DOCSLIB.ORG

M Ella Fitzgerald

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
M Ella Fitzgerald 1979 10-- TH CAROLINA TIMES . SAT JUNE 30, V prr T by Doug Davis THE WALTONS Mary Ellen excitedly counts ' the days before she can join1 her husband, Curt, stationed in Hawaii. But when Pearl, Irf preparation for her up- very busy in the last month television shows at (0 Harbdr is bombed by the coming recording session, taping she Margo Smith and veteran various locations. In Nash- Japanese, anxiously songwriters Norro Wilton ville, T.G. taped 'Hee Haw,' counts the moments to hear (Most Beautiful Girl' and 'Pop Goes the Country' and if he has survived the 'The Grand Tour') and Mack hosted 'That Nashville M- holocaust. David ('It Must Be Him' and usic' 'Nashville On the Road' took him to St. Simon's This dramatic of 'Tara's Theme' from 'Gone episode With the Wind') were in Island off the Georgia coast, 'The Waltons' will have an Nashville recently collaborat-- and next he was off to encore telecast Thursday, ing on several new songs. Toronto to tape two seg- July 5. on CBS-T- ments" of 'Rommie Prophet's -- Grand Ole Country.' 'The Waltons' stars Ralph v WUBE in Cincinnati Waite, Michael Learned, Jon requested T.G. for a spot in Walmsley (pictured center), a new TV pilot, 'Cincinnati Eric Scott (left) and David Country.' T.G, and Linda Thompson taped a special Harper (right). for 'P.M. Magazine' in which T.G. took television crews to Graceland Mansion in Mem- phis and other hangouts where he Elvlt used to CONSULT OUR LISTINGS FOR LAST MINUTE and TV COMWtOS KKVKft, MC. NETWORK CHANGES AND FOR EXACT AIR TIME. go- - THURSDAY JULYS, 1979 7:00 O NOVA 'The End of the Rain- 0 PM MAGAZINE bow' The United States is spend- Marge Smith - EVENING 1 I NEWS ing over a million dollars daily on arid Norro If Margo producer SANFORDANDSON nuclear fusion research. the will in 6:00 O - Wilton be the studio for OOOOOnews ODD COUPLE promise of controlled nuclearu- the next several weeks work- CJ STUDIO SEE OO JOKER'S WILD sion energy can successfully on new album. 1 SMART we have ing her I LOVE LUCY 1 GET serve man's needs, may of Not only does Margo find FAMILY AFFAIR i ANDY GRIFFITH SHOW found the pot of gold at the end TREK time to write many of her DICK VAN DYKE SHOW 63 STAR 'Amok Time' the rainbow. (60 mins.) 7:30 O MORK AND MINDY Mork own songs and manage a 6:30 O hectic tour schedule, but she CBS NEWS O WILD WILD WORLD OF leaves Mindy's house because he OO ANIMALS 'Darwin On Safari thinkshe'sgettinginthewayofher is a successful business- REBOP well.-Jus- O MACNEIL-LEHRE- R woman as t ABC NEWS O REPORT lovelife. (Repeat) recently, OO ADAM UNDERSEA WORLD OF JAC- and several business- ANDY GRIFFITH SHOW . CJ 12 Margo BRADY BUNCH COUSTEAU men from her hometown, FATHER KNOWS BEST QUES T.G. O DOUGH QMOVIE-CDRAM- Sheppard I LOVE LUCY TIC TAC "Slnsof New Carlisle, Ohio, formed a & OO Dick- 63 NBC NEWS O MY THREE SONS Rachel Cade" 1961 Angie partnership in the New Car- T.G. is set for the fair mission- HBO MOVIE -- (DRAMA) HOGAN'S HEROES inson, Peter Finch. Nurse lisle Finance Company. circuit with sixty dates Con- Gold" 1978 Marjoe 8:00 ary, assigned to the Belgian Margo is in booked in 28 states in the "Acapulco THE WALTONS Ellen it difficult to the na- Gortner, Ed Nelson. Drama of drug O O Mary go, finds keep charge of installment loans next three months. .He just g counts the before she commits smuggling, double-dealin- and excitedly days tives' respect after and is on the board of finished recording his new LP can her husband Curt sta- an indiscretion. hrs.) high set on the exotic she join (3 directors. entitled Lonely' which profits tioned in Hawaii. 60 GOMERPYLE '34 Hawaiian Island of Kauai. (Rated (Repeat; Watch for Margo on the includes his current single. PROJECT U.F.O. The PG) (90 mins.) mins.) 63 'Dinah!' show soon. 'You Feel Good All Over.' T.G. Sheppard has been TV COMMIIOG 8WVICIS, INC report multiple sightings of flying saucers and alien beings while on Rice. A sol- a transatlantic voyage enroute to ' 9:30 Burt Lancaster, John CARTER COUNTRY Chief dier of in 1 America. (60 mins.) OO fortune, dealing precious HBO ROAD TO YUCCA LUNA Roy, with some reluctance, stones, finds himself in combat slam- with a South (2 John Byner and Karen Black join in throws his mother into the hated Seas pirate. the bedlam of running a small mer when she and some friends hrs.) television station in the California stage a n strike at a new 69 RAT PATROL desert town of Yucca Luna. It's a factory site. 63 WIMBLEDON UPDATE hilarious spoof of TV variety 10:00 HBOMOVIE-(DRAM- "Boys from the of OO BARNABY JONESBarnaby In Company C" 1978 Andrew shows producers Jr. 'America and 'Fernwood Jones conducts a puzzling murder Stevens, James Whitmore, Investigation that leads him to a Training and combat service of a powerful religious cult headed by Marine Corps Company in Viet TET 8:30 a 'Messiah.' (Pt. I. of Nam before and during the two-pa- rt 5 O O ANGIE When Angie's a episode; 60 mins.) Offensive. (R) (2 hrs., mins.) i 20-2- 0 mother and Brad's father meet OO 11:45 NEWS it looks like war-un- til 63 THE TONIGHT SHOW Guest again, 63 DAVID CASSIDY: MAN which David Letterman. Guest: something happens UNDERCOVER host: delights . the newlyweds. Kreskin. (90 mins.) 10:30 12:00 (Repeat) MASTERPIECE THEATRE m DORIS DAY SHOW O PERRY MASON 63 JEWISH VOICE O GUNSMOKE 11:00 NEWS - 9:00 OOOO NEWS AGAINST THE WIND ODD 1:00 O COUPLE MOVIE O GOODBYE AMERICA A reen-actme- ONEDIN LINE O COMEDY-FANTASY) of the final debate in Par- PETE AND GLADYS ej "Here Mr. Jordan" 1941 liament on the issue of American 63 HAROLD LLOYD Comes independence Is 'covered for Robert Montgomery, Claude 11:30 Rains. A sent to television' as a contemporary live CBS LATE MOVIE 'M.A.S.H.' prizefighter, O heaven if forced to news event. Robert MacNeil and The 4077th a before hist ime, treats wounded find a new to (2 Robert McKenzie 'cover' the colonel who seems to show body occupy. MINORITY FEATURES vmo . inc 'V debate with the aid of analysis, for hrs.) gmfl dffTX greater concern recovering 1:15 interviews and film reports. (90 than for of dead bodies the safety 63 TOMORROW mlnsj his men. (Repeat) 'MCCLOUD' BARNEY MILLER A wild-eye- d '.M yii O O Lady On The Run' Stars: Dennis jr. gZiTT'A gunman forces Miller 1:30 Capt. Weaver, Mariette Hartley. MOVIE -- "Il- ELLA FITZGERALD and his men to do time in their own O (DRAMA) (Repeat) legal" 1955EdwardG.Robinson. jail In the company of a loony STARSKY AND Ella Fitzgerald was 16 when she first stepped in front of an audi- O O Nina Foch. An ex D.A. becomes HUTCH-MANN- IX And mixed-u- p ence the Theater in Harlem. Staraky with leading onamateur night at Apollo Hutch-'Los- gangsters, (Repeat) ing Streak' A down on to his wife's in a crime. her feet and wanted MERV GRIFFIN implication She was good on to dance but there were too his luck musician runs into trouble (2 HAWAII FIVE-- 0 Steve McGar-rett'- s hrs.) many dancers on the program so instead she sang. O with hoodlums when he acciden- 1:48 skill and instincts are takes in uncirculated That to be Ella's luckiest break. She won first of $10, tally $2,000 O NEWS proved prize matched against an 'impossible' counterfeit bills. Mannlx-'A- II landed a as a and in a few short climbed job professional singer years crime. (Repeat; 60 mins.) Around The Money Tree' A beau- to the top in the world of music. O 700 CLUB tiful girl, band of thieves, and QUINCY When a She has been there ever since in a durable career in which she has Q teenage girl Mannix are ell searching for the dies from a botched abortion per- man who has fled with million in become known as "the first lady of song." $6 formed by a drunken doctor, stolen British currency. (Repeat; "Ella Fitzgerald Sings the Irving Berlin Songbook," a collection Quincy discovers a conspiracy of 2 hrs., 16 mins.) silence medical men is - of Berlin hits, won her a Grammy award as best female vocalist of among pro- BEDTIME 8T0RIES': tecting the guilty surgeon. MARY TYLER MOORE 1958. She won Grarnmies in 1959 for "But Not for Me," in I960 for O The fox-tr- ot it name (Repeat; 60 mins.) ' "Mack the Knife" and for "Ella in and in 1962 for an alburn SHOW Berlin," HBO -- for the WIMBLEDON TENNIS: O MOVIE (ADVENTURE) entitled "Ella Swings with Nelson Riddle." WOMEN'S SEMI-FINA- music hall artist Fo Brightly "Hit Majesty O'Keefe" 1952 Harry.
Load more

Recommended publications
  • Mediasprawl: Springfield U.S.A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 3, Issue 1 2003 Article 10 SUBURBIA Mediasprawl: Springfield U.S.A Douglas Rushkoff∗ ∗ Copyright c 2003 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Mediasprawl: Springfield U.S.A. Douglas Rushkoff The Simpsons are the closest thing in America to a national media literacy program. By pretending to be a kids’ cartoon, the show gets away with murder: that is, the virtual murder of our most coercive media iconography and techniques. For what began as entertaining interstitial material for an alternative network variety show has revealed itself, in the twenty-first century, as nothing short of a media revolu­ tion. Maybe that’s the very reason The Simpsons works so well. The Simpsons were bom to provide The Tracey Ullman Show with a way of cutting to commercial breaks. Their very function as a form of media was to bridge the discontinuity inherent to broadcast television. They existed to pave over the breaks. But rather than dampening the effects of these gaps in the broadcast stream, they heightened them. They acknowledged the jagged edges and recombinant forms behind the glossy patina of American television and, by doing so, initiated its deconstruction. They exist in the outlying suburbs of the American media landscape: the hinter­ lands of the Fox network. And living as they do—simultaneously a part of yet separate from the mainstream, primetime fare—they are able to bear witness to our cultural formulations and then comment upon them.
    [Show full text]
  • Popular Television Programs & Series
    Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B.
    [Show full text]
  • Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
    Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Islands in the Screen: the Robinsonnade As Television Genre Des Îles À L’Écran : La Robinsonnade Comme Genre Télévisuel Paul Heyer
    Document generated on 09/24/2021 6:24 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Islands in the Screen: The Robinsonnade as Television Genre Des îles à l’écran : la robinsonnade comme genre télévisuel Paul Heyer Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 The island survivor narrative, or robinsonnade, has emerged as a small but significant television genre over the past 50 years. The author considers its URI: https://id.erudit.org/iderudit/1015187ar origins as a literary genre and the screen adaptations that followed. Emphasis DOI: https://doi.org/10.7202/1015187ar is placed on how “island TV” employed a television aesthetic that ranged from an earlier conventional approach, using three cameras, studio locations, and See table of contents narrative resolution in each episode, to open-ended storylines employing a cinematic style that exploits the new generation of widescreen televisions, especially with the advent of HDTV. Two case studies centre the argument: Gilligan’s Island as an example of the former, more conventional aesthetic, and Publisher(s) Lost as an example of the new approach. Although both series became Cinémas exceedingly popular, other notable programs are considered, two of which involved Canadian production teams: Swiss Family Robinson and The Mysterious Island. Finally, connections are drawn between robinsonnades and ISSN the emerging post-apocalyptic genre as it has moved from cinema to television. 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Heyer, P. (2013). Islands in the Screen: The Robinsonnade as Television Genre. Cinémas, 23(2-3), 121–143.
    [Show full text]
  • PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
    PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2.
    [Show full text]
  • Highway Patrol Dragnet Saved by the Bell (E/I) the Waltons the Flintstones Have Gun, Will Travel the Jetsons (Eff. 2/21) The
    Daniel Boone EFFECTIVE 2/21/21 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Toon In With Me Popeye and Pals 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Jetsons (Eff. 2/21) 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Have Gun, Will Travel 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C.
    [Show full text]
  • Effective 1/3/21) in the Heat of the Night Saved by the Bell (E/I
    Daniel Boone ALL TIMES EASTERN / PACIFIC 1st QUARTER 2021 MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons (Eff. 1/4/21) The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Tune in With Me (Eff. 1/4/21) Popeye and Pals (Eff. 1/2/21) 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show (Eff. 1/2/21) 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends (Eff. 1/2/21) 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Flintstones 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman Gilligan's Island Three Hour Tour (Effective 3:00p Rawhide 3:30p The Rifleman 1/3/21) 3:30p 4:00p Have Gun, Will Travel (Eff. 1/2/21) 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C.
    [Show full text]
  • Dd Shrewstudyguide.Pdf
    HOFSTRA UNIVERSITY DEPARTMENT OF DRAMA AND DANCE THE TAMING OF THE SHREW William Shakespeare STUDY GUIDE Written and compiled by James J. Kolb, Professor of Drama HOFSTRA/DRAMA 1997 A Study Guide to Hofstra University’s Department of Drama and Dance Production of The Taming of the Shrew by William Shakespeare March 1997 Table of Contents The New Cambridge Shakespeare version of The Taming of the Shrew, edited by Ann Thompson, is the text used in the About Shakespeare 2 current production. It is published in paperback by Cambridge University Press, 40 West 20th Street, New York, Title Page of the First Folio Edition New York 10011-4211 of Shakespeare’s Plays 2 ISBN # 0 521 29388 X ($10.95) Shakespeare’s Coat of Arms 3 Shakespeare’s Plays 3 Shakespeare’s Theatre 4 HOFSTRA/DRAMA Department of Drama and Dance Summary of the Story 5 Hofstra University (516) 463-5444 The Sources of the Story 5 The Date of Composition and Special Problems With the Text of The Taming of the Shrew As Related to The Taming of a Shrew 6 A Few Critical Comments 7 The cover engraving is taken from James Edmund Harting’s About the Play on Stage 10 The Birds of Shakespeare (1871). It depicts hawks in training being carried to the field in “the cadge,” carried by “the Notable Lines 15 cadger.” See page 8 of the Study Guide for some additional comments about falconry. About the Play in Other Forms 16 The idea and format of this study guide is by Peter Sander.
    [Show full text]
  • Television and Radio Scripts of Kathleen Hite
    Television and Radio Scripts of Kathleen Hite Collection Summary Title: Television and Radio Scripts of Kathleen Hite Call Number: MS 75-08 Size: 6.0 linear feet Acquisition: Donated by Kathleen Hite Processed By: DAO, 6-19-1975; Additional Materials Processed by Staff, 1-5-1978; Additional Materials Processed by SCW, 2-5-1979, 10-9-1980, 9-2-1981; Reprocessed by SMC, 3-24-1998; MN, 1-2009 Note: None Restrictions: None Literary Rights Literary rights were not granted to Wichita State University. When permission is granted to examine the manuscripts, it is not an authorization to publish them. Manuscripts cannot be used for publication without regard for common law literary rights, copyright laws and the laws of libel. It is the responsibility of the researcher and his/her publisher to obtain permission to publish. Scholars and students who eventually plan to have their work published are urged to make inquiry regarding overall restrictions on publication before initial research. Restrictions None Content Note Kathleen Hite, a 1938 graduate of the University of Wichita, was a successful scriptwriter for television and radio. This collection of her scripts spans 35 years from 1946 to 1981, and includes many from popular western shows and dramatic presentations. Scripts for such popular western shows as "Gunsmoke," "Guns of Will Sonnett," " Laramie," and "Wagon Train" are included as well as scripts for dramas such as "The Alfred Hitchcock Show," "The Jane Wyman Show," "General Electric Theatre," "The Waltons," and "Apple's Way." Detailed Description: Box and Folder Listing Box 1 Gunsmoke (Vol. I) 1957-1958 Box 1 Gunsmoke (Vol.
    [Show full text]
  • Family and Satire in Family Guy
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-06-01 Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Ryan, Reilly Judd, "Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy" (2015). Theses and Dissertations. 5583. https://scholarsarchive.byu.edu/etd/5583 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Darl Larsen, Chair Sharon Swenson Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University June 2015 Copyright © 2015 Reilly Judd Ryan All Rights Reserved ABSTRACT Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Department of Theatre and Media Arts, BYU Master of Arts This paper explores the presentation of family in the controversial FOX Network television program Family Guy. Polarizing to audiences, the Griffin family of Family Guy is at once considered sophomoric and offensive to some and smart and satiric to others.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]
  • Widow Narratives on Film and in Memoirs: Exploring Formula Stories of Grief and Loss of Older Women After the Death of a Spouse
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School July 2019 Widow Narratives on Film and in Memoirs: Exploring Formula Stories of Grief and Loss of Older Women After the Death of a Spouse Jennifer R. Bender University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Communication Commons, Other Medical Specialties Commons, and the Sociology Commons Scholar Commons Citation Bender, Jennifer R., "Widow Narratives on Film and in Memoirs: Exploring Formula Stories of Grief and Loss of Older Women After the Death of a Spouse" (2019). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/7744 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Widow Narratives on Film and in Memoirs: Exploring Formula Stories of Grief and Loss of Older Women After the Death of a Spouse by Jennifer R. Bender A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Communication College of Arts & Sciences University of South Florida Major Professor: Lori Roscoe, Ph.D. Keith Berry, Ph.D. Sara Green, Ph.D. Jane Jorgenson, Ph.D. Date of Approval: June 25, 2019 Keywords: Communication, thematic analysis, displaced populations, identity Copyright © 2019, Jennifer R. Bender ACKNOWLEDGEMENTS This dissertation work acknowledges all scholars who work in the field of examining and representing underrepresented populations.
    [Show full text]