Raising Radiant Daughters Part I: Dispelling the Silence

Total Page:16

File Type:pdf, Size:1020Kb

Raising Radiant Daughters Part I: Dispelling the Silence Raising Radiant Daughters Part I: Dispelling the Silence By E.V., RAC I can see the scene as clearly as a snapshot. The yellow­gray Asian sky is weighted with its own peculiar blend of smells…thick exhaust fumes of heavy traffic, dust, cow dung, spicy vegetable fritters in a stall beside the road. There is a deafening blast of bus horns, rickshaw motors, and cinema music. There is all the excitement of being in a gaggle of sixteen­year­old girls set loose on a rare, chaperoned, shopping trip in a city thirty miles away from our boarding school. In the middle of this…in the middle of the bustle and noise, the heat and smells…just for an instant, everything stands still. An indelible event imprints itself in my mind. A girlfriend and I are just rounding a corner in the crowded marketplace, when out of nowhere a bicycle veers toward us and a man jeeringly reaches out and grabs my friend’s breast. There are many memories that pile up one after another when I look at that snapshot. In a way I’m puzzled that I should even remember the event. It was so commonplace. It was such a non­event. Such things were an everyday part of what it meant to be white and female in that Islamic culture. So I wonder a bit why that photo has planted itself so fiercely in my mind. It’s almost as though it wants to wave itself in my face and insist, "Look at this! Look! Do you see what happened?" So, I’m stopping now and looking at it. I’m looking at it individually, carefully…separate from all the other photos…the memories…the many happenings, large and small of foreign words and textures and tastes flowing through my blood, heaping my life with good, non­American, wonderfully "MK" thinkings and feelings. Yes, it was good to the bone to be an MK and I wouldn’t trade it for anything. Having said that, I want to show you the one thing that makes this particular photo different from all the other sad and happy piles of MK snapshots. That one thing is the silence. That small abuse of my friend was…and has remained to this day …enshrouded in silence. Unbelievably, I remember that the two of us actually walked on without even a break in our step. Our conversation continued with careful nonchalance. And never, ever…not in over twenty­five years to this day… has it been mentioned between us. Maybe it is inaccurate to think of that moment as a single snapshot. Maybe I should place it in the context of a photo album. This is the album that stays at the bottom of the drawer and is never shown to anyone. It's the album of shame…of what it can feel like to be white and Western and young and vulnerable and female in an Islamic context. It’s the Page 1 of 6 www.womenoftheharvest.com album which stores the photos that didn’t turn out quite right…a photo for every stare, every rude gesture or comment, the touches, the pinches, the jostles and jeers. Photos distorted and smudged with lies about what it means to be a woman. A woman who, in truth, is so wonderfully God’s image­bearer…the delight of His eyes…the joy of His heart. I’ve been thinking about that silence and how it actually says quite a lot. It speaks mutely of resignation and of denial. It’s a silence that, when asked, shrugs its shoulders and ducks its head and kicks at the dirt. So let’s push at it a bit, let’s cajole it into talking. What is it saying by saying nothing? Clearly, the silence is voicing profound feelings of shame. "There is something wrong with being a woman. There must be something bad about me that attracts this kind of attention." Maybe the silence is also saying, "So what! This happens so often it isn’t even worth talking about. It’s a non­event.” Or perhaps it is saying fatalistically, "What’s the point of talking when there’s nothing that can be done? No matter what I say or do nothing will change. God called my parents to an Islamic country. Harassment of women is just part of the cultural package." I think sometimes the silence might be saying, "If I say something, I’m likely to be the one blamed for what happened. Talking will just make things worse. Adults will ask, ‘Why didn’t you wear more appropriate clothes? …Why did you make eye contact? Why didn’t you watch where you were going?’” Or maybe the silence is a simple statement of fact. "I won’t be heard so why talk? There are so many other more important things going on. My parents are so busy, so stressed, so exhausted. They’re in culture shock, in language school, overwhelmed with ministry demands. Why should I bother them with one more thing?" So much being said in the silence. Do you hear the messages more clearly now? Maybe it’s time for those of us engaged in raising young girls in Islamic contexts to think about how the cultural values might be influencing them. Maybe it’s time to pull the photos out and examine them in the light. What are the long­term effects of unremitting disparagement and sexual harassment on girls during their developing years? What are some of the distorted core beliefs that shape the silence? As we live and work in Islamic cultures, what can we do to raise our daughters radiantly, in grace, and beauty, and truth? The very first thing we need to do is to acknowledge that the silence does, in fact, exist. We need to expose the lies and wrong assumptions behind the silence, countering them with truth. Here are a few of those lies: 1. There is something wrong with being a woman. There is something wrong with me. The experience of shame is not unusual for girls growing up in traditional Islamic cultures. Even though a child may be nurtured in a loving, Christian home, she lives in a setting in which she is constantly barraged with ungodly messages about her female identity. This message happens at two levels. First it happens at the level of what it means in general to be female. In traditional Islamic societies, women are viewed as intrinsically Page 2 of 6 www.womenoftheharvest.com inferior beings. The sacred written traditions handed down through Islam (the "Hadith") present women as spiritually, physically, intellectually and morally deficient. They are inherently unstable, weak­willed, incompetent and illogical. Their physical attractions are an irresistible and dangerous entrapment for men who have no choice but to respond according to their primal urges. When directly and indirectly communicated during their developmental years, these messages about womanhood can be profoundly confusing to MK girls. They aren’t blind. They see women walking behind men. They see them veiled and hidden behind walls. They may notice that their Muslim girlfriends are the last in their families to get food at mealtimes, and the last to receive medical help. Sometimes they may even see them being physically beaten and abused. When a baby girl is born they often see a reaction of silence and disappointment. Deep down they begin to suspect that there is something terribly wrong with being a girl. To make things even more complicated, these MK girls also experience negative input regarding their Western identity. Throughout the Islamic world mushrooming satellite dishes feed viewers with vivid pictures of girls from western contexts. Often the assumption is that all western girls are of the same cut as those in the soap operas. If they see one walking down the street, they see her as "fair game." As early as age eight or nine, even when completely covered in culturally appropriate attire, these girls begin to experience being jeered at, touched, and pinched. And even at that young age, they notice that this is not the usual "curiosity harassment" they commonly experience as foreigners (The kind that says, "Oooh! Look at the funny yellow hair…look at the weird blue eyes!") They sense that this harassment is specifically sexual in nature. It aims at disparagement. It says, "You are contemptible. You deserve to be treated like a prostitute." It is not surprising, then, that MK girls from these settings can grow up despising themselves. Among my acquaintances are women ranging in age from 20 to 60, adult MKs raised in countries stretching from East Asia to the Middle East and North Africa. Many of them still silently agonize and struggle with doubts about their own value and personhood. I’m convinced that at least some of it is rooted in years of disparagement and sexual harassment that was never recognized or acknowledged. 2. Sexual harassment occurs in so many subtle forms and with such frequency that it is a non­event and should just be accepted. Another silent, but completely false assumption is that because harassment is so commonplace, someone growing up with it must simply get used to it…and if they don’t they are maladjusted. Like the ants, and the heat, and the dust, it’s just another lifestyle adaptation to be made within the culture. The longer we live in a hot climate, the more we learn to develop a tolerance to it. The longer we experience sexual harassment the more desensitized we become.
Recommended publications
  • ISSUE 1820 AUGUST 17, 1990 BREATHE "Say Aprayer"9-4: - the New Single
    ISSUE 1820 AUGUST 17, 1990 BREATHE "say aprayer"9-4: - the new single. Your prayers are answered. Breathe's gold debut album All That Jazz delivered three Top 10 singles, two #1 AC tracks, and songwriters David Glasper and Marcus Lillington jumped onto Billboard's list of Top Songwriters of 1989. "Say A Prayer" is the first single from Breathe's much -anticipated new album Peace Of Mind. Produced by Bob Sargeant and Breathe Mixed by Julian Mendelsohn Additional Production and Remix by Daniel Abraham for White Falcon Productions Management: Jonny Too Bad and Paul King RECORDS I990 A&M Record, loc. All rights reserved_ the GAVIN REPORT GAVIN AT A GLANCE * Indicates Tie MOST ADDED MOST ADDED MOST ADDED MOST ADDED MICHAEL BOLTON JOHNNY GILL MICHAEL BOLTON MATRACA BERG Georgia On My Mind (Columbia) Fairweather Friend (Motown) Georgia On My Mind (Columbia) The Things You Left Undone (RCA) BREATHE QUINCY JONES featuring SIEDAH M.C. HAMMER MARTY STUART Say A Prayer (A&M) GARRETT Have You Seen Her (Capitol) Western Girls (MCA) LISA STANSFIELD I Don't Go For That ((west/ BASIA HANK WILLIAMS, JR. This Is The Right Time (Arista) Warner Bros.) Until You Come Back To Me (Epic) Man To Man (Warner Bros./Curb) TRACIE SPENCER Save Your Love (Capitol) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH RIGHTEOUS BROTHERS SAMUELLE M.C. HAMMER MARTY STUART Unchained Melody (Verve/Polydor) So You Like What You See (Atlantic) Have You Seen Her (Capitol) Western Girls (MCA) 1IrPHIL COLLINS PEBBLES ePHIL COLLINS goGARTH BROOKS Something Happened 1
    [Show full text]
  • Yamaha – Pianosoft Solo 29
    YAMAHA – PIANOSOFT SOLO 29 SOLO COLLECTIONS ARTIST SERIES JOHN ARPIN – SARA DAVIS “A TIME FOR LOVE” BUECHNER – MY PHILIP AABERG – 1. A Time for Love 2. My Foolish FAVORITE ENCORES “MONTANA HALF LIGHT” Heart 3. As Time Goes By 4.The 1. Jesu, Joy Of Man’s Desiring 1. Going to the Sun 2. Montana Half Light 3. Slow Dance More I See You 5. Georgia On 2. “Bach Goes to Town” 4.Theme for Naomi 5. Marias River Breakdown 6.The Big My Mind 6. Embraceable You 3. Chanson 4. Golliwog’s Cake Open 7. Madame Sosthene from Belizaire the Cajun 8. 7. Sophisticated Lady 8. I Got It Walk 5. Contradance Diva 9. Before Barbed Wire 10. Upright 11. The Gift Bad and That Ain’t Good 9. 6. La Fille Aux Cheveux De Lin 12. Out of the Frame 13. Swoop Make Believe 10.An Affair to Remember (Our Love Affair) 7. A Giddy Girl 8. La Danse Des Demoiselles 00501169 .................................................................................$34.95 11. Somewhere Along the Way 12. All the Things You Are 9. Serenade Op. 29 10. Melodie Op. 8 No. 3 11. Let’s Call 13.Watch What Happens 14. Unchained Melody the Whole Thing Off A STEVE ALLEN 00501194 .................................................................................$34.95 00501230 .................................................................................$34.95 INTERLUDE 1. The Song Is You 2. These DAVID BENOIT – “SEATTLE MORNING” SARA DAVIS Foolish Things (Remind Me of 1. Waiting for Spring 2. Kei’s Song 3. Strange Meadowlard BUECHNER PLAYS You) 3. Lover Man (Oh Where 4. Linus and Lucy 5. Waltz for Debbie 6. Blue Rondo a la BRAHMS Can You Be) 4.
    [Show full text]
  • The Untold Stories of Riot Grrrl Critics and Revolutionists
    “Wait a Minute, There’s a Sister in There?” The Untold Stories of Riot Grrrl Critics and Revolutionists by Katherine Ross Thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts (Sociology) Acadia University Spring Convocation 2018 © by Katherine Ross, 2017 This thesis by Katherine Ross was defended successfully in an oral examination on 17th November 2017. The examining committee for the thesis was: ________________________ Dr. Anna Redden, Chair ________________________ Dr. Riley Chisholm, External Examiner ________________________ Dr. Sarah Rudrum, Internal Reader ________________________ Dr. Saara Liinamaa, Supervisor _________________________ Dr. Jesse Carlson, Acting Head This thesis is accepted in its present form by the Division of Research and Graduate Studies as satisfying the thesis requirements for the degree Master of Arts (Sociology). …………………………………………. ii I, Katherine Ross, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. _________________________________ Author _________________________________ Supervisor _________________________________ Date iii Table of Contents ABSTRACT ...................................................................................................................... vi ACKNOWLEDGEMENTS ........................................................................................... vii CHAPTER
    [Show full text]
  • Ohn Marty Stuart Né Le 30 Septembre 1958 À Philadelphia, Mississippi, USA, Est Un Chanteur- Compositeur Américain De Musique Country
    Philadelphia ohn Marty Stuart né le 30 septembre 1958 à Philadelphia, Mississippi, USA, est un chanteur- compositeur américain de musique country. J Il crée une musique faite d’une fusion éclectique de rockabilly, honky tonk et musique country traditionnelle. Au début des années 1990, il connaît un grand succés avec la sortie de nombreux Hits. L’enfant prodige musical. Dès son plus jeune âge, passionné par la musique country il apprend à jouer de la guitare et de la mandoline. À l'âge de 12 ans, Marty Stuart commence à jouer avec le groupe bluegrass The Sullivan Family. Il fait la connaissance de Roland White, alors membre du groupe. Roland White En 1972 Roland White invite Marty Stuart à jouer avec lui avec le Nashville Grass sur un concert dans l’état de Delaware (sur la côte Est des États-Unis). Aprés cette prestation, Roland demande à Marty d’ être permanent dans le Band de Lester Flatt dont il fait partie. Marty est resté dans ce groupe jusqu'à ce que Lester Flatt cesse son activité en 1978 en raison d’une santé défaillante; il décède d'une insuffisance cardiaque à Nashville le 11 mai 1979, à l'âge de 64 ans. Marty et Lester Flatt Agé seulement de 14 ans Marty apparaît ainsi dans la 5 ème saison de ‘’ Hee-Haw’’, un spectacle de variétés de télévision américaine présentant de la musique country. Marty va alors faire équipe avec Vassar Clements et plus tard avec Doc Watson. https://www.youtube.com/watch?v=omEiAbcPslU Vassar Clement Doc Watson En 1979, il sort un premier album solo sous le label ‘’Ridge Runner Records’’ et rejoint en 1980 le Band de Johnny Cash.
    [Show full text]
  • ABC Watermark ***COMPACT DISC #1, TRACK 10, HAS 1Khz REFERENCE TONE*** TOPICAL PROMOS TOPICAL PROMOS for SHOW #44 ARE LOCATED ON
    ***COMPACT DISC #1, TRACK 10, HAS 1KHz REFERENCE TONE*** W I T H B O B ~ I NGSLE Y TOPICAL PROMOS TOPICAL PROMOS FOR SHOW #44 ARE LOCATED ON CD SIDE 4, TRACKS 7, 81 AND 9 TOPICAL$ ON VINYL LOCATED AT THE END OF SIDE 4B ABC Watermark DO NOT USE AFTER SHOW #44 35 75 Cahuenga Blvd. West n555 Los Angeles. CA 90068 (8 18) 980-9490 FAX (213) 850-5832 1. BILLBOARD MAGAZINE LISTENS TO YOUR FAVORITES :27 HI, I'm Bob Kingsley and you know when radio stations around the U.S.A. play your favorite records, somebody besides the fans is listening to see which songs are played the most ••• Billboard Magazine •.• and when they've calculated the most popular records in country music we bring you the official countdown of the forty top songs in America •.. Including the debuts, the top ten breakers and the song that breaks out on top at #1. Check it out this week on American Country Countdown. 2. ACC AWAKE SO YOU CAN SLEEP :31 I'm Bob Kingsley and you can sleep tonight because your American Country Countdown staff Is watching the progress of all your favorite songs this week as Billboard Magazine surveys radio station airplay all across fr,e NatioLI. Wilen tile resuits are in, we take the officiai ranking, add stories and statistics about your favorite singers and songs and then we count down the forty hottest country records in America all the way to #1. You're Invited front and center this week on American Country Countdown.
    [Show full text]
  • American Square Dance Vol. 50, No. 11
    AMERICAN fr) SQZ141-IA' DANCE Magazine SINGLE $2.00 "The International Magazine With The Swinging Lines" ANNUAL $20.00 V E M B E API1,414T means R THAW YOU! 1995 SUPREME RUDIO, lilt. The Professional Source for Callers & Cuers <YAK STACK THE [DIRECTOR] BY<YAK STACK Two Great Choices! The full YAK STACK ... for those who prefer the familiar sound of the "original" YAK STACK or the DIRECTOR that is lighter and has even wider floor coverage. 2 YearWarranty DIRECTOR YAK STACK In Stock .... Ready To Ship! ow° 1-800-445-7398 FREE (USA & Canada) (Foreign: 603-876-3636) AUDIO (Fax: 603-876-4001) CATALOG SUPREME AUDIO, INC. P.O. Box 50 • Marlborough, NH 03455 (Callers & Cuers only - others send 54.00) AMERICAN 7) VOLUME 50 , No 11 SQUARE DANCE NOVEMBER 1995 THE INTERNATIONAL MAGAZINE WITH THE SWINGING LINES •••••••••••••••••••••••••••••••••••••••••••••• THE ASD LINE-UP SQUARE DANCE SCENE 2 Editor's Notebook 6 45th National 3 By Line 24 A/C Lines 4 Tempo Advanced & Challenge 8 SID Caller/Heritage 51 What's Going On In 10 Viewpoints Square Dancing 18 The Country Line 75 People and Events 23 Teaching Children 81 International News 29 Fur Rendezvous 89 Dateline 31 A Shot In The Ann 32 Dancing Contra ROUNDS 33 Diamonds 19 Flip Side Rounds 37 How To Become A Turkey 83 Cue Tips 43 Meandering 86 Round Dance Pulse Poll 50 Rhyme Time 58 Hemline FOR CALLERS 69 Peaceful Explosives 25 P.S. MS/QS 77 Contra Corners 44 Caller Line-Up 78 Caller Outline 47 Creative Choreography 79 As I See It 56 Caller-Instructors 85 Notes From A Veteran Caller 59 Underlining
    [Show full text]
  • Australian Artists Worldwide 45S and Eps
    AUSTRALIAN ARTISTS AUSTRALIAN ARTISTS WORLDWIDE 45’S AND EP’S 1955 to 1980 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, DECEMBER 2018 AUSTRALIAN ARTISTS WORLDWIDE, 1955–1980 INCLUSIONS AUSTRALIAN ROCK AND POP (AND SELECTED COUNTRY AND JAZZ) ARTISTS WHO FIRST RECORDED BEFORE 1980, AND WHO HAD AT LEAST ONE 45 OR E.P. RELEASED OVERSEAS. SOME NOTEWORTHY LP’S ARE THROWN IN FOR GOOD MEASURE... EXCLUSIONS SOME ARTISTS NEED A BOOK OF THEIR OWN. ONLY THE EARLIEST RELEASES FROM AC / DC, THE BEE GEES, INXS, LITTLE RIVER BAND, OLIVIA NEWTON-JOHN, HELEN REDDY AND RICK SPRINGFIELD ARE LISTED HERE. PROMOS THE U.S. AND SOME OTHER COUNTRIES ISSUED PROMO SINGLES THAT HAD DIFFERENT LABELS OR CATALOGUE NUMBERS FROM THE STANDARD RELEASE. OFTEN, THE A-SIDES OF THESE SINGLES WERE STEREO VERSIONS, AND B-SIDES MONO. EURO PRESSINGS IN THE 1970’S SOME RECORD COMPANIES (E.G. CBS) PRESSED RECORDS IN ONE COUNTRY FOR MARKETING THROUGHOUT EUROPE. WRITING ON RECORD SLEEVES MIGHT HELP LOCATE WHERE THESE RECORDS WERE MANUFACTURED. ALSO, INITIALS ON RECORD LABELS WHICH REFER TO PUBLISHING, COPYRIGHT, PERFORMANCE OR OTHER RIGHTS MAY GIVE CLUES: AMCOS OR APRA: COULD BE MANUFACTURED IN AUSTRALIA ASCAP / BMI: COULD BE MANUFACTURED IN THE UNITED STATES GEMA: COULD BE MANUFACTURED IN GERMANY MCPS: COULD BE MANUFACTURED IN THE UK SACEM: COULD BE MANUFACTURED IN FRANCE STEMRA: COULD BE MANUFACTURED IN THE NETHERLANDS COUNTRY CODES USED IN THIS GUIDE ARG ARGENTINA MAL MALAYSIA AUT AUSTRIA MEX MEXICO BEL BELGIUM NL NETHERLANDS BOL BOLIVIA NOR NORWAY BRA BRAZIL NZ
    [Show full text]
  • Resisting the Neoliberal Girl Power Agent
    University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2018 Girl of Color-Power: Resisting the Neoliberal Girl Power Agent Raisa Fernanda Alvarado University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, Mass Communication Commons, and the Speech and Rhetorical Studies Commons Recommended Citation Alvarado, Raisa Fernanda, "Girl of Color-Power: Resisting the Neoliberal Girl Power Agent" (2018). Electronic Theses and Dissertations. 1421. https://digitalcommons.du.edu/etd/1421 This Dissertation is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Girl of Color-Power: Resisting the Neoliberal Girl Power Agent __________ A Dissertation Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy __________ by Raisa Fernanda Alvarado June 2018 Advisor: Christina Foust ©Copyright by Raisa Fernanda Alvarado 2018 All Rights Reserved Author: Raisa Fernanda Alvarado Title: Girl of Color-Power: Resisting the Neoliberal Girl Power Agent Advisor: Christina Foust Degree Date: June 2018 Abstract Girl power is a complex and multi-dimensional phrase. It is a term that celebrates the positive development of girls’ self-esteem, while simultaneously recognizing the shifting social positioning of girlhood in the late twentieth century. It is a call to re-write girls’ passivity but simultaneously a discourse that encourages consumerism via entertainment, artifacts, and merchandise.
    [Show full text]
  • Americana Classics Nur Von BEAR FAMILY! Americana-Klassiker Aus Den Siebziger-, Achtziger- Und Neunzigerjahren, Endlich Wieder Lieferbar – Auf LP!
    BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] Americana Classics Nur von BEAR FAMILY! Americana-Klassiker aus den Siebziger-, Achtziger- und Neunzigerjahren, endlich wieder lieferbar – auf LP! Die Alben in BEAR FAMILYs neuer Serie wurden zunächst als großartige Platten oder CDs gefeiert und gelten mittlerweile als Klassiker des Americana-Genres. Jahrelang gab es sie nicht – bis jetzt! Und dann auch noch als LP, auf jenem Medium also, für das die meisten ursprünglich gedacht waren. Die Pressqualität mit neuem Mastering und be- grenzten Auflagen entspricht den Qualitätskriterien des 21. Jahrhunderts – hinzu kom- men noch die hochwertigen Klapphüllen. DMM Disc Cutting: H.-J. Maucksch at Pauler Acoustics, Northeim www.pauleracoustics.de Gepresst von Pallas, Diepholz Direct Metal Master • 180-Gramm Vinyl Ich kannte Marty Stuart von seiner Single Arlene auf COLUMBIA RECORDS. Unser erstes Zusammentreffen fand allerdings an Silve- ster 1986 in Atlanta, Georgia, statt, als er zusammen mit Steve Earl ein Konzert gab. Tony Brown und ich sahen uns die Show von den Seitenflügeln aus an und beobachteten Marty, wie er durch den ersten Set stol- zierte. Tony war damals der Vizepräsident der A&R-Abteilung von MCA RECORDS in Nashville und auf bestem Weg, der Top-Pro- duzent der Stadt zu werden. Er flüsterte mir zu: "Ich überlege, Marty unter Vertrag zu nehmen. Willst Du ihn zusammen mit mir produzieren?" Natürlich wollte ich, keine Frage. Ich war nicht so sehr von dem überzeugt, was Marty da machte. Doch ich mochte, wie er es tat. Der Typ besaß eine gewaltige Ausstrahlung und eine Präsenz wie Ernest Tubb, Hank Snow, Lester Flatt, Porter Wa- goner, Cash und viele andere… alle in einer Person vereinigt.
    [Show full text]
  • Fictionalising Trauma. the Aesthetics of Marguerite Duras´S India Cycle
    Sirkka Knuuttila Fictionalising Trauma The Aesthetics of Marguerite Duras’s India Cycle Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 12th of December, 2009 at 10 a’clock. ISBN 978-952-92-6405-6 (paperback) ISBN 978-952-10-5858-5 (PDF) Helsinki University Print Helsinki 2009 Il fallait receler un pouvoir secret pour avoir cette force, dans la vie. Marguerite Duras Table of Contents Acknowledgements Abbreviations Introduction ..................................................................... 1 Reading Colonial Trauma: A Cognitive Approach ........................ 7 On Duras’s Cyclic Aesthetics .......................................... 14 Narrativising Trauma: The Duality of Traumatic Memory. 21 The Outline of the Study .............................................. 28 I. Memory, Discourse, Fiction: The Birth of the Absent Story......... 30 On Duras’s Critical Working-Through ........................................ 34 Between Melancholy and Mourning: L’affection intentionnelle ................. 41 Dismantling Literality ........................................................ 46 II. The Aesthetic Strategies of the India Cycle ........................ 51 Repetition: Paralleling Analogous Structures ................................. 55 Homologies, Doublings, Reversals ........................................ 59 Romantic Formula: Contamination and Multiplication ................... 64 Metafiction and Testimony: Possible Worlds ................................
    [Show full text]
  • Girl Guiding in Malaya, Nigeria, India, and Australia from 1909-1960
    Georgia State University ScholarWorks @ Georgia State University History Theses Department of History Summer 7-13-2012 "White, Black, and Dusky": Girl Guiding in Malaya, Nigeria, India, and Australia from 1909-1960 Sally K. Stanhope Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Stanhope, Sally K., ""White, Black, and Dusky": Girl Guiding in Malaya, Nigeria, India, and Australia from 1909-1960." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/history_theses/59 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “WHITE, BLACK, AND DUSKY”: GIRL GUIDING IN MALAYA, NIGERIA, INDIA, AND AUSTRALIA FROM 1909-1960 by SALLY STANHOPE Under the Direction of Christine Skwiot ABSTRACT This comparative study of Girl Guiding in Malaya, India, Nigeria, and Australia examines the dynamics of engagement between Western and non-Western women participants. Originally a program to promote feminine citizenship only to British girls, Guiding became tied up with ef- forts to maintain, transform, or build different kinds of imagined communities—imperial states, nationalists movements, and independent nation states. From the program’s origins in London in 1909 until 1960 the relationship of the metropole and colonies resembled a complex web of in- fluence, adaptation, and agency. The interactions between Girl Guide officialdom headquartered in London, Guide leaders of colonized girls, and the colonized girls who joined suggest that the foundational ideology of Guiding, maternalism, became a common language that participants used to work toward different ideas and practices of civic belonging initially as members of the British Empire and later as members of independent nations.
    [Show full text]
  • Pro Entertainment DJ Song List
    A-1 PRO ENTERTAINMENT Specializing in Weddings, Birthdays, Anniversaries, Company, & Holiday parties IS PROUD TO BRING YOU SOME OF THE BEST MUSIC EVER RECORDED PRO ENTERTAINMENT USES ONLY THE HIGHEST QUALITY STATE OF THE ART EQUIPMENT SHURE SM-57 MICROPHONE NADY WIRELESS ll MICROPHONE JBL PERFORMANCE SERIES G-734 SPEAKERS PEAVEY SPEAKERS PEAVEY MD-8 MIXING CONSOLE PEAVEY CS-800 POWER AMPLIFIER YAMAHA EM 100 ll INTEGRATED MIXING CONSOLE NUMARK CDN 33 ANTI-SHOCK PRO CD PLAYER STANTON C.501 ANTI-SHOCK DUAL CD PLAYER DELL XPS L502X LAPTOP AMERICAN DJ VERTIGO SPECIAL EFFECTS LIGHTING MIRROR ( DISCO ) BALL - When appropriate (707) 252-0486 The following song list is just a sample of the many songs available Newly purchased music may not appear on this list Circle or Highlight specific songs or categories you would like played You are welcome to bring CD’s of your own 50's & 60's ROCK & ROLL OLDIES CHUCK BERRY - Johnny B. Goode - Sweet Little Sixteen ELVIS PRESLEY - Jailhouse Rock - All Shook Up - Hound Dog BEACH BOYS - Surfin' USA - Fun Fun Fun - I Get Around - Surfer Girl LITTLE RICHARD - Good Golly Miss Molly - Long Tall Sally - Keep A Knockin' - Tutti Frutti BEATLES - Twist & Shout - I Saw Her Standing There - Please Mr. Postman - Roll Over Beethoven ROLLING STONES - Brown Sugar - Satisfaction - Jumpin' Jack Flash - Harlem Shuffle - Sad Sad Sad BOBBY DARIN - Mack The Knife - Queen Of The Hop - Plain Jane - Dream Lover - Beyond The Sea CREEDENCE CLEARWATER REVIVAL - Proud Mary - Bad Moon Risin' - Lodi RIGHTEOUS BROS - Unchained Melody - You've
    [Show full text]