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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
BUSINESS Manchester, Conn
24 - MANCHESTER HERALD. Fri.. June 25, 1982 ' ■ ■ ■ \ I ■ : y - BUSINESS Manchester, Conn. Afternoon sun, cool tonight Saturday, June 26, 1982 Rain, tourists meaty issues for firm — See page 2 anrlirstpr Umlh Single copy 25(f Bogner's I supplies Haig resigns without warning the dogs r. Shultz no ■ hj}:; Foreign policy unclear, he says )'ry By Raymond T. DeMeo Herald Reporter WASHINGTON (UPI) - When the administration took of Shultz had been prominently men stranger to "M y mother could skin an animal Alexander Haig unexpectedly quit fice, “ We agreed that consistency, tioned during the transition as a about as well as any man in the , -CVf^r Friday as secretary of state, clarity and steadiness of purposes possibile secretary of state. Reagan trade.’’ charging President Reagan’s were essential to success. It was in chose him to oversee the setting up Washington » X *.,.f ^ •5>;; An unusual statement? Not when foreign policy has shifted from its this spirit that I undertook to serve of the economic and NATO summit you consider from whom it came: goals of "consistency, clarity and you as secretary of state. meetings in Versailles and Bonn Donald Bogner of 233 Blue Ridge steadiness of purpose.’’ But, he continued, “ In recent earlier this month, which provided By United Press International Drive, whose fondest childhood Reagan immediately nam6d months it has become clear to me Reagan with a showcase for his in George Pratt Shultz, President memories are of “ bouncing around former Treasury Secretary George that the foreign policy on which we ternational expertise. Reagan's choice as secretary of the floor’ ’ of his fam ily’s first Shultz to succe^ him. -
Bio Page.Indd
BILL DANA BIOGRAPHY Many know Bill Dana as "José Jiménez", a classic character he created on the Steve Allen Show in the 1950's and continued to perform throughout his career, but Dana has also been a successful writer, author, cartoonist, producer, director, recording artist, inventor, and stand-up comedian. After serving as a decorated combat infantryman in WW II, Bill graduated Emerson College in Boston and entered show business, beginning his career as an NBC page at 30 Rock. His career took a major turn when he began writing for Don Adams including the now famous "Would You Believe?" jokes. Hired by Steve Allen to write on the original Steve Allen Tonight Show, he eventually became head writer. His creation of the José Jimenéz character in 1959 resulted in his own NBC show (1963-65). His comedy albums, as both José and Bill Dana, were top-sellers. He helped launch the careers of comedic greats such as Don Adams, Jackie Mason, Don Knotts, and Jim Nabors. A major career highlight for him was writing the "All In The Family" episode featuring Sammy Davis, Jr., consistently rated in TV Guide's "Top 100 Television Episodes of All Time". Adopted by the original seven Mercury astronauts, Dana became part of U.S. space history on May 5, 1961, when the first words from Planet Earth spoken to Alan Shepard, America's first man in space were....."OK, José, You're on your way." Bill and José are honored by inclusion in the Smithsonian Air and Space Museum and the Astronaut Hall of Fame. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Arturo Ripstein: TIME to DIE (1966, 90 Min.)
March 26, 2019 (XXXVIII:8) Arturo Ripstein: TIME TO DIE (1966, 90 min.) DIRECTOR Arturo Ripstein WRITING Gabriel García Márquez and Carlos Fuentes wrote dialogue for their adaptation of Márquez’s story PRODUCERS Alfredo Ripstein and César Santos Galindo MUSIC Carlos Jiménez Mabarak CINEMATOGRAPHY Alex Phillips EDITING Carlos Savage CAST Marga López...Mariana Sampedro Jorge Martínez de Hoyos...Juan Sayago Enrique Rocha...Pedro Trueba Alfredo Leal...Julián Trueba Blanca Sánchez...Sonia The Far Side of Paradise (1976), The Black Widow (1977), Hell Tito Junco...Comisario Without Limits (1978), Life Sentence (1979), La tía Alejandra Quintín Bulnes...Diego Martín Ibáñez (1979), Seduction (1981), Rastro de muerte (1981), Sweet Miguel Macía...Druggist Challenge (1988 TV Series), Woman of the Port (1991), Carlos Jordán...Casildo Triángulo (1992 TV Series), La sonrisa del diablo (1992 TV Arturo Martínez...Cantinero Series), Principio y fin (1993), La reina de la noche (1994), Deep Hortensia Santoveña...Rosita Crimson (1996), No One Writes to the Colonel (1999), Such Is Carolina Barret...Mamá de Sonia Life (2000), The Ruination of Men (2000), The Virgin of Lust Manuel Dondé...Barber (2002), The Reasons of the Heart (2011), Bleak Street (2015), Claudio Isaac...Claudio Sampedro and Maestros Olvidados, oficios que sobreviven (2016-2018 TV Leonardo Castro Series documentary). Cecilia Leger...Housekeeper Luz María Velázquez...Nana GABRIEL GARCÍA MÁRQUEZ (b. March 6, 1927 in Adolfo Lara Aracataca, Magdalena, Colombia—d. April 17, 2014 (age 87) in Alfredo Chavira Mexico City, Distrito Federal, Mexico) was a Colombian novelist, short-story writer, screenwriter and journalist. He is ARTURO RIPSTEIN Y ROSEN (b. December 13, 1943 in most famous for his novels One Hundred Years of Solitude Mexico City, Distrito Federal, Mexico) is a Mexican director (59 (1967) and Love in the Time of Cholera (1985). -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 Min)
September 8, 2009 (XIX:2) Raoul Walsh HIGH SIERRA (1941, 100 min) Directed by Raoul Walsh Screenplay by John Huston and W.R. Burnett Cinematography by Tony Gaudio Ida Lupino...Marie Humphrey Bogart...Roy Earle Alan Curtis...'Babe' Arthur Kennedy...'Red' Joan Leslie...Velma Henry Hull...'Doc' Banton Henry Travers...Pa Jerome Cowan...Healy Minna Gombell...Mrs. Baughmam Barton MacLane...Jake Kranmer Elisabeth Risdon...Ma Cornel Wilde...Louis Mendoza George Meeker...Pfiffer Zero the Dog...Pard RAOUL WALSH (11 March 1887, NYC—31 December 1980, Simi Valley, CA), directed 136 films, the last of which was A Distant Trumpet (1964). Some of the others were The Naked and the Dead (1958), Band of Angels (1957), The King and Four Queens (1956), officials they kept it under lock and key for 25 years because they Battle Cry (1955), Blackbeard, the Pirate (1952), Along the Great were convinced that if the American public saw Huston’s scenes of Divide (1951), Captain Horatio Hornblower R.N.(1951), White American soldiers crying and suffering what in those days was Heat (1949), Cheyenne (1947), The Horn Blows at Midnight called “shellshock” and “battle fatigue” they would have an even (1945), They Died with Their Boots On (1941), High Sierra more difficult time getting Americans to go off and get themselves (1941), They Drive by Night (1940), The Roaring Twenties (1939), killed in future wars. One military official accused Huston of being Sadie Thompson (1928), What Price Glory (1926), Thief of “anti-war,” to which he replied, “If I ever make a pro-war film I Baghdad (1924), Evangeline (1919), Blue Blood and Red (1916), hope they take me out and shoot me.” During his long career he The Fatal Black Bean (1915), Who Shot Bud Walton? (1914) and made a number of real dogs e.g. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
Blasts at U. S. Pan’S Pro-Western Conserva Here Today for What Are Ex; Come from Industry, Which Has ^ Hartford, Nov
. \ { ■ 1,. FRIDAY, NOVEMBER X8, IMO' PAlilt’IW BNTl ^ n r^ f0 t? r lEtt^nbtQ Ifii^ralb Averagg Daily Net PrcM R ob The WaoURir ' For Oiw Week n w M Ftoediet at V. O. ' ■A Mot. US, U M Vbir m A ooeler ttoWR. lo w . V,t ' ■I ■ M-BL- 'Somtay ibdr, 13,286 ebaage la tenpenlarb nglk Bi. Metaber of tbe Audit <♦ ^ •Ms. ■ ' . ^ YOURSTORl Boreea of CSreulatlon Mqnchm $ter^A City of ViUago Charm OF yOL. LXXX, NO. 43 (TI^LVE PAGBSr-iTV SECTION) BIANCHESTER, CONN., SATURDAY* NOVEMBER 19, 1960 oa Pace it) PRICE FIVB CBMTB i VILLAGE CHARM Wants Bonn Boost 'Aid StateNews U.S. Moves to Foundup Seen for ■/ Dollars, Gold Drain Pro-West 1,000 to Get Bonn; Germany, Nov. 19 (/P)|ui totween |S52 million and »9oe Wage Boost —Two American officials fly million. Tokyo, Nov. 19 The bulk of the money would Blasts at U. S. pan’s pro-western Conserva here today for what are ex; come from industry, which has ^ Hartford, Nov. 19 (JF>— tive government, was rated a pected to be stormy economic agreed to make available 1.5 bil About 1,000 lower - echelon heavy favorite in tomorrow’s talks designed to stem the lion marks (360 million) by buy state employes will receive national election despite a drain on the U.S. dollar and ing bonds paying 5 per cent in M y increases, effective next pre terest over 15 years. Friday. body blow from the cutback in gold reserves. > , Another 500 million marks ($119 G uatem ala Secretary of the Treasury Rob Three-quarters of the workers X American military spending minion)' would come from the sale ert B. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
Bill Dana Collection
Thousand Oaks Library American Radio Archives Bill Dana Collection Bill Dana (1924- ), a comedian and actor, may be best known as "José Jiménez" a popular character he created on The Steve Allen Show in the 1950s and continued to perform throughout his career, but he is also a successful screenwriter, author, cartoonist, producer, director, recording artist, inventor and stand-up comedian. While Dana's own papers are at the American Comedy Archives at Emerson College (Boston, MA), a collection of TV scripts from the Aaron Spelling production company and a smaller number of radio scripts were transferred to the American Radio Archives. TV The Bill Dana Show No. Air Date Title Notes 1-01 09-22-1963 You Gotta Have Heart 1-02 09-29-1963 The Hypnotist 1-03 10-06-1963 Jose the Playboy 1-04 10-13-1963 Jose the Opera Singer (The Opera Singer) 1-05 10-27-1963 Jose the Stockholder 1-06 11-03-1963 The Bank Hold-up 1-07 11-10-1963 Honeymoon Suite 1-08 11-17-1963 Jose, the Agent 1-09 11-24-1963 The Poker Game 1-10 12-01-1963 Jose, the Astronaut (The Astronaut) 1-11 12-08-1963 Mr. Phillips' Watch 2 copies 1-12 12-29-1963 Beauty and the Baby (The Beauty and the Baby) 1-13 01-05-1964 Jose and the Brat (The Brat) 2 copies 1-14 01-12-1964 Jose's Dream Girl 1-16 01-26-1964 The Masquerade Party (Masquerade Party) 1-17 02-02-1964 Jose's Four Amigos 1-21 03-01-1964 Party in Suite 15 (The Party in Suite 15) 1-22 03-15-1964 Jose, the Matchmaker 1-23 03-22-1964 Jose's Hot Dog Caper (The Hot Dog Caper) 1-24 04-05-1964 The Hiring of Jose 1-25 04-19-1964 Master -
Television and Radio Scripts of Kathleen Hite
Television and Radio Scripts of Kathleen Hite Collection Summary Title: Television and Radio Scripts of Kathleen Hite Call Number: MS 75-08 Size: 6.0 linear feet Acquisition: Donated by Kathleen Hite Processed By: DAO, 6-19-1975; Additional Materials Processed by Staff, 1-5-1978; Additional Materials Processed by SCW, 2-5-1979, 10-9-1980, 9-2-1981; Reprocessed by SMC, 3-24-1998; MN, 1-2009 Note: None Restrictions: None Literary Rights Literary rights were not granted to Wichita State University. When permission is granted to examine the manuscripts, it is not an authorization to publish them. Manuscripts cannot be used for publication without regard for common law literary rights, copyright laws and the laws of libel. It is the responsibility of the researcher and his/her publisher to obtain permission to publish. Scholars and students who eventually plan to have their work published are urged to make inquiry regarding overall restrictions on publication before initial research. Restrictions None Content Note Kathleen Hite, a 1938 graduate of the University of Wichita, was a successful scriptwriter for television and radio. This collection of her scripts spans 35 years from 1946 to 1981, and includes many from popular western shows and dramatic presentations. Scripts for such popular western shows as "Gunsmoke," "Guns of Will Sonnett," " Laramie," and "Wagon Train" are included as well as scripts for dramas such as "The Alfred Hitchcock Show," "The Jane Wyman Show," "General Electric Theatre," "The Waltons," and "Apple's Way." Detailed Description: Box and Folder Listing Box 1 Gunsmoke (Vol. I) 1957-1958 Box 1 Gunsmoke (Vol.