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ON TAUNGURUNG LAND SHARING HISTORY and CULTURE Aboriginal History Incorporated Aboriginal History Inc
ON TAUNGURUNG LAND SHARING HISTORY AND CULTURE Aboriginal History Incorporated Aboriginal History Inc. is a part of the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, and gratefully acknowledges the support of the School of History and the National Centre for Indigenous Studies, The Australian National University. Aboriginal History Inc. is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. Contacting Aboriginal History All correspondence should be addressed to the Editors, Aboriginal History Inc., ACIH, School of History, RSSS, 9 Fellows Road (Coombs Building), The Australian National University, Acton, ACT, 2601, or [email protected]. WARNING: Readers are notified that this publication may contain names or images of deceased persons. ON TAUNGURUNG LAND SHARING HISTORY AND CULTURE UNCLE ROY PATTERSON AND JENNIFER JONES Published by ANU Press and Aboriginal History Inc. The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760464066 ISBN (online): 9781760464073 WorldCat (print): 1224453432 WorldCat (online): 1224452874 DOI: 10.22459/OTL.2020 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press Cover photograph: Patterson family photograph, circa 1904 This edition © 2020 ANU Press and Aboriginal History Inc. Contents Acknowledgements ....................................... vii Note on terminology ......................................ix Preface .................................................xi Introduction: Meeting and working with Uncle Roy ..............1 Part 1: Sharing Taungurung history 1. -
Corroboree Moderne
Corrected draft May 2004 CORROBOREE MODERNE ----------------------------------------------------------------------------------------------------------------------------------------------- Dressed in a brown wool bodystocking specially made by Jantzen and brown face paint, an American dancer, Beth Dean played the young boy initiate in the ballet CORROBOREE at a Gala performance before Queen Elizabeth 11 and Prince Phillip on Feb 4 1954 . “On stage she seems to exude some of the primitive passion of the savage whose rites she presents” (1a) “If appropriations do have a general character, it is surely that of unstable duality. In some proportion, they always combine taking and acknowledgment, appropriation and homage, a critique of colonial exclusions, and collusion in imbalanced exchange. What the problem demands is therefore not an endorsement or rejection of primitivism in principle, but an exploration of how particular works were motivated and assessed.” (1) CORROBOREE "announced its modernity as loudly as its Australian origins…all around the world" (2) 1: (BE ABORIGINAL !) (3) - DANCE A CORROBOREE! The 1950s in the Northern Territory represents simultaneously the high point of corroboree and its vanishing point. At the very moment one of the most significant cultural exchanges of the decade was registered in Australian Society at large, the term corroboree became increasingly so associated with kitsch and the inauthentic it was erased as a useful descriptor, only to be reclaimed almost fifty years later. Corroboree became the bastard notion par excellence imbued with “in- authenticity.” It was such a popularly known term, that it stood as a generic brand for anything dinky-di Australian. (4) Corroboree came to be read as code for tourist trash culture corrupted by white man influence. -
Constitutional Recognition Relating to Aboriginal and Torres Strait Islander Peoples Submission 394 - Attachment 1
Joint Select Committee on Constitutional Recognition relating to Aboriginal and Torres Strait Islander Peoples Submission 394 - Attachment 1 Attachment 1 - Timeline and Overview of findings Australian Human Rights Commission Submission to the Joint Select Committee on Constitutional Recognition relating to Aboriginal and Torres Strait Islander Peoples – July 2018 Event Summary of event / response of Social Justice Commissioner 1991 The Royal Commission Both reports state an ongoing historical connection between past racist into Aboriginal Deaths in policies and legislation and current systemic discrimination and intersecting Custody (RCIADIC) issues of disadvantage experienced by Aboriginal and Torre Strait Islander releases its report peoples. Human Rights and Equal NIRV states that Aboriginal and Torres Strait Islander peoples experience an Opportunity Commission's endemic racism, causing serious racial violence associated with structural (HREOC) National Inquiry discrimination across Australian society. into Racist Violence (NIRV) releases its report The RCIADIC puts forward 339 recommendations. This includes developing pathways to achieving Aboriginal and Torres Strait Islander self- determination, and the critical need to progress reconciliation to achieve the systemic changes recommended in the report.1 The Council of Aboriginal The Act states that CAR has been established because: Reconciliation (CAR) is Aboriginal and Torres Strait Islander peoples occupied Australia before established under the British settlement at Sydney Cove -
Welcome to Country: a Guide
Welcome to Country: A guide The importance of including a Welcome to Country and Acknowledgement of Country at the beginning of any event or meeting or even at the beginning of a day at school or work is an act of reconciliation in and of itself. It is a simple way of acknowledging and demonstrating an understanding of the complex relationship of living on and in the Country of the oldest continuous living culture in the world. The genuine and heartfelt practice of Welcome to Country and Acknowledgment to Country is a custom that allows truth telling to take place and demonstrates an understanding that the land always was and always will be Aboriginal land. Aboriginal and Torres Strait Islander people have experienced significant exclusion from Australian society for many years, many non-Indigenous Australians have not had the opportunity to learn about, and celebrate, the rich cultures of Aboriginal and Torres Strait Islander peoples. This contributes to a disparity between Aboriginal and Torres Strait Islander and non-Indigenous Australians that persists today. Acknowledging Aboriginal and Torres Strait Islander people in events is one part of ending this exclusion. It recognises the place of Aboriginal and Torres Strait Islander people as the first custodians of this land and, importantly, promotes awareness of the history and culture of Indigenous peoples. This increased awareness will help us create a more united Australia, that celebrates and embraces First Australians. It promotes an ongoing connection to place of Aboriginal and Torres Strait Islander Australians and shows respect for Traditional Owners and recognises that there are over 200 different First Nations groups and languages in Australia. -
Graphic Encounters Conference Program
Meeting with Malgana people at Cape Peron, by Jacque Arago, who wrote, ‘the watched us as dangerous enemies, and were continually pointing to the ship, exclaiming, ayerkade, ayerkade (go away, go away)’. Graphic Encounters 7 Nov – 9 Nov 2018 Proudly presented by: LaTrobe University Centre for the Study of the Inland Program Melbourne University Forum Theatre Level 1 Arts West North Wing 153 148 Royal Parade Parkville Wednesday 7 November Program 09:30am Registrations 10:00am Welcome to Country by Aunty Joy Murphy Wandin AO 10:30am (dis)Regarding the Savages: a short history of published images of Tasmanian Aborigines Greg Lehman 11.30am Morning Tea 12.15pm ‘Aborigines of Australia under Civilization’, as seen in Colonial Australian Illustrated Newspapers: Reflections on an article written twenty years ago Peter Dowling News from the Colonies: Representations of Indigenous Australians in 19th century English illustrated magazines Vince Alessi Valuing the visual: the colonial print in a pseudoscientific British collection Mary McMahon 1.45pm Lunch 2.45pm Unsettling landscapes by Julie Gough Catherine De Lorenzo and Catherine Speck The 1818 Project: Reimagining Joseph Lycett’s colonial paintings in the 21st century Sarah Johnson Printmaking in a Post-Truth World: The Aboriginal Print Workshops of Cicada Press Michael Kempson 4.15pm Afternoon tea and close for day 1 2 Thursday 8 November Program 10:00am Australian Blind Spots: Understanding Images of Frontier Conflict Jane Lydon 11:00 Morning Tea 11:45am Ad Vivum: a way of being. Robert Neill -
Winnunga Newsletter June 2017
Aboriginal Health in Aboriginal Hands Winnunga News ISSN 2206-3080 J U N E 2 0 1 7 Inside this Issue: Introduction to Winnunga “Winnunga 101” 2, 3, 4 What a Surprise—Aboriginal CEO Update Person First to be Locked Up Under New Bail Laws 5 This year’s Sorry Day Bridge Walk was held on Friday 26 May. The Steven Freeman death esponse event was dedicated to Steven Freeman, a young Aboriginal man chair Russell Taylor not afraid to 'shake up' officials 6,7 who sadly passed away whilst in custody at the AMC, on the same day as our Sorry Day Bridge Walk last year. I was particularly Clinical Services Updates 8, 9 humbled to have Steven’s mother Narelle and her family present Sorry Day Bridge Walk 9, 10, 11 with us on the day. Julie Tongs OAM, CEO It’s a Slam Dunk for the Winnunga Warriors Sports The reasons for the Winnunga Sorry Day Bridge Walk, are now Club 12, 13, 14 more relevant and important than ever. Here in Canberra 25% of Living National Treasure Dr all children in Out of Home care between the ages of 0 to 17, are Naomi Mayers OAM 15 Aboriginal and/or Torres Strait Islanders. An Aboriginal child born World No Tobacco Day in the ACT is 20 times more likely to be taken into care than a non- Winnunga Says No To Smoking Aboriginal child, yet we only make up around 2% of the population. 16, 17, 18, 19, 20 No More Boondah Program Here in Canberra we also have the highest rate of Aboriginal people incarcerated nationally. -
DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11Am, 18.7.2013
THE NATIONAL ABORIGINAL & TORRES STRAIT ISLANDER MUSIC, SPORT, ENTERTAINMENT & COMMUNITY AWARDS DEADLYS® FINALISTS ANNOUNCED – VOTING OPENS 18 July 2013 Embargoed 11am, 18.7.2013 BC TV’s gripping, award-winning drama Redfern in the NBA finals, Patrick Mills, are finalists in the Male Sportsperson Now is a multiple finalist across the acting and of the Year category, joining two-time world champion boxer Daniel television categories in the 2013 Deadly Awards, Geale, rugby union’s Kurtley Beale and soccer’s Jade North. with award-winning director Ivan Sen’s Mystery Across the arts, Australia’s best Indigenous dancers, artists and ARoad and Satellite Boy starring the iconic David Gulpilil. writers are well represented. Ali Cobby Eckermann, the SA writer These were some of the big names in television and film who brought us the beautiful story Ruby Moonlight in poetry, announced at the launch of the 2013 Deadlys® today, at SBS is a finalist with her haunting memoir Too Afraid to Cry, which headquarters in Sydney, joining plenty of talent, achievement tells her story as a Stolen Generations’ survivor. Pioneering and contribution across all the award categories. Indigenous award-winning writer Bruce Pascoe is also a finalist with his inspiring story for lower primary-school readers, Fog Male Artist of the Year, which recognises the achievement of a Dox – a story about courage, acceptance and respect. Aboriginal and Torres Strait Islander musicians, will be a difficult category for voters to decide on given Archie Roach, Dan Sultan, The Deadly Award categories of Health, Education, Employment, Troy Cassar-Daley, Gurrumul and Frank Yamma are nominated. -
Cultural Heritage Strategy 2008
Cultural Heritage Strategy 2008 – 2011 Preserving and promoting our cultural heritage Before unveiling the plaque From MMBW to at the offi cial opening of the Upper Yarra Dam, the Governor Melbourne Water acknowledged the motto of the Metropolitan Board ‘Public health is my reward’ and added… “I think you will agree that our Melbourne and Metropolitan Board of Works has never let us down in the past. It certainly has not let us A motto is a phrase describing the motivation or intention of an organisation. The crest of the down today and I know it will MMBW bears the motto, ‘salas mea publica merces’ not let us down in the future.” (‘public health is my reward’). 1891 Melbourne and Metropolitan Board of Works (MMBW) was established with a charter to build and maintain an underground sewerage system and operate Melbourne’s water supply. 1991 MMBW merged with the Mornington Peninsula District Water Board, Dandenong Valley and Western Port Authorities, Dandenong- Springvale Water Board, Pakenham Water Board, Lang Lang Water Board and Emerald Water Board to form Melbourne Water. At this time, Melbourne Water has three operational regions – Maribyrnong, Yarra and South East. 1995 The Victorian Government split Melbourne’s water industry into three retail water businesses (City West Water, Yarra Valley Water and South East Water). Melbourne Water was established as the wholesale water business and Melbourne Parks and Waterways (the predecessor to Parks Victoria) was set up to manage parks. Melbourne Water retains responsibility for the collection, storage and wholesaling of water and for the treatment and disposal of sewage, as well as responsibility for regional drainage and waterways within the Melbourne Water operational boundary. -
Download the 2018 Program
sydneylivingmuseums.com.au/enewsSign up to our free monthly eNews STAY IN TOUCH PROGRAM A E M Welcome to country by Art workshops House tours Leanne Watson and 11am–3pm 11.30am, 12.30pm, Rhiannon Wright, and Join Darug artist Leanne 1.30pm & 2.30pm flag-raising ceremony Watson to create a Register for a 30-minute 10.10am–10.30am message stone. tour of Rouse Hill Smoking ceremony by House from a woman’s Nulungu Dreaming F perspective. 10.30am–10.40am Gumaroy Newman 12pm–1pm N B Hear acclaimed singer and Culture talks Nulungu Dreaming poet Gumaroy Newman. 12.15pm, 1.15pm & 2.15pm corroboree Join a Muru Mittigar 10.40am–11.30am G Cultural Educator at the Celebrate Aboriginal culture Darug language classes Darug display in the through dance and song. in the schoolhouse Rouse Hill Visitor Centre. 11.30am & 1.30pm C O Learn to say hello in Darug NAIDOC BECAUSE OF HER, WE CAN! Boomerang throwing in our 1888 schoolhouse. Weaving workshop with Muru Mittigar 12pm–3pm 10.45am–12.30pm H Learn traditional Sunday 15 July & 1pm–3pm Boomerang painting weaving techniques from Throw a boomerang All day Nulungu Dreaming. and learn more about Drop in and paint your this ancient tool. own boomerang. FOOD & DRINK We acknowledge the First D K Nations Peoples, the Darug I & J & P Get Wild native animal Market stalls display and talks All day Enjoy a BBQ cook-up from peoples, the traditional 11am–2pm Mad Mob, tea and coffee Stalls by Aunty Edna, Watson. Leanne by custodians of the land, and from Darcy St Project and Muru Mittigar nursery, traditional Aboriginal foods pay respect to the Elders, AIME, Gillawarra Arts, at Muru Mittigar cafe. -
Identity, Learning & Strengths
Deadly IDENTITY, LEARNING & STRENGTHS STUDENT NAME The Family Action Centre CONTENTS SESSION 1 : GETTING STARTED SESSION 2 : IDENTITY SESSION 3 : CHOICES FOR LIFE SESSION 4 : STRENGTHS SESSION 5 : RESPECT & CONNECTIONS SESSION 6 : HEADS UP – MENTORING SESSION 7 : MOVING FORWARD INTRODUCTION DEADLY STREAMING Acknowledgements Identity, Learning & Strengths Deadly Streaming brings together Craig Hammond’s What’s the go with Deadly Streaming? © The Family Action Centre contributions across a heap of Indigenous Projects University of Newcastle NSW Australia 2017 like Who’s Ya Mob, Brothers Inside and Stayin’ on Deadly Streaming is about identity, learning and life choices. It’s a program to help you build Track. confidence and connections as a young Aboriginal person. The Family Action Centre’s Deadly Streaming Project is supported by the University of Newcastle’s Centre of Craig (Bourkie) Hammond has worked with The Deadly Streaming includes a bunch of info and exercises and cultural activities to help you find out Excellence for Equity in Higher Education (CEEHE) and Family Action Centre at the Uni of Newcastle for over more about yourself and your connections to mob (family). funded through the Australian Federal Government’s 15 years. Bourkie is a proud Wailwan man, known for Higher Education and Participation Program (HEPP). being fun and thoughtful and for his awareness and You can use Deadly Streaming as a guide to help you stand strong and proud and make good life skills as a leader. Bourkie is determined to make a The Family Action Centre (FAC) is a multidisciplinary Centre choices today – and for life attached to the School of Health Sciences in the Faculty of difference in the lives of young Aboriginal men and Health and Medicine. -
William Barak
WILLIAM BARAK A brief essay about William Barak drawn from the booklet William Barak - Bridge Builder of the Kulin by Gibb Wettenhall, and published by Aboriginal Affairs Victoria. Barak was educated at the Yarra Mission School in Narrm (Melbourne), and was a tracker in the Native Police before, as his father had done, becoming ngurungaeta (clan leader). Known as energetic, charismatic and mild mannered, he spent much of his life at Coranderrk Reserve, a self-sufficient Aboriginal farming community in Healesville. Barak campaigned to protect Coranderrk, worked to improve cross-cultural understanding and created many unique artworks and artefacts, leaving a rich cultural legacy for future generations. Leader William Barak was born into the Wurundjeri clan of the Woi wurung people in 1823, in the area now known as Croydon, in Melbourne. Originally named Beruk Barak, he adopted the name William after joining the Native Police as a 19 year old. Leadership was in Barak's blood: his father Bebejan was a ngurunggaeta (clan head) and his Uncle Billibellary, a signatory to John Batman's 1835 "treaty", became the Narrm (Melbourne) region's most senior elder. As a boy, Barak witnessed the signing of this document, which was to have grave and profound consequences for his people. Soon after white settlement a farming boom forced the Kulin peoples from their land, and many died of starvation and disease. During those hard years, Barak emerged as a politically savvy leader, skilled mediator and spokesman for his people. In partnership with his cousin Simon Wonga, a ngurunggaeta, Barak worked to establish and protect Coranderrk, a self- sufficient Aboriginal farming community in Healesville, and became a prominent figure in the struggle for Aboriginal rights and justice. -
Billibellary's
Billibellary’s Walk A cultural interpretation of the landscape that provides an experience of connection to country which Wurundjeri people continue to have, both physically and spiritually. Lying within the University of Melbourne’s built environment are the whispers and songs of the Wurundjeri people. As one of the clans of the Kulin Nation, the Wurundjeri people of the Woiwurrung language group walked the grounds upon which the University now stands for more than 40,000 years Stop 4 – Aboriginal Knowledge Stop 10 – Billibellary’s Country Aboriginal knowledge, bestowed through an oral tradition, is What would Billibellary think if he were to walk with you ever-evolving, enabling it to reflect its context. Sir Walter Baldwin now? The landscape has changed but while it looks Spencer, the University’s foundation professor of Biology in 1887, different on the surface Billibellary might remind you it still was highly esteemed for his anthropological and ethnographic holds the story of the Wurundjeri connection to Country work in Aboriginal communities but the Aboriginal community and our continuing traditions. today regards this work as a misappropriation of Aboriginal culture and knowledge. Artist: Kelly Koumalatsos, Wergaia/Wemba Wemba, Stop 5 – Self-determination and Community Control Possum Skin Cloak, Koorie Heritage Trust collection. Murrup Barak, Melbourne Indigenous Development Institute represents the fight that Billibellary, the Wurundjeri people, and Take a walk through Billibellary’s Country. indeed the whole Kulin nation were to face. The institute’s name Feel, know, imagine Melbourne’s six uses Woiwurung language to speak of the spirit of William Barak, seasons as they are subtly reconstructed Billibellary’s nephew and successor as Ngurungaeta to the as the context for understanding place and Wurundjeri Willam.