How Did Venice Rise Between the 9Th And
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Venice's Marriage to the Sea Blog Post by Jeanne Willoz-Egnor
Venice’s Marriage to the Sea Blog post by Jeanne Willoz-Egnor published May 31, 2019 This weekend marks the annual Festa della Sensa in Venice. Although the festival didn’t start until 1965 it commemorates and recreates the ancient traditional ceremony of Sposalizio del Mar, the event in which Venice is symbolically married to the sea. Hand-colored copperplate engraving titled The Doge in the Bucintoro Departing for the Porto di Lido on Ascension Day. The original artwork was created by Canaletto and engraved by Giovanni Battista Brustolo. This third state engraving was printed by Teodoro Viera in Venice sometime around 1787. [Accession# LE 831] The origins of the ceremony date to the period when Venice was a sovereign state (from 697 AD to 1797 AD). It commemorates two important events in the state’s history: the May 9, 1000 departure of Doge Pietro II Orseolo with a fleet on the successful mission to subdue Narentine pirates threatening Venetian power, trade and travel on the Adriatic and Doge Sebastiano Ziani’s successful negotiation of the Treaty of Venice in 1177. The treaty ended a long standing conflict between the Holy Roman Empire headed by Frederick Barbarossa and the Papacy. Following Orseolo’s victory, each year on Ascension Day Venice celebrated the Doge’s conquest of Dalmatia with a solemn procession of boats led by the doge’s maestà nave to the San Pietro di Castello where the Bishop blessed the doge. The procession then proceeded to the lido at San Nicolò, Venice’s entrée to the Adriatic Sea, where the prayer "for us and all who sail thereon, may the sea be calm and quiet" was offered. -
Petar Ii. Orseolo – Dux Veneticorum Et Dalmaticorum∗
PETAR II. ORSEOLO – DUX VENETICORUM ET DALMATICORUM∗ Gherardo ORTALLI UDK 945.31:949.75“04/14” Dipartimento di studi storici Izvorni znanstveni rad Università di Venezia, Italija Primljeno: 1. IX. 2003. Autor analizira ekspediciju dužda Petra II. Orseola god. 1000. u Dalmaciju, koja je poznata po izvješću Ivana Đakona; utvrđuje nejasnoće tog izvješća o pravom značenju te ekspedicije i pri tome u prvom redu uzima u obzir unutrašnje stanje Mletaka u doba te ekspedicije; prikazuje borbu dviju tendencija u mletačkim vodećim porodicama: pristajanje uz Njemačko Carstvo, kojem je na čelu bila porodica Kandijana, ili uže povezivanje s Bizantom, za koje se zalagala porodica Orseolo. Pobijedila je drugonavedena tendencija dolaskom na vlast Petra II. Orseola, koji je u najtješnjoj suradnji s Bizantom poduzeo s mletačkom flotom pohod sve do Korčule. Taj je pohod bio Bizantu vrlo važan zbog njegove borbe sa Samuilom, jer mu je cilj bio odvlačenje dijela Samuilovih snaga na zapad, ali je bio od velike koristi i za Mletke, jer je Bizant za naplatu mletačke intervencije bio prisiljen ustupiti stvarnu vlast nad kvarnerskim otocima, pridržavajući za sebe samo formalni suverenitet nad njima. Kao daljnji primjer nove snažne nazočnosti Mletaka na Jadranu autor analizira i pomoć koju je Petar II. Orseolo pružio bizantskome Bariju 1003. godine. O toj pomoći sačuvan je dragocjen grafit na otočiću blizu mjesta Vieste na Garganu. Ključne riječi: dužd Petar II. Orseolo, Mleci, Bizant, Dalmacija, 1000.–1003. 1. Trijumfalni prikaz ekspedicije u 1000. godini Ima mnogo prigoda kada se čini kao da povijest juri s događajima koji nameću ubrzanja, koja će kasnije označiti – na više ili manje trajan način, na bolje ili na lošije – opće okolnosti i uvjetovati buduće situacije. -
Fraterna Et La Ramification Des Familles Du Patriciat Vénitien, Xve-Xviiie Siècles
La fraterna et la ramification des familles du patriciat vénitien, XVe-XVIIIe siècles Dorit RAINES Le double sens de la fraterna vénitienne Le monde vénitien a pu formuler seulement au cours du XVIIIe siècle une nette définition du terme fraterna. Le juriste Marco Ferro définit la fraterna dans son Dictionnaire du droit commun de la Vénétie comme « une compagnie de frères, qui après la mort du père commun1, ne divisent pas les biens. Cette compagnie continue aussi avec les neveux, petits-fils, toujours mâles, jusqu’à la décision de diviser les biens »2. Mais Ferro nous ne fournit pas de détails concernant l’histoire de la fraterna, son développement et son rôle à l’intérieur du groupe dirigeant vénitien – le patriciat. Par contre, l’historien Frederic Lane situe la propagation de ce type de rapport, qu’il ne considère qu’en termes strictement commerciaux, au XVe siècle, et davantage encore au XVIe siècle, car, explique-t-il, au Moyen Age, le type d’entreprise commerciale pratiqué à Venise avait besoin d’énormes investissements, et donc de plus d’une famille. A partir du XVe siècle, continue Lane, le type d’investissement dans le commerce change, et apparaissent les sociétés de famille, et, avec elles, les premiers livres comptables (comme celui de la famille Soranzo, rédigé entre 1406 et 1436 par quatre frères travaillant dans l’importation du coton)3. Lane relève aussi quelques cas où on trouve, au moins dans la première moitié du XVe siècle, des fraterne entre frères qui ne cohabitent pas4. Des études plus récentes ont établi que le phénomène de la fraterna, fondée dans le 1 En effet, tant que le père était en vie, il exerçait la patria potestas. -
Reti Medievali Rivista 16, 2 (2015)
Reti Medievali Rivista 16, 2 (2015) http://rivista.retimedievali.it FIRENZE UNIVERSITY PRESS Tutti i testi pubblicati in RM Rivista sono vagliati, secondo le modalità del “doppio cieco” (double blind peer review), da non meno di due lettori individuati nell’ambito di un’ampia cerchia internazionale di specialisti. All published articles are double-blind peer reviewed at least by two referees selected among high-profile scientists, in great majority belonging to foreign institutions. Reti Medievali Rivista è presente nei cataloghi di centinaia di biblioteche nel mondo e nelle principali banche dati di periodici, tra cui Arts and Humanities Citation Index® e Current Contents®/Arts & Humanities di Thomson Reuters (già ISI). RM Journal is present worldwide in the catalogues of hundreds of academic and resear- ch libraries and indexed in the main databases of journals, like Thomson Reuters Arts and Humanities Citation Index® and Current Contents®/Arts & Humanities (former ISI). Reti Medievali – Firenze University Press ISSN 1593-2214 DOI 10.6092/1593-2214/485 Indice I. Interventi a tema Prospettive sulle nobiltà italiane. Intorno a Guido Castel- nuovo, Être noble dans la cité 1. Paolo Borsa Cittadini, nobili, poeti. A proposito di un libro recente sulla nobiltà medievale 3 2. Olivier Guyotjeannin Noblesses italiennes : les sources d’une identité 11 Saggi 3. Chiara Provesi Le due mogli di Pietro IV Candiano (959-976): le donne e i loro gruppi parentali nella Venezia del X secolo 21 4. Luigi Provero Fedeltà inaffidabili: aristocrazia e vassallaggio nell’Arazzo di Bayeux 53 Saggi in Sezioni monografiche I. Sezione monografica Costruire territori/costruire identità. Lagune archeologiche a confronto tra antichità e medioevo, a cura di Sauro Gelichi 5. -
Sacred Scripture / Sacred Space
Sacred Scripture / Sacred Space Unauthenticated Download Date | 2/4/19 9:22 AM Materiale Textkulturen Schriftenreihe des Sonderforschungsbereichs 933 Herausgegeben von Ludger Lieb Wissenschaftlicher Beirat: Jan Christian Gertz, Markus Hilgert, Hanna Liss, Bernd Schneidmüller, Melanie Trede und Christian Witschel Band 23 Unauthenticated Download Date | 2/4/19 9:22 AM Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture Edited by Tobias Frese, Wilfried E. Keil and Kristina Krüger Unauthenticated Download Date | 2/4/19 9:22 AM ISBN 978-3-11-062913-2 e-ISBN (PDF) 978-3-11-062915-6 e-ISBN (EPUB) 978-3-11-063347-4 ISSN 2198-6932 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018964345 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Frese et al., published by Walter de Gruyter GmbH, Berlin/Boston This book is published in open access at www.degruyter.com. Cover Images: Florenz, San Pancrazio, Capella Rucellai, facade. Photo: Miguel Hermoso Cuesta, Wikimedia Commons (CC BY-SA 4.0). Typesetting: Sonderforschungsbereich 933 (Nicolai Schmitt), Heidelberg Printing and binding: Hubert & Co. GmbH & Co. KG, Göttingen www.degruyter.com Unauthenticated Download Date | 2/4/19 9:22 AM Contents Acknowledgements V Tobias Frese, Kristina Krüger Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture. -
Reinhold C. Mueller
Reinhold C. Mueller Aspects of Venetian Sovereignty in Medieval and Renaissance Dalmatia [A stampa in Quattrocento Adriatico , Fifteenth Century Art of the Adriatic Rim , Papers from a colloquium, Florence, 1994, edited by Charles Dempsey (Villa Spelman Colloquia Series, 5), Bologna, Nuova Alfa Editoriale, 1996, pp. 29-56 – Distribuito in formato digitale da “Reti Medievali”] The reader is forewarned that this paper, which maintains the character of the original oral presentation, makes no attempt at covering completely such a vast subject, on which there is an extensive bibliography - much of it in Serbo-Croatian, a language I do not know. My intent is simply to offer for discussion some little-exploited historical materials on well-known themes that exemplify contacts between the two coasts of the Adriatic Sea, especially - but not only - during the Quattrocento. Following an overview of the history of Venetian sovereignty in that part of the Stato da mar, attention will turn to aspects of politics and society, that is, to the political, financial and monetary administration of the subject territories and to the movement of people and peoples across the Adriatic. I. AN OVERVIEW OF HISTORY AND MYTH Venetian efforts at domination of the eastern Adriatic can be said to have begun in the year 1000, with the naval expedition commanded personally by doge Pietro II Orseolo, which put an end to the activity of pirates installed at the mouth of the Narenta River and first avowed control over the Adriatic as the “Gulf of Venice.” Lordship over the Adriatic was central to Venetian historiography and mythology over the centuries: from the supposed papal grant of lordship at the peace of 1177 with Barbarossa and the ceremony each Ascension day of the doge wedding the sea, to invocations of Jove and Neptune - all depicted as part of a political program in the redecoration of the Ducal Palace after the fire of 1577 As late as the eighteenth century, Tiepolo still represented Neptune and the sea as the source of Venice’s wealth, when that was already history. -
Medieval Mediterranean Influence in the Treasury of San Marco Claire
Circular Inspirations: Medieval Mediterranean Influence in the Treasury of San Marco Claire Rasmussen Thesis Submitted to the Department of Art For the Degree of Bachelor of Arts 2019 2 TABLE OF CONTENTS Page CHAPTER I. Introduction………………………...………………………………………….3 II. Myths……………………………………………………………………….....9 a. Historical Myths…………………………………………………………...9 b. Treasury Myths…………………………………………………………..28 III. Mediums and Materials………………………………………………………34 IV. Mergings……………………………………………………………………..38 a. Shared Taste……………………………………………………………...40 i. Global Networks…………………………………………………40 ii. Byzantine Influence……………………………………………...55 b. Unique Taste……………………………………………………………..60 V. Conclusion…………………………………………………………………...68 VI. Appendix………………………………………………………………….….73 VII. List of Figures………………………………………………………………..93 VIII. Works Cited…………………………………………………...……………104 3 I. Introduction In the Treasury of San Marco, there is an object of three parts (Figure 1). Its largest section piece of transparent crystal, carved into the shape of a grotto. Inside this temple is a metal figurine of Mary, her hands outstretched. At the bottom, the crystal grotto is fixed to a Byzantine crown decorated with enamels. Each part originated from a dramatically different time and place. The crystal was either carved in Imperial Rome prior to the fourth century or in 9th or 10th century Cairo at the time of the Fatimid dynasty. The figure of Mary is from thirteenth century Venice, and the votive crown is Byzantine, made by craftsmen in the 8th or 9th century. The object resembles a Frankenstein’s monster of a sculpture, an amalgamation of pieces fused together that were meant to used apart. But to call it a Frankenstein would be to suggest that the object’s parts are wildly mismatched and clumsily sewn together, and is to dismiss the beauty of the crystal grotto, for each of its individual components is finely made: the crystal is intricately carved, the figure of Mary elegant, and the crown vivid and colorful. -
Transnational, National, and Local Perspectives on Venice and Venetia Within the “Multinational” Empire
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham ePrints Laven, David and Parker, Laura (2014) Foreign rule?: transnational, national, and local perspectives on Venice and Venetia within the “multinational” empire. Modern Italy, 19 (1). pp. 5-19. ISSN 1469-9877 Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/44432/1/Laven%20-%20Foreign%20Rule.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. This article is made available under the University of Nottingham End User licence and may be reused according to the conditions of the licence. For more details see: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] David Laven with Laura Parker Foreign Rule? Transnational, national, and local perspectives on Venice and Venetia within the ʻmultinationalʼ empire The so-called seconda dominazione austriaca of Venice and Venetia lasted from 1814 to 1866, punctuated only by the revolutionary parenthesis of 1848–9. This half century of rule from Vienna has traditionally been seen as a period of exploitative and insensitive government backed by heavy- handed policing, restrictive censorship, and ultimately dependent on the presence of regiments of white-coated Croat and Austrian troops. -
Cécile Caby Faire Du Monde Un Ermitage: Pietro Orseolo, Doge Et Ermite* [In Corso Di Stampa in Guerriers Et Moines
Cécile Caby Faire du monde un ermitage: Pietro Orseolo, doge et ermite* [In corso di stampa in Guerriers et moines. Conversion et sainteté aristocratiques dans l'Occident médiéval (IX e-XIIe siècle) (Collection du Centre d'Études médiévales, 4), a cura di M. Lauwers, Nice 2002 © dell'autrice - Distribuito in formato digitale da "Reti Medievali"] Longum preterea nominatim exequi quot quam claros Cristo servos sibi discipulos ambiendo [Romualdus] quesierit, in quibus et duces et comites et filii comitum fuerunt, quin et ipse romanus imperator Otto (Pétrarque, De Vita solitaria, II, viii) Si le culte de Pietro Orseolo n'eut qu'un rayonnement limité, son dossier hagiographique et biographique est en revanche exceptionnellement riche en raison de la place occupée à Venise par le doge converti au monastère et sa famille, de sa rencontre sur la voie de la conversion avec un personnage phare des mouvements réformateurs de l'An Mil, Romuald de Ravenne, et enfin de la révérence dont il fut entouré dans son monastère de retraite (Saint-Michel de Cuxa) dans les années qui suivirent sa mort, années qui coïncident avec l'abbatiat d'Oliba à Cuxa et Ripoll. Compte tenu de la complexité des sources, il faut pour commencer en démêler l'écheveau avant de parcourir les principaux épisodes de la conversion de Pietro Orseolo et de ses compagnons1, de façon à pouvoir, dans un dernier temps, cerner, à travers cette expérience singulière, un modèle élitiste de sainteté et de conversion laïque, ou plutôt, comme nous le verrons, un modèle participant d'une cascade de conversions de grands laïcs permettant de repérer dans l'entourage de Pietro Orseolo la mise en pratique, en partant du sommet de la société, de l'idéal de transformation du monde en un ermitage attribué par le jeune Pierre Damien à Romuald de Ravenne. -
Palladio's Religious Architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2012 Palladio's religious architecture in Venice Katherine Fresina Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Fresina, Katherine, "Palladio's religious architecture in Venice" (2012). LSU Master's Theses. 3335. https://digitalcommons.lsu.edu/gradschool_theses/3335 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. PALLADIO’S RELIGIOUS ARCHITECTURE IN VENICE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts In The School of Art by Katherine Fresina B.ID. Louisiana State University, 2009 May 2012 Table of Contents ABSTRACT……………………………………………………………………………………………………………..iii CHAPTER 1 INTRODUCTION…………………………………………………………………………………………1 2 VENETIAN ARCHITECTURE………………………………………………………………………..5 3 PALLADIO’S LIFE……………………………………………………………………………………...18 4 SAN FRANCESCO DELLA VIGNA………………………………………………………………...30 5 SAN GIORGIO MAGGIORE…………………………………………………………………………..40 6 IL REDENTORE …………………………………………………………………………………………52 BIBLIOGRAPHY……………………………………………………………….………………………………..…….67 -
Asta Numismatica Ranieri N. 4 • Bologna
________________________________________________________________ASTA NUMISMATICA RANIERI N. 4 • BOLOGNA ASTA NUMISMATICA RANIERI Terza Sessione – inizio Sabato 27 Ottobre 2012 ore 10.00 Dal lotto n. 1233 al lotto n. 1811 Una Collezione di Monete Veneziane 1235 1233 1234 1233 Ludovico il Pio imperatore, 814-849. Denaro. Ar gr. 1,19 Legenda intorno a croce. Rv. + VEN ECIAS. CNI 21; Paolucci 2 Molto Raro. Tondello sbeccato. MB 300 1234 Anonime con Cristus Imper 1002-1024?. Denaro scodellato. Ar gr. 0,76 Croce con estremità trifogliate accantonata da 4 globetti. Rv. Tempio tetrastilo con al posto delle colonne la scritta VENECI, sotto A. CNI 2; Paolucci 1 Rarissimo. Tondello sbeccato. q. BB 300 1235 Enrico IV o V di Franconia Imperatore, 1056- 1125. Denaro Scodellato. Ar gr. 0,20. Croce bifida. Rv. Busto nimbato di fronte. Paolucci 1 Raro. MB 100 1236 1237 1238 1236 Sebastiano Ziani doge XXXIX, 1172-1178. Denaro scodellato. Mi gr. 0.29. D/ e R/ croce patente in un cerchio. CNI 17. Paolucci 1 Raro. Buon BB 30 1237 Orio Malipiero o Mastropiero doge XL, 1178-1192. Denaro Scodellato. Mi gr. 0,30 Tipo solito. CNI 7; Paolucci 1 Buon BB 30 1238 Enrico Dandolo doge XLI, 1192-1205. Grosso. Ar gr. 2,03 San Marco consegna il vessillo al doge, entrambi stanti di fronte. Rv. Il Redentore seduto in trono, ai lati IC XC. CNI 1; Paolucci 1 Molto Raro. q. BB 450 1239 1,5:1 1,5:1 1239 Grosso. Ar gr. 2,14 San Marco consegna il vessillo al Doge. Rv. Il Redentore. CNI 1; Paolucci 1 Rarissimo. -
Di Chiara Provesi
Le due mogli di Pietro IV Candiano (959-976): le donne e i loro gruppi parentali nella Venezia del X secolo di Chiara Provesi Reti Medievali Rivista, 16, 2 (2015) <http://www.retimedievali.it> Firenze University Press Reti Medievali Rivista, 16, 2 (2015) <http://rivista.retimedievali.it> ISSN 1593-2214 © 2015 Firenze University Press DOI 10.6092/1593-2214/470 Le due mogli di Pietro IV Candiano (959-976): le donne e i loro gruppi parentali nella Venezia del X secolo di Chiara Provesi 1. Venezia città di confine Venezia medievale rappresenta certamente un caso di studio particola- re. La sua natura geografica, di città lagunare affacciata sull’Adriatico, e la sua secolare sottomissione formale all’impero di Bisanzio, pur essendo essa inserita fisicamente in un’entità politica diversa, la rendono un esempio dav- vero interessante di zona di confine tra Oriente e Occidente. Ciò è particolar- mente evidente nei secoli altomedievali, quando, nonostante la proiezione di Venezia sul mare e la sua vocazione mercantile, non è possibile ancora rico- noscerle un’autocoscienza tale da permetterle un atteggiamento di sdegnosa indifferenza nei confronti della realtà della terraferma a lei circostante. La sua appartenenza ufficiale al territorio sottomesso all’impero orientale, poi, proprio a causa della sua posizione geografica, non permette di attribuire alla realtà lagunare una sicura identità romana, che renderebbe maggiormente evidente la sua estraneità nei confronti del regno italico. È stato infatti dimo- strato come il processo di formazione dell’identità veneziana fosse stato lungo e complesso e il risultato che ne conseguì non fu affatto predeterminato. I lavori di Francesco Borri1 hanno evidenziato per il secolo VIII la presenza di centri portuali molto simili a Venezia nell’area istriana: si tratta di approdi ai quali le imbarcazioni dovevano appoggiarsi per raggiungere la costa orientale 1 Borri, Neighbors and relatives, pp.