Intellectual Resonance
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Movie Aquisitions in 2010 - Hindi Cinema
Movie Aquisitions in 2010 - Hindi Cinema CISCA thanks Professor Nirmal Kumar of Sri Venkateshwara Collega and Meghnath Bhattacharya of AKHRA Ranchi for great assistance in bringing the films to Aarhus. For questions regarding these acquisitions please contact CISCA at [email protected] (Listed by title) Aamir Aandhi Directed by Rajkumar Gupta Directed by Gulzar Produced by Ronnie Screwvala Produced by J. Om Prakash, Gulzar 2008 1975 UTV Spotboy Motion Pictures Filmyug PVT Ltd. Aar Paar Chak De India Directed and produced by Guru Dutt Directed by Shimit Amin 1954 Produced by Aditya Chopra/Yash Chopra Guru Dutt Production 2007 Yash Raj Films Amar Akbar Anthony Anwar Directed and produced by Manmohan Desai Directed by Manish Jha 1977 Produced by Rajesh Singh Hirawat Jain and Company 2007 Dayal Creations Pvt. Ltd. Aparajito (The Unvanquished) Awara Directed and produced by Satyajit Raj Produced and directed by Raj Kapoor 1956 1951 Epic Productions R.K. Films Ltd. Black Bobby Directed and produced by Sanjay Leela Bhansali Directed and produced by Raj Kapoor 2005 1973 Yash Raj Films R.K. Films Ltd. Border Charulata (The Lonely Wife) Directed and produced by J.P. Dutta Directed by Satyajit Raj 1997 1964 J.P. Films RDB Productions Chaudhvin ka Chand Dev D Directed by Mohammed Sadiq Directed by Anurag Kashyap Produced by Guru Dutt Produced by UTV Spotboy, Bindass 1960 2009 Guru Dutt Production UTV Motion Pictures, UTV Spot Boy Devdas Devdas Directed and Produced by Bimal Roy Directed and produced by Sanjay Leela Bhansali 1955 2002 Bimal Roy Productions -
Media Release Reliance Entertainment and Phantom Films
Media Release Reliance Entertainment and Phantom Films’ Super 30 to release on 23rd Nov, 2018 Directed by Vikas Bahl, “Super 30” will star Hrithik Roshan Mumbai, November 4, 2017: Anil D. Ambani led Reliance Entertainment and Phantom Films’ “Super 30” directed by Vikas Bahl and starring Hrithik Roshan in the lead role will release on 23rd November 2018. Super 30 is a story of a mathematics genius from a modest family in Bihar, Anand Kumar, who was told that only a king’s son can become a king. But he went on to prove how one poor man could create some of the world’s most genius minds. Anand Kumar’s training program is so effective that students post cracking IIT have gone on to become some of the most successful professionals. Many students trained under the Super 30 program have joined some of the top global companies like Adobe, Samsung Research Institute, Amazon etc. Anand Kumar said, “I trust Vikas Bahl with my life story and I believe that he will make a heartfelt film. I am a rooted guy so I feel some level of emotional quotient is required to live my life on screen. I have seen that in Hrithik – on and off screen. I have full faith in his capabilities.” Vikas Bahl, truly inspired by Anand Kumar’s initiative, said, “Super 30 is a story of the struggles of those genius kids who have one opportunity and how those 30 amongst thousands of others redefine success. The film will focus on the Super 30 program that Kumar started, which trains 30 IIT aspirants to crack its entrance test.” Vikas Bahl is one of the most critically and commercially acclaimed directors of our country. -
Masaan-Press-Kit.Pdf
MACASSAR PRODUCTIONS, PATHÉ ET AND DRISHYAM FILMS PRÉSENTENT PRESENT Durée Length : 1H43 Photos et dossier de presse téléchargeables sur www.pathefilms.com Material can be downloaded on www.patheinternational.com DISTRIBUTION FRENCH DISTRIBUTION & INTERNATIONAL SALES PATHÉ DISTRIBUTION 2, rue Lamennais – 75008 Paris Tél. : 01 71 72 30 00 www.pathefilms.com www.patheinternational.com À CANNES IN CANNES INTERNATIONAL SALES Boutique Bodyguard Résidences du Grand Hôtel - IBIS Entrance 45, la Croisette Apartement 4 A/E - 4th floor Jardins du Grand Hôtel Tél. : +33 4 93 68 24 31 06400 Cannes [email protected] Tél. : 04 93 99 91 34 RELATIONS PRESSE INTERNATIONAL PRESS LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément REBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 40, rue Anatole France – 92594 Levallois-Perret Cedex Tél. : 01 41 34 23 50 [email protected] À CANNES IN CANNES RELATIONS PRESSE FRANCE & INTERNATIONAL LE PUBLIC SYSTÈME CINÉMA Céline PETIT, Clément RÉBILLAT, Celia MAHISTRE & Anne-Sophie TRINTIGNAC 29, rue Bivouac Napoléon – 06400 Cannes Tél. : +33 7 86 23 90 85 [email protected] [email protected] [email protected] [email protected] Bénarès, la cité sainte au bord du Gange, punit cruellement ceux qui jouent Benares, the holy city on the banks of the Ganges, reserves a cruel punishment avec les traditions morales. Deepak, un jeune homme issu des quartiers for those who play with moral traditions. Deepak, a young man from a poor pauvres, tombe éperdument amoureux d’une jeune fille qui n’est pas de la neighborhood, falls hopelessly in love with a young girl from a different caste. même caste que lui. -
Think Film! on Current Practices and Challenges in Film Culture: a Documentation of a Student Symposium 2020
Repositorium für die Medienwissenschaft Adriane Meusch, Bianka-Isabell Scharmann u.a. (Hg.) Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium 2020 https://doi.org/10.25969/mediarep/13589 Veröffentlichungsversion / published version Konferenzbeitrag / conference object Empfohlene Zitierung / Suggested Citation: Meusch, Adriane; Scharmann, Bianka-Isabell (Hg.): Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium. Frankfurt am Main: Zenodo 2020. DOI: https://doi.org/10.25969/mediarep/13589. Erstmalig hier erschienen / Initial publication here: https://doi.org/10.5281/zenodo.3662799 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung 4.0/ Lizenz zur Verfügung gestellt. Nähere Attribution 4.0/ License. For more information see: Auskünfte zu dieser Lizenz finden Sie hier: http://creativecommons.org/licenses/by/4.0/ http://creativecommons.org/licenses/by/4.0/ THINK THINK FILM! Edited by Adriane MeuschandBianka- Adriane Edited by Isabell Scharmann On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Think Film! On Current Practices and Challenges in Film Culture: A Documentation of a Student Symposium Edited by Adriane Meusch & Bianka- Isabell Scharmann Frankfurt am Main, 2020 Editors Adriane Meusch and Bianka-Isabell Scharmann, in collaboration with Michelle Rafaela Kamolz https://thinkfilmsymposium.wordpress.com Copy Editor Carly Crane Graphic Design Muriel Serf (mmm.do) Bibliographic information of the German Library The German Library catalogues this publication in the German National Bibliography; detailed bibliographic information can be found on the Internet website: http://dnb.d-nb.de. -
Satya 13 Ram Gopal Varma, 1998
THE CINEMA OF INDIA EDITED BY LALITHA GOPALAN • WALLFLOWER PRESS LO NOON. NEW YORK First published in Great Britain in 2009 by WallflowerPress 6 Market Place, London WlW 8AF Copyright © Lalitha Gopalan 2009 The moral right of Lalitha Gopalan to be identified as the editor of this work has been asserted in accordance with the Copyright, Designs and Patents Act of 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transported in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of both the copyright owners and the above publisher of this book A catalogue record for this book is available from the British Library ISBN 978-1-905674-92-3 (paperback) ISBN 978-1-905674-93-0 (hardback) Printed in India by Imprint Digital the other �ide of 1 TRUTH l Hl:SE\TS IU\ffi(W.\tYEHl\"S 1 11,i:1111111,1:11'1111;1111111 11111111:U 1\ 11.IZII.IH 11.1\lli I 111 ,11 I ISll.lll. n1,11, UH.Iii 236 24 FRAMES SATYA 13 RAM GOPAL VARMA, 1998 On 3 July, 1998, a previously untold story in the form of an unusual film came like a bolt from the blue. Ram Gopal Varma'sSatya was released all across India. A low-budget filmthat boasted no major stars, Satya continues to live in the popular imagination as one of the most powerful gangster filmsever made in India. Trained as a civil engineer and formerly the owner of a video store, Varma made his entry into the filmindustry with Shiva in 1989. -
Anurag Kashyap's Female Characters
International Journal of Current Research in Education, Culture and Society Vol. 3, Issue 1 - 2019 ANURAG KASHYAP’S FEMALE CHARACTERS - PORTRAYING INDIVIDUALISM IN CONTEMPORARY TIMES MAHESH KUMAR *, PARMOD BHATNAGAR * ABSTRACT Anurag Kashyap, a name synonymous to path-breaking cinema in India, has always portrayed women as independent and strong-headed. Kashyap’s movies create a woman in freehold, a wild spirit truly living its own breath. She demands, craves, yearns and fights, does whatever is required to keep him individualism and belief intact. The movies like Dev D, Gulaal, Gangs of Wasseypur and Manmarziyaan bring about a wide variety of treatment of the female characters. Anurag Kashyap’s craftsmanship outshines as he liberates each of these women from the traditional and conservative bounds of women being the second sex.The present paper discusses the roles of women in Anurag Kashyap’s movies namely; ‘Gulaal’, ‘Dev D’, ‘Manmarziyaan’, ‘That Girl in Yellow Boots’ and ‘The Gangs of Wasseypur’. KEYWORDS: Women Characters, Anurag Kashyap’s Characters, Bollywood. “Cinema is much more than heroes and villains”. Anurag Kashyap INTRODUCTION From drama to cinema the journey of evolution huge industry that thrives on supply and demand. of art as a medium of connection between people (Chhetry 2015) has had many twists and turns. Cinema stands as a strong ideological tool to influence the minds of Cinema has always had a reflection of the time it has been created. The art of acting and the the masses. Cinema with a history of more than a hundred years has now turned into the biggest subject matter acted is directly proportional to form of entertainment that affects people all the social-cultural reflection of the society it images. -
Anurag Kashyap, Guneet Monga, Nawazuddin Siddiqui, Richa Chadda, Vikramaditya Motwane
[LISTED] THE UNDERDOG TURNED SUPERSTAR ANURAG KASHYAP, GUNEET MONGA, NAWAZUDDIN SIDDIQUI, RICHA CHADDA, VIKRAMADITYA MOTWANE Text Shahnaz Siganporia Photography Ishika Mohan Motwane N THE INDIAN FILM INDUSTRY, there are good and bad words. ‘Un- derdog’, ‘struggler’, ‘starlet’ are clubbed into the ‘bad’ category while I words such as ‘Superstar’, ‘100 Crore Club’, ‘legacy’ fall into the ‘good’ category. However, sometimes the two combine to form a heady cocktail. The starlet bags a 100 crore film and the underdog becomes the superstar. The latter is a tricky balance—there’s the formulaic superstar and then there’s the superstar who paves his or her own way and creates cinema that goes way beyond the norm. Over the last few years, the tides have been busy changing, contorting and transforming our home-grown film industry. And let’s face it, in an industry raking in the moolah, thanks to wish-fulfilment and feel- good stories, we’re suckers for the runt who becomes the alpha. In the 100th year of Indian cinema, Platform celebrates the erstwhile underdogs who have gone on to carve out a space for themselves and have begun their ascent to stardom. NOV/DEC 2013 · PLATFORM · CREATIVE LIFESTYLE · 031 [LISTED] Anurag Kashyap FROM BANNED TO LAUDED THE BEGINNING I don’t know why I wanted to make films. It’s like asking yourself why you love someone. How do you explain that? You just do, you know? I just knew that filmmaking is what I wanted to do. I was studying to be a scientist and something just snapped—I knew that I should have- been making films. -
THE GOLDEN CURTAIN OPENS at JIO MAMI 19Th MUMBAI FILM FESTIVAL with STAR
THE GOLDEN CURTAIN OPENS AT JIO MAMI 19th MUMBAI FILM FESTIVAL WITH STAR AT THE ICONIC LIBERTY CINEMA Sharmila Tagore receives Excellence in Cinema Award India from Aamir Khan and Nita Ambani Amruta Devendra Fadnavis, Co-Chairperson Mrs. Nita Mukesh Ambani along with Festival Chairperson Kiran Rao, Festival Director Anupama Chopra among eminent Bollywood personalities opened the festival. Anurag Kashyap’s film Mukkabaaz opened the festival Sharmila Tagore receives the ‘Excellence in Cinema India Award’ The week-long festival is welcoming over 220 films from 45 countries including features, documentaries and short films. Mumbai, October 12, 2017: The 19th edition of Jio MAMI Mumbai Film Festival with Star had a grand opening ceremony at the iconic Liberty Cinema as world- renowned filmmakers from all over the world, talent and Bollywood stars walked the red carpet to celebrate the city’s very own film festival. The Liberty Cinema is a heritage site and a noted Art Deco building, representing a long-standing association with art, literature, theatre and music. Bollywood came in full support at the opening ceremony Red Carpet which was attended by Aamir Khan, Kangana Ranaut, Kalki Koechlin, Anupam Kher, Sridevi, Boney Kapoor, Nandita Das, Shahana Goswami, Tannishtha Chatterjee, Ayan Mukerji, Adar Poonawalla, Tara Sharma to name a few. Festival Chairperson, Kiran Rao, hosted the event. Also, present were Co-Chairperson Nita Ambani, Festival Director Anupama Chopra, and other Board of Directors including Anurag Kashyap, Riteish Deshmukh, Kaustubh Dhavse and Siddharth Roy Kapur Present amongst the esteemed jury members were Head of International Jury - Filmmaker John Madden, Actor Celina Jade, Actor - Filmmaker Konkona Sensharma, Filmmaker Cao Baoping, Rajendra Roy, Filmmaker Talya Lavie, Actress Tillotama Shome, Actor Dulquer Salmaan, Filmmaker Ruchika Oberoi and Filmmaker Nitya Mehra. -
The Jio MAMI Mumbai Film Festival with Star Unveils the Films and Talent Lineup for Its 19Th Edition
The Jio MAMI Mumbai Film Festival with Star Unveils the Films and talent lineup for its 19th edition With the Board of Trustees – Anurag Kashyap, Siddharth Roy Kapur, Rohan Sippy, Ajay Bijli and Kaustubh Dhavse Joined by MAMI Co-chairperson Kiran Rao, Festival Director Anupama Chopra and Creative Director Smriti Kiran Over 220 films, 49 countries, 51 languages including features, documentaries, short films to be screened at the festival. The Hungry, Mukkabaaz (The Brawler) & Omerta will Asia Premiere at the Festival Mumbai, September 14, 2017: The Jio MAMI 19th Mumbai Film Festival with Star is organized by Mumbai Academy of Moving Image (MAMI), a non-profit trust that aims to foster a culture of good cinema in the country by bringing the best of films and talent the world has to offer. The Festival announced its lineup, brimming over with 220 films, from 49 countries, filmed in 51 languages, at its annual press conference held today at JW Marriott, Juhu, Mumbai. Like every year, Jio MAMI with Star will bring an exemplary slate of feature films from India and from the International film festival circuit to India, along with, Masterclasses and Conversations with standout film talent that will offer tremendous value to the audience and participants. The Festival runs from 12th – 18th October 2017 across 7 prominent venues in Mumbai. The curtain opens on the festival on the 12th of October with Anurag Kashyap’s film Mukkabaaz (The Brawler), at the iconic Liberty Cinema. The line-up was announced by members of the MAMI board Anurag Kashyap, Siddharth Roy Kapur, Ajay Bijli, Kaustubh Dhavse, Rohan Sippy and the core team of the Academy Co- chairperson Kiran Rao, Festival Director Anupama Chopra, and Creative Director Smriti Kiran. -
UTV Signs up with Anurag Kashyap ~ Signs an Exclusive Deal with the Talented Story Teller for 9 Films Over the Next 3 Years ~
UTV signs up with Anurag Kashyap ~ Signs an exclusive deal with the talented story teller for 9 films over the next 3 years ~ 14th October, Mumbai: UTV today announced an exclusive association with Anurag Kashyap, for the next 3 years. As a part of the deal signed, Anurag Kashyap will be directing 4 to 5 movies produced by UTV, and creatively producing another 4 to 5 in this duration. Vikas Bahl, CCO, UTV Motion Pictures said, “Anurag Kashyap is an extremely talented director, with a unique vision for his projects. There is a clear connect between how we want each of our films to be exceptional and diverse in various aspects and how Anurag treats each of his projects. Dev.D, a UTV Spotboy movie directed by Anurag, was a blockbuster and set the base for a phenomenal working relationship. Now, we want to take this association forward with a long term perspective, and that is exactly how this idea came about.” Anurag Kashyap said, “I am very happy to sign up with UTV because it gives me the freedom to make the kind of films I want to and I feel UTV supports as well as enhances my creative process. Not only do I enjoy directing for UTV but I also appreciate the support they give to films and film-makers in delivering a creative vision that the films demand. Making Dev.D was one of the most satisfying experiences and the production and distribution support that I got from UTV was the best I ever had. A repeat of that is always welcome.” The first UTV Spotboy film directed by Anurag Kashyap was Dev.D, a modern take on Devdas, the novel written by Sarat Chandra. -
Jewels in India's Crown
FEATURE SCREENINGS, PAGE 38 Miss Lovely fter years of agonising about its lack of pres- Anand Gandhi’s philosophical drama The Ship Of ence at the world’s most prestigious fi lm fes- Theseus; Ashish Shukla’s cross-cultural thriller Atival, India had an embarrassment of riches Prague; and Aditya Bhattacharya’s crime thriller Jewels in to offer Cannes this year. And while three films Bombay’s Most Wanted, which features The have been selected for various sections of the festi- Sopranos’ John Ventimiglia in its cast. val, there are other hotly anticipated titles from Another highly anticipated title, Dibakar Baner- India that are likely to pop up at major festivals jee’s Shanghai, a political thriller about power- India’s later in the year. mongering in small-town India, will receive its In Cannes selection are Ashim Ahluwalia’s Miss world premiere on June 7 at the Videocon IIFA Lovely, a drama set against India’s sleazy C-grade Weekend in Singapore, one day ahead of its release film industry in the 1980s, which screens in Un in India and diaspora territories through PVR Pic- Certain Regard; Vasan Bala’s Peddlers, following tures. crown three characters in Mumbai, screening in Critics’ In contrast to a few years ago, when Indian fi lms Week; and Anurag Kashyap’s two-part Gangs Of struggled to make a connection to the global mar- With three films selected for Cannes and a flood of Wasseypur, set in the mafi a badlands of ketplace, many of these fi lms have international festival-worthy titles on the horizon, India’s coal-mining industry, screen- sales agents attached — Fortissimo Films has ing in Directors’ Fortnight. -
Analyzing Imtiaz Ali As an Auteur
Amity Journal of Media & Communication Studies (ISSN 2231 – 1033) Copyright 2017 by ASCO 2017, Vol. 7, No. 1 Amity University Rajasthan Analyzing Imtiaz Ali as an Auteur Kanika Kachroo Arya Dnyanasadhana College, Mumbai University, India Abstract Imtiaz Ali is a contemporary Bollywood director whose genre is love stories. He has a stream of experimental love stories to his credit, some bench markers are Jab We Met, Rockstar and Tamasha. Not only is his storytelling a well nurtured individualistic style, but the use of techniques of cinema are also experimental. My research paper will analyse this director in the boundaries of Auteur theory. The research will be a qualitative study and methodology used will be in-depth interviews and observation and use of secondary research resources to build up affirmation towards my hypothesis. This director’s style will be compared with other stalwarts of the genre like Raj Kapoor and Yash Chopra. This will carve out his style more specifically. Imtiaz Ali has a unique style aesthetically as well as technically. He understands the psychology of his target audience and that’s what has carved a niche for him in Bollywood - a cult director of romance genre. Key words: Auteur Theory, Direction, Niche, Bollywood. Introduction Imtiaz Ali is one amongst the contemporary directors of Bollywood. His directorial debut was Socha Na Tha released in 2005. Though the movie did not do well but he received a lot of critical acclaim for it. Jab we Met (2007) and Rockstar (2011) brought him into limelight. Jab We Met was a box office success and Rockstar was appreciated in critical circles for superb rendition of a careless musician.