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Reinhold C. Mueller
Reinhold C. Mueller Aspects of Venetian Sovereignty in Medieval and Renaissance Dalmatia [A stampa in Quattrocento Adriatico , Fifteenth Century Art of the Adriatic Rim , Papers from a colloquium, Florence, 1994, edited by Charles Dempsey (Villa Spelman Colloquia Series, 5), Bologna, Nuova Alfa Editoriale, 1996, pp. 29-56 – Distribuito in formato digitale da “Reti Medievali”] The reader is forewarned that this paper, which maintains the character of the original oral presentation, makes no attempt at covering completely such a vast subject, on which there is an extensive bibliography - much of it in Serbo-Croatian, a language I do not know. My intent is simply to offer for discussion some little-exploited historical materials on well-known themes that exemplify contacts between the two coasts of the Adriatic Sea, especially - but not only - during the Quattrocento. Following an overview of the history of Venetian sovereignty in that part of the Stato da mar, attention will turn to aspects of politics and society, that is, to the political, financial and monetary administration of the subject territories and to the movement of people and peoples across the Adriatic. I. AN OVERVIEW OF HISTORY AND MYTH Venetian efforts at domination of the eastern Adriatic can be said to have begun in the year 1000, with the naval expedition commanded personally by doge Pietro II Orseolo, which put an end to the activity of pirates installed at the mouth of the Narenta River and first avowed control over the Adriatic as the “Gulf of Venice.” Lordship over the Adriatic was central to Venetian historiography and mythology over the centuries: from the supposed papal grant of lordship at the peace of 1177 with Barbarossa and the ceremony each Ascension day of the doge wedding the sea, to invocations of Jove and Neptune - all depicted as part of a political program in the redecoration of the Ducal Palace after the fire of 1577 As late as the eighteenth century, Tiepolo still represented Neptune and the sea as the source of Venice’s wealth, when that was already history. -
Medieval Mediterranean Influence in the Treasury of San Marco Claire
Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco Claire Rasmussen Thesis Submitted to the Department of Art For the Degree of Bachelor of Arts 2019 2 TABLE OF CONTENTS Page CHAPTER I. Introduction………………………...………………………………………….3 II. Myths……………………………………………………………………….....9 a. Historical Myths…………………………………………………………...9 b. Treasury Myths…………………………………………………………..28 III. Mediums and Materials………………………………………………………34 IV. Mergings……………………………………………………………………..38 a. Shared Taste……………………………………………………………...40 i. Global Networks…………………………………………………40 ii. Byzantine Influence……………………………………………...55 b. Unique Taste……………………………………………………………..60 V. Conclusion…………………………………………………………………...68 VI. Appendix………………………………………………………………….….73 VII. List of Figures………………………………………………………………..93 VIII. Works Cited…………………………………………………...……………104 3 I. Introduction In the Treasury of San Marco, there is an object of three parts (Figure 1). Its largest section piece of transparent crystal, carved into the shape of a grotto. Inside this temple is a metal figurine of Mary, her hands outstretched. At the bottom, the crystal grotto is fixed to a Byzantine crown decorated with enamels. Each part originated from a dramatically different time and place. The crystal was either carved in Imperial Rome prior to the fourth century or in 9th or 10th century Cairo at the time of the Fatimid dynasty. The figure of Mary is from thirteenth century Venice, and the votive crown is Byzantine, made by craftsmen in the 8th or 9th century. The object resembles a Frankenstein’s monster of a sculpture, an amalgamation of pieces fused together that were meant to used apart. But to call it a Frankenstein would be to suggest that the object’s parts are wildly mismatched and clumsily sewn together, and is to dismiss the beauty of the crystal grotto, for each of its individual components is finely made: the crystal is intricately carved, the figure of Mary elegant, and the crown vivid and colorful. -
Transnational, National, and Local Perspectives on Venice and Venetia Within the “Multinational” Empire
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham ePrints Laven, David and Parker, Laura (2014) Foreign rule?: transnational, national, and local perspectives on Venice and Venetia within the “multinational” empire. Modern Italy, 19 (1). pp. 5-19. ISSN 1469-9877 Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/44432/1/Laven%20-%20Foreign%20Rule.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. This article is made available under the University of Nottingham End User licence and may be reused according to the conditions of the licence. For more details see: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] David Laven with Laura Parker Foreign Rule? Transnational, national, and local perspectives on Venice and Venetia within the ʻmultinationalʼ empire The so-called seconda dominazione austriaca of Venice and Venetia lasted from 1814 to 1866, punctuated only by the revolutionary parenthesis of 1848–9. This half century of rule from Vienna has traditionally been seen as a period of exploitative and insensitive government backed by heavy- handed policing, restrictive censorship, and ultimately dependent on the presence of regiments of white-coated Croat and Austrian troops. -
The Closing of the Nobility and Council of Dubrovnik in the Political and Social Context of the Thirteenth and Fourteenth Century
Dubrovnik Annals 23 (2019): 7-36 7 Original paper UDC: 929.7(497.5 Dubrovnik)“12/13“ DOI: 10.21857/9xn31crg8y Submitted: 10.10.2018 Accepted: 9.1.2019 THE CLOSING OF THE NOBILITY AND COUNCIL OF DUBROVNIK IN THE POLITICAL AND SOCIAL CONTEXT OF THE THIRTEENTH AND FOURTEENTH CENTURY ZDENKA JANEKOVIĆ RÖMER ABSTRACT: This article addresses the closing of the nobility and Major Council of Dubrovnik as a long-term process most clearly articulated in the course of the thirteenth and fourteenth century. Analysed are the criteria used for the definition of nobility and its closing before the actual closure of the council, while special attention has been given to the preserved lists of the Major Council membership from the mid-thirteenth and early fourteenth century, their purpose and effect. As the Venetian Serrata of the last decades of the thirteenth and first decades of the fourteenth century proved to have been a model and impetus for the closing of the Ragusan along with other Dalmatian councils, its meaning as well as different interpretations of this process are being thoroughly considered. The article compares the method and effects of the closing of the Ragusan council with those of other cities of the Eastern Adriatic. The interpretation of these processes as presented in Ragusan chronicles inaugurates the final assessment of the significance and consequences of the closing of the Major Council of Dubrovnik. Key words: Dubrovnik, commune, nobility, closing of the council, Serrata of Venice This article has already been published in Croatian under the following title: »Zatvaranje dubrovačkog plemstva i vijeća u političkom i društvenom kontekstu 13. -
The Influence of Dutch and Venetian Political Thought on Seventeenth-Century English Republicanism
The Influence of Dutch and Venetian Political Thought on Seventeenth-Century English Republicanism Amy Shields Doctor of Philosophy School of History, Classics and Archaeology Newcastle University June 2017 Abstract This thesis explores the engagement of seventeenth-century English republican thinkers, namely John Milton, James Harrington, Marchamont Nedham, Henry Neville and Algernon Sidney, with Dutch and Venetian models, theories, and experiences of republicanism. It challenges J.G.A. Pocock and Quentin Skinner's approach of tracing the origins of political ideas back to the ancient world and instead develops Franco Venturi’s emphasis on the significance of contemporary models to the development of early-modern republicanism. Chronologically the focus is c. 1640-1683 when republican ideas were at their height in England. In spatial terms, however, the approach is broader than traditional accounts of English republicanism, which tend to tell a purely national story. By adopting a transnational perspective this thesis promises to highlight the continuities and points of conflict between different republican thinkers, and in doing so challenges the idea of a coherent republican tradition. It suggests that narrowly defined and distinct definitions of republicanism do not capture the nuances in English republican thought, and that these thinkers engaged with various understandings of republicanism depending upon contextual political circumstances. The thesis looks at three significant themes. The first is the role of single person rule, an issue which has come to dominate discussions of English republicanism. By examining the ways in which English republicans understood the Dutch and Venetian models, both of which included an individual figurehead within a republican constitution, this thesis suggests that existing historiography places too much emphasis on 1649 as a turning point in English republican thought. -
At the Helm of the Republic: the Origins of Venetian Decline in the Renaissance
At the Helm of the Republic: The Origins of Venetian Decline in the Renaissance Sean Lee Honors Thesis Submitted to the Department of History, Georgetown University Advisor(s): Professor Jo Ann Moran Cruz Honors Program Chair: Professor Alison Games May 4, 2020 Lee 1 Contents List of Illustrations 2 Acknowledgements 3 Terminology 4 Place Names 5 List of Doges of Venice (1192-1538) 5 Introduction 7 Chapter 1: Constantinople, The Crossroads of Empire 17 Chapter 2: In Times of Peace, Prepare for War 47 Chapter 3: The Blinding of the Lion 74 Conclusion 91 Bibliography 95 Lee 2 List of Illustrations Figure 0.1. Map of the Venetian Terraferma 8 Figure 1.1. Map of the Venetian and Ottoman Empires 20 Figure 1.2. Tomb of the Tiepolo Doges 23 Figure 1.3. Map of the Maritime Empires of Venice and Genoa (1453) 27 Figure 1.4. Map of the Siege of Constantinople (1453) 31 Figure 2.1. Map of the Morea 62 Figure 2.2. Maps of Negroponte 65 Figure 3.1. Positions of Modone and Corone 82 Lee 3 Acknowledgements If brevity is the soul of wit, then I’m afraid you’re in for a long eighty-some page thesis. In all seriousness, I would like to offer a few, quick words of thanks to everybody in the history department who has helped my peers and me through this year long research project. In particular I’d like to thank Professor Ágoston for introducing me to this remarkably rich and complex period of history, of which I have only scratched the surface. -
The Venetian Takeover of the Margraviate of Istria (1411–1421): the Modality of a Passage (With Eight Previously Unedited Documents in the Appendix)
40 josip banić The Venetian Takeover of the Margraviate of Istria (1411–1421): The Modality of a Passage (with Eight Previously Unedited Documents in the Appendix) 41 #1 / 2019 history in flux pp. 41-77 josip banić central european university, budapest UDC 94(497.571)“1411/1421“ https://doi.org/10.32728/flux.2019.1.3 Original scientific paper The Venetian Takeover of the Margraviate of Istria (1411–1421): The Modality of a Passage (with Eight Previously Unedited Documents in the Appendix) 42 The paper analyzes the incorporation of the Aquileian Margraviate of Istria into the expanding Venetian state in the first half of the fifteenth century. By analyzing this modality of a passage and comparing it to the integration formulae Venice employed in the rest of the Patriarchate of Aquileia, the author uncovers similarities and contrasts between the two models of incorporation. It is argued that Aquileian communities in Istria underwent a remodeling of communal institutions in order to mirror the salient administrative aspects of other Venetian subject centers on the Peninsula. This process, dubbed regional homogenization, did not take place throughout Aquileian Friuli. Finally, the paper deals with instances of negotiations between the newly annexed Istrian communities and the central government in Venice, demonstrating that this interplay resulted in re-negotiated governmental hierarchies that benefitted both the state’s capital and the subject centers. keywords Istria, Patriarchate of Aquileia, Venice, 15th century, politics of administration, podestà, scale, empowering interactions josip banić: the venetian takeover of the margraviate of istria (1411–1421): the modality of a passage (with eight previously unedited documents in the appendix) Times were bleak for the patriarch of Aquileia as the eventful summer of 1420 was coming to a close. -
The Role of the Thirteenth‐Century Mosaics of San Marco in Reforming the Venetian Past
PSU McNair Scholars Online Journal Volume 2 Issue 1 Challenging Paradigms: New Frontiers Article 27 in Graduate Research 2006 Molding the History of a Maritime Empire: The Role of the Thirteenth‐century Mosaics of San Marco in Reforming the Venetian Past Heather McCambly Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/mcnair Let us know how access to this document benefits ou.y Recommended Citation McCambly, Heather (2006) "Molding the History of a Maritime Empire: The Role of the Thirteenth‐century Mosaics of San Marco in Reforming the Venetian Past," PSU McNair Scholars Online Journal: Vol. 2: Iss. 1, Article 27. https://doi.org/10.15760/mcnair.2006.206 This open access Article is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. Portland State University McNair Research Journal 2006‐2008 Molding the History of a Maritime Empire: The role of the thirteenth‐century mosaics of San Marco in reforming the Venetian past by Heather McCambly Faculty Mentor: Anne McClanan Citation: McCambly, Heather. Molding the History of a Maritime Empire: The role of the thirteenth‐century mosaics of San Marco in reforming the Venetian past. Portland State University McNair Scholars Online Journal, Vol. 2, 2006‐2008: pages [206‐308]. McNair Scholars Program Page 1 of 103 Molding the History of a Maritime Empire: The role of the thirteenth-century mosaics of San Marco in reforming the Venetian past Heather McCambly Anne McClanan, Faculty Mentor The mosaics of the Venetian Church of San Marco embody how this empire used imagery for political and ecclesiastical purposes. -
Coins of Venice the First Town in Italy to Mint Silver Coins of a Stable Quantity and Purity Was Venice, Which on the Eve Of
Appendix 3 coins of Venice the first town in italy to mint silver coins of a stable quantity and purity was Venice, which on the eve of the fourth crusade, under doge enrico dandolo (1105 ?–1205; r. as doge of Venice 1192–1205) began to strike denari grossi with a silver content of .985 and an ideal weight of 2.18 grams. they differed from other silver coins of the same age by being a pure silver rather than a gold-silver alloy coin and by its beaded ring lined up with the edge of the flan. thus clipping of the coins was prevented and it could thus be transacted by count rather than having to be weighed. the old penny which shortly thereafter assumed the name of “small” penny or piccolo stood to the grosso most plausibly in a relationship of 1: 24. the grosso was used in large-scale commerce and credit, while the piccolo served the needs of local trade in towns and countryside and in the payment of wages. While the grosso remained unchanged for almost 200 years, the relation of the piccolo to the grosso started to deteriorate. exchange rates of 1231, 1259, and 1265 amount to 25, 26 2/3, and 27 piccoli per grosso. in february 1267 the official exchange rate was set at 26.11, in december of the same year at 28, and in may 1282 at 32 piccoli per grosso.1 the first truly successful gold coin was the celebrated florin, which was struck by the florentines in 1252. it was a pure gold coin of an intended weight of 3.545 grams.2 many references list giovanni dandolo (r. -
Il Doge / the Doge
Fondazione Musei Civici di Venezia — Il Doge / The Doge ITA / ENG Il Doge / The Doge Il Doge è la più antica e potere, tra successioni The Doge was the oldest an elected position la più alta magistratura ereditarie, conflitti e and highest political and became more and della Repubblica di morti violente. position in the Venetian more powerful, with Venezia. A partire dal secolo Republic. hereditary successions, La parola deriva dal XI una Venezia ormai The word comes from conflicts and violent latino dux, che significa indipendente e in the Latin dux, which deaths. By the eleventh guida, capo ed è il titolo pieno sviluppo pone means leader, head and century, developing attribuito ai governatori fine a qualunque was the title given to the rapidly Venice had delle province pretesa dinastica governors of provinces become independent nell’impero bizantino, del doge, stabilisce in the Byzantine and put an end to any di cui il territorio della poi di affiancargli dei Empire, of which the dynastic claims of the laguna di Venezia è consiglieri, limitarne Venice lagoon was a doge. It was decided he parte quando, tra il VII e i poteri e vincolarlo, part in the seventh should be assisted by l’VIII secolo, si ha notizia all’elezione, con il and eighth centuries, councillors and that his Gentile Bellini, Ritratto del doge Giovanni Mocenigo (1478-1485), 1479 ca. dei primi dogi. giuramento della when documentation powers would be limited Tempera su tavola, cm 62 x 45 La sede del Promissione, un of the first doges is to upon his election, when Museo Correr, Venezia ducato è allora meticoloso insieme di be found. -
The Coins of Venice by Peter E
The Coins of Venice by Peter E. Lewis View of Venice. (Wikimedia Commons) HE coins of Venice are a fascinating Tarea of study, especially if you have a strong Christian faith, because they nearly always have designs relating to Christi - anity. The people of northern Italy had been converted to Christianity by 400 AD, and when the barbarian invasions occurred in the 5 th and 6 th centuries, the people living near the coast fled to islands in the large lagoon at the north-west tip of the Adriatic Sea. Eventually the islands in the centre of the lagoon became the city of Venice. (Figure 1) At first Venice continued to be under Byzantine control, but as Constantinople, the capital of the Byzantine Empire, was far to the east, Venice came more under the influence of the Francs, whose empire was founded by Charlemagne (768-814 AD) and included most of Italy. By about 840 AD, however, the city had established a largely independent position between the great empires in the east and the west, and this greatly favoured its development as a centre of trade for the whole of Europe. Figure 1 – Painting of Venice by Canaletto, c. 1730, on a coin of the Cook Islands issued in 2011. Figure 2 – Denier (Italian: denaro) of Louis the Diameter 55 mms. The painting is entitled, ‘The Bucintoro returning to the Molo on Ascen sion Pious (814-840 AD). Diameter 21 mms. Obverse: Day’. The Bucintoro was the doge’s ceremonial barge on which he attended a ritual called + H LVDOVVICVS IMP. -
Venice and the Two Romes: Byzantium and Rome As a Double Heritage in Venetian Cultural Politics Author(S): Debra Pincus Source: Artibus Et Historiae, Vol
Venice and the Two Romes: Byzantium and Rome as a Double Heritage in Venetian Cultural Politics Author(s): Debra Pincus Source: Artibus et Historiae, Vol. 13, No. 26 (1992), pp. 101-114 Published by: IRSA s.c. Stable URL: http://www.jstor.org/stable/1483433 . Accessed: 20/09/2014 23:09 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. IRSA s.c. is collaborating with JSTOR to digitize, preserve and extend access to Artibus et Historiae. http://www.jstor.org This content downloaded from 146.201.208.22 on Sat, 20 Sep 2014 23:09:31 PM All use subject to JSTOR Terms and Conditions DEBRA PINCUS Venice and the Two Romes: Byzantium and Rome as a Double Heritage in Venetian Cultural Politics The issue in these remarks is the relationship between Venetian legends, the story of the meeting of FrederickBar- Rome and that other durable power center of Italy, Venice.1 barossa and Alexander Ill,the hints of which already appear in Moreover,two Romes are involved:Old Rome,the Imperialcity Da Canal. A putative event of the twelfth century-but fully of emperors and popes, developed by Augustus as caputmun- developed