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MAHATMA GANDHI UNIVERSITY PRIYADARSINI HILLS P.O. KOTTAYAM - 686 560 SYLLABUS FOR B.A. CHENDA 2017 onwards MAHATMA GANDHI UNIVERSITY - B .A . CHENDA PROGRAMME - COURSE DETAILS Sem Course Course Course Title Course Hrs/ Credit Exam Marks Total code Type Week Hrs Int; Ext Total Credit Common Course -1 Theory 5 4 3 20 80 100 Common Course- 2 Theory 4 3 3 20 80 100 20 I Common Course-3 Theory 4 4 3 20 80 100 CH1CRT01 Core Course – 1 Basic of Chenda Theory 4 3 3 20 80 100 CH1CRP02 Core Course – 2 Basic Lessons Practical 4 2 30min 20 80 100 MD1CMP01 Complementary Course – 1 Padakai Practical 2 2 30min 20 80 100 Maddalam RK1CMP02 Complementary Course- 2 Basic Thalams Practical 2 2 30min 20 80 100 Rhythms of Kerala II Common Course -4 Theory 5 4 3 20 80 100 20 Common Course - 5 Theory 4 3 3 20 80 100 Common Course-6 Theory 4 4 3 20 80 100 CH2CRT03 Core Course – 3 Basic Structure of Thala Theory 4 3 3 20 80 100 CH2CRP04 Core Course – 4 Champakuru to Thayampaka Practical 4 2 30min MD2 CMP0 3 Complementary Course – 3 Keli Mukam Practical 2 2 30min 20 80 100 Maddalam RK2CMP04 Complementary Course- 4 Application of Thalas Practical 2 2 30min 20 80 100 Rhythms of Kerala III Common Course -7 Theory 5 4 3 20 80 100 20 Common Course- 8 Theory 5 4 3 20 80 100 CH3CRT05 Core Course – 5 Evolution of Kathakali Melam Theory 7 4 3 20 80 100 CH3CRP06 Core Course – 6 Purappadu Practical 4 4 30min 20 80 100 MD3CMP05 Complementary Course – 5 Pancharikuru Practical 2 2 30min 20 80 100 Maddalam RK3CMP06 Complementary Course- 6 Application of Nadas Practical 2 2 30min 20 80 100 Rhythms of Kerala IV Common Course -9 Theory 5 4 3 20 80 100 20 Common Course- 10 Theory 5 4 3 20 80 100 CH4CRT07 Core Course – 7 Objectives of Kathakali Melam Theory 7 4 3 20 80 100 CH4CRP08 Core Course – 8 Melapadam,Keli,etc….. Practical 4 4 30min 20 80 100 MD4 CMP0 7 Complementary Course-7 Maddalam Tripuda Kalasam Practical 2 2 30min 20 80 100 RK4CMP08 Complementary Course- 8 Melapadam, Kuru,etc… Practical 2 2 30min 20 80 100 Rhythms of Kerala V CH5CRT09 Core Course – 9 The Summary of Selected Theory 5 3 3 20 80 100 20 Aattakadhas CH5CRT10 Core Course – 10 DYNAMICS OF ENVIRONMENTAL Theory 4 3 3 20 80 100 STUDIES AND HUMAN RIGHTS IN PERFORMING ARTS CH5CRP11 Core Course – 11 Ashtakalasam Practical 5 4 30min 20 80 100 CH5CRP12 Core Course- 12 Thayampaka-I Practical 5 4 30min 20 80 100 CH5OPP01 Open Course Kathakali Chenda Appreciation Practical 4 4 30min 20 80 100 CH5PRT01 Coursework / Project Work 2 2 20 80 100 VI CH6CRT13 Core Course – 13 Methods of Performance and Theory 5 4 3 20 80 100 20 Percussion CH6CRP14 Core Course – 14 Thayampaka-II Practical 5 4 30min 20 80 100 CH6CRP15 Core Course – 15 Thiranoku Practical 5 4 30min 20 80 100 CH6CRP16 Core Course- 16 Mallayudham,etc… Practical 5 4 30min 20 80 100 CH6CBP01 Choice Based Core Course (1) Elaboration of Thayampaka Practical 3 2 30min 20 80 100 CH6CBP02 (2)Role of Chenda in Kathakali CH6CBP03 (3)Manodharma CH6PRT02 Coursework / Project Work 2 2 20 80 100 Total 3600 120 Course Credits Total Common Courses 10 38 Total Core Courses [Practical -9 + Theory -7] 16 32+25=57 Total Complimentary Courses 8 16 Choice Based Core Course 1 2 Total Open Courses 1 3 Total Project Work / Course Work 2 4 38 120 MAHATMA GANDHI UNIVERSITY B.A. DEGREE SYLLABUS CHENDA SEMESTER - I I. Core Course - I - Theory - Basic of Chenda CH1CRTO1 1. Xmb¼Isb¡pdn¨v s]mXphn DÅ Adnhv 2. KW]XnssI sIm«p¶Xnsâ Dt±iw 3. ]mTssIIÄ Hmtcm¶pw sIm«n ioen¡p¶ k{¼Zmbhpw Dt±ihpw II. Core Course - II - Practical - CH1CRPO2 Basic lessons sN - bpsS ASnØm\ ]mT§Ä, Xmb¼I ]XnImew III. Complimentary Course - I Practical (Maddalam) - MD1CMPO1 Padakai KW]XnssI, ]mTssIIÄ IV. Complimentary Course - II Rythms of Kerala - RK1CMPO2 Basic lessons 1. ]XnIme¯nsâ Xmfw (Xmb¼IbnÂ) 2. ]mTssIIfpsS Xmfw 3. KW]XnssI, Xmb¼I ]XnIme¯nse F®§Ä F¶nh Xmfw ]nSn¨v ]dbphm³ ioen¡pI SEMESTER - II I. Core Course - III - Theory - Basic Structure of Thala - CH2CRTO3 1. Basic structure of Ekathala, Panchari Thala, Champa Thala, Atantha Thala. 2. The concept of Kooru 3. The concept of Gathi/Nata 4. Vakas as the method of personal improvisation 5. Comparative study - Gathi/Nata and Kooru 6. Thayampaka : History, Important Thayampaka Artists, Different Sampradayas. Malamakkavu, Palakkadan. II. Core Course - IV Practical - CH2CRPO4 Chempa Kooru N¼¡qdv apX Xmb¼I ]T\w ]qÀ¯oIcn¡pw hsc III. Complimentary Course - III Practical - Maddalam - MD2CMPO3 Keli Mukham tIfn apJw, sN¼Sh«w Hsc®w, Ip«ns¸cp¡w IV. Complimentary Course - IV Practical - Rhythms of Kerala - APPLICATION OF TALAS - RK2CMPO4 1. Xmb¼IbpsS LS\ ]XnImew, Iqdv (N¼, AS´, ]©mcn) CSh«w, CS\ne, CcnInS, hniZamb ]T\w SEMESTER - III I. Core Course - V - Theory, Evolution of Kathakali Melam - CH3CRTO5 1. IYIfnbpsS NS§pIfpw AhbpsS Dt±i§fpw 2. hÅt¯mÄ \mcmbW tat\m³, aW¡pfw apIpµcmPm ChcpsS Ncn{Xhpw IYIfn¡v \ÂInb kw`mh\Ifpw 3. IYIfn cwKs¯ a¬adªpt]mb BNmcy·mcpsS PohnXw, aq¯a\ tIih³ \¼qXncn, Iem. A¨p®n s]mXphmÄ, Iem. IrJvW³Ip«ns]mXphmÄ, C«ncmcn¨tat\m³, ]«n¡mwsXmSn XpS§n Iem N{µa¶mSnbmÀ hsc. 4. ]pd¸mSv, ]IpXn]pd¸mSv kmLnXyw ]Tn¡pI, Ah sImt« - k{¼Zmb§Ä a\Ênem¡pI. 5. IYIfnbpsS DÛhw II. Core Course - VI - Practical - CH3CRP06 Purappadu 1. ]pd¸mSv 2. ]IpXn¸pd¸mSv 3. IYIfnbnse hnhn[ Xmf§fnepw Ime§fnepapÅ km[mcW Iemi§Ä. III. Complimentary Course - V Practical - Maddalam - MD3CMPO5 Panchari kooru ]©mcn Iqdv, aq¶mwh«w apdpInb \ne þ Hsc®w hoXw IV. Coomplimentary Course - VI Practical Rythms of Kerala - RK3CMPO6 Application of Nadas 1. Xmf§fpsS hnhn[ Ime§Ä Xmfw ]nSn¨v ioen¡pI 2. hnhn[ Xmf§fnepÅ IpSn¯cw Iemi§Ä Xmfw ]nSn¨v Dd¸n¡Â. SEMESTER - IV I. Core Course - VII - Theory Objectives of Kathakali Melam - CH4CRTO7 1. IYIfntaf¯n\v aäp tafIemcq]§fn \n¶pw DÅ hyXymkw 2. IYIfn taf¯nsâ [À½w, {]ikvXn 3. sN - \nÀ½mWs¯¡pdn¨v s]mXphn Hcdnhv t\SpI 4. sN - bpsS Hmtcm AwK¯nsâbpw Dt±iw a\Ênem¡pI 5. cpKvanWokzbwhcw, kp`{ZmLcWw, IeymWkUKÔnIw, \cImkpch[w (IrJvWthJ§Ä) D¯c³, iUcyKpWw, LtSmÂIN·mÀ, ZqX·mÀ F¶o Ip«n¯cw thJ§fpsS AhXcW{Iaw, NS§pIÄ, {]tXyIXIÄ Ch hniZambn ]Tn¡Â IqSmsX Hmtcm c - mgvN IqSpt¼mÄ 10 ap{ZIÄ Hcp ]Zw, Hcp B«w Ch A²ym]Isâ \nÀt±ia\pkcn¨v hnZymÀ°n kzbw ]Tnt¡- XmWv. II. Core Course - VIII - Practical - CH4CRPO8 Melappadam 1. taf¸Zw, tIfn 2. hnhn[ Xmf§fnepw Ime§fnepw DÅ h«w h¨p Iemi§Ä 3. sN¼S þ 4 - Xmfh«w DÅ Ip«n¯cw ]Xnª Cc«n 4. Ip«n cmhW³ 5. ZqX³amÀ, LtSmÂIN·mÀ F¶o thJ§fpsS taf{Iaw III. Complimentary Course - VII - Practical - Maddalam - MD4CMPO7 Thodayam 1. tIfn 2. tXmSbw Xr]pS Iemiw hsc, ]pd¸mSv ]Xnª InSXIv [owXmw, taf¸Zw Hsc®w IV. Complimentary Course - Practical - VIII. Rythms of Kerala - RK4CMPO8 Vattamvechu Kalasam 1. taf¸Z¯nsâ F®§Â Xmfw ]nSn¨v ]dªv ioen¡pI 2. N¼Xmf¯nepÅ h«w h¨v Iemi§Ä Xmfw ]nSn¨v ioen¡pI. SEMESTER - V I. Core Course - IX Theory The Summary of Selected Aattakathas - CH5CRT09 1. tIm«bw IYIfpsS taf{]tbmKcoXnIsf¡pdn¨v s]mXphn Adnªncn¡pI. hntiJn¨v tIm«bw IYIfn Hcp amä sN - ¡mc³ sIt«−p¶ `mK§fnse taf k{¼Zmbw hniZambn a\Ênem¡pI. {]tXyIw ]Tnt¡- h _Ih[w `oa³, \cImkpc³ tXcpIq«ns¡«Â, ImetIbh[w c−mw AÀPp\³, InÀ½oc³, i_vZhÀ®\, _Ih[w, IeymWkUKÔnIw, h\hÀ®\, B«tÇmI§Ä, APKcI_fnXw B«w. II. Core Course - X - Theory - CH5CRT10 DYNAMICS OF ENVIRONMENTAL STUDIES AND HUMAN RIGHTS IN PERFORMING ARTS Module 1 - Unit 1 - Multidisciplinary Nature of Environmental Studies Unit 2 - Natural Resources Module 2 - Unit 1 - Bio Diversity and Conservation Unit 2 - Natural Pollution Module 3 - Unit 1 - Nature and Music - the know and the Unknown Unit 2 - Bio Rhythms Module 4 - Unit 1 - Influence of Nature in Movements and Gestures in Performing arts (Bharathanatyam, Mohiniyattam, Kathakali) Unit 2 - Bio Rhythms Module 5 - Human Rights III. Core Course - XI - Practical - Ashtakalasam - CH5CRP11 1. apdnbS´ --þ Xr]pS, ]©mcn Xmf¯nepÅ h«w h¨p Iemi§Ä 2. Xnct\m¡pIÄ, CS¯cw, Ip«n¯cw 3. Akv{XþapJvSn bp²h«w, N¼bp²h«w, ]S¸pd¸mSv 4. AJvSIemiw 5. AS¡w, CS¡emiw (]XnªXpw, apdpInbXpw) 6. N¼, sN¼S, ]©mcn tXmwImc§Ä IV. Core Course - XII - Practical - Thayampaka I - CH5CRP12 1. FÃm Xmf§fnepapÅ ]Xnª Cc«nIÄ 2. ]m©me cmPX\tb, tIIn, sN´mÀ_mW aWns¨¸v F¶msW t]mI \o, P\IXhZÀi\m F¶o {]tXyI Cc«nIÄ 3. Xmb¼I hn]peoIcWw XpSÀ¨ þ AS´¡qdv, ]©mcn¡qdv 4. taf¸Zw hn]peoIcn¡Â 5. tXcpIq«ns¡«Â 6. AS´h«w (IcnbpsS NS§pIÄ) 7. ]©mcnh«w, ]¯SnbpsS k{¼Zmbw, sXcp¸d¡Â, apXembh OPEN COURSE - Practical - CH5OPP01 Kathakali Chenda Appreciation Project / Course Work - CH5PRPO1 SEMESTER - VI I. Core Course - XIII Theory - Methods of Performance and Percussion - CH6CRT13 1. tIm«bw IYIfnse \mbI IYm]m{X§fpsS cwKmhXcW {Iaw taf{Iaw ]Tn¡pI. 2. DÛhw cmhWsâ X]Êm«w 3. B«tÇmI§Ä þ B«§Ä {]tXyIw ]Tnt¡- h, H¶mw Znhkw \f³, _menhnPbw þ cmhW³, _menh[w, þ cmhW³, kzÀ¤hÀ®\ (B«w), L\pam³ (tXmcWbp²w ehWmkpch[w, IeymWkUKÔnIw, D¯cmkzbwhcw), PcmkÔ³ (hS¡³) IqSmsX IYIfnbnse \mSIob kµÀ`§fnepw, taf {][m\amb kµÀ`§fnepw sN - {]tbmKn¡p¶XnepÅ hyXymk§Ä.
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    T>HE JOURNAL MUSIC ACADEMY

    T>HE JOURNAL OF Y < r f . MUSIC ACADEMY MADRAS A QUARTERLY IrGHTED TO THE ADVANCEMENT OF THE SCIENCE ' AND ART OF MUSIC XXXVIII 1967 Part.' I-IV ir w > \ dwell not in Vaikuntha, nor in the hearts of Yogins, ^n- the Sun; (but) where my Bhaktas sing, there L ^ Narada ! ” ) EDITED BY v. RAGHAVAN, M.A., p h .d . 1967 PUBLISHED BY 1US1C ACADEMY, MADRAS a to to 115-E, MOWBRAY’S ROAD, MADRAS-14 bscription—Inland Rs. 4. Foreign 8 sh. X \ \ !• ADVERTISEMENT CHARGES \ COVER PAGES: Full Page Half Page i BaCk (outside) Rs. 25 Rs. 13 Front (inside) 99 20 .. 11. BaCk (Do.) 30 *# ” J6 INSIDE PAGES: i 1st page (after Cover) 99 18 io Other pages (eaCh) 99 15 .. 9 PreferenCe will be given (o advertisers of musiCal ® instruments and books and other artistic wares. V Special positions and speCial rates on appliCation. t NOTICE All correspondence should be addressed to Dr. V. Ragb Editor, Journal of the MusiC ACademy, Madras-14. Articles on subjects of musiC and dance are accepte publication on the understanding that they are Contributed to the Journal of the MusiC ACademy. f. AIT manuscripts should be legibly written or preferabl; written (double spaced—on one side of the paper only) and be sigoed by the writer (giving his address in full). I The Editor of the Journal is not responsible for tb expressed by individual contributors. AH books, advertisement moneys and cheques du> intended for the Journal should be sent to Dr. V, B Editor. CONTENTS Page T XLth Madras MusiC Conference, 1966 OffiCial Report ..
  • Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018

    Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018

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  • Folk Dances of India: Kathakali

    Folk Dances of India: Kathakali

    Folk Dances of India: Kathakali Kathakali is a major classical dance form from Ancient India. It is a “story play” of art that includes elaborate, colourful makeup, beautiful mesmerizing costumes and face masks traditionally performed by male dancers. It is a Hindu folk dance performed in the Malayalam speaking southwest region of Kerala. Kathakali is derived from Katha, which means “story or a traditional tale”, and Kalī means “performance or art”.​1​ Kathakali is a long tradition that symbolizes the eternal fight between good and evil. It was given its present form by Mahakavi Vallathol Narayan Menon, the founder of the Kerala KalaMandalam. Being a more relatable form of art strikes a chord with the public as it embodies their customs and religions. It involves vigorous and florid movements, stylized gestures and loads of facial expressions. These gestures are broad and robust, and faces are made from face paint which look like masks. The characters of Kathakali express their emotions and the story through songs from the background and their unique loud expressions. Dances rely on hand gestures, known as mudra, to convey the soul of the story.​2,3​ Costumes, makeup and face masks are the most distinguishing features of this classical dance. There are several kinds of costumes including, Sathwika (the hero), Kathi (the villain), Minukku (females), and Thatti.​1​ Each character is easily recognizable by his makeup, costume and mask. This costume consists of a full skirt and heavy jacket with embellished garlands and jewellery.​4​ The musical notes of Kathakali are similar to the traditional classical music of South India; however, the instruments used are different.
  • View Artist Details

    View Artist Details

    Sl. Name Designation Address DOB Edu: & Technical Qualification No. 1 Shri B Sreekumar Visiting Proff. Vesham Lekshmi Thalppam, * S.S.L.C Passed, Shri V. Vijayakumaran Kudavoor.P.O, * Trainign in Kathakali from Margi 2 Visiting Proff. 31.05.1960 Nair Thiruvananthapuram Kathakali School from 1975-1982, -695313 * now working as a Principal in Margi Sivasylam, Tc- * S.S.L.C Passed, 29/485(1), C.K.Road, * Studied Kathakali Make-up in Margi 3 Shri K. Raveendran Nair 12.08.1961 Pettah, from 1979, Manager Thiruvananthapuram * working as Manager in Margi since 2013 MRA -99, TC-42/166, * 8th Passed, Mukkolackal, * Studied at Kerala Kalamandalam (1980- 4 T. Krishnadas Principal Sreevaraham, 21.5.1965 85) Thiruvananthapuram- * working as Kathakali Chenda artists in 695009 Margi since 1985 Plavilazhikathu * 6th Passed Thidiyil Veedu, * Studied Kathakali Maddalam at Kerala 5 S. Raveendran Gr-I, Maddalam Kannimelchery, 20.05.1966 Kalamandalam from 1979-1983, Kilikollur P.O, * working as Kathakali Maddalam artist Kollam.695004 in Margi since 1984 * 8th Passed , Mappanalil House, * Diploma In Kathakali Music from Mamalassery, UnnaI Varrier Samaraka Kalanilayam 6 M. K. Nandakumar Gr-I, Music Ramamangalam, 18.07.1961 (1975-1981), * working as Moovattupuzha via, Kathakali Music artist in Margi since Ernakulam-686663 1984 Kochumeloottu * 7th Passed, Veedu, Kareepra, 7 R. Venugopal Gr-II, Chenda 24.05.1968 * Joined Margi as Chenda artists since Kuzhimathycaud.P.O, 1988 Kollam-691509 * S.S.L.C passed Lekshmi Nivas, * Dilpoma In Kathakali Music from Vettuveni Muri, 8 K. Damodaran Pillai Gr-II, Music 22.05.1960 FACT (1977-1983), Harippad.P.O, * working as Kathakali Music artist in Alappuzha-690514 Margi since 1983 Damunni Nivas, * 8th Passed, Panniyamkurussi.P.O, * Studied at Kerala Kalamandalam (1980- 9 C.