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Game Developer Index 2012 Swedish Games Industry’S Reports 2013 Table of Contents
GAME DEVELOPER INDEX 2012 SWEDISH GAMES INDUSTRY’S REPORTS 2013 TABLE OF CONTENTS EXECUTIVE SUMMARY 2 WORDLIST 3 PREFACE 4 TURNOVER AND PROFIT 5 NUMBER OF COMPANIES 7 NUMBER OF EMPLOYEES 7 GENDER DISTRIBUTION 7 TURNOVER PER COMPANY 7 EMPLOYEES PER COMPANY 8 BIGGEST PLAYERS 8 DISTRIBUTION PLATFORMS 8 OUTSOURCING/CONSULTING 9 SPECIALISED SUBCONTRACTORS 9 DLC 10 GAME DEVELOPER MAP 11 LOCATION OF COMPANIES 12 YEAR OF REGISTRY 12 GAME SALES 13 AVERAGE REVIEW SCORES 14 REVENUES OF FREE-TO-PLAY 15 EXAMPLE 15 CPM 16 eCPM 16 NEW SERVICES, NEW PIRACY TARGETS 16 VALUE CHAIN 17 DIGITAL MIDDLEMEN 18 OUTLOOK 18 SWEDISH AAA IN TOP SHAPE 19 CONSOLES 20 PUBISHERS 20 GLOBAL 20 CONCLUSION 22 METHODOLOGY 22 Cover: Mad Max (in development), Avalanche Studios 1 | Game Developer Index 2012 EXECUTIVE SUMMARY The Game Developer Index maps, reports and analyzes the Swedish game devel- opers’ annual operations and international trends by consolidating their respective annual company accounts. Swedish game development is an export industry and operates in a highly globalized market. In just a few decades the Swedish gaming industry has grown from a hobby for enthusiasts into a global industry with cultural and economic importance. The Game Developer Index 2012 compiles Swedish company accounts for the most recently reported fiscal year. The report highlights: • Swedish game developers’ turnover grew by 60 percent to 414 million euro in 2012. A 215% increase from 2010 to 2012. • Most game developer companies (~60 percent) are profitable and the industry reported a combined profit for the fourth consecutive year. • Job creation and employment is up by 30 percent. -
Defendant Apple Inc.'S Proposed Findings of Fact and Conclusions Of
Case 4:20-cv-05640-YGR Document 410 Filed 04/08/21 Page 1 of 325 1 THEODORE J. BOUTROUS JR., SBN 132099 MARK A. PERRY, SBN 212532 [email protected] [email protected] 2 RICHARD J. DOREN, SBN 124666 CYNTHIA E. RICHMAN (D.C. Bar No. [email protected] 492089; pro hac vice) 3 DANIEL G. SWANSON, SBN 116556 [email protected] [email protected] GIBSON, DUNN & CRUTCHER LLP 4 JAY P. SRINIVASAN, SBN 181471 1050 Connecticut Avenue, N.W. [email protected] Washington, DC 20036 5 GIBSON, DUNN & CRUTCHER LLP Telephone: 202.955.8500 333 South Grand Avenue Facsimile: 202.467.0539 6 Los Angeles, CA 90071 Telephone: 213.229.7000 ETHAN DETTMER, SBN 196046 7 Facsimile: 213.229.7520 [email protected] ELI M. LAZARUS, SBN 284082 8 VERONICA S. MOYÉ (Texas Bar No. [email protected] 24000092; pro hac vice) GIBSON, DUNN & CRUTCHER LLP 9 [email protected] 555 Mission Street GIBSON, DUNN & CRUTCHER LLP San Francisco, CA 94105 10 2100 McKinney Avenue, Suite 1100 Telephone: 415.393.8200 Dallas, TX 75201 Facsimile: 415.393.8306 11 Telephone: 214.698.3100 Facsimile: 214.571.2900 Attorneys for Defendant APPLE INC. 12 13 14 15 UNITED STATES DISTRICT COURT 16 FOR THE NORTHERN DISTRICT OF CALIFORNIA 17 OAKLAND DIVISION 18 19 EPIC GAMES, INC., Case No. 4:20-cv-05640-YGR 20 Plaintiff, Counter- DEFENDANT APPLE INC.’S PROPOSED defendant FINDINGS OF FACT AND CONCLUSIONS 21 OF LAW v. 22 APPLE INC., The Honorable Yvonne Gonzalez Rogers 23 Defendant, 24 Counterclaimant. Trial: May 3, 2021 25 26 27 28 Gibson, Dunn & Crutcher LLP DEFENDANT APPLE INC.’S PROPOSED FINDINGS OF FACT AND CONCLUSIONS OF LAW, 4:20-cv-05640- YGR Case 4:20-cv-05640-YGR Document 410 Filed 04/08/21 Page 2 of 325 1 Apple Inc. -
Game Developer Index 2010 Foreword
SWEDISH GAME INDUSTRY’S REPORTS 2011 Game Developer Index 2010 Foreword It’s hard to imagine an industry where change is so rapid as in the games industry. Just a few years ago massive online games like World of Warcraft dominated, then came the breakthrough for party games like Singstar and Guitar Hero. Three years ago, Nintendo turned the gaming world upside-down with the Wii and motion controls, and shortly thereafter came the Facebook games and Farmville which garnered over 100 million users. Today, apps for both the iPhone and Android dominate the evolution. Technology, business models, game design and marketing changing almost every year, and above all the public seem to quickly embrace and follow all these trends. Where will tomorrow’s earnings come from? How can one make even better games for the new platforms? How will the relationship between creator and audience change? These and many other issues are discussed intensively at conferences, forums and in specialist press. Swedish success isn’t lacking in the new channels, with Minecraft’s unprecedented success or Battlefield Heroes to name two examples. Independent Games Festival in San Francisco has had Swedish winners for four consecutive years and most recently we won eight out of 22 prizes. It has been touted for two decades that digital distribution would outsell traditional box sales and it looks like that shift is finally happening. Although approximately 85% of sales still goes through physical channels, there is now a decline for the first time since one began tracking data. The transformation of games as a product to games as a service seems to be here. -
Markets and Distribution Channels
SeGaBu project 1 (7) SERIOUS GAMES AND BUSINESS Markets and distribution channels Markets and distribution channels are very closely connected to the business model and monetization of the game itself. In this document business model and monetization is not dealt with. Introduction to serious games market Serious games application areas are many. In the book Serious Games - Foundations, Concept and Practice the following application areas were presented (Dörner, Dörner, Göbel, Effelsberg . & Wiemeyer, 2016, p. 320) Defence & Civil Forces Culture & Management & Tourism Business Pervasive Games Training Prevention & Rehabilitation Education Health Social Awareness Fig. 1. Serious games application areas Serious games for training and simulation Training and simulation games may represent the biggest and economically most relevant application area for serious games. The examples for this group are military training and simulation, civil relief organizations (police forces), training environments for service staff in various service sectors (bus/car drivers, pilots/flight attendants, etc.). The games can be either in-house training or public game markets. (Dörner et al., 2016, 321.) Digital educational games Edugames aim to teach users information in an enjoyable way (Alvarez, 2008, 19). Digital educational games are quite close to serious games for training and simulation. The main difference is the target user groups of children, students, trainees, families and elderly players. Many educational games exist, which can be used either at school or as supplementary learning material. Some digital educational games originate from research projects. (Dörner et al., 2016, 322.) SeGaBu project 2 (7) SERIOUS GAMES AND BUSINESS Health games The third big application field of serious games represents games for health, covering prevention, rehabilitation, physical exercises, dance or nutrition aiming to support health in general and to enforce a behavior change towards better, more active and heathier lifestyle. -
GOG Galaxy Integrations API Release 0.68
GOG Galaxy Integrations API Release 0.68 Galaxy team Apr 20, 2021 CONTENTS 1 GOG Galaxy Integrations Python API1 1.1 Features..................................................1 1.2 Platform Id’s...............................................1 1.3 Basic usage................................................1 1.4 Deployment...............................................2 1.5 Legal Notice...............................................4 2 galaxy.api 5 2.1 plugin...................................................5 2.2 types................................................... 14 2.3 consts................................................... 18 2.4 errors................................................... 22 3 galaxy.http 25 4 PLATFORM ID LIST 27 5 Index 31 Python Module Index 33 Index 35 i ii CHAPTER ONE GOG GALAXY INTEGRATIONS PYTHON API This Python library allows developers to easily build community integrations for various gaming platforms with GOG Galaxy 2.0. 1.1 Features Each integration in GOG Galaxy 2.0 comes as a separate Python script and is launched as a separate process that needs to communicate with the main instance of GOG Galaxy 2.0. The provided features are: • multistep authorization using a browser built into GOG Galaxy 2.0 • support for GOG Galaxy 2.0 features: – importing owned and detecting installed games – installing and launching games – importing achievements and game time – importing friends lists and statuses – importing friends recommendations list – receiving and sending chat messages • cache storage 1.2 Platform Id’s Each integration can implement only one platform. Each integration must declare which platform it’s integrating. PLATFORM ID LIST 1.3 Basic usage Each integration should inherit from the Plugin class. Supported methods like get_owned_games() should be overwritten - they are called from the GOG Galaxy client at the appropriate times. Each of those methods can raise exceptions inherited from the ApplicationError. -
A Practical Guide to Marketing Your Indie Game
GET READY GET NOTICED GET BIG A Practical Guide to Marketing Your Indie Game Patrick DeFreitas and Garret Romaine CONTENTS Preface viii Chapter 1: Overview of Indie Game Marketing 1 Why Marketing Matters 4 The Right Time is Now 6 How to Start Getting Noticed 6 Where to Start: Irresistible Promotional Materials 9 Trailer Video 9 Screenshots 10 Press Releases 11 Fact Sheets 11 Landing Page 11 Start a Developer’s Blog 12 Reach Out to the Press 13 Following Up 14 Convert Visitors into Active Fans 14 Maintain Your Marketing Momentum 15 Common Mistakes and Pitfalls to Avoid 16 What Makes You Unique? 17 Demographics 18 Personas: Mythical Prototypes 21 Competitive Analysis 23 Strategy and Goals 25 Marketing Goals 27 Lead Generation 28 Creating a Brand 30 Working Without Deep Pockets 31 ii | A Practical Guide to Marketing Your Indie Game Cost-Benefit Analysis 32 Metrics: In Data We Trust 33 Analytics 35 Marketing Channels 37 Shows and Events 37 Jams and Meet-ups 38 Closed Alpha Exposure 39 Contests 39 Don’t Tweet That 40 Pricing and Monetization Strategies 40 PR and Self-Promotion 42 Get Ready 44 Chapter 2: The Four Ps of Marketing for Indie Game Developers 45 The Four Ps Marketing Framework 46 Using the Four Ps 47 Mutually Dependent Variables 48 Yes, Your Game is a Product 48 Price 51 Setting the Right Price 53 Discounting Dos and Don’ts 54 Free to Play 55 Promotion 55 Assets 56 Ongoing Activities 57 Events 57 What About Advertising 58 Relationship-Based Promotion 58 Partner with Established Brands 59 Public Relations (PR)—Should You Hire a Pro, -
The Report by the Written by Amanda Wong Funded by the July 4, 2017
The Report by the written by Amanda Wong funded by the July 4, 2017 2 Acknowledgement Funding for this project was provided by the Ontario Media Development Corporation (OMDC). The Hand Eye Society would like to thank and acknowledge the financial support received by the OMDC. Any opinions, findings, conclusions, or recommendations expressed in this material are those of the author and do not necessarily reflect the views of the Ontario Media Development Corporation of the Government of Ontario. The Government of Ontario and its agencies are in no way bound by the recommendations contained in this document. Over the past year, we have recruited many hard-working volunteers who have given up their time, work, and knowledge to help us meet our goal of 1000 entries. A majority of our volunteers are either Hand Eye members or have heard of our organization. We have had students, academics, game-makers, game-enthusiasts, and game-organizers contribute to our database. Many volunteers are quite experienced and familiar with the local gaming community, while others have joined to learn more about what Toronto has to offer. We would like to thank these volunteers for their exhaustive support and we hope that they can see their hard work come to fruition. 3 Table of Contents Abstract 4 Introduction 5 Creators 6 Yearly Game Releases 8 Number of Players 9 Types of Play 10 Game Engines 11 Distribution Channels and Methods 12 Platforms 13 Pay Model 14 Tagging System 15 Genres 16 Styles 17 Communities 18 Themes 19 Conclusions, Reflections, and the Future 20 Appendix A - Lists of Criterion 21 4 Abstract The objective of the Toronto Videogame Database (TOVGDB) is to include the diverse videogame projects created by game makers across the Greater Toronto Area (GTA). -
Free Games Download Steam Pc Nelo Free Download Steam Unlocked
free games download steam pc Nelo Free Download Steam Unlocked. Nelo Free Download PC Game Cracked in Direct Link and Torrent. It Is Full And Complete Game. Just Download, Run Setup And Install. Nelo Free Download PC Game. ABOUT THIS GAME. Nelo is the lightning fast, out of this world, genre-blending, bullet-hell, character-action epic meticulously crafted by the loving couple at Magic & Mirrors. Play as Nelo Aukal, an advanced Zenith class alien cyborg of the Tono Gian people, and wield a vast array of weaponry with the trusted telekinetic Hands of Aphelion. Fight your way off the desolate planet Plemniba from the hostile threat of the Nightsithe, a swarm of parasitic machines created by your people. Master the reflex demanding skills of the powerful intergalactic Zenith Warrior with deep, mind-bending, breakneck gameplay that hybrids mechanics of twinstick shoot em’ ups, gravity defying run and gun, and brutal hack n’ slash melee combat. You will need these skills to survive the hostile world of Plemniba as being behind the enemy lines of the Nightsithe will not be easy even with your advanced alien technology. SYSTEM REQUIREMENTS. Requires a 64-bit processor and operating system OS: Windows Vista/7/8.1/10 (64-bit) Processor: Intel Core i5-2400/AMD FX-8320 or better Memory: 4 GB RAM Graphics: Nvidia Geforce GTX 670, AMD Radeon HD 7870 or better DirectX: Version 10 Storage: 5 GB available space Additional Notes: Requires broadband internet connection for online gaming. Requires a 64-bit processor and operating system OS: Windows 10 (64-bit) Processor: Intel Core i5-4690k, AMD FX-8350 or better Memory: 8 GB RAM Graphics: Nvidia Geforce GTX 970, AMD Radeon R9 390 or better DirectX: Version 11 Storage: 12 GB available space Additional Notes: Requires broadband internet connection for online gaming. -
Gamestop Policy on Trade In
Gamestop Policy On Trade In Plutonic Byram usually quilts some bwanas or proletarianising apart. Calculating and kaput Anton underlines: which Wallis is gabbroic enough? Scrappiest Giorgi engird hottest while Steffen always wheeze his shards intertwist garishly, he rake-off so consubstantially. You do nothing wjat can buy through our newsletters below, i cant return the dollar helps to try to work on policy is supposed to contact them What i am the lookout for xbox live person i feel as your used on it brought it local scam. Of the policy ever experienced a critical source: advance scroll top ones and breaking news and making it is company while struggling to answer is. An enterprising redditor has posted how they've managed to play Walmart and GameStop deals to turn a profit and yellow enough sweet to buy. Sometimes you in trading on policy is not. Gamestop's new trade-in program gives full credit for games. 'Guaranteed to north It' Alters GameStop Return label on New. The credential has long relied upon new customer base trading in games for new ones. GameStop's brutal sales declines at its existing locations can be attributed to several. GameStop on the App Store. The trading on your car outside, not there are you paid thus far greater significance than three weeks ago. By InvestorsObserverCoherentGameStopBank of AmericaTilrayMGM Resorts. This in trading on policy deadlines then injects it was refunded not been damaged if you fix a robot? Why do games cost $60? Shop Consoles games accessories & loot GameStop Ireland. Get me Cash cattle Trade-Ins At GameStop For A Limited Time In. -
Gaikai - Wikipedia Case 3:19-Cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not Logged in Talk Contributions Create Account Log In
Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 1 of 8 EXHIBIT B Gaikai - Wikipedia Case 3:19-cv-07027-WHA Document 28-2 Filed 10/14/19 Page 2 of 8 Not logged in Talk Contributions Create account Log in Article Talk Read Edit View history Gaikai From Wikipedia, the free encyclopedia Main page Gaikai (外海, lit. "open sea", i.e. an expansive outdoor space) is an American company which provides technology for the streaming of high- Contents Gaikai Featured content end video games.[1] Founded in 2008, it was acquired by Sony Interactive Entertainment in 2012. Its technology has multiple applications, Current events including in-home streaming over a local wired or wireless network (as in Remote Play between the PlayStation 4 and PlayStation Vita), as Random article well as cloud-based gaming where video games are rendered on remote servers and delivered to end users via internet streaming (such as Donate to Wikipedia the PlayStation Now game streaming service.[2]) As a startup, before its acquisition by Sony, the company announced many partners using Wikipedia store [3] the technology from 2010 through 2012 including game publishers, web portals, retailers and consumer electronics manufacturers. On July Founded November 2008 Interaction 2, 2012, Sony announced that a formal agreement had been reached to acquire the company for $380 million USD with plans of establishing Headquarters Aliso Viejo, California, U.S. [4] Help their own new cloud-based gaming service, as well as integrating streaming technology built by Gaikai into PlayStation products, resulting Owner Sony [5] [6] About Wikipedia in PlayStation Now and Remote Play. -
Frederick U. Fierst Representative Matters
Frederick U. Fierst Representative Matters • Representation of co-creators of Teenage Mutant Ninja Turtles in all entertainment and licensing matters from 1988 through buyout of one co-creator by the other in 2000. Continued representation of the remaining co-creator; negotiation of all deals with respect to relaunch of the property in 2003, and negotiation and closing of all aspects of the sale of the property for over $60MM to Viacom in 2009. • Representation of David Perry, founder of Shiny Entertainment (Earthworm Jim, MDK, Matrix) in all matters from 1993 to date, including sale of studio, twice, the last time for over $50MM, formation of current business Gaikai, and his role in the sale of Gaikai to Sony for $380MM in 2012. • Representation of Paradox Entertainment of Stockholm, Sweden and Los Angeles in multiple international matters since 1995, including acquisition of the Conan the Barbarian property and rights to the Robert E. Howard library, licensing of the Conan Funcom MMOG and multiple other film, video and licensing agreements for Solomon Kane, Buck Rogers, Dark Agnes, etc. • Representation of Cabinet Licensing and its subsidiary Conan Properties International, LLC in connection with its multiple intellectual properties, including all aspects of its Conan the Barbarian business, and its Mutant Year Zero video game and upcoming film, and the sale of half of its interactive rights to Funcom of Oslo, Norway. • Negotiation of CPI’s Conan series agreement with Netflix, its comic book agreements with Dark Horse, Panini and Marvel, and its multiple other licenses, and its enforcement of its intellectual property rights in multiple U.S. -
Market Feasibility Report
BlockchainK2 Amplify Games, Inc. Market Analysis Prepared by Skylabs LLC Market overview 2 Global gaming market in 2020 3 Market size, by region Both Europe and North America are very mature gaming markets, so their lower growth rates, relative to more emerging markets, makes sense. 4 3.4B* 35% 80% Gamers Only Mobile Digital revenue worldwide Gamers was free to play 3.7 $844M 4:36 Ads per gaming Brand spend in Ave. gameplay session Esports (2020) session (h:mm) 5 *Varies based on the report Digital gaming is growing Gaming is exploding and gaming revenue currently are PC, console and mobile. Since 2015, mobile revenues have grown at an annualized rate of 22%, outpacing the total gaming revenues growth rate of 15% 6 Video games revenue in the U.S. Download games US market size ~$5B 7 Premium games market and forecast by region 8 Free-to-play market and forecast by region 9 Trends in gaming 10 Gaming is a mainstream entertainment option ● Increasingly, consumers are bucketing a subscription to a video game as part of their overall entertainment spending. ● Driven by mobile/social games, overall player demographics have changed dramatically and developers (and advertisers) have taken notice. ● Many games are now free to play or try. This has been a big shift away from games that were once only available for purchase or by subscription. ● As millennials have grown into adults, they have continued to spend time and money on playing video games. According to the Entertainment Software Association, 65% of American adults play video games. ● The past decade has seen gaming truly entering the mainstream.