DOCSLIB.ORG

Press Release Kalasagar to Observe Gurusmaranadinam on 14 October 2013

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Press Release Kalasagar to Observe Gurusmaranadinam on 14 October 2013 B4 Govind, Madurai Perumal Koil Nagar, Valasaravakkam, Chennai 600087 10th September 2013 PRESS RELEASE KALASAGAR TO OBSERVE GURUSMARANADINAM ON 14 OCTOBER 2013 Guru Kalamandalam Krishnankutty Poduval, Founder, Kalasagar Kalasagar, plans to commemorate the 21st death anniversary of its founder, Kathakali maestro, the late Kalamandalam Krishnankutty Poduval, as GURUSMARANADINAM (Homage to Gurus) on Monday, October 14, at NARADAGANA SABHA, TTK ROAD, CHENNAI, by honouring eminent performing artists and gurus in Chennai. Shri Krishnankutty Poduval, was a legendary player of the chenda and an informed critic of Kathakali. He studied the visual grammar and rhythmic structure of Kathakali under Guru Pattikkamthodi Ravunni Menon and went on to reinterpret the chenda‘s role in Kathakali. Poduval was reputed for tracing subtle emotions in the characters with his chenda, providing mood music to romantic scenes and prompting the actors to do their best on stage. His holistic understanding of Kathakali helped him integrate music with each visual. This remains an unparalleled achievement. Poduval scripted and directed many Kathakali plays like Bhishmaprathignya, Amba, King Lear, and Snapakacharitham, to name a few. He left behind a treasure trove of knowledge on Kerala’s performing arts in general and on Kathakali in particular - both at the theoretical and practical level. Kalasagar has been annually celebrating its founder’s birthday on May 28 with events which have become a part of the cultural calendar of Kerala with the active support and participation of well-wishers. In May 2008, Kerala Kalamandalam published MELAPERUKKAM, a book containing Poduval’s articles and in May 2009, Kerala Kalamandalam published SOURYAGUNAM, Poduval’s biography written by Prof. K P Babudas. Kalasagar Award in memory of Kalamandalam Krishnankutty Poduval is being presented to eminent artists in the field of Kathakali, Ottenthullal, Chakyarkuthu, Thayambaka, Panchavadyam, Bharathanatyam, Mohiniyattom, Kuchipudi. The awardees are selected through nominations from art lovers. The Guru’s to be honoured at the Chennai event on October 14, are Dr. Padma Subramaniam and Prof. A Janardhanan of Kalakshetra, Chennai. Dr. Padma Subramaniam Prof. A. Janardhanan The evening’s programme begins at 5.30 p.m. with dance by the students of Triveni School of Dance, Chennai followed by presentation of ASHTAPADIYATTAM a dance drama based on Jaydeva’s Geetha Govindam conceptualized and choreographed by Kalamandalam Krishnankutty Poduval and produced and directed by Rajan Poduval with the support of Kalamandalam Vijayakrishnan and Shri Vinayan & Kalamandalam Maya of Triveni School of Classical Dance, Chennai. Eminent personalities from the field of art, culture, cinema, social activities and theatre will grace the occasion. For more details, contact Rajan Poduval, Secretary, Kalasagar (9282449995) Rajan Poduval, Secretary, 9282449995 .
Load more

Recommended publications
  • Particulars of Some Temples of Kerala Contents Particulars of Some
    Particulars of some temples of Kerala Contents Particulars of some temples of Kerala .............................................. 1 Introduction ............................................................................................... 9 Temples of Kerala ................................................................................. 10 Temples of Kerala- an over view .................................................... 16 1. Achan Koil Dharma Sastha ...................................................... 23 2. Alathiyur Perumthiri(Hanuman) koil ................................. 24 3. Randu Moorthi temple of Alathur......................................... 27 4. Ambalappuzha Krishnan temple ........................................... 28 5. Amedha Saptha Mathruka Temple ....................................... 31 6. Ananteswar temple of Manjeswar ........................................ 35 7. Anchumana temple , Padivattam, Edapalli....................... 36 8. Aranmula Parthasarathy Temple ......................................... 38 9. Arathil Bhagawathi temple ..................................................... 41 10. Arpuda Narayana temple, Thirukodithaanam ................. 45 11. Aryankavu Dharma Sastha ...................................................... 47 12. Athingal Bhairavi temple ......................................................... 48 13. Attukkal BHagawathy Kshethram, Trivandrum ............. 50 14. Ayilur Akhileswaran (Shiva) and Sri Krishna temples ...........................................................................................................
    [Show full text]
  • PONNANI PEPPER PROJECT History Ponnani Is Popularly Known As “The Mecca of Kerala”
    PONNANI PEPPER PROJECT HISTORY Ponnani is popularly known as “the Mecca of Kerala”. As an ancient harbour city, it was a major trading hub in the Malabar region, the northernmost end of the state. There are many tales that try to explain how the place got its name. According to one, the prominent Brahmin family of Azhvancherry Thambrakkal once held sway over the land. During their heydays, they offered ponnu aana [elephants made of gold] to the temples, and this gave the land the name “Ponnani”. According to another, due to trade, ponnu [gold] from the Arab lands reached India for the first time at this place, and thus caused it to be named “Ponnani”. It is believed that a place that is referred to as “Tyndis” in the Greek book titled Periplus of the Erythraean Sea is Ponnani. However historians have not been able to establish the exact location of Tyndis beyond doubt. Nor has any archaeological evidence been recovered to confirm this belief. Politically too, Ponnani had great importance in the past. The Zamorins (rulers of Calicut) considered Ponnani as their second headquarters. When Tipu Sultan invaded Kerala in 1766, Ponnani was annexed to the Mysore kingdom. Later when the British colonized the land, Ponnani came under the Bombay Province for a brief interval of time. Still later, it was annexed Malabar and was considered part of the Madras Province for one-and-a-half centuries. Until 1861, Ponnani was the headquarters of Koottanad taluk, and with the formation of the state of Kerala in 1956, it became a taluk in Palakkad district.
    [Show full text]
  • SCW Design Contest to Mark Women's Day DT News Network
    Sunday, August 27, 2017 3 Percussion jamboree from October 5 to 6 SCW design contest DT News Network Sreekanth and Mattannur [email protected] Sreeraj. ver 150 Indian Day-two will kick off with percussionists will the performance ‘Kombu performO at a major music and Pattu’ followed by ‘Kuzhal to mark Women’s Day cultural extravaganza to be Pattu’. be held from October 5 and 6 Day-two will also feature at the Indian School Bahrain ‘Erattapanthy Panchaari premises in Isa Town, the Melam’ to be performed by organisers said at a press more than 150 percussionists conference held at Adliya on a special custom-built yesterday. stage arranged at the Indian Sopanam Vadya Kala School ground. Sangham, in association “This event will mesmerize with Choice Advertising the audience with several and Publicity, will be percussion arts of Kerala The meeting organised to announce the design contest at the Bahrain National Museum organising the event entitled in its various forms. ‘Vadyasangaman 2017’. The “Vadyasangamam 2017” DT News Network engineering streams will at engineering colleges in to attend the workshops and event will include a percussion will be steered under the Manama participate in the contest, architecture, civil, mechanical, lectures to be held as part of ensemble involving 150 leadership of legendary he Supreme Council the organisers said during electrical, landscaping and the contest, as well as personal artists. percussionist ‘Padmashri for Women (SCW) is an introductory meeting urban planning. interviews. According to the organisers, Mattannur Sankarankutty organising,T in cooperation held at the Bahrain National Participants, not exceeding The designs should provide such a performance will be Maraar’,” the organizers said.
    [Show full text]
  • Kollam Sub-District Kalolsavam 2012 - 2013 Govt.Model VHSS & HSS for Boys, Kollam 12 Nov 2012 - 16 Nov 2012
    Kollam Sub-District Kalolsavam 2012 - 2013 Govt.Model VHSS & HSS for Boys, Kollam 12 Nov 2012 - 16 Nov 2012 All Results Festival : LP General - 101 ( Prasangam - Malayalam) Sl No Name School Grade 41428 - Mount Carmel R C L P S 1 JENY MARY J A Thangasseri 2 BLAISY BABBY 41413 - Balika Mariyam L P S Pattathanam A 3 AMNA MOL M 41424 - St.Joseph`s Convent L P S Tuet A 4 RESHMI REGHUNATHAN 41458 - St.John`s U P S Thirumullavaram B 5 AGNES LAURENCE 41462 - Rosedale EM L P S B 6 SAIRAM.K 41465 - Govt .T T I Kollam B 7 AMINA.S 41097 - M.S.M. H.S.S.Chathinamkulam C 8 MADHURIMA M. 41409 - Govt . L P S Prakkulam C 41070 - St.Joseph Convent Girls H.S.S 9 GODSON C Kollam Report Generated on November 24, 2012, 07:58 pm Kollam Sub-District Kalolsavam 2012 - 2013 Govt.Model VHSS & HSS for Boys, Kollam 12 Nov 2012 - 16 Nov 2012 All Results Festival : LP General - 102 ( Padyamchollal - Malayalam) Sl No Name School Grade 41440 - Vimala Hridaya E M L P S 1 SOORYA GAYATHRI S A Pattathanam 2 SAIRAM.K 41465 - Govt .T T I Kollam A 41070 - St.Joseph Convent Girls H.S.S 3 GODSON A Kollam 4 FATHIMA.S 41402 - Govt. L P G S Kollurvila A 41428 - Mount Carmel R C L P S 5 AKSHAYA PRASAD A Thangasseri 6 ANANDHU S M 41462 - Rosedale EM L P S A 7 GOPIKA KUMARI 41424 - St.Joseph`s Convent L P S Tuet A 8 NIMMI.S 41401 - Govt.
    [Show full text]
  • Participants Eligible for Higher Level Competition in HSS General
    Irikur Sub-District Kalolsavam 2019 - 2020 GHSS CHUZHALI 05 Nov 2019 - 08 Nov 2019 Participants Eligible For Higher Level Competition in HSS General Sl No Item Name of Participant Class School 1 901 - Chithra Rachana - Pencil ATHUL P R 12 13071 - Govt H S S Ulikkal Kannur 902 - Chithra Rachana - Water 2 ATHUL P R 12 13071 - Govt H S S Ulikkal Kannur Colour 903 - Chithra Rachana - Oil 3 ATHUL P R 12 13071 - Govt H S S Ulikkal Kannur Colour 4 904 - Cartoon KIRAN P SOMANATHAN 12 13121 - GOVT.HIGH SCHOOL PADIYOOR 5 905 - Collage ALAKANANDA CHANDRAN 11 13121 - GOVT.HIGH SCHOOL PADIYOOR 907 - Sasthreeya 13074 - Sacred Heart High School 6 DIYA T S 12 Sangeetham(Girls) Payyavoor 13068 - Nirmala Higher Secondary School 7 908 - Lalithaganam (Boys) ABHIN THOMAS 11 Chemperi 13074 - Sacred Heart High School 8 909 - Lalithaganam (Girls) ABIGAIL THERESA ANIL 12 Payyavoor 9 910 - Mappilappattu (Boys) MUHAMMED HASHIK 12 13072 - G.H.S.S. Irikkur 10 911 - Mappilappattu (Girls) AYISHA O K 12 13063 - G.H.S.S. Sreekandapuram 912 - Kathakali Sangeetham 13070 - St.Thomas High School 11 AUGUSTINE M JOSEPH 11 (Boys) Manikkadave 913 - Kathakali Sangeetham 12 SRAVYA A 12 13072 - G.H.S.S. Irikkur (Girls) 15 921 - Triple / Jazz - Western ABHIJITH K 12 13063 - G.H.S.S. Sreekandapuram 16 922 - Chenda / Thayambaka YADHUKRISHNA T V 11 13080 - G.H.S. Nedungome 17 933 - Bharathanatyam (Girls) ARCHA SIDHU 11 13071 - Govt H S S Ulikkal Kannur 18 935 - Kuchuppudi (Girls) AJANYA K 12 13121 - GOVT.HIGH SCHOOL PADIYOOR 19 938 - Mohiniyattam (Girls) ARCHA SIDHU 11 13071 - Govt H S S Ulikkal Kannur 13070 - St.Thomas High School 20 939 - Prasangam - Malayalam TES MARIA 11 Manikkadave 21 940 - Prasangam - English JEEVA MARIYA BENNY 11 13065 - Devamatha High School Paisakkary 22 941 - Prasangam - Hindi ADWAITH P SAJEEVAN 11 13072 - G.H.S.S.
    [Show full text]
  • T>HE JOURNAL MUSIC ACADEMY
    T>HE JOURNAL OF Y < r f . MUSIC ACADEMY MADRAS A QUARTERLY IrGHTED TO THE ADVANCEMENT OF THE SCIENCE ' AND ART OF MUSIC XXXVIII 1967 Part.' I-IV ir w > \ dwell not in Vaikuntha, nor in the hearts of Yogins, ^n- the Sun; (but) where my Bhaktas sing, there L ^ Narada ! ” ) EDITED BY v. RAGHAVAN, M.A., p h .d . 1967 PUBLISHED BY 1US1C ACADEMY, MADRAS a to to 115-E, MOWBRAY’S ROAD, MADRAS-14 bscription—Inland Rs. 4. Foreign 8 sh. X \ \ !• ADVERTISEMENT CHARGES \ COVER PAGES: Full Page Half Page i BaCk (outside) Rs. 25 Rs. 13 Front (inside) 99 20 .. 11. BaCk (Do.) 30 *# ” J6 INSIDE PAGES: i 1st page (after Cover) 99 18 io Other pages (eaCh) 99 15 .. 9 PreferenCe will be given (o advertisers of musiCal ® instruments and books and other artistic wares. V Special positions and speCial rates on appliCation. t NOTICE All correspondence should be addressed to Dr. V. Ragb Editor, Journal of the MusiC ACademy, Madras-14. Articles on subjects of musiC and dance are accepte publication on the understanding that they are Contributed to the Journal of the MusiC ACademy. f. AIT manuscripts should be legibly written or preferabl; written (double spaced—on one side of the paper only) and be sigoed by the writer (giving his address in full). I The Editor of the Journal is not responsible for tb expressed by individual contributors. AH books, advertisement moneys and cheques du> intended for the Journal should be sent to Dr. V, B Editor. CONTENTS Page T XLth Madras MusiC Conference, 1966 OffiCial Report ..
    [Show full text]
  • Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018
    Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018 List of participants For Team Manager ( Ernakulam ) Festival: HS General School Code: 25002 School Name: Vidyadhiraja Vidya Bhavan E. M. H. S. Aluva Sl.No Item Name Reg No. Adm.No. B/G Class Cluster Stage No Date 607 - Kathakali Sangeetham Stage 18 1 ACHYUTH UNNI 4588 7046 B 10 1 06 Jan 2018 (Boys) Neelakadambu Stage 18 2 615 - Violin - Paurasthyam SAINANDAN P V 4589 7226 B 9 1 08 Jan 2018 Neelakadambu Stage 7 3 625 - Ottanthullal NIRUPAMA VENUGOPAL 4591 7353 G 8 2 08 Jan 2018 Neermaruthu Stage 10 4 656 - Aksharaslokam PRANAV S 4594 7064 B 10 1 06 Jan 2018 Manchadi Stage 23 5 663 - Parichamuttu (Boys) ARJUN O B 4610 7130 B 9 5 09 Jan 2018 Chandanam 6 663 - Parichamuttu (Boys) MOHAMMED ADHNAN 4608 7191 B 9 7 663 - Parichamuttu (Boys) ATHUL K L 4609 7249 B 9 8 663 - Parichamuttu (Boys) DEEPAK UNNIKRISHNAN 4611 8374 B 9 9 663 - Parichamuttu (Boys) ASWAL ASOKAN 4612 7966 B 9 10 663 - Parichamuttu (Boys) HARIKRISHNAN E V 4613 7159 B 9 11 663 - Parichamuttu (Boys) FAHSAN MIRZA M A 4614 8575 B 9 12 663 - Parichamuttu (Boys) PRITHVIN RAYMAND 4615 8561 B 9 Stage 16 13 664 - Poorakkali (Boys) FARIS P A 4607 8608 B 9 1 09 Jan 2018 Rajamalli 14 664 - Poorakkali (Boys) AADHIL IBRAHIM 4596 7752 B 9 15 664 - Poorakkali (Boys) VISHNU SUBHASH 4597 7163 B 9 16 664 - Poorakkali (Boys) ASWIN SURESHBABU 4598 7164 B 9 17 664 - Poorakkali (Boys) BIJAI BATIN 4599 7161 B 9 18 664 - Poorakkali (Boys) HARIKRISHNAN R 4600 7436 B 9 19 664 - Poorakkali (Boys) AROMAL VIJAYAKUMAR 4601 7312 B 9 20
    [Show full text]
  • Indian Council for Cultural Relations Empanelment Artists
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Sponsored by Occasion Social Media Presence Birth Empanel Category/ ICCR including Level Travel Grants 1 Ananda Shankar Jayant Telangana 9/27/1961 Bharatanatyam C-52, Road No.10, 2007 Outstanding 1997-South Korea To give cultural https://www.youtube.com/watch?v=vwH8YJH4iVY Film Nagar, Jubilee Hills Myanmar Vietnam Laos performances to https://www.youtube.com/watch?v=Vrts4yX0NOQ Hyderabad-500096 Combodia, coincide with the https://www.youtube.com/watch?v=YDwKHb4F4tk Cell: +91-9848016039 2002-South Africa, Establishment of an https://www.youtube.com/watch?v=SIh4lOqFa7o +91-40-23548384 Mauritius, Zambia & India – Central https://www.youtube.com/watch?v=MiOhl5brqYc [email protected] Kenya American Business https://www.youtube.com/watch?v=COv7medCkW8 [email protected] 2004-San Jose, Forum in Panana https://www.youtube.com/watch?v=kSr8A4H7VLc Panama, Tegucigalpa, and to give cultural https://www.ted.com/talks/ananda_shankar_jayant_fighti Guatemala City, Quito & performances in ng_cancer_with_dance Argentina other countries https://www.youtube.com/user/anandajayant https://www.youtube.com/user/anandasj 2 Bali Vyjayantimala Tamilnadu 8/13/1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ
    [Show full text]
  • Ashtadasha Vadyam's and Temple Arts of Kerala
    www.ijcrt.org © 2020 IJCRT | Volume 8, Issue 8 August 2020 | ISSN: 2320-2882 Ashtadasha Vadyam’s and Temple Arts of Kerala Manoj Manikkoth PhD research scholar Vels University Abstract: Kerala – The God’s Own Country – is filled with the presence of music, dance, musical instruments, temple arts and temple rituals. The history of various traditional art forms rests in the soil of Kerala. About eighteen musical instruments are known as ‘Kshetra Vadyam’. It includes ‘Deva vadyam’ and ‘Asura Vadyam’ from which the distinct place for ‘Chenda’ can be acknowledged by observing where it is present. It might be ‘Chenda’s resonance that make the seventeen ‘Ashtadasha Vadyam’s to below the ‘Chenda’. Some of the musical instruments which are being used for Pooja rituals in temples are also being used for some classical dance forms in Kerala. The study of such musical instruments and the classical dance forms associated to it are the foundation of this journal. Some musical instruments are used only outside the temple and some are used inside the temple only. ‘Sopana Sangeetham’ is one of the popular among ‘Kshetra Sangeetham’. Only one musical instrument is used in ‘Sopana Sangeetham’ ie Idakka. Idakka is a musical instrument which is inevitable in ‘Mohiniyattam’ concert. Idakka is only used in ‘Kathakali’ when female role is presented. The ‘Chenda’ is an inevitable musical instrument in ‘Kathakali’. Altogether, five musical instruments in ‘Pakkamaelam” are used when ‘Kathakali’ is staged from which four are ‘Kshetra Vadyam’s, ‘Chenda’, ‘Idakka’, ‘Madhalam’, ‘Chengila’ and the one which is excluded in Kshetra Vadyam’s is ‘Ilathalam’.
    [Show full text]
  • Location Accessibility Contact
    Panchayath/ Municipality/ Thrippunithura Municpality Corporation LOCATION District Ernakulam Nearest Town/ Thrippunithura – 1 km Landmark/ Junction Nearest Bus statio Thrippunithura Private Bus Stand – 1 km Nearest Railway Ernakulam South Railway Station -7.6 km statio ACCESSIBILITY Nearest Airport Cochin International Airport – 32.3 km Sree Poornathrayeesa Temple Kottakkakam Road, Thrippunithura - 682301 Phone: +91-484-2776655 CONTACT Email : [email protected] Website : www.sreepoornathrayeesa.net DATES FREQUENCY DURATION TIME November - December Annual 8 Days ABOUT THE FESTIVAL (Legend/History/Myth) Poornathrayeesa is a combination of words, Poorna (means complete), Thraya (means three), and Eesa (means God), which means the God of the Three Vedas – Rig Veda, Yajur Veda And Sama Veda. Some believe that Poornathrayeesa is the combined manifestation of holy Trinities – Lord Brahma, Lord Vishnu and Lord Siva. The origin of the temple is associated with the episode of Santhanagopalam of the epic of Bhagavatha. The antiquity of the temple can be traced back to Dwapara Yuga. According to legend, the temple was established by Arjuna, the third Panda Prince and Lord Maha Vishnu was worshipped by him as Santhanagopalamurthy – the protector of kids. Poornathrayeesa is the tutelary deity of Cochin Royal family. Narayaneeyam Bhasha Chambu, Kerala Mahatmyam, and Uma Keralam – three important literary works in Malayalam – have mentioned about the temple. The present idol of Lord Vishnu was recast in 1270 A.D. The structures of the temple were built at different periods starting from 952 A.D. to 1849 A.D. A massive fire accident was occurred in the year 1920 A.D. and caused heavy damages to the temple structures except the sanctum sanctorum and idol.
    [Show full text]
  • Annual Report 2017-2018
    ANNUAL REPORT 2017-2018 REVIVAL OF THE LESSER KNOWN ART FORMS OF KERALA A CSR INITIATIVE OF DORF KETAL MESSAGE FROM THE HEAD-CSR Dorf ketal believes in giving back particu- larly to the communities most significant to the company's success. Our CSR team works with the NGOs of repute to achieve our objectives by implementing a meaning- ful, well-managed corporate social respon- sibility program, Dorf ketal enhances value creation in the societies in which it oper- ates. Dorf ketal not only meets the respon- sible care requirements regarding health, safety, security and environment as set by the International council of chemical asso- ciations, on a global basis but also imple- mented the integrated management system (IMS) for its sustainable growth and high standard management. Folkland is implementing the goal of sus- tainable development through traditional art forms. As a happy family our team con- tinuous its endeavours towards the empow- erment of women and we look forward to transforming lives of performing artists by providing them with sustainable and respectable livelihood. SHRI.SANTOSH JAGDHANE AGM-Corporate Social Responsibility Dorf Ketal Chemicals India Pvt.Ltd. 02 A WORD FROM THE CHAIRMAN We are happy and proud to present the Annual report of 2017-18. Folkland is deeply indebted to Dorf Ketal,for their humble generosity that helped us realize our dream of sustainable development through art implying creation of an organic, growth-oriented process where the art forms and the artistic communities are encouraged to evolve and flow, even while retaining the traditional elements of their art intact.With this gesture,we were able to create difference in the lives of thousands of artists by creating opportunity for sustainable devel- opment through art training programs.
    [Show full text]
  • BA Kathakali Chenda
    MAHATMA GANDHI UNIVERSITY PRIYADARSINI HILLS P.O. KOTTAYAM - 686 560 SYLLABUS FOR B.A. CHENDA 2017 onwards MAHATMA GANDHI UNIVERSITY - B .A . CHENDA PROGRAMME - COURSE DETAILS Sem Course Course Course Title Course Hrs/ Credit Exam Marks Total code Type Week Hrs Int; Ext Total Credit Common Course -1 Theory 5 4 3 20 80 100 Common Course- 2 Theory 4 3 3 20 80 100 20 I Common Course-3 Theory 4 4 3 20 80 100 CH1CRT01 Core Course – 1 Basic of Chenda Theory 4 3 3 20 80 100 CH1CRP02 Core Course – 2 Basic Lessons Practical 4 2 30min 20 80 100 MD1CMP01 Complementary Course – 1 Padakai Practical 2 2 30min 20 80 100 Maddalam RK1CMP02 Complementary Course- 2 Basic Thalams Practical 2 2 30min 20 80 100 Rhythms of Kerala II Common Course -4 Theory 5 4 3 20 80 100 20 Common Course - 5 Theory 4 3 3 20 80 100 Common Course-6 Theory 4 4 3 20 80 100 CH2CRT03 Core Course – 3 Basic Structure of Thala Theory 4 3 3 20 80 100 CH2CRP04 Core Course – 4 Champakuru to Thayampaka Practical 4 2 30min MD2 CMP0 3 Complementary Course – 3 Keli Mukam Practical 2 2 30min 20 80 100 Maddalam RK2CMP04 Complementary Course- 4 Application of Thalas Practical 2 2 30min 20 80 100 Rhythms of Kerala III Common Course -7 Theory 5 4 3 20 80 100 20 Common Course- 8 Theory 5 4 3 20 80 100 CH3CRT05 Core Course – 5 Evolution of Kathakali Melam Theory 7 4 3 20 80 100 CH3CRP06 Core Course – 6 Purappadu Practical 4 4 30min 20 80 100 MD3CMP05 Complementary Course – 5 Pancharikuru Practical 2 2 30min 20 80 100 Maddalam RK3CMP06 Complementary Course- 6 Application of Nadas Practical 2 2 30min 20 80 100 Rhythms of Kerala IV Common Course -9 Theory 5 4 3 20 80 100 20 Common Course- 10 Theory 5 4 3 20 80 100 CH4CRT07 Core Course – 7 Objectives of Kathakali Melam Theory 7 4 3 20 80 100 CH4CRP08 Core Course – 8 Melapadam,Keli,etc….
    [Show full text]