vizcaya; his stay in London; the founding of the Kontrapuntoak musical quintet and its successful trajectory; his activity as a composer of Christmas carols; his work as an agent for singers and musicians; his journalistic work in the written press and radio about literature and music; his pioneering work in the ield of advertising in the Basque language as the person in charge of marketing, public relations and advertising at Caja Laboral Popular; his move on from industrial ilm production to the production of the Ikuska documentary series; his work as an actor and composer of soundtracks in the world of cinema; his experience as an advisor in communica- tions, public relations and protocol in the Government led by Carlos Garaikoetxea and, subsequently, in that of Jose Antonio Ardanza; and his work as the irst director of Euskal Telebista. He also gives us his opinion about a range of personalities from cultural and political life with whom he maintained close contact. Imanol Murua Uria Basque music in the 60s Joxemari Iriondo analyzes the irst steps taken in new Basque music in the 60s: the work and contribution made by the priest Nemesio Etxaniz, the Robles-Arangiz brothers and the new Basque song movement in Bilbao and Bizkaia at the end of the 50s, Mixel Labegerie and the mu- sical environment in the North Basque Country, the prodigious burst- ing onto the scene of Lourdes Iriondo, the irst steps taken by Mikel Laboa, the recordings made on Basque radio stations of many singers, music groups from discotheques, competitions involving eight voice choirs.. -
89 ING Octubre2011.Indd
euskal etxeak nº 89. zka 2010/2 The Basque Country present at Shanghai Expo NATIONAL BASQUE-ARGENTINE WEEK IN HONOR OF MAR DEL PLATA’S BICENTENNIAL Visit and take part in www.euskaletxeak.net After registering, you will be able to upload your photographs to the large photographic archive we are creating, send your comments about news items, and participate in debates in the forum. EGILEA / AUTHOR Eusko Jaurlaritza-Kanpo Harremanetarako Idazkaritza Nagusia 89 Basque Government-General Secretariat for Foreign Affairs C/ Navarra, 2 • 01007 VITORIA-GASTEIZ • Tel.: 945 01 7900 • [email protected] ZUZENDARIA / DIRECTOR AZALEKO ARGAZKIA / COVER PHOTO: Julián Celaya Loyola Jon Bernárdez ARGITARATZAILEA / PUBLISHED BY INPRIMATZAILEA / PRINTED BY Eusko Jaurlaritzaren Argitalpen Zerbitzu Nagusia / Central Publications Service of the Basque Government mccgraphics KOORDINAZIOA / COORDINATION ISSN: 1579-4229 BasqueHeritage SL L.G./D.L.: BI-1090-2001 PHOTOGRAPHS: BasqueHeritage, Jon Bernárdez, Euskal Etxeak-Centros Vascos DISEINU ETA MAKETAZIOA / DESIGN AND LAYOUT: mccgraphics 89 2010 / 2 GURE GAIA 9 3 Summary 5 The Lehendakari’s words on the occasion of this year’s Basque Week celebration coinciding with ELKARRIZKETA Mar de Plata’s Bicentennial 6 News in brief: Munduan zehar 9 National Basque-Argentine Week of the Bicentennial in Mar del Plata 2010 14 News in brief: Munduan zehar 16 The Basque Country participates in the Shanghai Expo 20 20 Interview with José Felix Azurmendi 24 The Basque Country hosts the AEMI Symposium and Annual Meeting AKTUALITATEA -
Before Babel: a History of Basque Literatures
Before Babel: A History of Basque Literatures Joseba Gabilondo BαRβaπoaK © 2016 Barbaroak. All rights reserved Printed in the United States of America on acid-free paper. Design: Joseba Gabilondo. Photographs: Wikimedia commons. ISBN: 978-1530868322 Library of Congress Cataloging Data: PH5281 .G33 2014 Barbaroak, LLC. www.barbaroak.com Only Basques preserve, to our days, their vulgar and barbarian language, which does not show any elegance, and is very different from the rest of languages and the most ancient of Spain, […] it is said that the whole Spain made use of the Basque language before the Romans entered these provinces and, with their arms, spread their language. It is also said that, because these Basque people were vulgar, ferocious, and wild […] and the mountains they inhabited were inaccessible, they never fell completely under the yoke of the foreign empire, or they shook it swiftly. Juan de Mariana, General History of Spain, (1601). What are we waiting for while congregated in the forum? The barbarians are expected to arrive today. Why is there such lack of action in the senate? Why are the senators sitting still and do not legislate? Because the barbarians will arrive today. … Why are the streets and public squares becoming empty? And everybody is going home with skeptical thoughts? Because night has fallen and the barbarians did not arrive. Some people came from the border And reported that the barbarians do not exist anymore. Now what are we going to do without barbarians? These people were after all a kind of solution. Constantine P. Cavafy. “Waiting for the Barbarians.” (1904; translation by Konstantinos Karpozilos).