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Deconstructing the Children's Culture Industry
DECONSTRUCTING THE CHILDREN‘S CULTURE INDUSTRY: A RETROSPECTIVE ANALYSIS FROM YOUNG PEOPLE by JENNIFER ANN HILL A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in THE COLLEGE OF GRADUATE STUDIES (Interdisciplinary Studies) (Social Work, Sociology, Psychology,) THE UNIVERSITY OF BRITISH COLUMBIA (Okanagan) April 2013 © Jennifer Ann Hill, 2013 ABSTRACT The children‘s ―culture industry,‖ meaning the mass production of popular culture by corporations, has systematically targeted children to persuade them to desire commodities while promising an increase in happiness. Media in all forms has become the conduit through which corporations have access to children and the means by which they influence, mould and profoundly impact children's lives. Indeed, consumer culture plays a dominant role for individuals living in such cultures, arguably more than any other institution including government. In the 1990s, the most intense commercial campaign in the history of childhood had commenced. Despite the pervasiveness of consumerism, there has been a notable gap in the literature to ascertain from young people, in their own words, what are the experiences of and meanings attributed to consumerism throughout their childhoods. Using a paradigm of qualitative research, the present dissertation provides a detailed description of how young people, those aged 18 or 19, perceive the presence of consumer culture in their lives, both presently and with particular focus on the past, as children. Data presented here suggest that most of the young people interviewed feel considerable pressure to conform to the standards of consumerism, including the adoption of brand culture, fads and a ‗buy-and-consume‘ modality. -
Departamento De Direito Regulação Da Mídia
0 PUC DEPARTAMENTO DE DIREITO REGULAÇÃO DA MÍDIA E LIBERDADE DE EXPRESSÃO: UMA ANÁLISE DA EXPERIÊNCIA ALEMÃ E AUSTRALIANA por CAROLINA MONTEIRO DE CASTRO SILVEIRA ORIENTADOR: FÁBIO CARVALHO LEITE 2016.2 PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO RUA MARQUÊS DE SÃO VICENTE, 225 - CEP 22453-900 RIO DE JANEIRO - BRASIL 1 REGULAÇÃO DA MÍDIA E LIBERDADE DE EXPRESSÃO: UMA ANÁLISE DA EXPERIÊNCIA ALEMÃ E AUSTRALIANA por CAROLINA MONTEIRO DE CASTRO SILVEIRA Monografia apresentada ao Departamento de Direito da Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio) para a obtenção do Título de Bacharel em Direito. Orientador(a): Fábio Carvalho Leite 2 Agradecimentos Agradeço ao meu orientador Prof. Fábio Carvalho Leite pelo incentivo e presteza no auxílio às atividades, pelos anos de PIBIC, pelas reuniões, pelos conselhos e correções que muito me fizeram crescer e aprender. Os seus ensinamentos foram fundamentais na elaboração deste trabalho. Agradeço aos demais professores da PUC-Rio, que foram corresponsáveis por todo o aprimoramento intelectual que a faculdade de direito proporcionou. O corpo docente possibilitou muitas visões além dos livros, muitas inspirações e reflexões que tornaram a graduação completa. À PUC-Rio, que proporcionou estrutura e profissionais fantásticos, sem os quais a graduação não teria sido tão excepcional. Intercâmbios, experiências e prêmios que a PUC-Rio me concedeu e que formaram o que sou hoje. Agradeço também à Vice-Reitoria Comunitária pela bolsa de estudos, que possibilitou que eu me formasse nesta instituição de ensino excelente. À Patrícia Spínola e Thiago Spínola, que forneceram o endereço na Austrália, sem o qual jamais poderíamos ter realizado o experimento com a autoridade reguladora da mídia australiana. -
Reality Television and Its Impact on Women's Body Image Ayarza Manwaring Eastern Kentucky University, Ayarza [email protected]
Eastern Kentucky University Encompass Online Theses and Dissertations Student Scholarship 2011 Reality television and its impact on women's body image Ayarza Manwaring Eastern Kentucky University, [email protected] Follow this and additional works at: https://encompass.eku.edu/etd Part of the Gender and Sexuality Commons, and the Psychology Commons Recommended Citation Manwaring, Ayarza, "Reality television and its impact on women's body image" (2011). Online Theses and Dissertations. 50. https://encompass.eku.edu/etd/50 This Open Access Thesis is brought to you for free and open access by the Student Scholarship at Encompass. It has been accepted for inclusion in Online Theses and Dissertations by an authorized administrator of Encompass. For more information, please contact [email protected]. REALITY TELEVISION AND ITS IMPACT ON WOMEN‟S BODY IMAGE By AYARZA MANWARING Bachelor of Science Smith College Northampton, MA 2008 Submitted to the Faculty of the Graduate School of Eastern Kentucky University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE December 2011 Copyright © Ayarza Manwaring, 2011 All rights reserved ii DEDICATION This thesis is dedicated to my mom Daphne Manwaring Who taught me to find joy in reading iii ACKNOWLEDGMENTS I would like to thank my thesis advisor, Dr. Matthew Winslow, for allowing me to learn about research at my own pace. I would also like to thank the other members of my committee for agreeing to take the time to assist me with this project. I would also like to thank the members of the general psychology program, Nannan Li, Lakita Johnson, Jonathan Ritter, Lynn Thompson and Christopher Palmer, who provided me with an outlet to vent my frustrations. -
Is Evolution Evil?: a Celebration of the Cult of Formlessness by Daniel Mckernan
Is Evolution Evil?: A Celebration of the Cult of Formlessness By Daniel McKernan Thesis Paper – Final Draft Presented to SVA MFACA November 21, 2004 TABLE OF CONTENTS List of Illustrations . 3 Abstract . 4 Introduction . 5 Historical, Theoretical, Cultural Context . 7 Analysis & Synthesis . 20 Conclusion . 24 Bibliography . 25 2 LIST OF ILLUSTRATIONS 1. Eduardo Kac with GFP Bunny, Alba, by Chrystelle Fontaine, 2000. 2. Chrissy Caviar, by Chrissy Conant, 2002. 3. Marilyn: Green, Pink, Red and Gold, by Andy Warhol, 1962. 4. Amanda Lepore: Untitled, by David LaChapelle, 1998. 5. Amanda Lepore: Living Doll, by Vincent Knapp, 2003. 6. Half-Man, self-portrait by Daniel McKernan, 2003. 3 ABSTRACT This thesis research paper, in order to fully contextualize the project which will come to fruition by May, 2005, must first review in brief the social construction of gender, focusing mostly on the writings of Judith Butler. After a familiarity is established with gender as performance, a historical background on fame is given along with the comparative differences between the notions of fame and celebrity, particularly the theories of Donald Kuspit on the concept of the art-star as coined by Andy Warhol. Transgenic, Biological, and Carnal Art are also discussed, touching on Eduardo Kac, Chrissy Conant and Orlan. This brings the reader up to speed to delve into the notion of transsexualism as the new punk aesthetic of our time and as a performative and bodily art form as conceptualized by luminary celebrity transsexual, Amanda Lepore, who is to be the star of the actual thesis project. Furthermore, a look into my personal background, particularly my artistic biography and previous statements, is addressed. -
Guest Creative Rufus Wainwright Parece Tener Cierta Debilidad Por Lo Refinado Y Artesano
a I’M INTO CREATIVITY Austria: 8A Canarias: 4,20A Mayo 2012 4A/ Spain España: 4A France: 6,50A Germany: 9,70A Italy: 4,90A Uk: 5,99£ guest Rufus creative Wainwright 0 0 1 1 3 113 9 771 1 38 5 62005 Americana THOM BROWNE <www.thombrowne.com> + Camisa & Corbata BLACK FLEECE by Brooks Brothers <www.brooksbrothers.com/blackfleece.process> GUEST CREATIVE Polifacético, ex niño prodigio y siempre arrebatadoramente cool, Rufus Wainwright (Montreal, RUFUS1973) es uno de los músicos más influyentesWAINWRIGHT de las dos últimas décadas, algo así como un compositor pop imbuido en la modernidad y, al tiempo, un cantante melódico de la vieja escuela, nostálgico de las canciones clásicas del Tin Pan Alley, el cabaret y la ópera –de hecho, él mismo ha concebido una: “Prima Donna”- y de los viejos musicales de Broadway –otra de sus heroínas es Judy Garland, cuyo álbum en vivo grabado en el Carnegie Hall neoyorquino en 1961 versionó al completo 50 años después- y también se ha autoparodiado como mesías gay, crucificándose en el escenario mientras interpretaba la canción del mismo título (“Gay Messiah”). Ha pasado unos últimos años intensísimos, en los que vivió tanto el fallecimiento de su madre, la también cantautora Kate McGarrigle como el nacimiento de su hija Viva (gestada con su amiga Lorca Cohen, a su vez hija de Leonard) y su alianza sentimental con el administrador alemán de arte Jörn Weisbrodt. Rufus, desacomplejado icono social en su defensa de las libertades civiles, también ha oficiado como actor e incluso ha compuesto música para una obra teatral de Robert Wilson basada en los sonetos de Shakespeare. -
MTV Smut Peddlers
TABLE OF CONTENTS Executive Summary¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 1 Major Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 1 I. Background¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 2 II. Study Parameters & Methodology¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 III. Overview of Major Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 ◊ Other Findings¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 3 IV Examples:¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 ◊ Foul language o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 4 ◊ Sex o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 5 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 6 ◊ Violence o On reality shows¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 9 o In music videos¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 10 V. Conclusion¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 10 End Notes¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 11 The Parents Television Council¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 12 Entertainment Tracking Systems: State-of-the-Art Television Monitoring System¤¤¤¤¤¤¤¤¤¤ Page 13 Acknowledgements¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤¤ Page 14 MTV Smut Peddlers 3,056 depictions of sex or various forms of nudity and MTV Smut Peddlers: 2,881 verbal sexual references. -
Society for Ethnomusicology Abstracts
Society for Ethnomusicology Abstracts Musicianship in Exile: Afghan Refugee Musicians in Finland Facets of the Film Score: Synergy, Psyche, and Studio Lari Aaltonen, University of Tampere Jessica Abbazio, University of Maryland, College Park My presentation deals with the professional Afghan refugee musicians in The study of film music is an emerging area of research in ethnomusicology. Finland. As a displaced music culture, the music of these refugees Seminal publications by Gorbman (1987) and others present the Hollywood immediately raises questions of diaspora and the changes of cultural and film score as narrator, the primary conveyance of the message in the filmic professional identity. I argue that the concepts of displacement and forced image. The synergistic relationship between film and image communicates a migration could function as a key to understanding musicianship on a wider meaning to the viewer that is unintelligible when one element is taken scale. Adelaida Reyes (1999) discusses similar ideas in her book Songs of the without the other. This panel seeks to enrich ethnomusicology by broadening Caged, Songs of the Free. Music and the Vietnamese Refugee Experience. By perspectives on film music in an exploration of films of four diverse types. interacting and conducting interviews with Afghan musicians in Finland, I Existing on a continuum of concrete to abstract, these papers evaluate the have been researching the change of the lives of these music professionals. communicative role of music in relation to filmic image. The first paper The change takes place in a musical environment which is if not hostile, at presents iconic Hollywood Western films from the studio era, assessing the least unresponsive towards their music culture. -
Deconstructing the Children's Culture Industry
DECONSTRUCTING THE CHILDREN‘S CULTURE INDUSTRY: A RETROSPECTIVE ANALYSIS FROM YOUNG PEOPLE by JENNIFER ANN HILL A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy in THE COLLEGE OF GRADUATE STUDIES (Interdisciplinary Studies) (Social Work, Sociology, Psychology,) THE UNIVERSITY OF BRITISH COLUMBIA (Okanagan) April 2013 © Jennifer Ann Hill, 2013 ABSTRACT The children‘s ―culture industry,‖ meaning the mass production of popular culture by corporations, has systematically targeted children to persuade them to desire commodities while promising an increase in happiness. Media in all forms has become the conduit through which corporations have access to children and the means by which they influence, mould and profoundly impact children's lives. Indeed, consumer culture plays a dominant role for individuals living in such cultures, arguably more than any other institution including government. In the 1990s, the most intense commercial campaign in the history of childhood had commenced. Despite the pervasiveness of consumerism, there has been a notable gap in the literature to ascertain from young people, in their own words, what are the experiences of and meanings attributed to consumerism throughout their childhoods. Using a paradigm of qualitative research, the present dissertation provides a detailed description of how young people, those aged 18 or 19, perceive the presence of consumer culture in their lives, both presently and with particular focus on the past, as children. Data presented here suggest that most of the young people interviewed feel considerable pressure to conform to the standards of consumerism, including the adoption of brand culture, fads and a ‗buy-and-consume‘ modality. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Chinese Women’s Makeover Shows: Idealised Femininity, Self-presentation and Body Maintenance Xiaoyi Sun Doctor of Philosophy The University of Edinburgh 2014 1 Declaration This is to certify that that the work contained within has been composed by me and is entirely my own work. No part of this thesis has been submitted for any other degree or professional qualification. Signed: 2 Abstract Since the beginning of the twenty-first century, the Chinese television industry has witnessed the rise of a new form of television programme, Chinese Women’s Makeover Shows. These programmes have quickly become a great success and have received enormous attention from growing audiences. The shows are themed on educating and demonstrating to the audiences the information and methods needed to beautify their faces and bodies and consume products accordingly. -
Art Teacher's Book of Lists
JOSSEY-BASS TEACHER Jossey-Bass Teacher provides educators with practical knowledge and tools to create a positive and lifelong impact on student learning. We offer classroom-tested and research-based teaching resources for a variety of grade levels and subject areas. Whether you are an aspiring, new, or veteran teacher, we want to help you make every teaching day your best. From ready-to-use classroom activities to the latest teaching framework, our value-packed books provide insightful, practical, and comprehensive materials on the topics that matter most to K–12 teachers. We hope to become your trusted source for the best ideas from the most experienced and respected experts in the field. TITLES IN THE JOSSEY-BASS EDUCATION BOOK OF LISTS SERIES THE SCHOOL COUNSELOR’S BOOK OF LISTS, SECOND EDITION Dorothy J. Blum and Tamara E. Davis • ISBN 978-0-4704-5065-9 THE READING TEACHER’S BOOK OF LISTS, FIFTH EDITION Edward B. Fry and Jacqueline E. Kress • ISBN 978-0-7879-8257-7 THE ESL/ELL TEACHER’S BOOK OF LISTS, SECOND EDITION Jacqueline E. Kress • ISBN 978-0-4702-2267-6 THE MATH TEACHER’S BOOK OF LISTS, SECOND EDITION Judith A. Muschla and Gary Robert Muschla • ISBN 978-0-7879-7398-8 THE ADHD BOOK OF LISTS Sandra Rief • ISBN 978-0-7879-6591-4 THE ART TEACHER’S BOOK OF LISTS, FIRST EDITION Helen D. Hume • ISBN 978-0-7879-7424-4 THE CHILDREN’S LITERATURE LOVER’S BOOK OF LISTS Joanna Sullivan • ISBN 978-0-7879-6595-2 THE SOCIAL STUDIES TEACHER’S BOOK OF LISTS, SECOND EDITION Ronald L. -
Wainwright, Rufus (B
Wainwright, Rufus (b. 1973) by Linda Rapp Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Rufus Wainwright. Reprinted from http://www.glbtq.com Courtesy Dreamworks Records. Singer and songwriter Rufus Wainwright has built a successful career with witty lyrics and rich melodies that have earned him comparisons to Cole Porter and George Gershwin. Wainwright cites Al Jolson, Edith Piaf, and Nina Simone as artists who were among his early inspirations. Both music critics and Wainwright's loyal fans appreciate the structural complexity and lush orchestrations of his works. Described by Advocate reviewer Anderson Jones as "the thinking gay man's sex symbol," Wainwright composes and performs songs marked by intelligence, humor, and pathos. In his rendition, his songs are at once achingly plaintive and hip, their frank romanticism only barely mediated by a light dose of irony. Wainwright comes from a distinctly musical family. His father is American folk-singer and humorist Loudon Wainwright III, and his mother is Canadian folk-singer and songwriter Kate McGarrigle. Born July 22, 1973 in Rhinebeck, New York, Rufus Wainwright grew up in Montreal, where his mother made her home after his parents separated when he was three and subsequently divorced. Music has always been at the center of Wainwright's life. He began learning to play the piano at six and by his early teens was performing on tour with his mother, his aunt Anna McGarrigle, and his sister Martha Wainwright as the McGarrigle Sisters and Family. Wainwright wrote his first song, "I'm A-Runnin'," for the children's film Tommy Tricker and the Stamp Traveller (1988, directed by Michael Rubbo), for which his mother and aunt had been engaged to provide the music. -
Rufus Wainwright Arriva a Sanremo
MARTEDì 18 FEBBRAIO 2014 Rufus Wainwright è appena arrivato a Sanremo, ma le polemiche impazzano gia' da giorni. Il cantautore, gay dichiarato sposato con il compagno Joern Weisbrodt, con il quale cresce la figlia Viva, è nel mirino Rufus Wainwright arriva a di alcune associazioni cattoliche che lo accusano di blasfemia per la Sanremo canzone Gay Messiah. "Sono molto sorpreso dalle reazioni che ha suscitato l'annuncio della mia presenza al Festival, penso che alcune La polemica impazza cose dette su di me vadano rettificate", spiega Rufus, canadese ma statunitense di nascita, affidando a un comunicato la sua amarezza per la bagarre suscitata e difendendo il suo brano, che comunque non portera' sul palco dell'Ariston. "Gay Messiah non e' 'blasfema', in quanto CARMEN GUADALAXARA E CRISTIAN non e' un ritratto di Gesu' o di altre figure religiose, ma la metafora di un PEDRAZZINI mondo in cui le persone omosessuali godono degli stessi diritti degli eterosessuali. E a giudicare dalle reazioni, l'Italia e' ancora molto lontana da questo. Purtroppo la crocifissione era un metodo molto comune di uccisione 2 mila anni fa". Secondo l'artista, che si esibira' domani sera con i brani Cigarettes and Chocolate Milk e Across The Universe, e' "triste che molti membri della Chiesa Cattolica non seguano il percorso [email protected] indicato da papa Francesco per il rispetto e l'accettazione di donne, gay SPETTACOLINEWS.IT e altre minoranze", ma allo stesso tempo assicura di non aver voluto ferire alcun sentimento religioso. "E' un inno per la comunita' gay e sono stato invitato a cantarla, assieme ad altre canzoni, anche al ballo della Human Right Campaign dopo il primo insediamento del Presidente Obama, a Washington".