Leah Fairbanks Leah Fairbanks Is a Well Known Contemporary Glass Artist Recognized for Her Distinct Floral Handmade Glass Beads

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Leah Fairbanks Leah Fairbanks is a well known contemporary glass artist recognized for her distinct floral handmade glass beads. She attended the Academy Of Art in San Francisco where she explored many medium with her main focus on printmaking and fashion Design. Leah began her glass career in 1983 specializing in large commission pieces. She explored and pushed the limits of the medium creating stained glass windows, neon sculptures, fused glass plates, bowls and jewelry. Leah’s first lampworked class in 1992 guided the course of her path into the realm of hot glass. Leah was intimately involved in the resurgence of professional flameworked glass beadmaking in America during the 1990’s. Leah’s exploration in garden motifs directly influenced and impacted the early movement of floral decoration in contemporary beadmaking. Leah provided direction in this art form in it’s formative stage in her role as Secretary/Treasurer from 1994 to 1995. Articles about her works have been in numerous books and publications: LAMMAGA Magazine, Ornament Magazine, Bead And Button Magazine, Lapidary Journal, Masters: Glass Beads By Lark Books, Making Glass Beads & Beads Of Glass by Cindy Jenkins, 1000 Glass beads: Innovation & Imagination In Contemporary Glass Beadmaking, Lark Books, Contemporary Lampworking: A Practical Guide to Shaping Glass in the Flame and Formed of Fire, by Bandhu S. Dunham. As an accomplished instructor, Leah has taught beginning to advanced glass beadmaking workshops nationwide since 1994. She has taught classes throughout the United States and abroad which include Canada, Japan, Ireland, France, Australia, Denmark, Holland and Italy. Leah has the honor of being exhibited in The Corning Museum Of Glass Permanent Collection, Corning N.Y., The Contemporary Glass Collection: The Bead Museum Permanent Collection, Washington D.C., The KOBE Lampwork Museum and many more private collections throughout the world. .

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nA1Pfn fifeF~!I'\T I .' un t' Ii; I·'lt;~~ The journal of the Center for Bead Research Volume 13, Number! Issue 29 2000 ' ~~ ~ARGARETOlO~ ~ The Beads of Bohemia Timeline - Bohemian Beads: Outside Influences, Technology Export and Bead Types Outside Bohemia Within Bohemia Bohemian beads 1359 glasshouse in Vim perk, S. Bohemia 1376 Sklanai'ice (glassmaking village) 1490 Venice making drawn beads 1548 glasshouse at Mseno (Jablonec) 1650 "Roman pearls" in Paris by 1680 red composition by 1680 molded, 1737 glass cutters in Jablonec faceted garnet 1750 lampworking in imitations . Venice 1764174 "mandrel" tong molds 1789 Klaproth 1782 First Czech seed beads discovers uranium 1800 Atlas (satin) 1810 blown glass glass with cut beads in 'Lauscha corners 1815·1866 Bohemia 1820 Anna (uranium) yellow and green 1820 "Vaseline" and Venice united beads;" hexagonal under Austria ~. blues with cut 1840 Prosser corners machine 1841 Altmuller records lampworking 1841 Venetian 1845 blown glass beads in Bohemia rocailles faceted as 1850 silver-lining at charlottes Lauscha ' 18505·1900 beads imitating materials, 1856 irising invented 18561ustering invented objects, exotic in Hungary late 1800s Sample Men gather exotic beads, Venetian 1864 Bapterosses beads to send home for copying beads; beads for makes "Prosser" 1866 outselling Venice the Muslim market beads in France 1876 Multiple mold for blown beads and others 1883 Riedl patents internal grooving for blown beads 1884 tong molds with straight holes 1887 Reidl improves drawing, tumbling of 1897 Well-made seed seed beads; rocia/les beads 1890 Redlhammers making "Prosser 1895 Swarovski to beads" Austria early 1900s snake, 1900? Blown beads interlocking beads made in Japan 1900 Art Nouveau 1941 lampwinding and art beads taught in India: 19205 "Tut" beads 1945 Germans 1945 Beadmaking goes into decline expelled 1970? India making blown beads 1992 Velvet revolution; revival The MARGARETOLOOIST is published twice a year with the most current information on bead research, primarily our own.
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