Game Developer Index 2010 Foreword
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Asian Stereotypes in Games
ASIAN STEREOTYPES in VIDEO GAMES BY YICHEN SHOU STEREOTYPE ster·e·o·type noun a widely held but fixed and oversimplified image or idea of a particular type of person or thing. Major Asian Stereotypes 1. Charlie Chan: Emasculated, weak and obedient, characters of this “good” Asian-male stereotype are often non-threatening and exist only to foil the superiority of the protagonist. 2. Fu Manchu: Cunning, cruel and grotesque, this Asian-male stereotype embodies the fear of the “Yellow Peril” and is usually revealed to be the evil mastermind behind plots to destroy the West. 3. China Doll: Weak, submissive and hyper-sexualized, this “good” Asian-female stereotype often plays the role of romanic interests needing rescue and are easily replaced by non-Asian romantic interests. 4. KungFu Master: Despite being strong and capable, this character is often a desexualized sidekick whose martial arts expertise is only justified by their (usually Chinese) heritage. 5. Samurai/Ninja: A stereotype mainly reserved for the Japanese, these katana/ninja-star wielding characters are emotionless, fearless, fanatically loyal to their masters, and obsessed with the concept of honor. 6. Dragon Lady: The “evil” counterpart of the China Doll, these hyper-sexualized Asian-females are temptresses who use deception and sex appeal to further their evil plans. Gender Nature Characteristic Stereotype Character (Non-Playable) Character (Playable) Chen Lin Jin Jie Tong Si Hung Bo’ Rai Cho Bioshock: Innite Battleeld 4 Deus Ex: Human Revolution Mortal Kombat Cheng Lorck Raymond -
Redeye-Gaming-Guide-2020.Pdf
REDEYE GAMING GUIDE 2020 GAMING GUIDE 2020 Senior REDEYE Redeye is the next generation equity research and investment banking company, specialized in life science and technology. We are the leading providers of corporate broking and corporate finance in these sectors. Our clients are innovative growth companies in the nordics and we use a unique rating model built on a value based investment philosophy. Redeye was founded 1999 in Stockholm and is regulated by the swedish financial authority (finansinspektionen). THE GAMING TEAM Johan Ekström Tomas Otterbeck Kristoffer Lindström Jonas Amnesten Head of Digital Senior Analyst Senior Analyst Analyst Entertainment Johan has a MSc in finance Tomas Otterbeck gained a Kristoffer Lindström has both Jonas Amnesten is an equity from Stockholm School of Master’s degree in Business a BSc and an MSc in Finance. analyst within Redeye’s tech- Economic and has studied and Economics at Stockholm He has previously worked as a nology team, with focus on e-commerce and marketing University. He also studied financial advisor, stockbroker the online gambling industry. at MBA Haas School of Busi- Computing and Systems and equity analyst at Swed- He holds a Master’s degree ness, University of California, Science at the KTH Royal bank. Kristoffer started to in Finance from Stockholm Berkeley. Johan has worked Institute of Technology. work for Redeye in early 2014, University, School of Business. as analyst and portfolio Tomas was previously respon- and today works as an equity He has more than 6 years’ manager at Swedbank Robur, sible for Redeye’s website for analyst covering companies experience from the online equity PM at Alfa Bank and six years, during which time in the tech sector with a focus gambling industry, working Gazprombank in Moscow he developed its blog and on the Gaming and Gambling in both Sweden and Malta as and as hedge fund PM at community and was editor industry. -
The Development and Validation of the Game User Experience Satisfaction Scale (Guess)
THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) A Dissertation by Mikki Hoang Phan Master of Arts, Wichita State University, 2012 Bachelor of Arts, Wichita State University, 2008 Submitted to the Department of Psychology and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 © Copyright 2015 by Mikki Phan All Rights Reserved THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) The following faculty members have examined the final copy of this dissertation for form and content, and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a major in Psychology. _____________________________________ Barbara S. Chaparro, Committee Chair _____________________________________ Joseph Keebler, Committee Member _____________________________________ Jibo He, Committee Member _____________________________________ Darwin Dorr, Committee Member _____________________________________ Jodie Hertzog, Committee Member Accepted for the College of Liberal Arts and Sciences _____________________________________ Ronald Matson, Dean Accepted for the Graduate School _____________________________________ Abu S. Masud, Interim Dean iii DEDICATION To my parents for their love and support, and all that they have sacrificed so that my siblings and I can have a better future iv Video games open worlds. — Jon-Paul Dyson v ACKNOWLEDGEMENTS Althea Gibson once said, “No matter what accomplishments you make, somebody helped you.” Thus, completing this long and winding Ph.D. journey would not have been possible without a village of support and help. While words could not adequately sum up how thankful I am, I would like to start off by thanking my dissertation chair and advisor, Dr. -
The Effect of Dynamic Music in Video Games an Overview of Current Research
The Effect of Dynamic Music in Video Games An Overview of Current Research Department of Game Design Author: Léo F. Smith Bachelor’s Thesis in Game Design, 15 c Program: Game Design and Project Management Supervisors: Mikael Fridenfalk, Hans Svensson Examiner: Masaki Hayashi May 2020 Abstract Historically, game audio has been a peripheral feature in game development that has significantly evolved in recent years. Music as a meaningful emotional and narrative conveyor has become a central element in contemporary video games. Dynamic music, sound that is able to flexibly and smoothly adapt to the game state and interact with the player’s in-game actions, is at the forefront of a new era of music composition in games. This survey paper examines the experiential nature of games and the effect of dynamic music on the player’s audial experience. It looks at game design theory, immersion, the function of game music, sound perception, and the challenges of game music. Then, it presents compositional methods of dynamic music and practical insights on FMOD Studio as a middleware. Furthermore, current research on how dynamic music affects the player experience and future adaptations are explored. It concludes that the increasing need of dynamic music producers will precipitate innovation and research in novel domains such as biometric feedback systems and augmented/virtual reality. As dynamic music expands outside of the gaming sphere, it is likely to become a ubiquitous form of media that we will interact with in the future. Keywords: interactive music, adaptive music, dynamic music, emotion, game music, generative music, music, player experience, video games. -
Getting the Most out of Information Systems: a Manager's Guide (V
Getting the Most Out of Information Systems A Manager's Guide v. 1.0 This is the book Getting the Most Out of Information Systems: A Manager's Guide (v. 1.0). This book is licensed under a Creative Commons by-nc-sa 3.0 (http://creativecommons.org/licenses/by-nc-sa/ 3.0/) license. See the license for more details, but that basically means you can share this book as long as you credit the author (but see below), don't make money from it, and do make it available to everyone else under the same terms. This book was accessible as of December 29, 2012, and it was downloaded then by Andy Schmitz (http://lardbucket.org) in an effort to preserve the availability of this book. Normally, the author and publisher would be credited here. However, the publisher has asked for the customary Creative Commons attribution to the original publisher, authors, title, and book URI to be removed. Additionally, per the publisher's request, their name has been removed in some passages. More information is available on this project's attribution page (http://2012books.lardbucket.org/attribution.html?utm_source=header). For more information on the source of this book, or why it is available for free, please see the project's home page (http://2012books.lardbucket.org/). You can browse or download additional books there. ii Table of Contents About the Author .................................................................................................................. 1 Acknowledgments................................................................................................................ -
THIS WEEK ...We Focus on Some More Titles That Have Made an Impression on Eurogamer Readers, and Reveal Why
Brought to you by Every week: The UK games market in less than ten minutes Issue 6: 14th - 20th July WELCOME ...to GamesRetail.biz, your weekly look at the key analysis, news and data sources for the retail sector, brought to you by GamesIndustry.biz and Eurogamer.net. THIS WEEK ...we focus on some more titles that have made an impression on Eurogamer readers, and reveal why. Plus - the highlights of an interview with Tony Hawk developer Robomodo, the latest news, charts, Eurogamer reader data, price comparisons, release dates, jobs and more! Popularity of Age of Conan - Hyborian Adventures in 2009 B AGE OF CONAN VS WII SPORTS RESORT #1 A This week we look at the Eurogamer buzz performance around two key products since the beginning of 2009. First up is the MMO Age of #10 Conan - a game which launched to great fanfare this time last year, but subsequently suffered from a lack of polish and endgame content. #100 Eurogamer.net Popularity (Ranked) Recently the developer, Funcom, attempted to reignite interest in the game by marketing the changes made in the build-up to its first anniversary - point A notes a big feature and #1000 Jul free trial key launch, while point B shows the Feb Mar Apr May Jun Jan '09 Age of Conan - Hyborian Adventures re-review which put the game right at the top of the pile earlier this month - whether that interest can be converted into subs is a different question, but the team has given itself a good Popularity of Wii Sports Resort in 2009 chance at least. -
Illuminating the Space of Beatable Lode Runner Levels Produced by Various Generative Adversarial Networks
Illuminating the Space of Beatable Lode Runner Levels Produced By Various Generative Adversarial Networks Kirby Steckel Jacob Schrum Southwestern University Southwestern University Georgetown, Texas, USA Georgetown, Texas, USA [email protected] [email protected] ABSTRACT the training set influences the results. Specifically, the quality di- Generative Adversarial Networks (GANs) are capable of generating versity algorithm MAP-Elites [11] is used to illuminate the search convincing imitations of elements from a training set, but the distri- spaces induced by several GANs, to determine the diversity they bution of elements in the training set affects to difficulty of properly can produce, and see how many of those levels are actually beatable. training the GAN and the quality of the outputs it produces. This Out of the original 150 levels in the game, training sets of the first paper looks at six different GANs trained on different subsets of 5, 20, 50, 100, and 150 levels were created, as well as a group of 13 data from the game Lode Runner. The quality diversity algorithm levels that are similar in that their layouts depict words and letters. MAP-Elites was used to explore the set of quality levels that could Contrary to expectations, the GAN trained on all 150 Lode Runner be produced by each GAN, where quality was defined as being beat- levels did not produce many beatable levels, and was middling in able and having the longest solution path possible. Interestingly, a terms of the diversity of the levels produced. Although the diversity GAN trained on only 20 levels generated the largest set of diverse of the full training set was larger, the GAN seemed more prone to beatable levels while a GAN trained on 150 levels generated the mode collapse [20] as a result. -
Pegi Annual Report
PEGI ANNUAL REPORT ANNUAL REPORT INTRODUCTION 2 CHAPTER 1 The PEGI system and how it functions 4 AGE CATEGORIES 5 CONTENT DESCRIPTORS 6 THE PEGI OK LABEL 7 PARENTAL CONTROL SYSTEMS IN GAMING CONSOLES 7 STEPS OF THE RATING PROCESS 9 ARCHIVE LIBRARY 9 CHAPTER 2 The PEGI Organisation 12 THE PEGI STRUCTURE 12 PEGI S.A. 12 BOARDS AND COMMITTEES 12 THE PEGI CONGRESS 12 PEGI MANAGEMENT BOARD 12 PEGI COUNCIL 12 PEGI EXPERTS GROUP 13 COMPLAINTS BOARD 13 COMPLAINTS PROCEDURE 14 THE FOUNDER: ISFE 17 THE PEGI ADMINISTRATOR: NICAM 18 THE PEGI ADMINISTRATOR: VSC 20 PEGI IN THE UK - A CASE STUDY? 21 PEGI CODERS 22 CHAPTER 3 The PEGI Online system 24 CHAPTER 4 PEGI Communication tools and activities 28 Introduction 28 Website 28 Promotional materials 29 Activities per country 29 ANNEX 1 PEGI Code of Conduct 34 ANNEX 2 PEGI Online Safety Code (POSC) 38 ANNEX 3 The PEGI Signatories 44 ANNEX 4 PEGI Assessment Form 50 ANNEX 5 PEGI Complaints 58 1 INTRODUCTION Dear reader, We all know how quickly technology moves on. Yesterday’s marvel is tomorrow’s museum piece. The same applies to games, although it is not just the core game technology that continues to develop at breakneck speed. The human machine interfaces we use to interact with games are becoming more sophisticated and at the same time, easier to use. The Wii Balance Board™ and the MotionPlus™, Microsoft’s Project Natal and Sony’s PlayStation® Eye are all reinventing how we interact with games, and in turn this is playing part in a greater shift. -
Studio Showcase
Contacts: Holly Rockwood Tricia Gugler EA Corporate Communications EA Investor Relations 650-628-7323 650-628-7327 [email protected] [email protected] EA SPOTLIGHTS SLATE OF NEW TITLES AND INITIATIVES AT ANNUAL SUMMER SHOWCASE EVENT REDWOOD CITY, Calif., August 14, 2008 -- Following an award-winning presence at E3 in July, Electronic Arts Inc. (NASDAQ: ERTS) today unveiled new games that will entertain the core and reach for more, scheduled to launch this holiday and in 2009. The new games presented on stage at a press conference during EA’s annual Studio Showcase include The Godfather® II, Need for Speed™ Undercover, SCRABBLE on the iPhone™ featuring WiFi play capability, and a brand new property, Henry Hatsworth in the Puzzling Adventure. EA Partners also announced publishing agreements with two of the world’s most creative independent studios, Epic Games and Grasshopper Manufacture. “Today’s event is a key inflection point that shows the industry the breadth and depth of EA’s portfolio,” said Jeff Karp, Senior Vice President and General Manager of North American Publishing for Electronic Arts. “We continue to raise the bar with each opportunity to show new titles throughout the summer and fall line up of global industry events. It’s been exciting to see consumer and critical reaction to our expansive slate, and we look forward to receiving feedback with the debut of today’s new titles.” The new titles and relationships unveiled on stage at today’s Studio Showcase press conference include: • Need for Speed Undercover – Need for Speed Undercover takes the franchise back to its roots and re-introduces break-neck cop chases, the world’s hottest cars and spectacular highway battles. -
«Акційні Товари З Кредитом До 25 Платежів Від Банків Пумб, «Отп Банк», «Альфа-Банк», «Укрсіббанк»», Мережею Магазинів Цитрус -Гаджети Та Аксесуари
ПРАВИЛА ПРОВЕДЕННЯ АКЦІЇ «Акційні товари з кредитом до 25 платежів від банків ПУМБ, «ОТП Банк», «Альфа-банк», «Укрсіббанк»», МЕРЕЖЕЮ МАГАЗИНІВ ЦИТРУС -ГАДЖЕТИ ТА АКСЕСУАРИ м. Одеса «29» липня 2020 р. 1. Організатори Акції 1.1. ТОВ «Цетехно». 1.2. Перший Український Міжнародний Банк, АТ «ОТП Банк», АТ «Альфа-банк», АТ «Укрсіббанк»». 2. Період проведення Акції: 2.1. Акція з акційним товаром триває з «30» липня 2020 р. до «03» серпня 2020 р. включно. 2.2. Для участі в Акції необхідно здійснити покупку акційного товару з акційного списку в мага- зині Цитрус або в інтернет-магазині citrus.ua у період з «30» липня 2020 р. до 21:00 «03» сер- пня 2020 р. включно. 2.3 Останнє замовлення, яке бере участь в акції, від інтернет-магазину citrus.ua повинно бути от- римано і сплачено до 21 години 00 хвилин «03» серпня 2020 року. Останнє замовлення, яке приймає участь у акції від роздрібних магазинів повинно бути спла- чено до 21:00 «03» серпня 2020 р. 3. Місце проведення Акції. 3.1. Акція проводиться на території України, крім зони проведення ООС та тимчасово окупо- ваних територій, у мережі магазинів «Цитрус», які знаходяться за адресою: 3.1.1. м. Одеса, пр-т Ак. Глушко, 16 Телефон: (048) 777 59 22 3.1.2. м. Одеса, Аркадійська Алея Телефон: (048) 705-47-04 3.1.3. м. Одеса, пр-т Добровольського, 114/2 (р-к Північний) Телефон: (048) 735-81-99 3.1.4. м. Одеса, вул. Корольова, 94 Телефон: (048) 735-81-01 3.1.5. м. Одеса, вул. Пантелеймонівська, 64 Телефон: (048) 35-67-27 3.1.6. -
Lode Runner 2 Is the Latest Addition to the Family
WELCOME In the late eighties the arcades were seeing their bleakest days, and those of us who couldn’t get enough video junk bought home computers for a quick fix. It was during one of these episodes in 1987 on my Apple IIgs that I first discovered Lode Runner. Ironically, I was a late bloomer to the whole Lode Runner scene. The game first appeared four years earlier on the Apple II; I owned an Apple IIgs at the time and could only run genuine Apple II software in a downgraded state called, ‘emulation mode.’ My gs and its 7 MHz of power were state of the art. Who was I to trifle with this silly, outdated game called ‘Lode Runner’ when I could harvest some testosterone with 4 bit graphics and stereo sound? Why waste my time on such antiquated trivialities? Too much bother for me and my supreme gs! Bah! Lode Schmode! Well, I did bother, and thanks be to God that I did. I think about three weeks after I booted the dumb thing I got up to go to the bathroom. I remember dreaming more than once during that period that I was the Lode Runner. The incessant ‘peyoo-peyoo’ of the digging sound effect was more etched into my brain than the ever-popular Thompson Twins of the time (another thanks-be-to-God on that one). It was mythologized on UUnet that I could dig a five-tiered wall and live to tell about it. I was this game and this game was I. -
Gabriel Flamm +46 736 987 582 [email protected]
Gabriel Flamm +46 736 987 582 [email protected] “My objective is to make sure you feel the intended emotion in every moment” May 2012 – present • Battlefiled V, EA Dice Cinematic Animator Took scenes from mockup in animation software to functional and ready for render farm in Frostbite Polished and finalized several scenes – characters, props, vehicles. • Star Wars Battlefront II, Lucasfilm, EA Dice Cinematics Heroes vs Villains – Intro My responsibility was to come up with ideas for intro moves and direct mocap actors Animate the cameras and set up the logic Galactic Assault - Intros & Outros I created all intros when it comes to character and vehicle animations timed to the systematic camera. I did also set up the cameras, unique for each team on all levels. The outros are real time events where I animated cameras, characters, vehicles and some of the existing VFX assets. Emotes I came up with all Emotes - both VO and motion, planned and directed motion capture I gave direction to a VO actor, to be used as a reference for all other VO actors I created briefs, material and demand lists for outsourcing as well as being part of the feedback process with the animation director • Battlefield 1, EA Dice Cinematic Animator Took scenes from mockup in animation software to functional and ready for render farm in Frostbite Polished and finalized several scenes Animated airplanes in Friends in high places Animated cameras, characters and objects in Nothing is written real time cinematic, timed to VO Added background characters where needed Implemented and polished a few in-game 1p and 3p animations.