DOCSLIB.ORG

Television and Radio Scripts of Kathleen Hite

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Television and Radio Scripts of Kathleen Hite Television and Radio Scripts of Kathleen Hite Collection Summary Title: Television and Radio Scripts of Kathleen Hite Call Number: MS 75-08 Size: 6.0 linear feet Acquisition: Donated by Kathleen Hite Processed By: DAO, 6-19-1975; Additional Materials Processed by Staff, 1-5-1978; Additional Materials Processed by SCW, 2-5-1979, 10-9-1980, 9-2-1981; Reprocessed by SMC, 3-24-1998; MN, 1-2009 Note: None Restrictions: None Literary Rights Literary rights were not granted to Wichita State University. When permission is granted to examine the manuscripts, it is not an authorization to publish them. Manuscripts cannot be used for publication without regard for common law literary rights, copyright laws and the laws of libel. It is the responsibility of the researcher and his/her publisher to obtain permission to publish. Scholars and students who eventually plan to have their work published are urged to make inquiry regarding overall restrictions on publication before initial research. Restrictions None Content Note Kathleen Hite, a 1938 graduate of the University of Wichita, was a successful scriptwriter for television and radio. This collection of her scripts spans 35 years from 1946 to 1981, and includes many from popular western shows and dramatic presentations. Scripts for such popular western shows as "Gunsmoke," "Guns of Will Sonnett," " Laramie," and "Wagon Train" are included as well as scripts for dramas such as "The Alfred Hitchcock Show," "The Jane Wyman Show," "General Electric Theatre," "The Waltons," and "Apple's Way." Detailed Description: Box and Folder Listing Box 1 Gunsmoke (Vol. I) 1957-1958 Box 1 Gunsmoke (Vol. II) 1961 Box 1 Gunsmoke (Vol. III) 1961-62 Box 1 Gunsmoke (Vol. IV) 1962 Box 2 Gunsmoke (Vol. V) 1962 Box 2 Gunsmoke (Vol. VI) 1962-63 Box 2 Gunsmoke (Vol. VII) 1963 Box 2 Gunsmoke (Vol. VIII) 1963 Box 3 Gunsmoke (Vol. IX) 1964 Box 3 Gunsmoke (Vol. X) 1964-65 Box 3 Wagon Train 1958-59 Box 3 Laramie 1959-60 Box 4 Empire 1959-1961 Box 4 The Guns of Will Sonnett 1966-68 Box 4 Miscellaneous Half-Hour Westerns 1957-68 Box 5 Miscellaneous Western Adventure 1960-66 Box 5 Jane Wyman Show and Alfred Hitchcock 1955-58 Box 5 General Electric Theatre and Decision 1957 Box 6 General Electric Theatre 1958 Box 6 Apple's Way, "The Lamb," March 28, 1974 Box 6 "The Daughters of Joshua Cabe (sequel)," August 5, 1974 Box 7 The Waltons, "The Visitor," September 19, 1974 Box 7 The Waltons, "The Beguiled," November 11, 1974 Box 7 The Waltons, "The Sermon," June 17, 1975 Box 7 The Waltons, "The Nurse," September 10, 1975 Box 7 The Waltons, "The Test," December 12, 1975 Box 8 "The Ghost Walks," (CBS) May 30, 1946 Box 8 "Night Beat," (NBC) November 25, 1951 Box 8 "The Modern Adventures of Casanova," 1951 Box 8 "State Fair," 1953 Box 8 "The Perfect Crime," parts 1 and 2 Box 8 The Lux Summer Theatre, (CBS) 1953, "The Fall of Maggie Phillips," June 22, 1953 Box 8 The Lux Summer Theatre, (CBS) 1953, "Romance, to a Degree," August 3, 1953 Box 8 The Lux Summer Theatre, (CBS) 1953, "One Last September," August 31, 1953 Box 8 "Will Rogers, Country Editor" Box 8 Rogers of the Gazette, (CBS) 1953-54, "Strain for the G-String," 1953 Box 8 Rogers of the Gazette, (CBS) 1953-54, "Barbara's Return," October 15, 1953 Box 8 Rogers of the Gazette, (CBS) 1953-54, "Town Band," October 23, 1953 Box 8 Rogers of the Gazette, (CBS) 1953-54, "County Fair" Box 8 Rogers of the Gazette, (CBS) 1953-54, "Fire Engine" Box 8 Rogers of the Gazette, (CBS) 1953-54, "Journalism, Major and Minor" Box 8 Rogers of the Gazette, (CBS) 1953-54, "Founder's Day" Box 8 Rogers of the Gazette, (CBS) 1953-54, "Eudora Correspondent" Box 8 Rogers of the Gazette, (CBS) 1953-54, "Jill's Baby" Box 8 Rogers of the Gazette, (CBS) 1953-54, "Pink Christmas" Box 9 Rogers of the Gazette, (CBS) 1953-54, "Intense Writer" Box 9 Rogers of the Gazette, (CBS) 1953-54, "Prize Winner" Box 9 Rogers of the Gazette, (CBS) 1953-54, "Letter from A. Lincoln" Box 9 Rogers of the Gazette, (CBS) 1953-54, "John's Story" Box 9 Romance, "Class of '41," March 12, 1955 Box 9 Fort Laramie, (CBS) 1956, "Hattie Pelfrey," March 11, 1956 Box 9 Fort Laramie, (CBS) 1956, "Stage Coach Stop," April 15, 1956 Box 9 Fort Laramie, (CBS) 1956, "War Correspondent," May 13, 1956 Box 9 Fort Laramie, (CBS) 1956, "Black Hills Gold," May 20, 1956 Box 9 Fort Laramie, (CBS) 1956, "Sergeant Gorce's Baby," May 27, 1956 Box 9 Fort Laramie, (CBS) 1956, "The Loving Cup," June 24, 1956 Box 9 Fort Laramie, (CBS) 1956, "Trooper's Widow," July 1, 1956 Box 9 Fort Laramie, (CBS) 1956, "Talented Recruits," July 8, 1956 Box 9 Fort Laramie, (CBS) 1956, "Old Enemy," July 15, 1956 Box 9 Fort Laramie, (CBS) 1956, "Spotted Tail's Return," July 22, 1956 Box 9 Fort Laramie, (CBS) 1956, "Nature Boy," July 29, 1956 Box 9 Fort Laramie, (CBS) 1956, "The Massacre," August 5, 1956 Box 9 Fort Laramie, (CBS) 1956, "Goodbye Willa," August 19, 1956 Box 9 Fort Laramie, (CBS) 1956, "The Chaplain," August 26, 1956 Box 9 Fort Laramie, (CBS) 1956, "The Return of Hattie Pelfrey," September 2, 1956 Box 9 Fort Laramie, (CBS) 1956, "A Small Beginning," September 30, 1956 Box 9 Fort Laramie, (CBS) 1956, "Galvanized Yankee," October 7, 1956 Box 10 Fort Laramie, (CBS) 1956, "Still Waters," October 14, 1956 Box 10 Fort Laramie, (CBS) 1956, "Little Girl" Box 10 Fort Laramie, (CBS) 1956, "The Coward" Box 10 Fort Laramie, (CBS) 1956, "Assembly Line" Box 10 Fort Laramie, (CBS) 1956, "Indian Scout" Box 10 Fort Laramie, (CBS) 1956, "Army Wife" Box 10 Gunsmoke, (CBS) Late 1950s and 1960, "Homely Girl" Box 10 Gunsmoke, (CBS) Late 1950s and 1960, " Little Girl" Box 10 Gunsmoke, (CBS) Late 1950s and 1960, "Busted Up Guns" Box 10 Gunsmoke, (CBS) Late 1950s and 1960, "Imposter" Box 10 Gunsmoke, (CBS) Late 1950s and 1960, "Nettie Sitton" Box 10 Gunsmoke, (CBS) Late 1950s and 1960, "Solomon River," March 26, 1960 Box 10 Gunsmoke, (CBS) Late 1950s and 1960, Untitled Box 11 The Waltons, "The Turning Point," April 26, 1976 Box 11 The Waltons, "The Rebellion," October 11, 1976 Box 11 The Waltons, "The Career Girl," December 15, 1976 Box 11 The Waltons, "The Hero," December 15, 1976 Box 11 The Waltons, "The Stray," May 12, 1977 Box 11 The Waltons, "The Volunteer," May 20, 1977 Box 11 The Waltons, "The Rumor," November 2, 1977 Box 11 The Waltons, "The Return," January 10, 1978 Box 11 The Waltons, "The Calling," June 1, 1978 Box 12 The Waltons, "The Parting," November 13, 1978 Box 12 The Waltons, "Founders' Day," February 9, 1979 Box 12 The Waltons, "The Diploma," June 21, 1979 Box 12 The Waltons, "The Waiting," Part Two, July 20, 1979 Box 12 The Waltons, "The Spirit," September 11, 1979 Box 12 The Waltons, "The Pledge," June 17, 1980 Box 12 The Waltons, "The Move," (outline), June 25, 1980 Box 12 The Waltons, "The Move," (final draft), November 10, 1980 Box 12 The Waltons, "The Beginning," January 12, 1981 Box 12 The Waltons, "The Pearls," January 23, 1981 Box 12 The Waltons, "The Heartache," (outline), January 29, 1981 Box 12 The Waltons, "The Heartache," (final draft), February 26, 1981 For information, please contact us at: Special Collections and University Archives Wichita State University Libraries 1845 Fairmount, Wichita, KS 67260-0068 Web site: http://specialcollections.wichita.edu E-mail: [email protected] Telephone: 316-978-3590.
Load more

Recommended publications
  • Mediasprawl: Springfield U.S.A
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 3, Issue 1 2003 Article 10 SUBURBIA Mediasprawl: Springfield U.S.A Douglas Rushkoff∗ ∗ Copyright c 2003 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Mediasprawl: Springfield U.S.A. Douglas Rushkoff The Simpsons are the closest thing in America to a national media literacy program. By pretending to be a kids’ cartoon, the show gets away with murder: that is, the virtual murder of our most coercive media iconography and techniques. For what began as entertaining interstitial material for an alternative network variety show has revealed itself, in the twenty-first century, as nothing short of a media revolu­ tion. Maybe that’s the very reason The Simpsons works so well. The Simpsons were bom to provide The Tracey Ullman Show with a way of cutting to commercial breaks. Their very function as a form of media was to bridge the discontinuity inherent to broadcast television. They existed to pave over the breaks. But rather than dampening the effects of these gaps in the broadcast stream, they heightened them. They acknowledged the jagged edges and recombinant forms behind the glossy patina of American television and, by doing so, initiated its deconstruction. They exist in the outlying suburbs of the American media landscape: the hinter­ lands of the Fox network. And living as they do—simultaneously a part of yet separate from the mainstream, primetime fare—they are able to bear witness to our cultural formulations and then comment upon them.
    [Show full text]
  • Popular Television Programs & Series
    Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B.
    [Show full text]
  • Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
    http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music.
    [Show full text]
  • Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
    Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • Arturo Ripstein: TIME to DIE (1966, 90 Min.)
    March 26, 2019 (XXXVIII:8) Arturo Ripstein: TIME TO DIE (1966, 90 min.) DIRECTOR Arturo Ripstein WRITING Gabriel García Márquez and Carlos Fuentes wrote dialogue for their adaptation of Márquez’s story PRODUCERS Alfredo Ripstein and César Santos Galindo MUSIC Carlos Jiménez Mabarak CINEMATOGRAPHY Alex Phillips EDITING Carlos Savage CAST Marga López...Mariana Sampedro Jorge Martínez de Hoyos...Juan Sayago Enrique Rocha...Pedro Trueba Alfredo Leal...Julián Trueba Blanca Sánchez...Sonia The Far Side of Paradise (1976), The Black Widow (1977), Hell Tito Junco...Comisario Without Limits (1978), Life Sentence (1979), La tía Alejandra Quintín Bulnes...Diego Martín Ibáñez (1979), Seduction (1981), Rastro de muerte (1981), Sweet Miguel Macía...Druggist Challenge (1988 TV Series), Woman of the Port (1991), Carlos Jordán...Casildo Triángulo (1992 TV Series), La sonrisa del diablo (1992 TV Arturo Martínez...Cantinero Series), Principio y fin (1993), La reina de la noche (1994), Deep Hortensia Santoveña...Rosita Crimson (1996), No One Writes to the Colonel (1999), Such Is Carolina Barret...Mamá de Sonia Life (2000), The Ruination of Men (2000), The Virgin of Lust Manuel Dondé...Barber (2002), The Reasons of the Heart (2011), Bleak Street (2015), Claudio Isaac...Claudio Sampedro and Maestros Olvidados, oficios que sobreviven (2016-2018 TV Leonardo Castro Series documentary). Cecilia Leger...Housekeeper Luz María Velázquez...Nana GABRIEL GARCÍA MÁRQUEZ (b. March 6, 1927 in Adolfo Lara Aracataca, Magdalena, Colombia—d. April 17, 2014 (age 87) in Alfredo Chavira Mexico City, Distrito Federal, Mexico) was a Colombian novelist, short-story writer, screenwriter and journalist. He is ARTURO RIPSTEIN Y ROSEN (b. December 13, 1943 in most famous for his novels One Hundred Years of Solitude Mexico City, Distrito Federal, Mexico) is a Mexican director (59 (1967) and Love in the Time of Cholera (1985).
    [Show full text]
  • Islands in the Screen: the Robinsonnade As Television Genre Des Îles À L’Écran : La Robinsonnade Comme Genre Télévisuel Paul Heyer
    Document generated on 09/24/2021 6:24 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Islands in the Screen: The Robinsonnade as Television Genre Des îles à l’écran : la robinsonnade comme genre télévisuel Paul Heyer Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 The island survivor narrative, or robinsonnade, has emerged as a small but significant television genre over the past 50 years. The author considers its URI: https://id.erudit.org/iderudit/1015187ar origins as a literary genre and the screen adaptations that followed. Emphasis DOI: https://doi.org/10.7202/1015187ar is placed on how “island TV” employed a television aesthetic that ranged from an earlier conventional approach, using three cameras, studio locations, and See table of contents narrative resolution in each episode, to open-ended storylines employing a cinematic style that exploits the new generation of widescreen televisions, especially with the advent of HDTV. Two case studies centre the argument: Gilligan’s Island as an example of the former, more conventional aesthetic, and Publisher(s) Lost as an example of the new approach. Although both series became Cinémas exceedingly popular, other notable programs are considered, two of which involved Canadian production teams: Swiss Family Robinson and The Mysterious Island. Finally, connections are drawn between robinsonnades and ISSN the emerging post-apocalyptic genre as it has moved from cinema to television. 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Heyer, P. (2013). Islands in the Screen: The Robinsonnade as Television Genre. Cinémas, 23(2-3), 121–143.
    [Show full text]
  • PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
    PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2.
    [Show full text]
  • Highway Patrol Dragnet Saved by the Bell (E/I) the Waltons the Flintstones Have Gun, Will Travel the Jetsons (Eff. 2/21) The
    Daniel Boone EFFECTIVE 2/21/21 ALL TIMES EASTERN / PACIFIC MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Toon In With Me Popeye and Pals 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Jetsons (Eff. 2/21) 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman 3:00p Rawhide Gilligan's Island Three Hour Tour 3:30p The Rifleman 3:30p 4:00p Have Gun, Will Travel 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C.
    [Show full text]
  • Effective 1/3/21) in the Heat of the Night Saved by the Bell (E/I
    Daniel Boone ALL TIMES EASTERN / PACIFIC 1st QUARTER 2021 MONDAY - FRIDAY SATURDAY SUNDAY 6:00a Dragnet The Beverly Hillbillies 6:00a The Powers of Matthew Star 6:30a My Three Sons (Eff. 1/4/21) The Beverly Hillbillies 6:30a 7:00a Saved by the Bell (E/I) 7:00a Tune in With Me (Eff. 1/4/21) Popeye and Pals (Eff. 1/2/21) 7:30a Saved by the Bell (E/I) 7:30a 8:00a Leave It to Beaver Saved by the Bell (E/I) 8:00a The Tom and Jerry Show (Eff. 1/2/21) 8:30a Leave It to Beaver Saved by the Bell (E/I) 8:30a 9:00a Saved by the Bell (E/I) 9:00a Perry Mason Bugs Bunny and Friends (Eff. 1/2/21) 9:30a Saved by the Bell (E/I) 9:30a 10:00a The Flintstones 10:00a Matlock Maverick 10:30a The Flintstones 10:30a 11:00a The Flintstones 11:00a In the Heat of the Night Wagon Train 11:30a The Flintstones 11:30a 12:00p 12:00p The Waltons The Big Valley 12:30p 12:30p The Brady Bunch Brunch 1:00p 1:00p Gunsmoke Gunsmoke 1:30p 1:30p 2:00p 2:00p Bonanza Bonanza 2:30p 2:30p 3:00p The Rifleman Gilligan's Island Three Hour Tour (Effective 3:00p Rawhide 3:30p The Rifleman 1/3/21) 3:30p 4:00p Have Gun, Will Travel (Eff. 1/2/21) 4:00p Wagon Train 4:30p Wanted: Dead or Alive 4:30p 5:00p Adam-12 The Rifleman Mama's Family 5:00p 5:30p Adam-12 The Rifleman Mama's Family 5:30p 6:00p The Flintstones 6:00p The Love Boat 6:30p Happy Days 6:30p The Three Stooges 7:00p M*A*S*H M*A*S*H 7:00p 7:30p M*A*S*H M*A*S*H 7:30p 8:00p The Andy Griffith Show 8:00p 8:30p The Andy Griffith Show Svengoolie 8:30p Columbo 9:00p Gomer Pyle, U.S.M.C.
    [Show full text]
  • Family and Satire in Family Guy
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2015-06-01 Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Film and Media Studies Commons, and the Theatre and Performance Studies Commons BYU ScholarsArchive Citation Ryan, Reilly Judd, "Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy" (2015). Theses and Dissertations. 5583. https://scholarsarchive.byu.edu/etd/5583 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Darl Larsen, Chair Sharon Swenson Benjamin Thevenin Department of Theatre and Media Arts Brigham Young University June 2015 Copyright © 2015 Reilly Judd Ryan All Rights Reserved ABSTRACT Where Are Those Good Old Fashioned Values? Family and Satire in Family Guy Reilly Judd Ryan Department of Theatre and Media Arts, BYU Master of Arts This paper explores the presentation of family in the controversial FOX Network television program Family Guy. Polarizing to audiences, the Griffin family of Family Guy is at once considered sophomoric and offensive to some and smart and satiric to others.
    [Show full text]
  • The Adventures of Casanova As a Young Woman
    The Adventures of Casanova as a Young Woman Ailsa Kay Le texte d'Ailsa Kay s'approprie, pour les memoires d'un sujet desirant feminin, la notoriete sexuelle de l'aventurier et "tombeur de ces dames" du dix-huitieme siecle, G.J. Casanova de Seingult. Le recit retrouve Casanova sur son chemin de retour en direction de la ville apres un sejour passe au couvent apres une peine d'amour. La ville de ses souvenirs est le paysagefami­ lier du realisme mais sur la route de gravier rien n'est ce qu'il semble etre. Tout comme les lignes de la main de Casanova, il y adu "brio et de la ruse et de l'au­ dace; crise et chagrin et amour extatique aveuglant, les lignes entrecroisees vertigineuses de possibilites." Chapter 1 After leaving the convent I learn how to gamble and make a friend. Monsieur Lupin and Mademoiselle Caron eat figs. Reflections. They're smooth and hot and small. Small as peas, smooth as the skin of Henry's hot and fevered cheek that, only five months ago, I washed in cool water from a tin cup, thinking I would die of love. I pass the small hot peb­ bles from my left hand to my right and back. I shake my closed hands in front of the stranger's face, not insolently -I have no desire to be insolent - but with the calm charm required of a gambler. I cup my hands togeth­ er and breathe into them. Shake the pebbles again. A bet. Just a small bet.
    [Show full text]
  • Emmy Award Winners
    CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp.
    [Show full text]