Christie's in Tel Aviv
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Curriculum Vitae 1
Golan/Curriculum Vitae 1 Romy Golan Ph.D Program in Art History The Graduate Center, City University of New York 365 Fifth Avenue, New York, NY 10016-4309 email: [email protected] CURRICULUM VITAE Education: Ph. D. Courtauld Institute of Art, University of London, England, 1989 Dissertation: "A Moralized Landscape: The Organic Image of France Between the Two World Wars" M.A. Courtauld Institute of Art, University of London, 1982 (Thesis: "Roberto E. Matta, 1937-1947: The Last Phase of Surrealism") M.A course, History Department, Tel Aviv University, Israel, 1981 (Thesis: "Ideological Paradoxes in Nazi Architecture") B.A. Courtauld Institute of Art, University of London, 1980 Enrolled in Bezalel School of Fine Arts, Jerusalem, Israel, 1976-77 French Baccalaureat. Lycée Français Chateaubriand, Rome, Italy (with honors), 1976 Awards and Fellowships: -I Tatti, Harvard University Center for Italian Renaissance, Florence (Fall 2018) -Italian Academy of Columbia University Fellowship (2014) -Sterling and Francis Clark Art Institute Fellowship (2013) -Samuel and Ronnie Heyman Prize for outstanding scholarly publication by Junior Faculty Members of the Humanities at Yale for Modernity and Nostalgia: Art and Politics in France between the Wars (1995) -Frederick W. Hilles publication grant (1994) -A. Whitney Griswold Faculty Research grant (1993) -Henry Allen Moe Prize for Catalogues of Distinction in the Arts for co-authorship of The Circle of Montparnasse: Jewish Artists in Paris 1905-1945 (1985) -Distinction for M.A thesis, Courtauld Institute -
The Ethiopian Israeli Artist Whose 'Black Art' Gives Power To
11/05/2019, 1325 Page 1 of 1 Log in Subscribe now Saturday, May 11, 2019. Search Iyyar 6, 5779 Time in Israel: 3:11 PM Israel News All sections Teva - U.S. U.S. - Iran Israel - Gaza 747 Erdogan Iran - U.S. Eurovision 2019 Jerusalem holds off evicting gallery Haaretz | News A photo album Haaretz | News Istanbul shatters Haaretz | News Vicious protests that hosted anti-occupation NGO from the State of Israel’s first Erdogan’s dream at Israeli-Palestinian memorial year are a sign of Israel's demise Recommended by Home > Israel News Trending Now The Ethiopian Israeli Artist Whose 'Black Art' Gives Power to Greedy Jews and Why Does Hannah the People 'Lovely Bitches': Arendt's 'Banality of Nirit Takele says she has always painted about the disadvantaged Israel’s Eurovision Evil' Still Anger Ethiopian community; it’s not some stream of ‘black art’ shown for Video Draws Fire Israelis? the trendy in New York or London Vered Lee | Send me email alerts May 10, 2019 8:51 PM Share Tweet Zen Subscribe 40 U.S. States Sue What Happened Teva for 'Multi-billion When Palestinian Dollar Fraud on the Women Took Charge American People' of Their Village Israeli artist Nirit Takele, April 2019. Credit: Meged Gozani ● The Ethiopian music scene in Israel begins to take center stage ● 'It was meant to be an African party in Tel Aviv. But I was the only African there' ● Hot, black Israeli rap duo bubbles over on YouTube In the past month Nirit Takele secluded herself in the studio of her home in north Tel Aviv and painted intensively for 10 to 16 hours a day. -
ISRAELISCHE GRAFIK.Pdf
RUBRIK AUSGABE 3 | 2015 21 Yigal Ozeri, geb. 1958 in Israel, lebt in New York Fotos: Slobodan Ciric Fotos: Die INW lädt vom 11. Oktober bis 15. Oktober zu einer Ausstellung ein, welche im Theater Nestroyhof Hamakom, Nestroyplatz 1, 1020 Wien im Rahmen der israelischen Theaterwoche (siehe S. 41) stattfindet und die einen Querschnitt israelischer Grafik bietet. Der Kurator dieser Präsentation ist der in Israel sehr bekannten Kunst- und Kulturmanager Doron Polak. Die Werke sind auch käuflich zu erwerben. Unter dem Titel „Rishumon” gibt es zusätzlich eine bemerkens- werte und berührende Darbietung zweier Künstler, die zeitlose Themen wortlos, begleitet mit Musik von Shaul Ben Amitai, auf die Bühne bringen – schauspielerisch Svetlana Ben und malerische Interpretation Ophira Avisar. Ein Ereignis das man nicht versäumen möge. In der Beilage finden Sie einige Künstler dieser sehenswerten Ausstellung. ISRAELISCHE KUNSTGRAPHIK HENIE WESTBROOK ie führt uns zu einem Rundgang durch Ozeri nützt die Techniken der Graphik, um Lea Nikel lebte und arbeitete in Tel Aviv, bole auf, indem er ihnen über ihren wichtige Stationen der Kunstentwicklung sich neben seinen Collagen wieder seinen Paris und New York, studierte in den Studios Symbolwert hinaus, neue Bedeutung scha. Israels, von den Anfängen in der Man- zeichnerischen Ursprüngen zuzuwenden. mit Streichmann und Stemazky und zeichnet Er situiert sie innerhalb der Modernen Kunst Sdatszeit bis zu zeitgenössischen Arbeiten und Auch Zvika Kantor arbeitet im Druckmedium sich durch einen unverkennbar lyrischen Ex- und platziert sie gleichzeitig innerhalb der is- vermittelt uns die Ausstellung ein who is who parallel zu seinen Computerarbeiten. pressionismus, starker Farbigkeit und kalligra- raelischen Kunst. der israelischen Kunstszene – von der Grün- In der Ausstellung wird eine Graphik von phischen Elementen aus. -
Israeli & International Art Jerusalem 16 April 2009
ISRAELI & INTERNATIONAL ART JERUSALEM 16 APRIL 2009 SPECIAL PESACH AUCTION ISRAELI AND INTERNATIONAL ART KING DAVID HOTEL JERUSALEM THURSDAY, 16 APRIL 2009 9:00 P.M. 1 בס”ד Auction Preview MATSART GALLERY, 21 King David St., Jerusalem April 2 -16 : Sun.-Thu. (including Hol-Hamoed) 11 am - 10 pm Fri. 11 am - 3 pm Sat. and Holidays 9.30 pm - 12 am Wed. April 8 (Erev Pesach) by appointment only Thu. April 16, 11 am - 2 pm Private viewing is available by appointment Online auction on : www.artfact.com Online Catalogue : www.artonline.co.il Auction 111, 16 April 2009 9:00 pm King David Hotel, Jerusalem. Special preview of selected lots Auction 112 (June 2009) on view in the gallery.(See highlights on p. 106 -113) ימי תצוגה גלריה מצארט, דוד המלך 21 ירושלים 16-2 אפריל. ראשון - חמישי ׁׂׂ)כולל חול המועד( 11:00 - 22:00 שישי 11:00 - 15:00, שבת ומוצאי חג 21:30 - 24:00 רביעי, 6 אפריל )ערב פסח( לפי תיאום מראש. חמישי, 16 אפריל 11:00 - 14:00 המכירה גם באתר : www.artfact.co.il הקטלוג און-ליין בכתובת: www.artonline.co.il מכירה 111 16 באפריל 2009, 21:00, מלון המלך דוד, ירושלים מבחר פריטים ממכירה 112 )יוני 2009( יוצגו בגלריה בימי התצוגה המקדימה )ראה יצירות נבחרות בעמ’ 113-106( 3 מנהל ובעלים Director and Owner לוסיאן קריאף Lucien Krief מנכ”ל Executive Director אורי רוזנבך Uri Rosenbach [email protected] [email protected] מומחים Specialists אורן מגדל Oren Migdal מומחה לאמנות ישראלית Expert Israeli Art [email protected] [email protected] לוסיאן קריאף Lucien Krief מומחה לאסכולת פריז Expert Ecole de Paris [email protected] [email protected] שירות לקוחות Client Relations אורי רוזנבך Uri Rosenbach ברברה אפלבאום Barbara Apelbaum [email protected] [email protected] כספים Client Accounts סטלה קוסטה Stella Costa [email protected] [email protected] לוגיסטיקה ומשלוחים Logistics and Shipping רייזי גודווין Reizy Goodwin [email protected] [email protected] MATSART AUCTIONEERS AND APPRAISERS 21 King David St. -
Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b. -
Israeli Artists, Musicians Develop Vigorous and Distinct Style a COLORFUL and COMPREHENSIVE Review of Deve!
I i • '.::•h=tf:!-,c.:.'_:SeJ!t2__em_..:.:..,:_ber_J_6.:.... _195_S _________________________T_H_. E __ I_S_R_A_E_L_I_T_E __ P_R_:_E_S_S ______________________ --,- _____:_:,Ne~ °!_!ar_._Edition _ Page 3 . Israeli Artists, Musicians Develop Vigorous and Distinct Style A COLORFUL AND COMPREHENSIVE review of deve!. opments and trends in Israeli art and music was publish I Israeli Art· Gains Many New Ftjends ir ~~... THEY'RE FORGING ed recently in a special "Culture in Israel" issue of the 1 well-known periodical Israel Speaks, published in New 1 York. We are sure our readers will join with The Is For Jewish State. in Travels Abroad :-, raelite Press in expressing our deep appreciation to Israel Speaks for permission to reprint a number of the i11ter By ALFRED WERNER I tial. and, excellent draftsm~ · that himself or gloomy colors m . the 11 · AN 'ISRAELI' ART New York. ' he is, renders the contours with an land of hope, the land of Tomor-11 esting and informative articles in that issue, and also for ; energetic hand. · . row?" Why not--0nly fools are I . By MORDECAI ARDON ing re.ality into iu compoMnt parts the co-operation in providing w with the pictures of r .. ~r. w• ..,.r 11 a_ w.llknown ! The ubra Moshe Castel, a Sefardi always happy, and Mokady's fig.· L · and reassemblillg it illto new cent Israeli art, and of leading musicians, which accom critic and art historian. , who, only in his mid-forties, is the , ures, landscapes, still lifes belong 11 MordecaJ Ardon (Bronstein), 1 aesthetic entities-a new reality. panied the articles. -
Israel Prize
Year Winner Discipline 1953 Gedaliah Alon Jewish studies 1953 Haim Hazaz literature 1953 Ya'akov Cohen literature 1953 Dina Feitelson-Schur education 1953 Mark Dvorzhetski social science 1953 Lipman Heilprin medical science 1953 Zeev Ben-Zvi sculpture 1953 Shimshon Amitsur exact sciences 1953 Jacob Levitzki exact sciences 1954 Moshe Zvi Segal Jewish studies 1954 Schmuel Hugo Bergmann humanities 1954 David Shimoni literature 1954 Shmuel Yosef Agnon literature 1954 Arthur Biram education 1954 Gad Tedeschi jurisprudence 1954 Franz Ollendorff exact sciences 1954 Michael Zohary life sciences 1954 Shimon Fritz Bodenheimer agriculture 1955 Ödön Pártos music 1955 Ephraim Urbach Jewish studies 1955 Isaac Heinemann Jewish studies 1955 Zalman Shneur literature 1955 Yitzhak Lamdan literature 1955 Michael Fekete exact sciences 1955 Israel Reichart life sciences 1955 Yaakov Ben-Tor life sciences 1955 Akiva Vroman life sciences 1955 Benjamin Shapira medical science 1955 Sara Hestrin-Lerner medical science 1955 Netanel Hochberg agriculture 1956 Zahara Schatz painting and sculpture 1956 Naftali Herz Tur-Sinai Jewish studies 1956 Yigael Yadin Jewish studies 1956 Yehezkel Abramsky Rabbinical literature 1956 Gershon Shufman literature 1956 Miriam Yalan-Shteklis children's literature 1956 Nechama Leibowitz education 1956 Yaakov Talmon social sciences 1956 Avraham HaLevi Frankel exact sciences 1956 Manfred Aschner life sciences 1956 Haim Ernst Wertheimer medicine 1957 Hanna Rovina theatre 1957 Haim Shirman Jewish studies 1957 Yohanan Levi humanities 1957 Yaakov -
Radicant Israeli Art: from Past to Future
Article Radicant Israeli Art: From Past to Future Ori Z. Soltes Center for Jewish Civilization, Georgetown University, Washington, DC 20057, USA; [email protected] Received: 4 November 2019; Accepted: 10 January 2020; Published: 6 February 2020 Abstract: Mieke Bal’s concept of “migratory aesthetics” and the observation by Saloni Mathur and Anne Ring Peterson that “traditional notions of location, origin and authenticity seem obsolete and in urgent need of reconsideration” perfectly encompass the phrase “Jewish art”, and within that difficult‐to‐define subject, Israeli art (which, among other things, is not always “Jewish”). As Hava Aldouby has noted, Israeli art presents a unique inflection of the global condition of mobility— which in fact contributes to the problem of easily defining the category of “Israeli art”. Nothing could be more appropriate to the discussion of Israeli art, or to the larger definitional problem of “Jewish art” than to explore it through Nicolas Bourriaud’s botanical metaphor of the “radicant”, and thus the notion of “radicant art”. The important distinction that Bourriaud offers between radical and radicant plants—whereby the former type depends upon a central root, deep‐seated in a single nourishing soil site, whereas the latter is an “organism that grows its roots and adds new ones as it advances…” with “…a multitude of simultaneous or successive enrootings”—is a condition that may be understood for both Israeli and Jewish art, past and present: Aldouby’s notion that the image of the Wandering Jew offers the archetypal radicant, informs both the “altermodernity” concept and Israeli art. Keywords: Arab; Bezalel; diaspora; diverse/diversity; Jerusalem Biennale; Jewish art; Palestinian; radicant; Schatz 1. -
Tel Aviv’S Most Exclusive Address Once It Is Finished Next Year
CITY STYLE MEIER-ON-ROTHSCHILD The Richard Meier–designed residential tower on upscale Rothschild Boulevard will likely become Tel Aviv’s most exclusive address once it is finished next year. Bathrooms with Carrara marble, kitchens with Poggenpohl and Boffi appointments, and windows stretching floor to ceiling will mark the interiors. Three 360-degree-view penthouses with private terraces will include one-of-a-kind collages created by Meier himself. $1 million to $50 million; +972.3.510.0827, www.meier.co.il Mizlala Part lounge, part dining room, this minimalist restaurant with quirky punches of color and tapas-style Middle Eastern cuisine has earned international praise since it opened in 2011. Helmed by chef Meir Adoni, Mizlala presents a decidedly unkosher menu, with dishes ranging from pork belly roasted in whisky and maple syrup to shrimp- and bacon- THE RITZ- stuffed calamari. www.mizlala.co.il CARLTON, Tel Aviv HERZLIYA A design capital emerges in the Middle East. Israel’s first Ritz-Carlton hotel will open later this year in the seaside ❖ While the State of Israel often seems to be in a mire of conflict, the resort town of Herzliya, just outside nation’s second-largest city has evolved into an oasis of creativity for some of of Tel Aviv’s city center. The property today’s most forward-thinking designers. With European-style boulevards, state- will offer 114 guest rooms, as of-the-art museums, and powdery beaches that look more like Miami than the well as 82 whole-ownership The Efendi Hotel Middle East, Tel Aviv is not only cultivating a cadre of homegrown visionaries, residences (priced from $800,000 An eight-year restoration that concluded but also luring the projects of such luminaries as the American architect Rich- to $4 million). -
The Pennsylvania State University
The Pennsylvania State University The Graduate School Department of Comparative Literature ARCHETYPES AND AVATARS: A CASE STUDY OF THE CULTURAL VARIABLES OF MODERN JUDAIC DISCOURSE THROUGH THE SELECTED LITERARY WORKS OF A. B. YEHOSHUA, CHAIM POTOK, AND CHOCHANA BOUKHOBZA A Dissertation in Comparative Literature by Nathan P. Devir © 2010 Nathan P. Devir Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2010 The dissertation of Nathan P. Devir was reviewed and approved* by the following: Thomas O. Beebee Distinguished Professor of Comparative Literature and German Dissertation Advisor Co-Chair of Committee Daniel Walden Professor Emeritus of American Studies, English, and Comparative Literature Co-Chair of Committee Baruch Halpern Chaiken Family Chair in Jewish Studies; Professor of Ancient History, Classics and Ancient Mediterranean Studies, and Religious Studies Kathryn Hume Edwin Erle Sparks Professor of English Gila Safran Naveh Professor of Judaic Studies and Comparative Literature, University of Cincinnati Special Member Caroline D. Eckhardt Head, Department of Comparative Literature; Director, School of Languages and Literatures *Signatures are on file in the Graduate School. iii ABSTRACT A defining characteristic of secular Jewish literatures since the Haskalah, or the movement toward “Jewish Enlightenment” that began around the end of the eighteenth century, is the reliance upon the archetypal aspects of the Judaic tradition, together with a propensity for intertextual pastiche and dialogue with the sacred texts. Indeed, from the revival of the Hebrew language at the end of the nineteenth century and all throughout the defining events of the last one hundred years, the trend of the textually sacrosanct appearing as a persistent motif in Judaic cultural production has only increased. -
Flver MUSEUM of MODERN ART Jt WEST 53RD STREET, NEW YORK
si [HE MUSEUM OF MODERN ART JJ WEST 53rd STREET LEW YORK TELEPHONE: CIRCLE 5-8900 CABLES: MODERNART, NEW-YORK H NEWMEYER, PUBLICITY DIRECTOR SARA September 23, 1942, TO Art Editors City Editors Dear Sirs: You are invited to come or send a representative to PRESS PREVIEW of THE AMERICAS COOPERATE, prepared by the Museum at the request of the Coordinator of Inter- American Affairs and NEW ACQUISITIONS in Painting and Sculpture Tuesday, September 29 2 to 6 P.M. at the Museum of Modern Art 11 West 53 Street. The exhibitions will open to the public Wednesday, September 30. For further information please telephone me at Circle 5-8900. Sincerely yours, <A. //W-v^ Yu Sarah Newmeyer Publicity Director flVEr MUSEUM OF MODERN ART jt WEST 53RD STREET, NEW YORK fELKPHONE: CIRCLE 5-8900 FOR IMMEDIATE RELEASE NEW ACQUISITIONS IN PAINTING AND SCULPTURE ANNOUNCED BY MUSEUM OF MODERN ART On Wednesday, September 30, a small group of new acquisitions in European painting and sculpture will .be shown at the Museum of Modern Art, 11 West 53 Street. This follows an exhibition of recent American accessions which closed on Sunday, September 27. Among the new acquisitions are works by three famous French artists, Degas, Derain and Berard; by an Italian, Modigllanl, who did his principal work in France; and by the ex-German, Eric Isenburger, and the Palestinian, Reuven Rubin, both of whom are now in the United States. A sculpture and a drawing by Jacques Lipchitz, now living in the United States, complete the group. The Modigliani painting Bride and Groom has been given by Frederic Clay Bartlett, noted collector and patron of art, who is an Honorary Trustee of the Museum of Modern Art. -
PASSATO E FUTURO Vivere Nel Passato
OTTOBRE 2016 ANNO XLI -205 TISHRÌ 5777 Sped. in A.p: 70% - filiale di Torino - n. 2 - 2° semestre 2016 - In caso di mancato recapito restituire al mittente che si impegna a pagare i diritti dovuti - C/O CMP TORINO-NORD www.hakeillah. com HA KEILLAH (LA COMUNITÀ) - BIMESTRALE - ORGAN O DEL GRUPPO DI STUDI EBRAICI DI TORINO [email protected] PASSATO E FUTURO Vivere nel passato. Vivere per il futuro. Sono tanza al passato e al futuro, con la coscienza due atteggiamenti e mentalità che si trovano e la convinzione che la nostra azione, istante spesso in contrasto tra loro e dividono le sin - dopo istante, contribuisce a tracciare la stra - gole persone, o le famiglie, i gruppi o le re - da del tempo che verrà. lative ideologie in due nette categorie di pen - La cultura ebraica ha il pregio di fornirci me - sieri e di interessi: i cosiddetti “conservato - taforicamente due enormi recipienti, entram - ri”, che valorizzano il tempo trascorso, che bi di grande valore: quello del passato, ric - vivono nei loro ricordi, che rimpiangono ciò chissimo di storia, di gioie e sofferenze, di che è stato, nella convinzione che contenga leggi e di regole morali, di costumi, di amici dei beni irripetibili, definitivamente perduti; e nemici, di meccanismi per la sopravviven - i cosiddetti “progressisti”, che nutrono piena za; quello del futuro, che contiene la prospet - fiducia e speranza nell’avvenire, ma tendono tiva messianica, fornendo il modello idoneo a guardare solo avanti, operando spesso in per condurci, passo dopo passo, a costruire modo avventato per ignoranza e superficia - un mondo migliore, di intese per la pace e lità e trascurando le esperienze della storia, per il benessere globale di tutta l’umanità.