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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
Lotus Infuses Downtown Bloomington with Global
FOR MORE INFORMATION: [email protected] || 812-336-6599 || lotusfest.org FOR IMMEDIATE RELEASE: 8/26/2016 LOTUS INFUSES DOWNTOWN BLOOMINGTON WITH GLOBAL MUSIC Over 30 international artists come together in Bloomington, Indiana, for the 23rd annual Lotus World Music & Arts Festival. – COMPLETE EVENT DETAILS – Bloomington, Indiana: The Lotus World Music & Arts Festival returns to Bloomington, Indiana, September 15-18. Over 30 international artists from six continents and 20 countries take the stage in eight downtown venues including boisterous, pavement-quaking, outdoor dance tents, contemplative church venues, and historic theaters. Representing countries from A (Argentina) to Z (Zimbabwe), when Lotus performers come together for the four-day festival, Bloomington’s streets fill with palpable energy and an eclectic blend of global sound and spectacle. Through music, dance, art, and food, Lotus embraces and celebrates cultural diversity. The 2016 Lotus World Music & Arts Festival lineup includes artists from as far away as Finland, Sudan, Ghana, Lithuania, Mongolia, Ireland, Columbia, Sweden, India, and Israel….to as nearby as Virginia, Vermont, and Indiana. Music genres vary from traditional and folk, to electronic dance music, hip- hop-inflected swing, reggae, tamburitza, African retro-pop, and several uniquely branded fusions. Though US music fans may not yet recognize many names from the Lotus lineup, Lotus is known for helping to debut world artists into the US scene. Many 2016 Lotus artists have recently been recognized in both -
Daily Life for the Common People of China, 1850 to 1950
Daily Life for the Common People of China, 1850 to 1950 Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access China Studies published for the institute for chinese studies, university of oxford Edited by Micah Muscolino (University of Oxford) volume 39 The titles published in this series are listed at brill.com/chs Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access Daily Life for the Common People of China, 1850 to 1950 Understanding Chaoben Culture By Ronald Suleski leiden | boston Ronald Suleski - 978-90-04-36103-4 Downloaded from Brill.com04/05/2019 09:12:12AM via free access This is an open access title distributed under the terms of the prevailing cc-by-nc License at the time of publication, which permits any non-commercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. More information about the initiative can be found at www.knowledgeunlatched.org. Cover Image: Chaoben Covers. Photo by author. Library of Congress Cataloging-in-Publication Data Names: Suleski, Ronald Stanley, author. Title: Daily life for the common people of China, 1850 to 1950 : understanding Chaoben culture / By Ronald Suleski. -
RNCM-LIVE-Spring-2015.Pdf
1 Welcome to 2015 The newly refurbished RNCM at the RNCM Concert Hall These are exciting times for the RNCM, in an A special treat awaits our jazz audiences with environment which is at its most stimulating and artists including GoGo Penguin, Courtney motivating, when the artistic offer in Manchester Pine and Polar Bear and we are proud to be is currently changing the cultural landscape of welcoming the National Youth Jazz Orchestra the North West. with a programme that should bring the house down. Making Tracks continues with their Heralding the official opening of our new state- fabulous artists, and we also welcome Megson, of-the-art Concert Hall later on this Spring, the The Old Dance School and the London African season kicks off with the RNCM Chamber Music Gospel Choir. RNCM Youth Perform goes to Festival presenting three generations of the town with Bernstein’s fantastic score On the best in chamber music in the Czech Republic, Town and our Day of Song investigates Berlin represented by the Guarneri Trio Prague, the and the world of Cabaret. Talich Quartet and the Pavel Haas Quartet. Spring 2015 reaches its climax with The RNCM Collaborations and partnerships are Big Weekender, where we celebrate the strengthened as we co-curate a stunning four- diversity and breadth of our programming. day programme with FutureEverything, featuring Highlights include: Britten’s magical opera contemporary artists such as Ólafur Arnalds A Midsummer Night’s Dream, RNCM Big and an impressive sound sculpture (Nyloid). Band with Nikki Iles and Tina May, rock and New adventures ignite as Park Lane Group pop gigs in a nightclub setting in the Studio partners up with the RNCM to present a festival Theatre, and an exciting Family Day, this time of young artists and British contemporary music. -
SBA Franchise Directory Effective April 8, 2020 SBA FRANCHISE
SBA Franchise Directory Effective April 8, 2020 SBA SBA FRANCHISE FRANCHISE IS AN SBA IDENTIFIER IDENTIFIER MEETS FTC ADDENDUM SBA ADDENDUM ‐ NEGOTIATED CODE Start CODE BRAND DEFINITION? NEEDED? Form 2462 ADDENDUM Date NOTES When the real estate where the franchise business is located will secure the SBA-guaranteed loan, the Collateral Assignment of Lease and Lease S3606 #The Cheat Meal Headquarters by Brothers Bruno Pizza Y Y Y N 10/23/2018 Addendum may not be executed. S2860 (ART) Art Recovery Technologies Y Y Y N 04/04/2018 S0001 1-800 Dryclean Y Y Y N 10/01/2017 S2022 1-800 Packouts Y Y Y N 10/01/2017 S0002 1-800 Water Damage Y Y Y N 10/01/2017 S0003 1-800-DRYCARPET Y Y Y N 10/01/2017 S0004 1-800-Flowers.com Y Y Y 10/01/2017 S0005 1-800-GOT-JUNK? Y Y Y 10/01/2017 Lender/CDC must ensure they secure the appropriate lien position on all S3493 1-800-JUNKPRO Y Y Y N 09/10/2018 collateral in accordance with SOP 50 10. S0006 1-800-PACK-RAT Y Y Y N 10/01/2017 S3651 1-800-PLUMBER Y Y Y N 11/06/2018 S0007 1-800-Radiator & A/C Y Y Y 10/01/2017 1.800.Vending Purchase Agreement N N 06/11/2019 S0008 10/MINUTE MANICURE/10 MINUTE MANICURE Y Y Y N 10/01/2017 1. When the real estate where the franchise business is located will secure the SBA-guaranteed loan, the Addendum to Lease may not be executed. -
Autumn September - December 2016 Welcome to Our Autumn Season Programme!
Autumn September - December 2016 Welcome to our Autumn Season Programme! There are two strong themes to this season’s programme, and the first is MUSIC! We start off in September with the brilliant Keith James with his take on the music of Cat Stevens; and the return of the brilliant Remi Harris. October brings a contrast of light classical from The Borders Trio and the jazz/folk fusion of The Rowan. Then in November The Budapest Café Orchestra is back, followed later in the month by some brilliant folk from The Gloucestershire Invasion. And it’s into December with the fantastic Moscow Drug Club with their hot renditions from 1930’s Berlin through nuevo tango to gypsy campfire! No Ledbury Christmas would be the same without the Ledbury Community Choir’s Christmas Concert; but this year you are spoilt because Ledbury Community Brass Band are also going to be performing a Christmas concert! And the second theme? Well that would be drama! LADS has three shows in the programme, a reprise, again in The Master’s House, of The Visit - which was sold out when performed in April; Emily Brontë’s great classic, Wuthering Heights; and of course in January the famous LADS’ panto which will be a fabulous Cinderella. Other companies visiting the Theatre are Suitcase Theatre’s Picasso’s Women, Frome Valley Community Players with A Christmas Carol, and at the beginning of September a showcase of new local writing in For One Night Only. We have two professional companies coming too: ajtc in conjunction with The Nottingham Playhouse present a superb play The Underground Man – some of you will remember being in the sell-out audience when ajtc toured On A Black Hill to Ledbury a few years ago. -
Paradigmatic of Folk Music Tradition?
‘Fiddlers’ Tunebooks’ - Vernacular Instrumental Manuscript Sources 1860-c1880: Paradigmatic of Folk Music Tradition? By: Rebecca Emma Dellow A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music June 2018 2 Abstract Fiddlers’ Tunebooks are handwritten manuscript books preserving remnants of a largely amateur, monophonic, instrumental practice. These sources are vastly under- explored academically, reflecting a wider omission in scholarship of instrumental music participated in by ‘ordinary’ people in nineteenth-century England. The tunebooks generate interest amongst current folk music enthusiasts, and as such can be subject to a “burden of expectation”,1 in the belief that they represent folk music tradition. Yet both the concepts of tradition and folk music are problematic. By considering folk music from both an inherited perspective and a modern scholarly interpretation, this thesis examines the place of the tunebooks in notions of English folk music tradition. A historical musicological methodology is applied to three post-1850 case-study manuscripts drawing specifically on source studies, archival research and quantitative analysis. The study explores compilers’ demographic traits and examines content, establishing the existence of a heterogeneous repertoire copied from contemporary textual sources directly into the tunebooks. This raises important questions regarding the role played by publishers and the concept of continuous survival in notions of tradition. A significant finding reveals the interaction between aural and literate practices, having important implications in the inward and outward transmission and in wider historical application. The function of both the manuscripts and the musical practice is explored and the compilers’ acquisition of skill and sources is examined. -
Cuando La Música Desapareció De Televisión. Historia, Evolución Y Análisis Narrativo Del Periodismo Musical En TVE Y TV3 Al
Cuando la música desapareció de televisión. Historia, evolución y análisis narrativo del periodismo musical en TVE y TV3 90) - 02 - Alícia Álvarez Vaquero http://hdl.handle.net/10803/404735 Generalitat 472 (28 de Catalunya núm. Rgtre. Fund. ió ADVERTIMENT. L'accés als continguts d'aquesta tesi doctoral i la seva utilització ha de respectar els drets de undac la persona autora. Pot ser utilitzada per a consulta o estudi personal, així com en activitats o materials F d'investigació i docència en els termes establerts a l'art. 32 del Text Refós de la Llei de Propietat Intel·lectual (RDL 1/1996). Per altres utilitzacions es requereix l'autorització prèvia i expressa de la persona autora. En qualsevol cas, en la utilització dels seus continguts caldrà indicar de forma clara el nom i cognoms de la persona autora i el títol de la tesi doctoral. No s'autoritza la seva reproducció o altres formes d'explotació efect uades amb finalitats de lucre ni la seva comunicació pública des d'un lloc aliè al servei TDX. Tampoc s'autoritza la presentació del seu contingut en una finestra o marc aliè a TDX (framing). Aquesta reserva de drets afecta tant als continguts de la tesi com als seus resums i índexs. Universitat Ramon Llull Universitat Ramon ADVERTENCIA. El acceso a los contenidos de esta tesis doctoral y su utilización debe respetar los derechos de la persona autora. Puede ser utilizada para consulta o estudio personal, así como en actividades o G: 59069740 G: materiales de investigación y docencia en los términos establecidos en el art. -
Genesis V Summer 2006 Edition
GenesisThe Alumni Magazine of Saint Ignatius College Preparatory, SummerV 2006 developmentnews In This Issue … Genesis V owe much to Bill Morlock ’49, who retired this June after 45 anything; rather, he wanted to learn from me. (He epitomizes what years in the classroom, especially my passion for travel and it means to be a lifelong learner.) He was fascinated with Arabic — I for lifelong learning. I know only a few words — and with my Palestinian background. Bill’s genius as a teacher was simple: He brought the world to He held the same fascination for all who sat at our lunch table. He the classroom. In 197, he taught history to me and to my fellow sophomores and showed us that our world went beyond the con- crete walls of SI and the watery boundaries of San Francisco. He was able to do this because he knew more about the world than most people and had a passion for learning more. Bill enlisted in the Army in the 1950s at the height of the Cold War, found himself at the Army Language School in Monterey studying Russian, and then spent two years in Germany as an Army translator while learning German on the side. He also met his wife-to-be Renate, who was studying to be a librarian in Hei- delberg, and, in 1959, he toured Moscow and Leningrad — some- thing nearly impossible for Americans then. My classmates and I loved to hear him speak Russian, espe- cially when he read to us from Pravda, to which he subscribed. -
Sovereignty, RIP
Sovereignty, RIP Y7644-Herzog.indb i 12/4/19 10:48 AM This page intentionally left blank Sovereignty, RIP DON HERZOG New Haven and London Y7644-Herzog.indb iii 12/4/19 10:48 AM Published with assistance from the Mary Cady Tew Memorial Fund. Copyright © 2020 by Don Herzog. All rights reserved. Th is book may not be reproduced, in whole or in part, includ- ing illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. An online version of this work is available under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License through Michigan Publishing, the digital publishing arm of the University of Michigan Library. It can be accessed at http://hdl.handle.net/2027.42/151918. Yale University Press books may be purchased in quantity for educational, business, or promotional use. For information, please e-mail [email protected] (U.S. offi ce) or [email protected] (U.K. offi ce). Set in type by Newgen North America, Austin, Texas. Printed in the United States of America. Libr ary of Congress Control Number:2019948002 ISBN 978-0-300-24772-5 (hardcover : alk. paper) A catalogue record for this book is available from the British Library. Th is paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). 10 9 8 7 6 5 4 3 2 1 Y7644-Herzog.indb iv 12/4/19 10:48 AM For Sam Y7644-Herzog.indb v 12/4/19 10:48 AM This page intentionally left blank Contents Preface ix One. -
1974 Record Releases
1974 UK Record Releases by Date This is a list of all UK 45 singles and EP’s found on the 45 cat website and any new release sheets as of the 25/10/16. Generally records that don't have a full release are not included. Some spoken word only records are not listed, plus “story” ones. Records that would have had a specific week when they were first released, but which dates have not been found, but are known to have been issued on an actual month are included at the end of each weekly listing for the month in question. Numbers in red indicate ownership on 45 cat for those with 5 or more. In some cases, such as chart hits, the number of “wants” is added on. Caution should be noted with ownership figure, as the record might have only been available as a promo record that wasn’t issued to the public. These however will be popular with collectors of records. If it is known to be never issued to the public, what is called on the 45 Cat site as a “stock” record. Then that will not be included. In some cases records by well known acts were never issued as “stock” and some of these have been included, but such records are shown as “promo only”. They are included to show that the record couldn’t have made the charts in 1974. At least as a UK issue! Records that made the charts of the time are only stated where no specific week has been found or if a chart record fails to score 5 ownership indications - indicated by the term hit. -
Miranda, 17 | 2018, « Paysages Et Héritages De David Bowie » [En Ligne], Mis En Ligne Le 19 Septembre 2018, Consulté Le 16 Février 2021
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie, Landscapes and Heritage Édition électronique URL : http://journals.openedition.org/miranda/12120 DOI : 10.4000/miranda.12120 ISSN : 2108-6559 Éditeur Université Toulouse - Jean Jaurès Référence électronique Miranda, 17 | 2018, « Paysages et héritages de David Bowie » [En ligne], mis en ligne le 19 septembre 2018, consulté le 16 février 2021. URL : http://journals.openedition.org/miranda/12120 ; DOI : https:// doi.org/10.4000/miranda.12120 Ce document a été généré automatiquement le 16 février 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. 1 SOMMAIRE Paysages et héritages de David Bowie David Bowie, Landscapes and Heritage Introduction – New ways ever free Philippe Birgy, David Roche et Nathalie Vincent-Arnaud “Come Tomorrow, May I Be Bolder Than Today?”: PinUps, Striptease, and Social Performance Shannon Finck Modern Death. La critique rock face à Blackstar Claude Chastagner Bowie’s Way : une analyse harmonique de « Life on Mars ? » Grégoire Tosser Paysages berlinois et héritage romantique : les univers culturels et sonores de la trilogie Low-’Heroes’-Lodger (1976-1979) Hugues Seress Hybridations et effacement du chanteur : l’emploi des codes de la lyric video dans le clip de « Where are we now? » Robin Cauche David Bowie, la dernière vidéo star ? Jonathan Broda et Thomas Schmitt Autobituary: the Life and/as Death of David Bowie & the Specters from Mourning Jake Cowan David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Prospero's Island La construction identitaire dans le cinéma de Ngozi Onwurah : (re-)stylisation du corps et stratégies de subversion Émilie Herbert Defanging the Vampire : The Crushing Gaze of Metadiegesis in Shadow of the Vampire (E.