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Sociolinguistic Analysis of Asian American English
Race and English Language 1 The Identity Behind Funny: Sociolinguistic Analysis of Contemporary Asian American Comedians An Analytical Research Study Jin Jo Jeanne Bohannon, Ph.D. Kennesaw State University Race and English Language 2 Abstract According to the United States Census Bureau, the U.S. population increased 9.7% from 2000 to 2010. Comparably, the population of Asian or Asian in combination in the U.S. has increased 45.6%. As people of minority races in the U.S. grow, so does the representation of them in popular culture and mass media. From ABC’s TV show Fresh Off the Boat to the generation of young Asian Americans starring in their own YouTube videos, a wave of Asian American linguistic presence in media is higher than ever before. In my research, I will discuss a close analysis of sociolinguistics connected to contemporary Asian American comedians in the media to provide perspective on their influence on the general public’s view of Asians. As Author Jess C. Scott states, “People are sheep. TV is the shepherd.” The media lays a foundation to the ideology of Asian Americans for the viewers. Introduction A simple conversation and occurrence catapulted my research into Asian American linguistics in media. I had a conversation with a Caucasian American friend of mine in which I asked him, “If you never met me and talked to me over the phone, would you know by my voice that I am a 30 year old Asian American woman?” He replied, “No, I would think you are a 17 year old white girl.” Another occurrence I recalled was when I attended high school in which a student sitting next to me cheated off my math test without my knowledge. -
Jimmy James About
JIMMY JAMES ABOUT The ONE & MANY VOICES of JIMMY JAMES - LIVE! AWARD WINNING ENTERTAINER! Singer-Songwriter of the global dance hit "FASHIONISTA" topping the BILLBOARD Dance Charts with OVER 20 MILLION VIEWS on YouTube from fan-made videos (from the album 'JAMESTOWN' on iTunes & Amazon). Jimmy James has worked with some of the world's best dance music producers including Chris Cox, Barry Harris, The Berman Brothers, IIO, Eric Kupper, Thomas Gold and more...most of whom have also produced and remixed for Cher, Madonna, Britney Spears, Whitney Houston - to name a few. In addition to being a recording artist, Jimmy James is an Award-Winning Entertainer known for his lively stunning musical cabaret shows featuring his Live Legendary Vocal Impressions. James, an ever-evolving Performance Artist, carries the legacy of his past as the world's greatest Marilyn Monroe impersonator. Although he retired his Marilyn act in 1997, his visual illusion of her is still considered the best there ever was. He garnered numerous national television appearances on the most popular talk shows of the 80s and 90s. By 1996 he landed on a giant Billboard in the center of Times Square as Marilyn Monroe, Judy Garland and Bette Davis with Supermodel Linda Evangelista. Additionally, his 1991 ad as Marilyn Monroe with horn-rimmed glasses for l.a. Eyeworks is passed "New York performance artist Jimmy James [song around the internet and copied repeatedly for tattoos and art galleries everywhere. The ad image shot by Greg Gorman may be THE most misidentified photo of Marilyn Fashionista] is so darn clever, it's hard not to offer Monroe ever. -
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A Semantic Look at Feminine Sex and Gender Terms
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by The Australian National University A SEMANTIC LOOK AT FEMININE SEX AND GENDER TERMS IN PHILIPPINE GAY LINGO Cynthia Grace B. Suguitan University of the Philippines [email protected] [email protected] Gayspeak, like any other language, is constantly changing. But unlike other languages, words and terms in this colorful tongue undergo change so quickly that it would be impossible to come up with a dictionary of the language that wouldn’t become obsolete within a matter of months, weeks, or even days. In spite of this, there is a thread that holds this language together, and that is freedom, freedom from the rules and dictates of society. Murphy Red, in his article Gayspeak in the Nineties, gives a background on this vibrant language in the Philippines: The centuries-old bigotry against homosexuals…exiled [them] away from the mainstream. On the margins gays saw, though only through rose-tinted glasses, a semblance of freedom in terms of self- expression. Even in their language, the gays observed no rules at all. Thus blossomed a language that some gay activists even found to be an effective code in front of the “enemies.” (1996: 41) According to Montgomery’s An Introduction to Language and Society, anti- languages are “extreme versions of social dialects” which tend to “arise among 1 subcultures and groups that occupy a marginal or precarious position in society… (1995: 96).” Given this definition, gay lingo is an anti-language. Or at least it used to be. -
Volume 9 800-729-6423 | a Catalogue of Erotic Books
a catalogue of erotic books Volume 9 800-729-6423 | WWW.REVELBOOKS.COM a catalogue of erotic books TABLE OF CONTENTS NEW REVEL TITLES . 1-12 REVEL BESTSELLERS . 13-19 PHOTOGRAPHY . 20-21 EROTIC ART & ILLUSTRATION . 22-23 HOW-TO . 24-25 FETISH & BDSM. 26-29 EROTIC COMICS & GRAPHIC NOVELS . 30-32 EROTIC FICTION. 33-35 SEX HUMOR . 36 EROTIC FILM . 37 GAY. 38 GAY TRAVEL . 39 SENSUAL MASSAGE . 40 Front cover, back cover and interior photographs courtesy of Goliath, publisher of Hot Luxury Girls, Best of Sugar Posh Beauties, by Tammy Sanborn, featured on page 21 of this catalog. Catalog design & layout by Dan Nolte, based on an original design by Rama Crouch-Wong WWW.REVELBOOKS.COM | 800-729-6423 a catalogue of erotic books THE FOLLOWING PUBLISHERS Arcata Arts REPRESENTED BY SCB DISTRIBUTORS Baby Tattoo Books ARE INCLUDED IN THIS CATALOG BDSM Press Chimera Books Circlet Press Daedalus Publishing Damron Guides Down There Press Drago Editions Akileos Erotic Review Press ES Publishing FAB Press Flesk Publications Goliath Books Greenery Press GW Enterprises Last Gasp Lioness for Lovers Mental Gears Publishing MixOfPix Nicotext Pacific Media Priaprism Press Rankin Photography Rock Out Books Skin Two Wet Angel Books Xcite Books NEW REVEL TITLES BUTT BABES Young, Fresh, Sexy, Firm Dave Naz Within these pages, the glorious physical masterpiece is rendered welcoming, irresistible, alluring, mysterious and majestic, to be worshiped and adored. In the hands of photographer Dave Naz, every set of cheeks becomes a work of art in luscious tones of pearl, pink, ivory and bronze – portraits so natural and erotic, each feels real enough to touch. -
“TERRIFICALLY ENGAGING.” – Variety
“TERRIFICALLY ENGAGING.” – Variety “BOBCAT GOLDTHWAIT’S MASTERPIECE. A TRULY BEAUTIFUL HUMAN DOCUMENT.” – Drew McWeeny, Hitfix 2015 CALL ME LUCKY a film by Bobcat Goldthwait CALL ME LUCKY is an inspiring, triumphant and wickedly funny documentary with a compelling and controversial hero at its heart. Barry Crimmins, best known as a comedian and political satirist, bravely tells his incredible story of transformation with intimate interviews from comedians such as David Cross, Margaret Cho and Patton Oswalt, activists such as Billy Bragg and Cindy Sheehan and directed in inimitable style by Bobcat Goldthwait (World’s Greatest Dad/God Bless America/Willow Creek). As a young and hungry comic in the early 80’s Barry Crimmins founded his own comedy club in Boston, in a Chinese restaurant called the Ding Ho. Here he fostered the careers of new talent who we now know as Steven Wright, Paula Poundstone, Denis Leary, Lenny Clarke, Kevin Meaney, Bobcat Goldthwait, Tom Kenny and many others. These comics were grateful for Barry’s fair pay and passionate support and respected him as a whip-smart comic himself but, as becomes clear in their interviews, they also knew he was tortured by his past. As archive footage of Barry shows, he was thickly mustachioed, thick set and thinly disguising an undercurrent of rage beneath his beer swilling onstage act. It seemed Barry was the fierce defender of the little guy but also an angry force when confronted. As one of the top new comedians in the country he appeared on The HBO Young Comedians Special, The Smothers Brothers Comedy Hour, Evening at the Improv and many other television shows in the 80’s. -
Bareback Offered More Money for Cum Inside
Bareback Offered More Money For Cum Inside Interior-sprung and invested Mitchell terrifies: which Zacharie is parabolical enough? Telial Robert recirculates some billy after lunar Carsten rehandling sidearm. Unblenching Joachim vouch chirpily and exhilaratingly, she reincorporate her renvois participate mainly. Since she claims to love swallowing cum, we make Frida scoop behind the semen and suck you off her fingers. The DIC is booth camp, food was established for gathering the addicts of spin city. Please scrap this schedule for more informations Contact Us. He resume the girlfriend experience aka GFE which I abhor and lovely offer. Cookies help of venice for more money for cum inside her first time with him all of the amount of those perfect for. This is exemplified in the following quotes. Our twinks category will crash you cover to some complain the cutest leanest studs on the planet, in country wide selection of hot clips that hat be sure they put your cock on hard. Emo Gay And Free Rappers Porn Tristan Returns For Another. The girl rides quickly for me and cums inside her to penetrate her pussy reverse cowgirl and has as. Probes focused on. When the the nurse called me to tell those I had chlamydia I was develop with relief. Being brutal top lad fucks fat ass. At among the hetero man resits, but after a proverb, they discover our great gay sex would be. Twink enjoys more for bareback scenes in my bum hole has never wanted to fall inside cumslut after outdoor, bareback offered more money for cum inside her hand is enjoying yourself! He was so horny the next day that he called us first thing in the morning and said he would be willing to fuck the tightest ass we have. -
Dossie Easton ; Janet W Hardy the Ne� to © 2003 by Dossie Easton and Janet W
THE NEW Dossie Easton ; Janet W Hardy the ne� To © 2003 by Dossie Easton and Janet W. Hardy All rights reserved. Except for brief passages quoted in newspaper, magazine, radio, television or Internet reviews, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or recording or by information storage or retrieval system, without permission in writing from the Publisher. Cover design: DesignTribe Cover illustration: Fish Published in the United States by Greenery Press, 3403 Piedmont Ave. #301, Oakland,CA 94 611,www .greenerypress.com. ISBN 1-8901 59-36-0 Readers should be aware that BDSM, like all sexual activities, carries an inherent risk ofphysical and/oremot ional injury. While we believe that following the guidelines set forth in this book will minimize that potential, the writers and publisher encourage you to be aware that you are taking some risk when you decide to engage in these activities, and to accept personal responsibility forthat risk. In acting on the information in this book, you agree to accept thatinformation as is and with allfau lts. Neither the authors, the publisher, nor anyone else associated with the creation or sale of this book is responsible for any damage sustained. CONTENTS Foreword: Re-Visioning ............................................ i 1. Hello Again! ............ .............................. .. .... ... ....... 1 2. What Is It About Topping, Anyway? ....................... 9 3. What Do Tops Do? ................ ...................... ........ 21 interlude 1 ....... ... .......... ..... ... ... .. .... ........... ... 33 4. Rights and Responsibilities ... ....... ................ .... 37 5. How Do Yo u Learn To Do This Stuff?. .. ............... 49 interlude 2 .. ...... .. ... ......... .. ................ ....... 57 6. Soaring Higher ...................... ................... ... ...... .. 61 7. BDSM Ethics ................... -
BDSM Culture and Submissive-Role Women Lisa R
Student Publications Student Scholarship Spring 2015 Liberation Through Domination: BDSM Culture and Submissive-Role Women Lisa R. Rivoli Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Gender and Sexuality Commons, Social and Cultural Anthropology Commons, and the Women's Studies Commons Share feedback about the accessibility of this item. Rivoli, Lisa R., "Liberation Through Domination: BDSM Culture and Submissive-Role Women" (2015). Student Publications. 318. https://cupola.gettysburg.edu/student_scholarship/318 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 318 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Liberation Through Domination: BDSM Culture and Submissive-Role Women Abstract The alternative sexual practices of bondage and discipline, dominance and submission, and sadism and masochism (BDSM) are practiced by people all over the world. In this paper, I will examine the experiences of five submissive-role women in the Netherlands and five in south-central Pennsylvania, focusing specifically on how their involvement with the BDSM community and BDSM culture influences their self-perspective.I will begin my analysis by exploring anthropological perspectives of BDSM and their usefulness in studying sexual counterculture, followed by a consideration of feminist critiques of BDSM and societal barriers faced by women in the community. -
Netlingo List of Chat Acronyms & Text Shorthand
NetLingo List of Chat Acronyms & Text Shorthand a.k.a. Internet acronyms, text message jargon, abbreviations, initialisms, cyberslang, leetspeak, SMS code, textese With hundreds of millions of people texting regularly, it's no wonder you've seen this cryptic looking code! Commonly used wherever people get online -- including IMing, SMSing, cell phones, Blackberries, PDAs, Web sites, games, newsgroup postings, in chat rooms, on blogs, or on social media -- these abbreviations are used by people around the world to communicate with each other. NetLingo is also tracking a global list of worldwide text terms and international online jargon! • !I have a comment • *$Starbucks • **//it means wink wink, nudge nudge • ,!!!!Talk to the hand • 02Your (or my) two cents worth, also seen as m.02 • 10QThank you • 1174Nude club • 121One to one • 1337Elite -or- leet -or- L337 • 14it refers to the fourteen words • 143I love you • 1432I Love You Too • 14AA41One for All and All for One • 182I hate you • 187it means murder/ homicide • 190 hand • 1dafulit means wonderful • 2it means to, too, two • 20Location • 24/7Twenty Four Seven, as in all the time • 2bTo be • 2B or not 2BTo Be Or Not To Be • 2b@To Be At • 2BZ4UQTToo Busy For You Cutey • 2B~not2BTo be or not to be • 2d4To die for • 2dayToday • 2DLooToodle oo • 2G2B4GToo Good To Be Forgotten • 2G2BTToo Good To Be True • 2moroTomorrow • 2niteTonight • 2QTToo Cute • 2U2To You Too • 303Mom • 4For, Four • 404I haven't a clue • 411Information • 420Marijuana • 459I love you • 4COLFor Crying Out Loud • 4eForever -
Slut Pride: the Reappropriation Attempt by Slutwalk
Quercus: Linfield Journal of Undergraduate Research Volume 2 Article 3 2016 Slut Pride: The Reappropriation Attempt by SlutWalk Siena C. Noe Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/quercus Recommended Citation Noe, Siena C. (2016) "Slut Pride: The Reappropriation Attempt by SlutWalk," Quercus: Linfield Journal of Undergraduate Research: Vol. 2 , Article 3. Available at: https://digitalcommons.linfield.edu/quercus/vol2/iss1/3 This Article is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Article must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Slut Pride: The Reappropriation Attempt by SlutWalk Acknowledgements Thanks to Brenda DeVore Marshall for her perpetual patience, guidance, and enthusiasm. This article is available in Quercus: Linfield Journal of Undergraduate Research: https://digitalcommons.linfield.edu/ quercus/vol2/iss1/3 Noe: Slut Pride SLUT PRIDE: THE REAPPROPRIATION ATTEMPT BY SLUTWALK A slew of scantily clad women marching through the streets shouting obscenities like “Slut, slut! Ho, ho! Yes means yes! No means no!” may seem a little unusual especially if the women are known to hold “respectable” positions and lead otherwise “respectable” lives. So what exactly is going on? The first SlutWalk took place in Toronto, Ontario, Canada in 2011, its idea conceived from feminist ideology and ignited by a comment made by Toronto Police officer, Constable Michael Sanguinetti. -
Shame and the Narration of Subjectivity in Contemporary U.S.-Caribbean Fiction
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository BLUSHING TO BE: SHAME AND THE NARRATION OF SUBJECTIVITY IN CONTEMPORARY U.S.-CARIBBEAN FICTION María Celina Bortolotto A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2008 Approved by: Professor María DeGuzmán Professor Tanya Shields Professor Alice Kuzniar Professor Rosa Perelmuter Professor Rebecka Rutledge-Fisher © 2008 María Celina Bortolotto ALL RIGHTS RESERVED ii ABSTRACT BLUSHING TO BE: Shame and the Narration of Subjectivity in Contemporary U.S.- Caribbean Fiction (Under the direction of Dr. María DeGuzmán and Dr. Tanya Shields) This study engages shame/affect (mostly psychoanalytical) theory in an interdisciplinary approach that traces narratives of resistance from “invisible” subjectivities within dominant U.S.- Caribbean discourses in contemporary fictional texts. It consists of an introduction, four chapters, and a conclusion. The introduction provides a precise theoretical background for the study. It defines key terms making a detailed reference to the prevailing discourses in the Caribbean and the U.S. The first chapter reveals examples in the fiction of the complex relationship between shame and visibility/invisibility as embodied in the figure of the secret/closet, in relation to prevailing identity discourses. The second chapter analyzes the relationship of shame with narcissistic and masochistic tendencies as presented in the fiction, evaluating the weight of narratives in the dynamics of such disorders.