University of California
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) Red Sonic Trajectories - Popular Music and Youth in China de Kloet, J. Publication date 2001 Link to publication Citation for published version (APA): de Kloet, J. (2001). Red Sonic Trajectories - Popular Music and Youth in China. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:08 Oct 2021 L4Trif iÏLK m BEGINNINGS 0 ne warm summer night in 1991, I was sitting in my apartment on the 11th floor of a gray, rather depressive building on the outskirts of Amsterdam, when a documentary on Chinese rock music came on the TV. I was struck by the provocative poses of Cui Jian, who blindfolded himself with a red scarf - stunned by the images of the crowds attending his performance, images that were juxtaposed with accounts of the student protests of June 1989; and puzzled, as I, a rather distant observer, always imagined China to be a totalitarian regime with little room for dissident voices. -
Between Rigor and Reverence. Yu Dafu and His Views on Translation Paolo Magagnin Università Ca’ Foscari Venezia, Italia
e-ISSN 2385-3042 Annali di Ca’ Foscari. Serie orientale Vol. 57 – Giugno 2021 Between Rigor and Reverence. Yu Dafu and His Views on Translation Paolo Magagnin Università Ca’ Foscari Venezia, Italia Abstract Despite his prominence in modern Chinese literature and the significant role played by translation in his literary career, Yu Dafu’s (1896-1945) activity as a transla- tion theorist and practitioner remains largely unexplored. Yu translated into Chinese a number of short stories, treatises, and poems by such authors as Wilde, Twain, Sinclair, Nietzsche, and Rousseau; he also devoted several essays to the issue of translation and its practice. Through an analysis of Yu’s theoretical writings, I aim to provide a brief account of his reflections on the subjectivity of the translator, the principles of a desir- able translating practice, the relation between translation and original writing, and the cultural significance of translation. By doing so, I wish to highlight the seminal role played by such a reflection in Yu’s artistic career, as well as the specificity of his contribution within the intellectual debate on translation in his time. Keywords Yu Dafu. Translation. Theory of translation. Literary creation. Cultural in- novation. Summary 1 Introduction. – 2 Yu Dafu’s Translating Career. – 3 Yu Dafu’s Views on Translation. – 3.1 The Translator’s Subjectivity. – 3.2 The Principles and Ethics of Translation. – 3.3 Translation and Original Writing. – 3.4 Translation, cultural agency, and intellectual critique. – 4 Conclusion. Peer review Submitted 2021-01-14 Edizioni Accepted 2021-05-11 Ca’Foscari Published 2021-06-30 Open access © 2021 | cb Creative Commons Attribution 4.0 International Public License Citation Magagnin, P. -
Imagining Sisterhood in Modern Chinese Texts, 1890–1937
Imagining Sisterhood in Modern Chinese Texts, 1890–1937 Imagining Sisterhood in Modern Chinese Texts, 1890–1937 Yun Zhu LEXINGTON BOOKS Lanham • Boulder • New York • London Published by Lexington Books An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rowman.com Unit A, Whitacre Mews, 26-34 Stannary Street, London SE11 4AB Copyright © 2017 by Lexington Books All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Available ISBN 978-1-4985-3629-5 (cloth : alk. paper) ISBN 978-1-4985-3630-1 (electronic) TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America Table of Contents Acknowledgments vii Introduction: Gender, Nation, Subjectivities, and the Discourse on Sisterhood in Modern China ix 1 The Emergence of the “Women’s Sphere” and the Promotion of Sisterhood in the Late Qing 1 2 From Dual Slaves to Liberty Flowers: The Feminist-Nationalist Spectrum of Sisterhood in Stones of the Jingwei Bird and Chivalric Beauties 35 3 Is Blood Always Thicker than Water?: Rival Sisters and the Tensions of Modernity 73 4 Cosmopolitan Bourgeois Sisterhood and the Ambiguities of Female-Centeredness in Lin Loon Magazine (1931–1937) 113 5 Sisterly Lovers in Women’s Fiction and the Potential of “Nondevelopment” as a Feminist Intervention 149 Conclusion 183 Bibliography 187 Index 205 About the Author 217 v Acknowledgments This book has been developed from my PhD dissertation, which I completed in 2012 at the University of South Carolina. -
Introduction M
Introduction m The Study of Autobiography m The study of literary forms or genres is notoriously hazardous and unproductive, for as long as there are identi‹able conventions, there will be deviations, innovations, and de‹ance. In 1968 Stephen Shapiro termed autobiography the “dark continent” of literature, because it was unexplored and unyielding to theorization.1 Certainly, autobiography is no longer uncharted territory. In recent decades its study has become a veritable industry. Yet we are as far as ever from a conclusive articula- tion of this genre. Why does this seemingly futile endeavor continue to engage our critical efforts? Georg Lukács long ago pointed out the importance of the study of lit- erary forms: “But in literature, what is truly social is form. Form is social reality; it participates vicariously in the life of the spirit. It there- fore does not operate only as a factor acting upon life and molding expe- riences, but also as a factor which is in turn molded by life.”2 In other words, as the formal postulate of the material world, a literary form is always a worldview and an ideology. Particular literary forms are results of particular social conditions, and as such, they are sociological. Franco Moretti points out that precisely because form is an ideological product, it is conservative and limiting. He terms it a “petri‹cation of life.”3 When form becomes convention, it is more effective in its organi- zation, he argues, but it also loses its ability to change, and the pursuit of purity of form becomes a limit to creativity. -
Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240P
DOCUMENT RESUME ED 385 489 SO 025 360 AUTHOR Yu-ning, Li, Ed. TITLE Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240p. AVAILABLE FROM Johnson & Associates, 257 East South St., Franklin, IN 46131-2422 (paperback: $25; clothbound: ISBN-1-880938-008, $39; shipping: $3 first copy, $0.50 each additional copy). PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Chinese Culture; *Cultural Images; Females; Folk Culture; Foreign Countries; Legends; Mythology; Role Perception; Sexism in Language; Sex Role; *Sex Stereotypes; Sexual Identity; *Womens Studies; World History; *World Literature IDENTIFIERS *Asian Culture; China; '`Chinese Literature ABSTRACT This book examines the ways in which Chinese literature offers a vast array of prospects, new interpretations, new fields of study, and new themes for the study of women. As a result of the global movement toward greater recognition of gender equality and human dignity, the study of women as portrayed in Chinese literature has a long and rich history. A single volume cannot cover the enormous field but offers volume is a starting point for further research. Several renowned Chinese writers and researchers contributed to the book. The volume includes the following: (1) Introduction (Li Yu- Wing);(2) Concepts of Redemption and Fall through Woman as Reflected in Chinese Literature (Tsung Su);(3) The Poems of Li Qingzhao (1084-1141) (Kai-yu Hsu); (4) Images of Women in Yuan Drama (Fan Pen Chen);(5) The Vanguards--The Truncated Stage (The Women of Lu Yin, Bing Xin, and Ding Ling) (Liu Nienling); (6) New Woman vs. -
Modernism in Practice: Shi Zhecun's Psychoanalytic Fiction Writing
Modernism in Practice: Shi Zhecun's Psychoanalytic Fiction Writing Item Type text; Electronic Thesis Authors Zhu, Yingyue Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 14:07:54 Link to Item http://hdl.handle.net/10150/642043 MODERNISM IN PRACTICE: SHI ZHECUN’S PSYCHOANALYTIC FICTION WRITING by Yingyue Zhu ____________________________ Copyright © Yingyue Zhu 2020 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by Yingyue Zhu, titled MODERNISM IN PRACTICE: SHI ZHECUN’S PSYCHOANALYTIC FICTION WRITING and recommend that it be accepted as fulfilling the dissertation requirement for the Master’s Degree. Jun 29, 2020 _________________________________________________________________ Date: ____________ Dian Li Fabio Lanza Jul 2, 2020 _________________________________________________________________ Date: ____________ Fabio Lanza Jul 2, 2020 _________________________________________________________________ Date: ____________ Scott Gregory Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfilling the Master’s requirement. -
Morning Sun: Interviews with Chinese Writers of the Lost Generation" by L
Swarthmore College Works Chinese Faculty Works Spring 1995 Review Of "Morning Sun: Interviews With Chinese Writers Of The Lost Generation" By L. Leung And "Modern Chinese Writers: Self-Portrayals" By H. Martin And J. C. Kinkley Haili Kong Swarthmore College, [email protected] Let us know how access to this work benefits you. Follow this and additional works at: http://works.swarthmore.edu/fac-chinese Part of the Chinese Studies Commons Recommended Citation Haili Kong. (1995). "Review Of "Morning Sun: Interviews With Chinese Writers Of The Lost Generation" By L. Leung And "Modern Chinese Writers: Self-Portrayals" By H. Martin And J. C. Kinkley". Modern Chinese Literature. Volume 9, Issue 1. 147-153. http://works.swarthmore.edu/fac-chinese/37 This work is brought to you for free and open access by the Swarthmore College Libraries. It has been accepted for inclusion in Chinese Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Review Reviewed Work(s): Morning Sun: Interviews with Chinese Writers of the Lost Generation by Laifong Leung; Modern Chinese Writers: Self-Portrayals by Helmut Martin and Jeffrey Kinkley Review by: Haili Kong Source: Modern Chinese Literature, Vol. 9, No. 1 (Spring 1995), pp. 147-153 Published by: Foreign Language Publications Stable URL: http://www.jstor.org/stable/41490752 Accessed: 19-09-2017 13:17 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. -
The New Sensationists
Edinburgh Research Explorer The new sensationists Citation for published version: Rosenmeier, C 2018, The new sensationists: Shi Zhecun, Mu Shiying, Liu Na'ou. in MD Gu (ed.), The Routledge Companion of Modern Chinese Literature. 1 edn, Routledge, pp. 168-180. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: The Routledge Companion of Modern Chinese Literature Publisher Rights Statement: This is an Accepted Manuscript of a book chapter published by Routledge in Routledge Handbook of Modern Chinese Literature on 3/09/2018, available online: https://www.routledge.com/Routledge-Handbook-of-Modern- Chinese-Literature/Gu/p/book/9781138647541 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 The New Sensationists: Shi Zhecun, Mu Shiying, and Liu Na’ou, Introduction The three writers under consideration here—Shi Zhecun (1905–2003), Mu Shiying (1912– 1940), and Liu Na’ou (1905–1940)—were the foremost modernist authors in the Republican period. Collectively labelled “New Sensationists” (xinganjuepai), they were mainly active in Shanghai in the early 1930s, and their most famous works reflect the speed, chaos, and intensity of the metropolis.1 They wrote about dance halls, neon lights, and looming madness alongside modern lifestyles, gender roles, and social problems. -
News Release
Research Express@NCKU - News Release Research Express@NCKU Volume 22 Issue 8 - July 20, 2012 [ http://research.ncku.edu.tw/re/news/e/20120720/1.html ] NCKU touts efforts to preserve cultural heritage on campus NCKU Press Center [Tainan, Taiwan, 3 July 2012] National Cheng Kung University (NCKU), southern Taiwan, held a news press conference in Taipei June 28 to share the school’s historical treasures and to call for joint efforts among educational institutes nationwide to preserve cultural heritage on campus. Dr. Hong-Sen Yan, vice president of NCKU, hosted the conference, in which he shared his experience in planning and preserving NCKU’s historical heritage. A university should identify its distinctive characteristic and grow with it to achieve excellence in education, said Dr. Yan, adding that it takes time and effort to keep the artifacts with historical significance. Dr. Kuang-Nan Huang, minister without portfolio of the Executive Yuan, Academician Ovid Tzeng of Academia Sinica, and Mr. Chen-Yu Nien, deputy director of Bureau of Cultural Heritage, Ministry of Culture, were present at the conference on behalf of their organizations. They praised NCKU for its resolution and dedication to preserving the school’s historical assets. Many world-renowned universities have their archives to keep the non-current records of the university, allowing the tradition and the spirit to pass down, according to Tzeng, who said NCKU’s aspiration to enlighten the students with the historical heritage is admirable. Dr. Huang emphasized the importance of time and resources in promoting cultural heritage. He noted that people are the key elements of culture assets. -
Highlights and Achievements 2008 - 2013
AERES - Wave E: 2013-2014 assessment campaign HIGHLIGHTS AND ACHIEVEMENTS 2008 - 2013 INSTITUT DE PHYSIQUE NUCLÉAIRE UMR8608 APPENDIX 4 UMR 8608 INSTITUT DE PHYSIQUE NUCLÉAIRE D’ORSAY HIGHLIGHTS AND ACHIEVEMENTS 2008-2013 PREFACE ...................................................................................................................................... 5 NUCLEAR STRUCTURE AND DYNAMICS .................................................................................. 9 HADRONIC PHYSICS ................................................................................................................. 53 PHYSICS AND RADIOCHEMISTRY OF NUCLEAR ENERGY................................................... 99 ASTROPHYSICS ....................................................................................................................... 141 THEORETICAL PHYSICS ......................................................................................................... 165 CLUSTERS AND INTERDISCIPLINARY .................................................................................. 209 ACCELERATOR TECHNOLOGY & PHYSICS .......................................................................... 221 INSTRUMENTATION AND COMPUTING DEPARTMENT ....................................................... 251 PLATFORMS IPN ...................................................................................................................... 271 DOSIMETRY ACTIVITIES ........................................................................................................ -
Chinese Literature in the Second Half of a Modern Century: a Critical Survey
CHINESE LITERATURE IN THE SECOND HALF OF A MODERN CENTURY A CRITICAL SURVEY Edited by PANG-YUAN CHI and DAVID DER-WEI WANG INDIANA UNIVERSITY PRESS • BLOOMINGTON AND INDIANAPOLIS William Tay’s “Colonialism, the Cold War Era, and Marginal Space: The Existential Condition of Five Decades of Hong Kong Literature,” Li Tuo’s “Resistance to Modernity: Reflections on Mainland Chinese Literary Criticism in the 1980s,” and Michelle Yeh’s “Death of the Poet: Poetry and Society in Contemporary China and Taiwan” first ap- peared in the special issue “Contemporary Chinese Literature: Crossing the Bound- aries” (edited by Yvonne Chang) of Literature East and West (1995). Jeffrey Kinkley’s “A Bibliographic Survey of Publications on Chinese Literature in Translation from 1949 to 1999” first appeared in Choice (April 1994; copyright by the American Library Associ- ation). All of the essays have been revised for this volume. This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://www.indiana.edu/~iupress Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2000 by David D. W. Wang All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
Characteristics of Translation and Introduction in the Historical Context of Chinese Literature Going Out
Advances in Social Science, Education and Humanities Research, volume 416 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020) Characteristics of Translation and Introduction in the Historical Context of Chinese Literature Going Out Sisi Liu Wuhan University of Technology Wuhan, China 430070 Abstract—Chinese culture going out is an inevitable People's Republic of China, it can't help wondering. Why did manifestation of Chinese cultural confidence. This paper has these national-level, large-scale, high-quality Translation and conducted a long-lasting and diverse exploration on how to Introduction activities not achieve the expected results, and better "go out" from the national level to individual did not really send Chinese literature and culture abroad to translators. Many scholars have also thoroughly discussed the attract the attention of foreign readers? From 2012 to 2015, motivation, strategy, and purpose of "going out". This article the French version of picture-story book of the four classic attempts to place "going out" in the historical context, novels of Chinese literature published in France by the introduces the theory of communication to analyze it, and tries French FEI publishing house had aroused a huge response. to grasp the characteristics and ways of "going out". The comic industry, book review industry and ordinary Keywords: Chinese literature, translation and introduction, readers all praised this set of comics. At this point, the doubts communication deepen. Why can the French-version picture-story book of the four classic novels of Chinese literature achieve such a great success in France? I. INTRODUCTION Since the beginning of the new century, China has raised In recent years, the China's translation circle, even the the strategy of "Chinese culture going out" to the height of literary circle and the media circle have begun to pay the soft power export.