Psychedelic Review, No. 10, 1969
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Martin Kippenberger Dortmund 1953 ∆ Wien
036 √>/ 037 √>/ 038 √>l Martin Kippenberger √>/ Andreas Horlitz √>/ Sigmar Polke √>/ Auke de Vries √>/ Bleistift, Kugelschreiber, Farbstift, Filzstift, Prag (CZ), 2003, Haus der Fotografie, Mos- Modern Art, Humlebæk (DK), 2004 ist im Zusammenhang mit Polkes Unter- Martin Kippenberger Letraset auf Hotelbriefpapier bzw. kau (RUS), Deutsches Historisches Sigmar Polke √>/ behind the facts – interfunktionen 1968 – suchungen zu den Möglichkeiten des Bildes Dortmund 1953 ∆ Wien (A) 1997 auf Japanpapier Museum, Berlin, 2004, Kat. √>/ Bilder, die Oels / Oles´nica (PL) 1941, lebt in Köln 1 975. Kunsthalle Fridericianum, Kassel, als Wiedergabe von Realität zu sehen. die einzelnen Blätter je: ohne Titel noch fehlten – Zeitgenössische Fotografie. 2005 √>/ Mehr als ein Auge fassen kann – In Sechs Richtige spielt der Künstler offen- √>l Heft 1994—1995 acht Blätter je 29,7 ≈ 21 cm Deutsches Hygiene-Museum, Dresden, Von 1960 bis 1967 studierte Sigmar Polke Fotokunstausstellung aus der Sammlung sichtlich auf das freundschaftliche Verhält- zwei Blätter je 26 ≈ 18 cm 2000, ZDF, Mainz, 2003, Kat. √>/ Portrait an der Kunstakademie Düsseldorf bei Ger- der Deutschen Bank. Museo de Arte de Lima nis zu Klaus Staeck an. Sie verweisen auf das gerahmt je 47,5 ≈ 38,3 cm ohne Antlitz. Kunsthalle zu Kiel, Museum hard Hoehme und Karl-Otto Götz. 1963 (PE), Museo de Artes Visuales Colección Lottospiel und hintergründig auf den Bochum, 2004, Kat. gründete er mit Konrad Fischer-Lueg und Santa Cruz – Yaconi, Santiago de Chile (RCH), Kunstmarkt. –––––––––––––––––––––––––––––––––––––––––––––––––––––––– Gerhard Richter die Bewegung >Kapitalisti- Museo de Arte Moderna, São Paulo (BR), Ankauf des Förderkreises Literatur scher Realismus<. Von 1970 bis 1971 und Pabellón de las Bellas Artes Pontificia Univer- JS 036 06. -
Ram Dass & Timothy Leary
DYING TO KNOW: Ram Dass & Timothy Leary (2014; 96 Minutes) Released by CNS Communications PRESS KIT (August 15, 2015) Contact: Larsen Associates 415 957 1205 Karen Larsen and Vince Johnson Dying to Know: Ram Dass & Timothy Leary Press Kit August 15 2015 Page 1 SOME RECENT REACTIONS TO THE FILM: DYING TO KNOW: Ram Dass & Timothy Leary “The idea of anything that expands our thinking beyond conventional borders has always been of interest to me. When I see the living, breathing portraits of these characters, especially the early archival footage... To see them intelligent and smart – they were a kind of blessing considering how they have been caricatured in later times. I like what this film explores and I’m glad to be a part of it. Robert Redford “This film is stunning and literally left me speechless. It is so powerful on so many levels, whether personal, political, spiritual or ultimately facing death. It is an amazing piece of work. Thank you so much for doing it. You will make history with it.” Ambassador Joe Wilson “A great piece of work and an extraordinary story well told.” Sting “The film left me open. It’s a historic document chronicling two majestic lives.” Jeff Bridges “It is highly entertaining and enlightening on all levels. I was never bored!” Kathryn Altman “gay- i just finished watching your documentary “dying to know” again. It is a tremendous and beautiful piece of filmmaking. it was so deeply engaging and touching. thank you for putting this into the world. all my best,” Darren Aronofsky Dying to Know: Ram Dass & Timothy Leary Press Kit August 15 2015 Page 2 DYING TO KNOW: Ram Dass & Timothy Leary (2014; 96 Minutes) Released by CNS Communications PRESS KIT (August 15, 2015) Contact: Larsen Associates 415 957 1205 Karen Larsen and Vince Johnson SET AND SETTING In the early 1960s Harvard psychology professors Timothy Leary and Richard Alpert began probing the edges of consciousness through their experiments with psychedelics. -
LOST the Official Show Auction
LOST | The Auction 156 1-310-859-7701 Profiles in History | August 21 & 22, 2010 572. JACK’S COSTUME FROM THE EPISODE, “THERE’S NO 574. JACK’S COSTUME FROM PLACE LIKE HOME, PARTS 2 THE EPISODE, “EGGTOWN.” & 3.” Jack’s distressed beige Jack’s black leather jack- linen shirt and brown pants et, gray check-pattern worn in the episode, “There’s long-sleeve shirt and blue No Place Like Home, Parts 2 jeans worn in the episode, & 3.” Seen on the raft when “Eggtown.” $200 – $300 the Oceanic Six are rescued. $200 – $300 573. JACK’S SUIT FROM THE EPISODE, “THERE’S NO PLACE 575. JACK’S SEASON FOUR LIKE HOME, PART 1.” Jack’s COSTUME. Jack’s gray pants, black suit (jacket and pants), striped blue button down shirt white dress shirt and black and gray sport jacket worn in tie from the episode, “There’s Season Four. $200 – $300 No Place Like Home, Part 1.” $200 – $300 157 www.liveauctioneers.com LOST | The Auction 578. KATE’S COSTUME FROM THE EPISODE, “THERE’S NO PLACE LIKE HOME, PART 1.” Kate’s jeans and green but- ton down shirt worn at the press conference in the episode, “There’s No Place Like Home, Part 1.” $200 – $300 576. JACK’S SEASON FOUR DOCTOR’S COSTUME. Jack’s white lab coat embroidered “J. Shephard M.D.,” Yves St. Laurent suit (jacket and pants), white striped shirt, gray tie, black shoes and belt. Includes medical stetho- scope and pair of knee reflex hammers used by Jack Shephard throughout the series. -
Winter 2021 Sounds True January 2021
WINTER 2021 SOUNDS TRUE JANUARY 2021 Being Ram Dass Ram Dass, Rameshwar Das Ram Dass shares his journey from privileged child to renegade Harvard psychedelics researcher to beloved spiritual icon, set against a backdrop of sweeping cultural change. Perhaps no other teacher has sparked the fires of as many spiritual seekers in the West as Ram Dass. While many know of his transformation from Harvard psychology professor Richard Alpert to psychedelic and spiritual icon, Ram Dass tells here for the first time the full arc of his remarkable life. Being Ram Dass begins at the moment he was fired from Harvard for giving drugs to an undergraduate. We then circle back to his privileged youth, BIOGRAPHY & AUTOBIOGRAPHY education, and the path that led him inexorably away from conventional life and / RELIGIOUS ultimately to his guru, Neem Karoli Baba. Populated by a cast of luminaries Sounds True | 1/12/2021 ranging from Timothy Leary to Elisabeth Kübler-Ross, Allen Ginsberg to Jack 9781683646280 | $29.99 / $38.99 Can. Kornfield, Aldous Huxley to Charles Mingus—this intimate memoir chronicles Hardcover with dust jacket | 488 pages | Carton Qty: 18 Ram Dass's experience of the cultural and spiritual transformations that resonate 9 in H | 6 in W with us to this day. 100 photos, 4-C photo inserts Other Available Formats: Ram Dass's life and work prefigured many current trends: the conscious aging Audio ISBN: 9781683646242 and death movement, the healing potential of psychedelics, the use of meditation and yoga in prisons, the ubiquity of those same practices in the wider culture, and more. -
Nov-Dec 2015 / from the RABBI Y’Shar Koh’Khem
the of ohavi Zedek Synagogue voice Burlington, vermont heShvan/kiSlev/tevet nov/dec 2015 NEW RABBI ON BOARD! Sunday, November 22 9:30 - 11: 30 am Board elections (Detailed letter will follow) Scholar-in- Residence Shabbaton Nov 6 - 8 See page 15 OZ President Jeff Potash and Rabbi Amy Joy Small on contract signing day. Rabbi Amy’s tenure at Ohavi Zedek begins January 1, 2016. Leadership Contacts ..............................2 From the Rabbi......................................3 Please join us for our FABULOUS From the Assistant Rabbi........................4 From the President.................................5 From the Treasurer................................6 CHANUKAH PARTY! Profile .................................................8 Sunday, December 6 Hebrew School.....................................10 Announcements...................................11 11:30 am to 1:00 pm Library............................................12 Crafts & Games Young Judaea..................................13 Music by Gigi Weisman and Robert Resnik Scholar-in-Residence.......................15 Adult Ed..........................................16 Homemade Latkes & Applesauce Shalom Shuk.........................................17 Suggested donation...$5/adult...$3/child...$15/family Tributes................................................18 Yahrzeits...............................................20 Gift Shop will be open Calendar.......................................22 leaderShip contactS STAFF BOARD OF DIRECTORS Rabbi.............................................................Joshua -
Lover's Disco(Urse)
Begleitmaterial zur Vorstellung LOVER'S DISCO(URSE) Alek KawkaAlek © VRUM Performing Arts Collective, Dschungel Wien & KLIKER Festival (HR) Tanztheater | 75 Min. | 15 – 20 Jahre Begleitinformationen erstellt von: Cornelius Edlefsen, Melika Ramić, Sanja Tropp Frühwald Kartenreservierungen für pädagogische Institutionen: +43 1 522 07 20 18 | [email protected] KULTURVERMITTLUNG Vorbereitender Workshop Auf Anfrage kommen wir gerne vor Ihrem Theaterbesuch an Ihre Schule, stimmen die Klasse auf das Thema ein und bereiten Sie und Ihre Schüler:innen auf das Medium „zeitgenössischer Tanz und Performance“ vor – mit Gesprächen und kreativen Übungen aus dem Tanz-, Performance- und Schauspielbereich. Dauer: 2 Schulstunden Kosten: € 130,00 pro Klasse Ort: Fest- oder Turnsaal an Ihrer Schule, ev. auch in einem größeren Klassenzimmer möglich. Publikumsgespräch Sehr gerne können Sie sich für ein kostenloses Publikumsgespräch direkt im Anschluss an die Vorstellung anmelden. Im Publikumsgespräch können die Kinder und Jugendlichen relevante Themen des Stückes bearbeiten, Fragen stellen und ihren ersten Eindrücken Ausdruck verleihen. Unterschiedliche Formate passend zu Inhalt und Zielgruppe – zum Teil mit interaktiven Elementen – bieten den geeigneten Rahmen für direkten Austausch und ermöglichen neue Zugänge zur darstellenden Kunst. Bitte geben Sie bei der Reservierung bekannt, ob Sie ein Publikumsgespräch wünschen. Nachbereitender Workshop Vor allem bei theatererfahrenen Klassen kann es sinnvoll sein, statt des vorbereitenden Workshops eine Nachbereitung zu buchen. Hier verarbeiten die Schüler:innen das gesehene Stück in Gesprächen und durch eigenes kreatives Schaffen. Dauer: 2 Schulstunden Kosten: € 130,00 pro Klasse Ort: Fest- oder Turnsaal an ihrer Schule, ev. auch in einem größeren Klassenzimmer möglich. Ansprechpersonen für weitere Informationen und Beratung: Judit Abegg | +43 1 522 07 20-24 [email protected] II Inhaltsverzeichnis 1. -
Andy Warhol's Factory People
1 Andy Warhol’s Factory People 100 minute Director’s Cut Feature Documentary Version Transcript Opening Montage Sequence Victor Bockris V.O.: “Drella was the perfect name for Warhol in the sixties... the combination of Dracula and Cinderella”. Ultra Violet V.O.: “It’s really Cinema Realité” Taylor Mead V.O.:” We were ‘outré’, avant garde” Brigid Berlin V.O.: “On drugs, on speed, on amphetamine” Mary Woronov V.O.: “He was an enabler” Nico V.O.:” He had the guts to save the Velvet Underground” Lou Reed V.O.: “They hated the music” David Croland V.O.: “People were stealing his work left and right” Viva V.O.: “I think he’s Queen of the pop art.” (laugh). Candy Darling V.O.: “A glittering façade” Ivy Nicholson V.O.: “Silver goes with stars” Andy Warhol: “I don’t have any favorite color because I decided Silver was the only thing around.” Billy Name: This is the factory, and it’s something that you can’t recreate. As when we were making films there with the actual people there, making art there with the actual people there. And that’s my cat, Ruby. Imagine living and working in a place like that! It’s so cool, isn’t it? Ultra Violet: OK. I was born Isabelle Collin Dufresne, and I became Ultra violet in 1963 when I met Andy Warhol. Then I turned totally violet, from my toes to the tip of my hair. And to this day, what’s amazing, I’m aging, but my hair is naturally turning violet. -
Jack's Costume from the Episode, "There's No Place Like - 850 H
Jack's costume from "There's No Place Like Home" 200 572 Jack's costume from the episode, "There's No Place Like - 850 H... 300 Jack's suit from "There's No Place Like Home, Part 1" 200 573 Jack's suit from the episode, "There's No Place Like - 950 Home... 300 200 Jack's costume from the episode, "Eggtown" 574 - 800 Jack's costume from the episode, "Eggtown." Jack's bl... 300 200 Jack's Season Four costume 575 - 850 Jack's Season Four costume. Jack's gray pants, stripe... 300 200 Jack's Season Four doctor's costume 576 - 1,400 Jack's Season Four doctor's costume. Jack's white lab... 300 Jack's Season Four DHARMA scrubs 200 577 Jack's Season Four DHARMA scrubs. Jack's DHARMA - 1,300 scrub... 300 Kate's costume from "There's No Place Like Home" 200 578 Kate's costume from the episode, "There's No Place Like - 1,100 H... 300 Kate's costume from "There's No Place Like Home" 200 579 Kate's costume from the episode, "There's No Place Like - 900 H... 300 Kate's black dress from "There's No Place Like Home" 200 580 Kate's black dress from the episode, "There's No Place - 950 Li... 300 200 Kate's Season Four costume 581 - 950 Kate's Season Four costume. Kate's dark gray pants, d... 300 200 Kate's prison jumpsuit from the episode, "Eggtown" 582 - 900 Kate's prison jumpsuit from the episode, "Eggtown." K... 300 200 Kate's costume from the episode, "The Economist 583 - 5,000 Kate's costume from the episode, "The Economist." Kat.. -
View Now I Realize It Has Become a Bringing Us to Six Book Publications in Four with an Exhibition of Old Master Paintings Trend for Me to Say Every Years
THE MUSCARELLE MUSEUM OF ART DIRECTOR Aaron De Groft, Ph.D. HOURS ADMISSION REGISTRAR’S FELLOW Tuesday – Friday Regular Admission: $5.00 Elana C. Carpinone 10 AM – 5 PM Special Exhibitions Additional: $5.00-$10.00 MANAGER OF INSTITUTIONAL ADVANCEMENT Saturday – Sunday Christina M. Carroll, Esq. 12 noon – 4 PM Admission may change during special exhibitions. FACILITIES & EXHIBITIONS MANAGER Closed Monday Kevin Gilliam Free to Members, W&M Students, CURATOR OF EDUCATION & NEW MEDIA Faculty and Staff, and Children Amy K. Gorman, Ph.D. M-F, 8 AM – 5 PM Under Twelve. Closed on most national holidays ASSISTANT TO THE DIRECTOR For more information, Cindy Lucas please visit our website, www.wm.edu/muscarelle SPECIAL PROJECTS ADMINISTRATOR or call 757.221.2700. Ursula McLaughlin-Miller ASSISTANT TO DEVELOPMENT & EDUCATION Rusty A. Meadows REGISTRAR Melissa Parris DIRECTOR OF SECURITY Charles Pfenning EDUCATION SPECIALIST/ COVER/BACK IMAGES: SCHOOL ARTS COORDINATOR Bettina Flitner Elayne Russell From the series, Report from No Man’s Land, 1990/1991 Silver gelatin photograph HOUSEKEEPING Image courtesy of the Artist Beulah Smith DISTINGUISHED SCHOLAR IN RESIDENCE John T. Spike, Ph.D. MEMBERSHIP MANAGER Bronwen Watts ASSISTANT DIRECTOR OF SECURITY Larry Wright SECURITY Ernest Wright LETTER SPRING/SUMMER FROM THE We ended 2010 increasing attendance by DIRECTOR brief snippets of what people are thinking or more than 35,000 people over last year. doing. We conclude the spring semester with Our Michelangelo, Warhol, experimental a retrospective of ceramic works by retiring 11 architecture, and new acquisitions exhibitions William & Mary Art professor Marlene Jack. resulted in more than 267,000,000 media The exhibition will highlight Jack’s functional BERLIN WALL impressions including recognition in the Wall works designed for the domestic environment Report From No Man’s Street Journal, NY Times, Washington Post, as well as figurative sculptures. -
A Social and Cultural History of the Federal Prohibition of Psilocybin
A SOCIAL AND CULTURAL HISTORY OF THE FEDERAL PROHIBITION OF PSILOCYBIN A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by COLIN WARK Dr. John F. Galliher, Dissertation Supervisor AUGUST 2007 The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled A SOCIAL AND CULTURAL HISTORY OF THE FEDERAL PROHIBITION OF PSILOCYBIN presented by Colin Wark, a candidate for the degree of doctor of philosophy and hereby certify that, in their opinion, it is worthy of acceptance. Professor John F. Galliher Professor Wayne H. Brekhus Professor Jaber F. Gubrium Professor Victoria Johnson Professor Theodore Koditschek ACKNOWLEDGEMENTS The author would like to thank a group of people that includes J. Kenneth Benson, Wayne Brekhus, Deborah Cohen, John F. Galliher, Jay Gubrium, Victoria Johnson, Theodore Koditschek, Clarence Lo, Kyle Miller, Ibitola Pearce, Diane Rodgers, Paul Sturgis and Dieter Ullrich. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................ ii NOTE ON TERMINOLOGY ............................................................................................ iv Chapter 1. INTRODUCTION…………………………………………………………………1 2. BIOGRAPHICAL OVERVIEW OF THE LIVES OF TIMOTHY LEARY AND RICHARDALPERT…………………………………………………….……….20 3. MASS MEDIA COVERAGE OF PSILOCYBIN AS WELL AS THE LIVES OF RICHARD ALPERT AND TIMOTHY -
1. Carbon Copy: 6/25 – 6/29 1973
The online Adobe Acrobat version of this file does not show sample pages from Coleman’s primary publishing relationships. The complete print version of A. D. Coleman: A Bibliography of His Writings on Photography, Art, and Related Subjects from 1968 to 1995 can be ordered from: Marketing, Center for Creative Photography, The University of Arizona, Tucson, AZ 85721-0103, or phone 520-621-7968. Books presented in chronological order 1. Carbon Copy: 6/25 – 6/29 1973. New York: ADCO interviews” with those five notable figures, serves also as Enterprises, 1973. [Paperback: edition of 50, out of print, “a modest model of critical inquiry.”This booklet, printed unpaginated, 50 pages. 17 monochrome (brown). Coleman’s on the occasion of that opening lecture, was made available first artist’s book. A body-scan suite of Haloid Xerox self- by the PRC to the audiences for the subsequent lectures in portrait images, interspersed with journal/collage pages. the series.] Produced at Visual Studies Workshop Press under an 5. Light Readings: A Photography Critic’s Writings, artist’s residency/bookworks grant from the New York l968–1978. New York: Oxford University Press, 1979. State Council on the Arts.] [Hardback and paperback: Galaxy Books paperback, 2. Confirmation. Staten Island: ADCO Enterprises, 1975. 1982; second edition (Albuquerque: University of New [Paperback: first edition of 300, out of print; second edition Mexico Press, 1998); xviii + 284 pages; index. 34 b&w. of 1000, 1982; unpaginated, 48 pages. 12 b&w. Coleman’s The first book-length collection of Coleman’s essays, this second artist’s book. -
Psychreview09.Pdf
o.. _i_ _ . _r_ xolo$o Psychedelic Review Psychedelic Review EDITOR _' Ralph Metzner, Ph.D. NUMBER 9 / 1967 CONTRIBUTING EDITOR TimothyLeary,Ph.D. CONTENTS CONSULTING EDITORS EDITORIAL 2 Richard Alpert, Ph.D.,New York Allen Atwell, City Universityof New York ON PROGRAMMING PSYCHEDELIC EXPERIENCES Ralph Metzner & Timothy Leary ............. 5 Joe K. Adams, Ph.D.,Pala Alto, California Richard Baker, San Francisco,California Josephkrke, M.D., Langham Clinic, London THE NATIVE AMERICAN CHURCH MEETING Stewart Brand ................................ 21 JosephJ. Downing, M.D., San Mateo, California Lawrence Ferlinghetti, San Francisco,California LSD AND CHROMOSOMES Alfred M. Prince 38 Gary M. Fisher,Ph.D.,LasAngeles, California Stanley Krippner, Ph.D.,Maimonides Hospital, Brooklyn, N. Y. PautLee, Ph.D.,University of California, Santa Cruz SEVEN DRAWINGS Isaac Abrams 42 William H. McGIothlin, Ph.D.,Rand Corporation Robert E. Magar, Ph.D.,San FranciscoState College SOME CONSEQUENCES OF THE LSD REVOLUTION Walter L. Schneider 51 Alfred M. Prince, M.D. John W. Spellman, Ph.D.,University of British Columbia HOMAGE TO THE AWE-FULL SEER Timothy Leary 59 Sanford M. Unger, Ph.D., National Institute of Mental Health Alan Watts, Sausallto, California Gunther Well, Ph.D.,Wellesley, Mass. NOTES ON SOMA Sampurnanand 67 Joan Wescott, Ph.D., London, England John R. n. Whittlesey, Houston,Texas MARIHUANA AND THE NEW AMERICAN HEDONISM John N. Bleibtreu 72 BUSINESS MANAGER NOTES ON CURRENT PSYCHEDELIC RESEARCH Ralph Metzner ......... 80 Robed Hammer ART CONSULTANTS LETTERS TO THE EDITOR 83 PeterMax, Richard Davis BOOKREVIEWS 85 NEW YORK ADVERTISING REPRESENTATIVE Kathy Elbaum, Phone:(212) 755-6279 NOTES ON CONTRIBUTORS 94 Distributed by: Head Shop, Inc.